Haigh, Andrew

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    5 Free Movies to Stream on Tubi, Plex and PlutoTV

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    In films like Andrew Haigh’s “Weekend,” you’ll find new beginnings in time for spring. Here’s a rundown of what’s currently on Tubi, Plex and PlutoTV.Spring, with its blooms and many unfurlings, is a time of awakening. Yet birth and renewal also means being confronted with the cold light of day.The early seconds of Josephine Decker’s 2018 film “Madeline’s Madeline” opens on a theater exercise that doubles as a kind of transformation for its teenage protagonist. “What you are experiencing is just a metaphor,” she’s assured. But what it represents will prove to be confusing and brutal; growing into the world often is.Spring, of course, also welcomes the budding of new romance. In the films from this month, you’ll recognize the sudden possibilities of love, in its wonder and its terror, along with the prickly realities of coming of age. For these (mostly) young characters, it’s a season of change. Watching them, one can only hope they make it out the other end intact.‘Weekend’ (2011)Stream it on PlutoTV.The fleeting encounter is an age-old archetype kept alive by the most romantic, and perhaps idealized, corners of our imagination. But in this story of a two-night stand by Andrew Haigh (“All of Us Strangers”), a brief connection is rendered achingly deep and real.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sex and Silence: What This Awards Season Tells Us About Hollywood

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      Whether it’s the return of steamy scenes or the lack of political speeches, the road to the Oscars holds a lot of clues about the state of the industry.We’re heading into the final stretch of this awards season, but you needn’t wait until the Oscars on March 10 to begin drawing conclusions about what’s transpired.To me, awards season has always offered a useful opportunity to take the film industry’s temperature. What can be gleaned about Hollywood’s current state from the movies and moments that have factored into this year’s race? Here are a few of the telling trends I’ve noticed so far.Prestige cinema has become less chaste.Paul Mescal, left, and Andrew Scott in “All of Us Strangers.”Searchlight PicturesOne of the first films I watched last year was “Passages,” a bisexual love-triangle drama that features one of the most bracing sex scenes I’ve ever seen in a movie. That encounter between two men (played by Ben Whishaw and Franz Rogowski) is revealing not simply because the actors strip down to so little, but because over the course of this surprisingly lengthy and explicit scene, we come to know so much more about the characters from the power dynamics they negotiate while making love.Though I assumed “Passages” would be an anomaly, 2023 proved to be a sexually forthright movie year, producing a crop of awards contenders more interested in the joys of sex than any recent season I can remember. Emma Stone spent much of “Poor Things” on an uninhibited journey of desire, convening with a series of men in a way that surely tested the boundaries of the movie’s R rating. In “All of Us Strangers,” the sexual chemistry between Andrew Scott and Paul Mescal was so potent that I felt myself blushing. Even the director Christopher Nolan broke with convention, filming the first sex scenes of his career for “Oppenheimer.”If there had been a chill in the air while Hollywood learned how to navigate the new inclusion of intimacy coordinators on set, that’s gone now: Movie stars and prestige filmmakers are once again game for the sort of sex scenes that had lately been consigned to premium television. When I spoke with the “Poor Things” director Yorgos Lanthimos in November, he sounded hopeful that attitudes had changed.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How ‘All of Us Strangers’ Hit Close to Home for Its Director

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      Andrew Haigh wanted to infuse “All of Us Strangers” with elements from his own life, which included shooting it in his childhood residence.“I got called a gay elder the other day,” Andrew Haigh said. This title, bestowed by a group of younger gay men, initially rankled him. It’s true that Haigh — the director of acclaimed films like “45 Years” and “Weekend” — had recently turned 50, but he still found that landmark age hard to believe.“I’m looking older,” he told me, “but it’s a strange thing to think that I’m not young anymore.”That uncanny feeling is a key theme in Haigh’s latest film, “All of Us Strangers,” which he adapted from the 1987 novel “Strangers” by Taichi Yamada. Andrew Scott stars in the film as Adam, a screenwriter in his late 40s with a whole lot on his mind: As he entertains a tentative romance with his neighbor Harry (Paul Mescal), he returns to his childhood home and finds it somehow inhabited by the parents (Claire Foy and Jamie Bell) who died when he was young. Though this reunion summons Adam’s inner child to the fore — a transformation Scott sells with heartbreaking subtlety, even when dressed in Christmas pajamas — there are still tricky adult conversations to be had with his parents about his sexuality and lonely middle age.“I knew that for this film to work, I had to throw myself into it on a very personal level,” Haigh said. “So much of the things they’re talking about and the memories that Adam has of being a kid are my memories.”That commitment even extended to filming much of the movie in the house where Haigh grew up, a notion that astounded many of his actors.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Watch an Unusual Family Reunion in ‘All of Us Strangers’

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      The director and screenwriter Andrew Haigh narrates a sequence from his film, starring Andrew Scott and Paul Mescal.In “Anatomy of a Scene,” we ask directors to reveal the secrets that go into making key scenes in their movies. See new episodes in the series on Fridays. You can also watch our collection of more than 150 videos on YouTube and subscribe to our YouTube channel.In this scene from “All of Us Strangers,” a man goes back to his childhood home and meets with his parents. The only wrinkle is that the two have been dead for 30 years.The sequence features Andrew Scott as Adam, as well as Jamie Bell and Claire Foy playing the long lost parents.In his narration of the moment, the film’s screenwriter and director, Andrew Haigh, noted that he filmed it in his childhood home and that it was a magical experience to get to shoot there. “It felt like a haunted house,” he said.While Haigh said he wanted to play the scene with tenderness, he also “wanted the audience to be unsure of what we were seeing. Are they ghosts? Are they manifestations of his subconscious? Is it a fantasy? And I wanted to play with those different elements, so it felt like it could be all of those things, and sort of keep making you ask questions about what is real and what is not real.”Read the “All of Us Strangers” review.Sign up for the Movies Update newsletter and get a roundup of reviews, news, Critics’ Picks and more. More