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    MacArthur Foundation Announces 25 New ‘Genius’ Grant Winners

    The 2022 awards are going to artists, activists, scholars, scientists and others who have shown “exceptional creativity.” The grants are a bit bigger than before: $800,000 over five years.The 2022 MacArthur fellows include a sociologist working to understand what drives people to own guns; an astrodynamicist trying to manage “space traffic” and ensure that satellites don’t crash into each other in Earth’s orbit; and a lawyer seeking to expose inequities in the patent system that stifle access to affordable medications.The 25 winners of the fellowship, announced on Wednesday, study things as small as molecular materials and as vast as outer space. They are esteemed in their fields, if not yet all household names. And now, in addition to being publicly celebrated for their work, they will have more funding to keep it going.Known colloquially as the “genius” award — to the sometime annoyance of the John D. and Catherine T. MacArthur Foundation — the MacArthur Fellowship comes with a no-strings-attached grant of $800,000 to be awarded over five years. (Program officials noted that the size of the stipend has increased for the new group of fellows, from $625,000.)The class includes scholars tackling some particularly timely topics. Jennifer Carlson, 40, investigates the motivations and assumptions that shape gun culture in America. The longtime activist Loretta J. Ross teaches a class that works to combat so-called cancel culture. And some of Yejin Choi’s work involves using computational linguistics to help detect everything from fake consumer reviews to fake news.“I didn’t think much of myself,” said Professor Choi, 45. “I thought this award was supposed to be for other people out there — not ever for me.”“Being an immigrant, being a woman — I had to overcome a lot,” she said. “I had impostor syndrome.”The fellowship is meant for those who “show exceptional creativity in their work and the prospect for still more in the future,” according to the foundation.The purpose “has always been to provide recipients with unrestricted financial support so that they might further their creative work and their creative inclinations with as much freedom as flexibility as possible,” said Marlies Carruth, director of the MacArthur Fellows program.Few honors carry the prestige — and mystique — of the MacArthurs. Potential fellows cannot apply but are suggested by a network of hundreds of anonymous nominators from across the country and narrowed down by a committee of about a dozen people, whose names are not released.Professor Ross said she was driving when she got a call from the foundation. She assumed, at first, that someone wanted an employment reference: “I told them, kind of rudely, ‘I’m driving right now, I’ve got to teach today, call me back at 4:15.’”She did not give the caller time to explain. “I don’t drive and talk,” she said.The foundation called back at 4:15 p.m., as instructed.“I felt honored and I felt a little bewildered,” Professor Ross said. “The hardest part is that they told me a month ago and I had to keep it all to myself.”Much of the winners’ work feels urgent. Jenna Jambeck, an environmental engineer, investigates the scale and pathways of plastic pollution and is among the researchers who provided the first estimate of the amount of plastic waste entering the ocean annually (eight million metric tons).Moriba Jah, 51, the astrodynamicist, is an advocate for a different kind of environmentalism: space environmentalism, which calls for treating Earth’s orbit, which now contains almost 30,000 human-made objects, as a finite natural resource.Priti Krishtel, 44, the lawyer, is trying to change the patent system so that pharmaceutical companies can no longer file multiple patents on small changes to existing drugs — a move aimed at increasing access to affordable medications.In some cases, the urgent work is the study of the past. The literary historian P. Gabrielle Foreman founded the Colored Conventions Project, a digital initiative that documents Black organizing efforts between 1830 and the 1890s.“We know about white-led movements for social change in a way that has a tendency, in the public square, to overshadow Black brilliance, Black leadership and Black organizational capacity,” Professor Foreman said.“Why don’t we know about Black-led movements? One reason is because they are saying the same thing we are saying today,” she continued, noting that the conventions dealt not just with ending slavery but also with issues like equal pay, labor rights, voting rights and other issues that remain pressing almost two centuries later.There are multiple artists in the class as well. Among them is Amanda Williams, whose “Embodied Sensations” installation was at the Museum of Modern Art in 2021. There are also musicians like Ikue Mori, who, over five decades, transformed the use of percussion in improvised music, and the jazz cellist and composer Tomeka Reid.The youngest fellow is Steven Prohira, 35, a physicist engineering new tools to detect subatomic particles. The oldest, at age 69, are Professor Ross and Robin Wall Kimmerer, a plant ecologist known for environmental stewardship that is grounded in both scientific research and the body of knowledge cultivated by Indigenous peoples.Steven Ruggles, 67, is also among this class of fellows. A historical demographer, he built the world’s largest publicly available database of population statistics.“I’m not the most obvious candidate for something like this,” he said, noting that he is older and has already procured considerable grant money. Still, he, conceded, “It’s a humbling thing.”This year’s fellows also include: the artists Paul Chan, Sky Hopinka and Tavares Strachan; the mathematicians June Huh and Melanie Matchett Wood; the historian Monica Kim; the writer Kiese Laymon; Danna Freedman, a synthetic inorganic chemist; Martha Gonzalez, a musician and scholar; Joseph Drew Lanham, an ornithologist and naturalist; Reuben Jonathan Miller, a sociologist, criminologist and social worker; and Emily Wang, a primary-care physician and researcher.Professor Choi, a computer scientist with expertise in what is known as natural language processing, has focused much of her recent research on common sense knowledge and reasoning — and developing artificial intelligence systems that can reason with that common sense.“People really looked down on me,” she said, recalling that someone had once chased her down at a conference to convince her that attempting to study common sense was a fool’s errand.Getting a MacArthur, she said, has been “enabling” — both financially and mentally, Professor Choi said. The same person who had sought her out at the conference asked her years later to recommend reading for a class the person wanted to teach, she said. The topic of the class? Common sense. More

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    18 Arts Organizations of Color Selected for National Initiative

    The Wallace Foundation will fund up to $3.75 million in support for each organization, spread across the country, over the next five years.In the 1970s, a series of fires — set as arson for profit — rocked the Bronx. This story, acted out against a soundtrack of salsa and hip-hop, is currently being told by Pregones/Puerto Rican Traveling Theater at Pregones Theater in the Bronx.These are the types of stories and organizations that the Wallace Foundation, which aims to foster equity and improvements in the arts, will support in its new initiative. Eighteen arts organizations of color across the country, including Pregones/PRTT, will each receive up to $3.75 million over the next five years.“One of the things that distinguishes this opportunity is the acknowledgment that organizations of color have a certain history of undercapitalization,” said Arnaldo López, the managing director of Pregones/PRTT. “And that means that, for many years — compared to primarily white-serving organizations in the arts and culture — we worked with a fraction of the money.”The 18 grantees were selected from over 250 applicants and include 1Hood Media in Pittsburgh, Chicago Sinfonietta, the Queer Women of Color Media Arts Project in San Francisco, the Arab American National Museum in Dearborn, Mich., and the Union for Contemporary Art in Omaha, Neb.This marks the first phase — aimed at organizations with budgets between $500,000 and $5 million — of a broader national arts initiative by the Wallace Foundation. A future phase will focus on a second, larger group of grantees with budgets below $500,000. In total, the foundation has committed to providing funding of up to $100 million.This iteration, though, was designed around a specific guiding question: How can arts organizations of color use their experience working closely with their communities to stay resilient and relevant?“It’s about: What are the aspirations for their future?” said Bahia Ramos, the director of arts at the Wallace Foundation. “And how might these resources — time and space to breathe and learn together — give them the wherewithal to meet those aspirations?”The first year of the initiative will focus on planning before the next four years of project implementation. Over the next year, grantees will map out their funding in partnership with advisers and consultants, including researchers, ethnographers and financial management planners.One recipient, the Laundromat Project in Bedford-Stuyvesant, Brooklyn, hopes to dig deeper into its work: Helping artists and neighbors become agents of change in their own communities. The Laundromat Project was founded 17 years ago by a Black woman, Risë Wilson, at her kitchen table in Bed-Stuy, said the project’s executive director, Kemi Ilesanmi.“We have residencies with artists, we do community engagement, we have a professional development fellowship,” Ilesanmi said. “And all of this is allowing us to figure out how to do that citywide — and do it in the context of Bed-Stuy.”Grantees will also work with a research team from Arizona State University and the University of Virginia to refine their research questions and approaches. Researchers from the Social Science Research Council will develop “deep-dive” ethnographies of each organization to document their histories and practices.“All of us have a great deal to learn from organizations founded by and with communities of color,” Ramos said, “who have deep legacies of working with and on behalf of their communities.” More