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    Brianne Howey Feels a Presence Through Her Bracelet

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    Brianne Howey has a supernatural connection with her late grandmother, who’s “come through” by way of mediums, and a one-time séance that used her grandmother’s bracelet to guide otherworldly energy into the room.The star of Netflix’s hit show “Ginny & Georgia,” currently in its third season and remains one of the network’s top 10 shows after two weeks, wears a gold serpentine heirloom most days. “It just makes me feel like I’m with my grandma,” she said of the transcendental link. In an interview, Ms. Howey reflected on the bracelet that is, as she put it, “a physical manifestation” of her memories and her love.This interview has been edited and condensed.How did this bracelet find its way to you?After my grandma passed in 2022, one of my aunts told me that she had left it for me with my name on it, on a Post-it with the bracelet. It’s so, so special to me.Did your grandma wear lots of other jewelry, or was this her main piece?Not that much, actually. She was kind of a minimalist. My grandma was a really practical woman. She had eight kids. She was a nurse, very Catholic, not a lot of bells and whistles. So that makes this even more sentimental. My grandma was also the kind of person who, anytime she lost something, she would whip out her St. Christopher beads. She had a lot of rosaries. That was more her jewelry. There would be a rosary around her neck, in every pocket, and she would know exactly who to pray to if you lost something, if you were sick, if I was nervous about a test, anything.Do you wear it every day?It’s like a wedding band, almost: I feel kind of naked without it on, and it’s so delicate and comfortable and it lays so flat, and it makes me feel so close to my grandma because my parents had me super young. I was really raised so much by my grandparents, so it’s just extra special.I have sort of a roller coaster of a past with my jewelry collection. Twice in my life I’ve been robbed. And all my jewelry got stolen. So I’ve sort of been rebuilding. But both times, my grandma’s bracelet, I’ve always had it. It never got stolen, so that’s why it’s extra sentimental.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Holocaust’s Grandchildren Are Speaking Now

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      Toward the end of “A Real Pain,” a movie written and directed by Jesse Eisenberg coming to theaters on Nov. 1, two first cousins played by Eisenberg and Kieran Culkin approach the house in a Polish town where their recently deceased grandmother had lived before the Holocaust.Eisenberg’s character, David, the more reserved of the pair, proposes the two leave stones on the doorstep, riffing on the Jewish tradition of placing stones on graves.“She’s not buried here,” says Culkin’s cousin, Benji.“Yeah, I know, but it’s the last place she was in Poland,” says David. “It’s the last place any of us were.”The improvised remembrance, the interruption of self-awareness, the confused sense of duty — all are characteristic of how American descendants of the Holocaust’s victims two generations removed today commemorate an event that, nearly 80 years after it ended, can feel like something that still governs their lives, not to mention the lives of Jews and everyone else.This cohort is known as the third generation of Holocaust survivors, and “A Real Pain” is representative of their output. Which is to say: It is often not about the Holocaust at all. The cousins go together on an organized tour of Holocaust sites and memorials in Poland, but much of it — excepting a visit to the Majdanek concentration camp — is lighthearted. David and Benji grieve mainly not for the Holocaust but for their grandmother, who survived it. They struggle with their own problems, including the dissipation of their relationship. They question why they are even there.Jesse Eisenberg on the set of his new movie, “A Real Pain,” about the grandsons of a Holocaust survivor visiting Poland.Agata Grzybowska/Searchlight PicturesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Broadway Babies, Singing Show Tunes for Seniors

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      What happened when four young theater actors performed for an older generation? “I was expecting to have the best show ever and that happened.”“Oh, baby, give me one more chance,” sang Corey J, a former Little Michael in the Broadway musical “MJ.” Dressed in a black rimmed hat and a black turtleneck, jacket and pants, he slipped through the explosion of joy that is the chord progression of the Jackson 5 song “I Want You Back.”He had performed the song hundreds of times in the Broadway show, a biographical Michael Jackson jukebox musical, at the Neil Simon Theater. But on this particular afternoon, he was on a much smaller stage: an Upper East Side senior center, where about 50 residents seated in floral chairs clapped along to the beat.The performance was part of a monthly series at the senior living community, Inspir Carnegie Hill, on the Upper East Side of Manhattan.Nina Westervelt for The New York TimesIt was the latest in a monthly series of Broadway-related events staged in the dining room of the senior living community, Inspir Carnegie Hill, by Evan Rossi, its senior director of resident experience, in partnership with the events company Broadway Plus. Though Inspir has hosted numerous events with Broadway actors — including Julie Benko (“Harmony,” “Funny Girl”), Charl Brown (“Motown: The Musical”) and the comedian Alex Edelman (“Just for Us”) — this was the first to feature children actors.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More