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    Timothy West, Who Portrayed Kings and Prime Ministers, Dies at 90

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    Timothy West, a versatile actor who portrayed a parade of historical and classical figures onstage and onscreen, and in between became a household name in Britain as a sitcom and soap opera regular, died on Tuesday in London. He was 90.His death was announced by his family on social media. They did not specify where he died but thanked the staffs at a London care home and a hospital for “their loving care” during Mr. West’s final days.With arched brows, narrow eyes and a strong jaw, Mr. West brought a commanding presence to historical figures like Winston Churchill, Joseph Stalin and King Edward VII, and to notables of classic theater like King Lear, Macbeth and Willy Loman.He was perhaps best known to American audiences for his performances in British television imports: the mini-series “Edward the King,” the movie “Churchill and the Generals” and the acclaimed mini-series “Bleak House,” an adaptation of the Charles Dickens novel that was shown on PBS’s “Masterpiece Theater” in 2005.Mr. West, kneeling, in 1970 in “Edward II” with Ian McKellen. He was known to bring a commanding presence to historical figures.AlamyMr. West, left, with Ian Richardson in the BBC drama “Churchill and the Generals.” It was the first of his three career portrayals of the British prime minister.RGR Collection/Alamy Stock PhotoAlthough Mr. West was a staple of British television, had dabbled in radio drama and had several small film roles, his lifelong passion was the theater.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Theater

      ‘The Curious Case of Benjamin Button’ Gets a Folk-Musical Makeover

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      The decade-spanning story of a man aging in reverse comes to the West End, transformed into a thoughtful fable opening on the English coast.Benjamin Button is born onto the West End stage with a hunch, a walking stick and venerable observations more suitable to a wizened man than a newborn.“You’re only as old as you feel,” Button quips to his parents, who are aghast that their long-awaited baby seems to be a 70-year-old man. “Do you mind if I smoke?”Age aside, “The Curious Case of Benjamin Button,” a folk-rock musical adaptation of the F. Scott Fitzgerald short story opening Wednesday at the Ambassadors Theater in London, explores earnest and existential questions of how and where to live. The broad strokes of the story might be most familiar from David Fincher’s 2008 film of the same name, which starred a backward-aging Brad Pitt and opened in New Orleans.But this onstage Button lives a different life altogether. He’s born in 1918 in a blustering, harbor village in Cornwall, at the southwestern tip of England, as something of a shut-away, before breaking free in search of romance and adventure. A 13-person cast of actor-musicians is onstage nearly the entire time, giving the show the feel of a fable merged with a Mumford & Sons concert.In the show, time moves in quick jumps, but for the creators behind this fairy tale retelling, Jethro Compton and Darren Clark, the project has been a long endeavor. The show, their first to open in the West End, started life about eight years ago as a project that Compton called “Untitled Cornish Musical.”Jethro Compton and Darren Clark, the creators of the musical.Sam Bush for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares169 Views

      in Television

      Sex, Horses and Stately Homes: Bringing a Naughty British Romance to TV

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      Walking into Jilly Cooper’s house in the English countryside is like stepping inside one of her novels.The living room walls are covered in pictures or bookshelves, and the surfaces by ceramic cats, dogs and horses. Pictures of loved ones (family) and notables (royal family) are scattered throughout the room. The windows look over a landscape of rolling hills.It was from this 14th-century home, and on a manual typewriter, that Cooper, 87, wrote the “Rutshire Chronicles,” an 11-book series of romance novels featuring the handsome and troubled horse-riding hero Rupert Campbell-Black. The novels sold 12 million copies in Britain, where they shaped a generation readers’ ideas about romance, sex and the upper classes in the ’80s and ’90s.Known as “the queen of the bonkbuster” — an amalgam of “blockbuster” and “bonking,” a very English way of referring to you-know-what — Cooper’s name is synonymous in Britain with juicy romance and well-heeled naughtiness. In the United States, it has less resonance.Disney+ and Hulu are hoping to change that with the premiere, on Friday, of “Rivals,” an eight-part series based on Cooper’s 1988 novel of the same title from the “Rutshire Chronicles.”“I’m knocked out, because I love this book so much,” Cooper said in a recent interview. “I think it’s my favorite one.” Seeing it turned into a series, she said, was a “great treat,” especially at her age. “Eighty-seven is so old,” she said. “What’s 87 in dog years?”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      An Oasis in England’s Troubled, Polarized Opera Landscape

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      The sun shone brightly over the downs of East Sussex on a summer afternoon while people trickled onto the grounds of Glyndebourne to hear an opera by Handel. Most of the men wore black tie, and many women were in floral gowns, as they picnicked among gardens and sculptures, and under the shadow of the property’s grand, Jacobethan manor house.As they made their way into Glyndebourne’s opera house, old Oxbridge friends recognized one another and swapped life updates; introductions were made, photos were taken, and, when the time came for the show to start, the party was put on a respectful pause for the opening act of “Giulio Cesare.”It all had the appearance of opera in paradise, which isn’t so much of an exaggeration. Glyndebourne, a country house festival that over 90 years has grown into an enormous, year-round operation, has a reputation for elitism in its unofficial dress code and high prices. But there is also elitism, the good kind, in its level of music making.The Conrad Shawcross sculpture garden on the Glyndebourne grounds.Alice Zoo for The New York TimesIn the organ room at Glyndebourne.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares99 Views

      in Theater

      Maggie Smith, Grande Dame of Stage and Screen, Dies at 89

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      She earned an extraordinary array of awards, from Oscars to Emmys to a Tony, but she could still go almost everywhere unrecognized. Then came “Downton Abbey.”Maggie Smith, one of the finest British stage and screen actors of her generation, whose award-winning roles ranged from a freethinking Scottish schoolteacher in “The Prime of Miss Jean Brodie” to the acid-tongued dowager countess on “Downton Abbey,” died on Friday in London. She was 89.Her death, in a hospital, was announced by her family in a statement issued by a publicist. It did not specify the cause of death.American moviegoers barely knew Ms. Smith (now Dame Maggie to her countrymen) when she starred in “The Prime of Miss Jean Brodie” (1969), about a teacher at a girls’ school in the 1930s who dared to have provocative views — and a love life. Vincent Canby’s review in The New York Times described her performance as “a staggering amalgam of counterpointed moods, switches in voice levels and obliquely stated emotions, all of which are precisely right.” It brought her the Academy Award for best actress.She won a second Oscar, for best supporting actress, for “California Suite” (1978), based on Neil Simon’s stage comedy. Her character, a British actress attending the Oscars with her bisexual husband (Michael Caine), has a disappointing evening at the ceremony and a bittersweet night in bed.In real life, prizes had begun coming Ms. Smith’s way in 1962, when she won her first Evening Standard Theater Award. By the turn of the millennium, she had the two Oscars, a Tony, two Golden Globes, half a dozen BAFTAs (British Academy of Film and Television Awards) and scores of nominations. Yet she could go almost anywhere unrecognized.Until “Downton Abbey.”Ms. Smith on the set of the 1969 film “The Prime of Miss Jean Brodie.” She won an Academy Award for best actress for the performance.Universal History Archive/Universal Images Group, via Getty Images

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      We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 163 Shares139 Views

      in Music

      She Found a Home in Music. Now She’s the Composer for the King.

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      Errollyn Wallen, a Belize-born artist who has been named master of music by King Charles, discusses music as an escape, confronting racism and living by the sea.The call from Buckingham Palace came on a summer morning, when Errollyn Wallen, wearing a pink onesie with pom-pom trim, had just finished a breakfast of toast and marmalade at her seaside home in Scotland.A private secretary for the British royal family had phoned with momentous news: King Charles III wanted Wallen to serve as Master of the King’s Music, an honorary position roughly equivalent to that of poet laureate.Wallen, a composer and a pianist who was born in Belize, a former British colony, has spent her career challenging conventions in classical music.“I was astonished,” Wallen, 66, said in a recent Zoom interview. “I paused for a few moments, then cheerfully accepted.”Wallen, whose appointment was announced in August, is the first Black woman to serve in the role, which was created during the reign of King Charles I in the 17th century. While there are no fixed duties, Wallen is part of the royal household and will likely be called upon to compose pieces for special occasions, including weddings, jubilees and coronations. She is expected to hold the post for 10 years.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares179 Views

      in Music

      Oasis Comeback: A Timeline of the Gallagher Brothers’ Feud

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      When Liam and Noel Gallagher get together, hide the tambourines.The Kinks, the Allman Brothers Band, the Jacksons: Every band of brothers occasionally bickered, even feuded.But no sibling rivalry reached the level of rancor found in Oasis, the Britpop band that improbably announced that it is reuniting after years of animosity, insults and at least one incident involving a cricket bat.Here’s a look at the roller coaster career of Liam and Noel Gallagher, two brothers who managed to produce the music of a generation while mostly despising each other.The sound of the ’90s had a taste of the ’60s.The members of Oasis in 1993, from left to right: Paul McGuigan, Noel Gallagher, Tony McCarroll, Paul Arthurs and Liam Gallagher. James Fry/Getty ImagesOasis was formed in 1991 in Manchester, England. There were various members, some of whom came and went. But the constants were the Gallagher brothers: Liam, the lead singer, and Noel, the lead guitarist and songwriter.They soon came to be the most prominent band in a ’90s movement called Britpop, joining groups like Blur and Pulp in producing catchy rock music with a ’60s influence.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      On Netflix, a Very British ‘Love Is Blind’

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      The creators of a new version of the reality show, in which contestants agree to marry before meeting face to face, sought to challenge a nation’s archetypal reticence.Tom Stroud, a 38-year-old advertising consultant, sits on the floor of a 12-foot-square room on the reality dating show “Love is Blind: U.K.,” facing a blank wall. On the other side is Natasha Waters, a 32-year-old job counselor, who has just told Tom that he’s everything she’s looking for in a man. He’s flattered — but he needs to let her know that he’s interested in somebody else.“I can feel how good you are,” he begins tentatively. “Um … but … I’m thinking about, sort of, um,” he trails off. He stares off into the distance, sighs heavily, fidgets with a ballpoint pen. “I need to be really honest with you …” he says, after a long pause. “I don’t know if it’s romantic love … it could just be friendship.”It may be no surprise to learn that Stroud is from Britain. This is, after all, the country’s archetypal reticence on display — a contrast to the freewheeling earnestness and candor of the six seasons of the American version of “Love is Blind.” The greater emotional restraint of contestants on the spinoff show is one aspect that makes it extremely, unmistakably British.Nazleen Karim, the showrunner and an executive producer of the series, acknowledged that this inhibition had been a possible concern. “Initially, we were like, ‘Will the Brits be able to emote and be as effusive as the U.S. cast?’” she said in a recent video interview.“We knew the format of the show was so strong, and that the emotion would get there, but part of us was thinking, ‘Will they be able to do it? Will it take them more dates?’” Seeing that process play out against “the stereotype of the stiff upper lip,” she said, was part of the attraction of taking the show’s format outside the United States.That format, in which a group of men and women conduct a series of blind dates from different pods to decide whether to get engaged before meeting in person, builds on the success of other American shows, such as “The Bachelor” and “Married at First Sight,” that have combined marriage with reality TV. The most popular British show in the same style, “Love Island,” is not centered around wedlock.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares149 Views

      in Television

      David Lynch of ‘Twin Peaks’ Says He Has Emphysema

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      The director, 78, confirmed the diagnosis in a social media post after revealing in a magazine interview that he would be limited to directing remotely.David Lynch, co-creator of the groundbreaking series “Twin Peaks” and director of “Mulholland Drive” and “Blue Velvet,” said on Monday that he had emphysema but that he would not retire.Mr. Lynch, 78, confirmed the diagnosis in a social media post after revealing it in an interview featured in the September issue of Sight and Sound, a monthly film magazine by the British Film Institute. He added that his mobility was limited and that he could continue directing only remotely.After the interview was quoted in several publications, Mr. Lynch said in a social post that he had no plans to retire.“Yes, I have emphysema from my many years of smoking. I have to say that I enjoyed smoking very much, and I do love tobacco – the smell of it, lighting cigarettes on fire, smoking them – but there is a price to pay for this enjoyment, and the price for me is emphysema,” Mr. Lynch wrote in his post on social media.Mr. Lynch said that he quit smoking more than two years ago, and that recent tests showed he was “in excellent shape except for emphysema.”“I am filled with happiness, and I will never retire,” he said.Mr. Lynch is perhaps best known for the television show “Twin Peaks,” an eerie mystery drama that was considered cutting-edge TV when it appeared on ABC in 1990. The show was adapted for the big screen in a film called “Twin Peaks: Fire Walk With Me” in 1992 and later revived in 2017 on Showtime.As a film director, he has earned three Oscar nominations for best director, for “The Elephant Man,” “Blue Velvet” and “Mulholland Drive.” “Wild at Heart” won him the 1990 “Palm d’Or” at the Cannes Film Festival. Last year, Mr. Lynch made a cameo appearance as the character John Ford in Steven Spielberg’s “The Fabelmans,” a film about a family closely modeled on the Spielbergs. Mr. Lynch appears in the end of the movie, when he gives Sammy Fabelman, the main character, advice about filmmaking.According to the American Lung Association, emphysema, also referred to as chronic obstructive lung disease, is a lung disease that causes shortness of breath. Smoking and air pollution are the most common causes. Early warning signs of the disease include coughing up mucus, wheezing and chest tightness, the A.L.A. says on its website. More