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    How Superman Handles a Lois Lane Interview

    James Gunn, the screenwriter and director of “Superman,” narrates a sequence featuring David Corenswet and Rachel Brosnahan.In “Anatomy of a Scene,” we ask directors to reveal the secrets that go into making key scenes in their movies. See new episodes in the series on Fridays. You can also watch our collection of more than 150 videos on YouTube and subscribe to our YouTube channel.A budding relationship gets in the way of dogged journalism in this scene from “Superman.”The film’s screenwriter and director, James Gunn, narrates the sequence in the above video, which involves a conversation between Lois Lane (Rachel Brosnahan) and Superman, a.k.a. Clark Kent (David Corenswet) in Lois’s apartment. The two are dating, and Clark agrees to be interviewed as Superman by Lois. She asks him about a recent incident in which he prevented one fictional country in the DC universe, Boravia, from invading another, Jarhanpur.“I think the fun thing about the scene, what I really love about it, is that it addresses so many different things in so many ways,” Gunn said during an interview in New York. “We’re talking about Lois and Clark’s relationship in a way that we’ve never seen it. But we’re also getting to know them as human beings more and seeing what their belief systems are, which is important for a movie like this. And also, we’re saying, if somebody like Superman did exist, how he could affect world politics in such an incredible and strange way.”“I just wanted to keep things simultaneously grounded, but also fast paced,” Gunn said. “There is a little bit of ‘His Girl Friday,’ ‘It Happened One Night’ in the dialogue, but also keep everything as real as we possibly can and make it a surprise for ‘Superman’ viewers.”Read the “Superman” review.Sign up for the Movies Update newsletter and get a roundup of reviews, news, Critics’ Picks and more. More

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    James Gunn Didn’t Want to Make ‘Superman.’ What Changed His Mind?

    His hit reboot is meant to kick off years of new projects from the rebranded DC Studios. But for a long time, Gunn couldn’t figure out the character.“Today I have my wits about me,” James Gunn said. “I was going to die yesterday, I was so tired.”It was two weeks before the release of “Superman,” and I had met Gunn at the film’s Los Angeles press junket, just one stop on the director’s whirlwind, worldwide media tour. At the time, he was hopeful that the movie would connect with audiences, and it certainly has: “Superman” opened last weekend with $125 million at the domestic box office and earned an A- CinemaScore from audiences.Still, that success barely affords Gunn the opportunity to sleep any easier. “Because this is our first DC movie and I’m also the head of the studio,” he said, “I haven’t had a day off work for months.”Best known for directing Marvel’s “Guardians of the Galaxy” movies, Gunn was initially lured to DC Studios in 2018, when Marvel fired the filmmaker over resurfaced tweets. Though he was eventually rehired to finish the “Guardians” trilogy, his work on DC projects like “The Suicide Squad” and “Peacemaker” impressed the Warner Bros. Discovery chief executive David Zaslav, who tapped Gunn to run DC Studios alongside the producer Peter Safran.James Gunn with David Corenswet on the “Superman” set.Jessica Miglio/Warner Bros. “I’ve always had this desire to create a fictional universe,” said Gunn, 58. “I got hints of that with ‘Guardians’ and the cosmic universe of Marvel, but since I took on DC I knew that I was just going to have to go crazy for the first few years.” That commitment meant juggling many major projects simultaneously: At one point, Gunn was filming both “Superman” (with David Corenswet in the title role) and the second season of “Peacemaker” (starring John Cena and Gunn’s wife, Jennifer Holland) while also overseeing forthcoming DC projects like the film “Supergirl: Woman of Tomorrow,” out next year from the director Craig Gillespie.“I also had to resign myself to the fact that I can’t do everything,” he said. “I give notes on all these other projects, but I can’t micromanage” them all, even though, he added, “I always want to do more. That’s been difficult, finding at least some boundaries.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    How ‘Superman’ Star David Corenswet Won the Role

    Even before he became the linchpin of a new superhero universe, David Corenswet took great pride in being reliable.“I don’t know whether I’m a good actor in the sense that I see people onscreen and think, that’s a good actor,” he said. But what he does know, and what he aspires to, is that people can count on him. It’s a reputation Corenswet has cultivated since he was a child actor, when he once delivered his lines so efficiently during a commercial shoot that the crew got to go home early.“I want people to feel that every day that my name is on the call sheet is going to be a better day — a little bit of an easier day, and maybe a more fulfilling day,” he said.Now, Corenswet’s reliability will be put to its ultimate test. The 32-year-old is playing the iconic title character in James Gunn’s “Superman” reboot, which arrives in theaters this weekend burdened by big expectations. It’s the first feature from the newly rebranded DC Studios, which previously managed some successes (“Wonder Woman,” “Man of Steel”) and a passel of bruising bombs (“Justice League,” “The Flash,” “Shazam: Fury of the Gods”) in its efforts to keep pace with Marvel’s highly lucrative cinematic universe.David Corenswet wasn’t immediately sold on the role of Superman: “When the easy conversation is so exciting, I want to have the hard conversation: Let’s talk about what could go wrong.”These days, though, even Marvel is facing headwinds: In a market saturated with comic-book content, audiences don’t always show up for cape-and-tights spectaculars the way they used to. Warner Bros. is betting that Gunn, who was hired to co-lead DC Studios after directing Marvel’s “Guardians of the Galaxy” trilogy, can restore the luster to its superhero shingle. But the future of the DC slate, including next year’s “Supergirl: Woman of Tomorrow,” hinges largely on just how high “Superman” can soar.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Can ‘Superman’ Fly Above Today’s Polarized Politics?

    The director of the reboot, James Gunn, called the superhero from the planet Krypton “an immigrant,” thrusting the summer popcorn movie into an Earthbound culture war.He may be faster than a speeding bullet, more powerful than a locomotive and able to leap tall buildings in a single bound. But can he transcend our polarized politics?This, it turns out, may be too big a job even for Superman.The reboot of “Superman” that was released in theaters on Friday is already sparking intense discussions — and a fair bit of criticism — from right-leaning media figures, even before many have had a chance to see the film.Much of the commentary has centered around an interview that the movie’s director, James Gunn, gave to The Times of London in which he spoke about the hero’s journey from Krypton to Kansas to Metropolis.“I mean, Superman is the story of America,” Gunn said. “An immigrant that came from other places and populated the country, but for me it is mostly a story that says basic human kindness is a value and is something we have lost.”America? Great. Kindness? Awesome. Those are points on which fans of the world’s most recognizable superhero seem to agree.But an immigrant? That characterization — of a guy who, yes, was born on another planet and then traveled to Earth — has entangled the new “Superman” in the very Earthbound culture wars of 2025, amid the Trump administration’s immigration crackdown.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    How James Gunn Modeled Superman’s Dog Krypto After His Own Pet

    For the furry sidekick, Krypto, in “Superman,” the director James Gunn found inspiration — and a physical model — in his own unruly pet.About three years ago, the director James Gunn was trying to figure out the arc of what would become his new blockbuster “Superman.” Then he adopted a dog.He named the scruffy rescue Ozu, after the Japanese filmmaker known for his serene works. At about 8 months old, Ozu the dog was not at all peaceful. After surviving a hoarding situation, Ozu was fearful of humans and intensely destructive. He chewed up furniture, shoes and even a $10,000 computer. He also ate one of Gunn’s wife’s tampons out of a wastebasket, necessitating a trip to the vet. Gunn realized that if Ozu had been superpowered, the damage would have been even worse.“It was where the movie came together for me,” he said in a video call.Gunn decided that his version of Superman would have not just a dog, but a bad dog who could fly. He wrote the opening sequence in which Superman (David Corenswet), defeated for the first time ever, calls out to the canine Krypto to help drag him to the Fortress of Solitude. Krypto — who, like Ozu, is poorly behaved — jumps all over his master, seemingly causing more pain before doing his duty.“The universe we normally see Superman living in in movies is usually this lone, serious superhero and then people and then that’s it,” Gunn said. “This Superman exists in a different sort of universe where there are flying dogs.”While Krypto has a long history in the comic books, he has never been featured in any of the live-action Superman movies.Jessica Miglio/DC and Warner Bros. But Ozu served as more than just inspiration. Gunn’s pup also became the physical model for Krypto, who is computer-generated so he can do things like soar through the sky and attack villains. Krypto is a little bigger than Ozu and has white fur instead of gray, but otherwise he’s a dead ringer.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Superman’ Review: It’s a Bird, It’s a Plane, It’s a Reboot!

    Beginning again with the Man of Steel, this time in the hands of James Gunn.In one sense I can’t really spoil “Superman.” Even comic book agnostics already know the basic idea: A Kryptonian baby with incredible powers, sent to Earth by his parents ahead of his planet’s destruction, is raised by a pair of American farmers. By day, he’s the bespectacled journalist Clark Kent; by night, he’s — well, you know. That’s been the story since Action Comics No. 1 was published in 1938.On the other hand, the ubiquity of those bare facts makes it extra easy to spoil this newest movie, a hard reboot for the character and his universe, because you’re probably going to the movies to see what they’ve done to the guy now, and the discovery is the fun part. “Superman” is the first film for DC Studios, of which Peter Safran and James Gunn are the chief executives. Elaborate histories of the byzantine path that got us here are available to you, should you be interested, but if you’re just a normie like me, the most important thing to recall is this: Gunn is probably best known for directing the three “Guardians of the Galaxy” films for Marvel and the 2021 DC film “The Suicide Squad” (not to be confused with the 2016 movie “Suicide Squad” — you see what I mean about byzantine).Gunn tends to nail the right tone with superhero material: He mixes big-hearted themes with a dash of real-world allusions and a good-natured understanding that all of this should be treated as if it’s a bit silly because, let’s face it, it is. Guys in capes zooming around, humans with magical powers that let them make big punching fists out of matter and energy, tech billionaires consumed by envy who hang out in shadowy lairs trying to control the universe, I mean, come on.Well, OK, maybe that last bit. And maybe a little more. Let’s not forget that Superman was created by two Jewish men, Jerry Siegel and Joe Shuster, who were keenly aware of rising antisemitism and Nazi oppression, as well as the despair of a people saddled with economic depression, looking for someone to save them. Superman took on corrupt politicians, unscrupulous businessmen and substandard housing conditions. And he was staunchly antifascist: In a noncanonical 1940 story titled “How Superman Would End the War,” Superman brought Hitler himself to justice.So while staying true to Superman requires trotting out certain familiar plot elements — his birth parents, his adoptive parents, his susceptibility to Kryptonite, his big old crush on the scrappy lady reporter Lois Lane — it also means tapping into those ideological roots. He’s a metahuman, but he’s also a man who’s almost guilelessly attached to truth, justice and something called “the American way”: protecting the little guy, pummeling the baddies. Set that guy down in the 21st century, and things get complicated.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    James Gunn on Ending Guardians of the Galaxy

    In a spoiler-filled interview, the writer-director discusses the characters’ surprising end points and his relief at bringing the trilogy to a close.When a film is billed as the last installment of a trilogy, fans can’t help but speculate: Who’s going to die? A blockbuster franchise rarely wraps without a few significant casualties, each noble sacrifice underscoring the definitive end to come.But with “Guardians of the Galaxy Vol. 3,” the writer-director James Gunn wanted to finish the trilogy on his own terms, even if that meant circumventing fan expectations. (Major spoilers follow.)The most surprising thing about the conclusion of this long-running Marvel series is that all of the main characters survive and even thrive. Peter Quill (Chris Pratt) returns to Earth, the home planet he had avoided since childhood, and passes leadership of the Guardians to Rocket Raccoon (voiced by Bradley Cooper), who forms a new team featuring Groot (voiced by Vin Diesel) and their reformed antagonist Adam Warlock (Will Poulter). Nebula (Karen Gillan) and Drax (Dave Bautista) stay behind to help the citizen settlers who’ve moved into the bustling space-base Knowhere, while Mantis (Pom Klementieff) departs on a solo journey to better understand herself.And Gamora (Zoe Saldaña)? Well, her path through the Marvel universe has been complicated: The Gamora we originally knew was murdered by her father, Thanos, back in “Avengers: Infinity War” (2018), then supplanted by a time-traveling variant who had no history with the Guardians. That new version gets roped into assisting the Guardians in “Vol. 3,” and though she comes to understand what the other Gamora might have felt for a still lovestruck Quill, she can’t get there herself and bids the group a bittersweet goodbye.The endings all feel more like new beginnings, and that’s a reflection of the deep affection Gunn feels for his ensemble: He wants the best for these characters, particularly Rocket, whom he admits to a “strange connection” with. He’s even had many of these outcomes in mind since he wrote the first “Guardians” (2014), though there was a time when he wondered if he’d get to see them through: As preproduction began on “Vol. 3,” he was briefly fired over a controversy involving his old tweets.Though Disney eventually rehired Gunn, making the movie had to wait. He had already been poached by Warner Bros. and DC Comics to direct “The Suicide Squad,” and that budding relationship proved so fruitful that Gunn will now oversee a total rehaul of DC’s slate, which will begin with a new take on Superman that he will direct. That means “Guardians of the Galaxy Vol. 3” is not just the end of a trilogy but the culmination of Gunn’s decade at Marvel.How does he feel now that it’s all come to a close? “Sad and proud,” he said by phone earlier this week, as he prepared to discuss the ending of “Vol. 3” in depth. “But I feel like we did what we set out to do and I don’t think we could have done it much better than how we did it.”Clockwise from center, Chris Pratt, Pom Klementieff, the Vin Diesel-voiced Groot, Dave Bautista and Karen Gillan in “Vol. 3.” All of their characters survive at the end.Marvel Studios/Marvel Studios-Disney, via Associated PressAll of the Guardians of the Galaxy survive the film and head out on new paths. Were you ever tempted to bring any of these characters to a more final end?Gamora was going to die originally in “Vol. 2” [2017], and then we talked about it happening in “Infinity War” and that worked better for the story. But the rest of them, I always knew where they were going. I knew that the whole trilogy is about Rocket, who we think of as a supporting character, becoming the captain of the Guardians.The arc with Peter Quill, in some ways, you can look at as that of many people who have experienced childhood trauma. He was by his mother’s bedside when she died, and he ran away and went into outer space — which, for other people, could be shutting off from the world — and stayed there for a long time until he came to the realization as an adult that he needed to go back to Earth. That, for me, was always his journey.Nebula becomes a leader, but a different sort of leader from where she was. Mantis goes off on her own and takes care of herself because she lived by others’ rules her entire life. Drax realizes that he’s a father and that’s what he’s really good at — he’s not a destroyer. All those things, some more clearly than others, were in my mind from the first movie.Few Marvel series were as affected by the events of “Infinity War” and “Endgame” as “Guardians of the Galaxy.” How did you feel about having a lot of major plot points happen outside the films of your own trilogy?A lot? I think there was only one.Well, Gamora’s death is the big one, but even her first kiss with Quill comes in “Infinity War” after the first two “Guardians” movies appear to be building to it.I begged them to have that kiss in the movie, because it was necessary to really cement their relationship. I had a kiss in “Vol. 2” that I cut — it was awesome, but it came in a weird time. At the end of “Vol. 2,” you establish the fact that they have feelings for each other pretty distinctly, but in “Infinity War,” we needed to establish that they were now boyfriend-girlfriend and this was a normal thing for them. It wasn’t really about the kiss, it was about showing that they were now a couple.Was there ever an idea that Gamora would not come back in any form in “Vol. 3,” and Quill would have to deal with her absence?That was a possibility, yes. He would be dealing with her loss, but she wouldn’t come back and confront him in this different way. I toyed with it a lot as I was writing the script.In another sort of movie, the new Gamora would have fallen in love with Quill, too. Instead, Quill gets to know her and eventually realizes he has to let his love go.It’s something we do a lot in relationships anyway: We expect someone who reminds us of somebody from the past to be that somebody from the past. Especially with women, Peter Quill defines people around him to suit his own needs as opposed to really looking and seeing who they actually are as human beings. And Gamora is just not the same Gamora. She’s a different person.Zoe Saldaña as Gamora. The actress was clear that she didn’t want to return for more installments.Marvel Studios/DisneyThere are a few moments where it feels like you’re testing the chemistry between Quill and Nebula, which is intriguingly spiky. Did you ever think of going there with them?I never thought about fully going there, but do I think that Nebula, emotionally, is sort of that mean schoolgirl who’s not going to show her feelings to anybody. Karen thinks that Nebula has a little bit of a crush on Quill that she doesn’t quite know how to put together, and it makes sense because as we come to them in “Vol. 3,” we realize that they are the two leaders of the Guardians. I think it’s very normal in any close friendship to have some sort of occasional romantic or crush-like feelings.When you’re crafting all these character endings, how much do you have to factor in the actor’s willingness to continue in the role? For instance, Dave Bautista has been pretty vocal about saying he’s finished. Does that affect the way you wrap up Drax’s story as opposed to Quill’s, since Chris Pratt is open to continuing?Yeah, a little bit. Both Zoe and Dave have been very clear they’re not going to continue — likewise, me, actually. Chris is open to doing more stuff, although I think he has to be convinced. It does change some things: Like, I wouldn’t have had Dave in the post-credits scene. But I’m not sure if much would have changed beyond that.At what point in conceiving all of this did you know that you wanted to end this trilogy with a dance sequence set to “Dog Days Are Over” from Florence + the Machine? It’s a lot of responsibility to be the last music cue of such a song-laden franchise.I’ve known it for a few years. I’ve known it far before I started writing the script, since I was writing “Vol. 2.” I’ve been a fan of that album and that song since it came out, and it’s pretty cool because I just got an email from Florence Welch, who posted herself watching the movie and crying on TikTok yesterday. I think it’s probably the greatest pop song of the 21st century.In previous movies, you did the motion-capture dancing for Groot yourself. Did you also do it in the “Dog Days Are Over” scene?Yeah, and it was a high point in my life, really. My brother Sean is dancing for Rocket, and in the moment we were shooting the wide shot and dancing toward each other, it was surreal and beautiful and wonderful. We’ve been goofing around and playing with Fisher-Price characters since we were kids in our parents’ basement, and now we’re on the biggest set I’ve ever been on with gigantic Tinker Toys instead of smaller ones, but with that same purity and imagination we had as kids. Everybody was crying as it was happening. It was a really powerful moment.You directed all three films of this trilogy, which is a rarity at Marvel. Did you know from the beginning that you wanted to be at the helm throughout?Yes. Everyone knows I was gone for a while, then I came back, and the reason I came back — because, frankly, I might not have otherwise — is I needed to tell Rocket’s story. I couldn’t have that stuff inside of me and not express it. I have a strange connection to that character where I feel like he deserves everything. This is a story about a character who goes from being a little smuggling thief to becoming the leader of the greatest team the universe has ever known. And his back story, the pain of where he came from, all the seeds that I dropped from “Vol. 1” when Peter Quill sees the injuries on his back, all of those things were leading to something, and it just felt stunted to cut it off there. It felt like I was setting all of that up and not finishing it. That was a hard pill for me to swallow.Rocket Raccoon, voiced by Bradley Cooper, became the heart of the story in “Vol. 3.” “I have a strange connection to that character where I feel like he deserves everything,” Gunn said.Marvel Studios/DisneyMost of these characters started the trilogy in a more selfish place, but few of them had further to go than Rocket.I was very, very careful through all the movies, including the “Avengers” movies and “Thor” and everything, that Rocket never does one single action that is for anyone other than himself or his friends. He’s not a hero like the rest of them. Morally, he’s much more stunted than Nebula is by the end of the “Avengers” series. He has just cut himself off completely from feeling for people, and at the end of “Vol. 3,” in that moment where he accepts himself by taking those raccoons and then starts looking around the cages, that’s the moment to me where he sees, “Oh my God, everything is me. We’re all a part of this universe, and every life has purpose, meaning, and is worthy of respect.” That’s who he is now: He’s not a bad guy, he’s strictly a good guy.So what does it mean to you that Rocket is the one in charge when this film ends, just as you’re coming into your own as the one in charge at DC? Did you have to go through your own journey to get to a place where you’d feel comfortable with that kind of responsibility?Oh, there’s no doubt that my journey is similar to Rocket’s. When it comes to those things I used to push other people away, accepting myself as I am, and accepting other people’s love, it’s been something that I’ve struggled with over the years and come to terms with much more than I have in the past.Now that you’ve managed to tell that story, what’s the overriding feeling? Is it satisfaction? Is it relief?Satisfaction, relief and just a real gentle pat on my back going, “OK, now we’ve got the next phase to work on, and I’m comfortable doing that.” Whatever Marvel does with those characters, I can’t wait. I hope they use them. I can’t wait to see another filmmaker take on the Guardians, and I hope that they do it in a way that they take ownership of the characters. But I feel good, I feel happy. Making the friendships that I made on this film series and having people in my life who are my closest allies — I mean, I’ve been to five weddings of the Guardians. I was at Chris’s wedding, Chris spoke at my wedding. Pom was one of Karen’s bridesmaids. It’s a great little group of people and I am really, really lucky. More