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    The Music Industry Is Hoping Halloween Can Be the New Christmas

    Eyeing the big business of holiday music, a few of pop’s major players are trying to expand the market for Halloween hits.When Ashnikko was growing up in North Carolina, their family told them that Halloween was satanic. But for each of the last six years, the alt-pop rapper and singer (who uses she/they pronouns) has observed what remains a fairly unusual tradition: releasing a single tied to a day better known for costumes and candy.This year’s track is the final entry in a seasonal series of gleefully lewd songs now packaged as an EP, “Halloweenie I-VI,” and available on “oxblood red” vinyl. Although perhaps not especially appropriate for a trick-or-treat night with the kids, the set reflects its creator’s idea of the holiday as a space for freedom through the grotesque.“I feel very passionately about Halloween music,” Ashnikko said, noting the day’s roots in the Celtic harvest festival Samhain as well as its prominence in L.G.B.T.Q. history. “It’s camp. It’s carnal. It’s macabre. It’s, like, silly. It’s the only holiday where all of those get to exist at once.”It’s also an $11.6 billion business, one that pop’s major players are increasingly tapping into. Ashnikko’s six “Halloweenie” songs have racked up a combined 100.3 million on-demand streams in the United States as of Oct. 17, according to the tracking service Luminate.The Weeknd, who hosted a haunted house at Universal Studios Hollywood two years ago, has returned with “Nightmare Trilogy,” a maze with a soundtrack from the singer. It opened eight days earlier than in 2019.“Monster Mash,” Bobby Pickett’s enduring Halloween anthem from 1962, has returned to the Billboard Hot 100 the last three years ahead of the holiday. And Billboard estimated last year that the hit could generate $1 million in annual combined revenue.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    5 New Horror Movies to Stream for Halloween on Hulu, Max and More

    Out this week, a period possession movie starring Sarah Paulson, a chef-driven supernatural thriller starring Ariana DeBose and more.‘Hold Your Breath’Stream it on Hulu.A mother braves the elements, and evil, in this busy but hackneyed feature debut from the directors Karrie Crouse and Will Joines.Sarah Paulson plays Margaret, a loving mother trying to shield her two daughters, Rose (Amiah Miller) and Ollie (Alona Jane Robbins), from sinister entities that she suspects lurk outside their isolated Dust Bowl home. Among them is a mysterious drifter (Ebon Moss-Bachrach) with questionable healing powers.Crouse’s script hurls horror conventions against the wall — possession, survival, eco-disaster, home invasion, folk horror, body horror, religious mania — in hopes that something sticks. But nothing does, so what’s left is a movie about a grieving mother protecting her children from dust and wind for 94 minutes — a scary scenario for 1930s Oklahoma, the film’s setting. But not here.Instead, there are predictable jump scares, creaking floorboards, silhouetted figures in the distance and every 10 minutes another fire for Margaret to put out. It’s “The Mist” but silt, “The Babadook” minus a Babadook, “The Night of the Hunter” with no edge.‘V/H/S/Beyond’Stream it on Shudder.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    How to Watch Horror Movies Without Being Too Scared

    The October ritual of watching horror movies in the lead-up to Halloween can be exhilarating. Unless, of course, you can’t quite stomach the gory and gruesome, or even the spooky and spine-tingling.This used to be me, until I made a concerted effort to push past my qualms. It took a while, but now I consider myself something of a horror enthusiast, relishing the thrill, tension and challenges of a genre that can playfully toy with dark themes, like “Shaun of the Dead,” or pull no punches, like “Hereditary.”If you’re someone who wants to indulge in the season but dreads jump scares and buckets of blood, here are five tips that could help even the biggest scaredy cats among us start to open up to the world of horror.Embrace the SpoilerThe first and best line of defense is to read the plot in advance. If you’re feeling brave, go for just a synopsis, but there’s no reason to be a hero. I sometimes read an entire plot in great detail before watching, especially with films I know will tap into my weak spot: movies about demonic possession. Unlike with other genres, knowing what will happen in horror doesn’t necessarily detract from the experience of watching. Your heart will most likely still pound. You will probably still jump. And the visuals and sounds will probably still shock. Knowing what comes next may simply help keep the anxiety and uncertainty in check.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    5 Halloween Film Festivals Worth Traveling For

    It’s October, and horror movie festivals scratch both the weekend getaway and scare-the-bejesus-out-of-you itch. A guide to some worth checking out.Watching weird indie horror movies at home on Tubi can be a bunch of fun. So can going to the local multiplex to see the latest scary Hollywood blockbuster with other shrieking fans.Horror film festivals offer the best of both worlds, with twists. The programming is heavy on premieres and small-budget indies, and the more ambitious festivals host events like costume contests and offer themed food and drinks to keep the party going. Some of the festivals are very kid-friendly, and others are better suited for blood-and-guts lovers.With Halloween around the corner and fall getaways calling, here’s a look at some of the noteworthy scary (and not-that-scary) film festivals happening this October.The Eerie Horror Fest is held at the Warner Theater, in Erie, Pa., an ornate movie palace that opened in 1931 and seats 2,250.Paul GibbensEerie Horror FestErie, Pa., Oct. 4 and 5Presented by the Film Society of Northwestern Pennsylvania, this festival is known for showing classic and new films along with a hearty roster of panel discussions and events. A highlight takes place on Oct. 5, when the festival presents a screening of the 1995 horror film “Tales From the Hood,” an influential horror anthology and a seminal work in both horror and Black cinema, followed by a Q. and A. with the director, Rusty Cundieff.The frosting on the cake at this festival is its home: The Warner Theater, an ornate Art Deco and French Renaissance space first opened in 1931, with 2,250 seats, a grand proscenium stage and crushed velour and gold leaf accents — the kind of elegance more associated with the likes of Cannes than “Carrie.” This year, the festival has teamed up with two local coffee purveyors — Purrista Cat Café and North Edge Craft Coffee, a roaster — for a special drink menu featuring themed concoctions like the Frankenstein’s Matcha and Killer Klownz, a blueberry cheesecake latte. There will also be displays of adoptable cats — black ones, perhaps — at the theater.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What Is the Scariest Song of All Time? Poem? YouTube Video?

    Times writers revealed their picks. Listen at your own risk.For Halloween, we asked writers and editors around The New York Times for the pieces of art or culture that they turn to when they need a good scare. The result is a collection of audio stories that will send a chill down your spine, make your hair stand on end and keep you entertained.The Spookiest Video on YouTubeMadison Malone Kircher, an internet culture reporter on the Styles desk, says “Ghost Car” is the most frightening online video she has ever seen. Warning: This one has a jump scare.The Spookiest Video on YouTube◆ ◆ ◆Illustration by Julia Moburg/The New York Times; Photo by Bob Olsen/Toronto Star, via Getty ImagesThe Scariest OperaThe final scene of “Salome,” Richard Strauss’s 1905 opera, might contain the scariest song ever written, according to our classical music critic, Zachary Woolfe. He found it “totally terrifying” when he first heard it as a child, and its intensity still overwhelms him years later.The Scariest Opera◆ ◆ ◆Illustration by Julia Moburg/The New York Times; Image: Getty ImagesThe Scariest Thing I Know About the UniverseOur cosmic affairs correspondent, Dennis Overbye, knows a lot of alarming things about the universe. But the one that haunts him most? At any moment, without warning, the whole thing could simply disappear.The Scariest Thing I Know About the Universe◆ ◆ ◆Illustration by Julia Moburg/The New York Times; Photo by Ebet Roberts/Redferns, via Getty ImagesThe Scariest Song I KnowJon Pareles, chief popular music critic, describes why “The Downward Spiral” by Nine Inch Nails, off the 1994 album of the same name, is “perfectly designed to make your skin crawl: structurally, sonically and psychologically.”The Scariest Song I Know◆ ◆ ◆Illustration by Julia Moburg/The New York Times; Photo by 20th Century FoxThe Scariest Episode of TVMargaret Lyons, a television critic, dives into an episode of “The X-Files” so horrifying that executives felt compelled to pull it from syndication.The Scariest Episode of TV◆ ◆ ◆Illustration by Julia Moburg/The New York Times; Image: Sebastian Kaulitzki/Science Photo Library, via Getty Images.The Scariest Poem I KnowCésar Vallejo’s “Piedra Negra Sobre Una Piedra Blanca,” or “Black Stone on a White Stone,” isn’t what you might think of as a traditional Halloween poem. There are no ghouls or goblins in it. But for Juliana Barbassa, deputy Books editor, reading this poem brings up a question that’s much more haunting: “When we consider our single life, our one opportunity to live well,” she asks, “are we doing that?”The Scariest Poem I Know◆ ◆ ◆Illustration by Julia Moburg/The New York Times; American Genre Film Archive + Bleeding SkullThe Scariest Horror Movie You (Probably) Haven’t SeenYou may know Freddy and Jason and Chucky, but Erik Piepenburg, who writes a horror column, would like to introduce you to “The McPherson Tape.” When you watch this 1989 movie, he says, “You’re watching the birth of a genre.”The Scariest Horror Movie You (Probably) Haven’t Seen More

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    From ‘The Exorcist’ to ‘Bambi,’ These Movies Messed Us Up as Kids

    Our first horror movie is often a memory imprinted on our brain and, for some of us, our heart.How young is too young to watch a scary movie?With Halloween approaching, we asked you, the reader, to share your experiences of this rite of passage. Nearly 1,000 people responded with indelible memories; for some, watching a scary movie at a young age inspired a lifelong love of horror movies.Among those we heard from, the most common ages to be exposed to a hair-raising movie seemed to be from 7 to 10, peaking at age 8. But many were also freaked out as teenagers and even as adults.You watched them at the local movie theater; on a black-and-white television; at your neighbor’s house when your parents thought you were being closely supervised; with an older sibling who let you tag along; or with a grandparent who thought the PG-rated “Poltergeist” was a great choice for movie night.“The Exorcist,” William Friedkin’s horror masterpiece that turns 50 this year, was mentioned most frequently as your first scary movie, followed by “The Wizard of Oz,” “The Birds” and “Psycho.” But even Disney’s 1942 animated film “Bambi” traumatized many.You also had us looking up lesser-known, eerie cinematic moments: the “wheelers” in “Return to Oz” (1985); the creepy hearse driver’s smile in “Burnt Offerings” (1976); the haunted organ music in “The Ghost and Mr. Chicken” (1966); and Large Marge’s jolting transformation in “Pee-wee’s Big Adventure” (1985). We also appreciated the crisp, black-and-white splendor of Gort the robot in “The Day The Earth Stood Still” (1951) and the unexpectedly heart-wrenching ending to the Japanese Kaiju movie “Rodan” (1956).Here are some of our favorite responses.‘The Exorcist’ Still Haunts You”The Exorcist” was mentioned most frequently as your first scary movie.Warner Bros.“My parents were watching it, and it was back when TV only had like five or six stations over the airwaves. This was in a cabin in rural Michigan on a B&W set. I remember my parents telling me it was better to watch it to the end and see the resolution. Later that night, my father got food poisoning and was throwing up a lot. After watching that movie, I thought he was possessed.”— Bill Lester of Long Beach, Calif., on seeing the film at age 7.“My parents did not know and would not have approved. I am now 53 years old so we did not even own a VCR. A babysitter brought one over for the weekend, and we watched not only ‘The Exorcist’ but also ‘Deliverance’ (was our babysitter Hannibal Lecter?).”— Jeff Knops of Seattle, on seeing the film at age 9.“I was so frightened that I pulled the hood of my jacket over my head so that I didn’t have to watch it. It didn’t work. The sounds of the movie scared me just as much. I couldn’t sleep for months. Later I snuck into it a second time in order to overcome my fear. It was equally traumatic.”— Jay Frisch of New York, who sneaked into a theater to watch it at age 13.“My mother’s boyfriend would take me and my 5-year-old sister to horror movies. This was in the ’70s, when you could take kids to terrible movies at second-run theaters, apparently. He told us we were going to see “Benji,” the dog movie. This was not recognized as abuse back then. Many things were not. My sister still has nightmares about it — she’s 51 now.”— Jodi Peterson of Central Illinois, Ill., on seeing the film at age 8.Sketchy SupervisionDon’t let the Blob touch you!Paramount Pictures“One girl of 14 who had been tasked with watching me for the day suggested we all watch ‘The Ring.’ She called my mom to ask for permission, but my mom had misunderstood and thought I’d be watching ‘Lord of the Rings.’”— Holly of Arlington, Mass., on seeing “The Ring” at age 9.“My parents had absolutely forbidden me to watch this movie. Uncharacteristically, they forgot to tell the babysitter. In my memory, I barely slept a wink. I could not go to my parents for comfort, because they had forbidden me to watch the film. I could not go to my sister for comfort because she would certainly inform my parents. So there I lay, rigid, hypervigilant and terrified.”— Tess Tyson of Gig Harbor, Wash., on seeing “The Birds” at age 6.“My mother was out and my 10-year-old cousin was watching me. ‘The Blob’ was on the Friday Night Frights. He made the judgment call I could watch it with him, rather than risk missing any of it by putting me to bed.”— Eric Gansworth of Tuscarora Nation Indian Territory, Tuscarora, N.Y., on seeing “The Blob” at age 5.“I was spending the night with my friend Matt. His mom was at a party so it was just the two of us in the house. Matt’s house had HBO, which meant scary movies in all their R-rated glory. Ten-year-old machismo made us eager to watch. So we watched it. Jiffy Pop and Coke were consumed. Super fun! But THEN when it was time to go to bed, Matt said, “I’m going to sleep in my mom’s bed and wait for her to come home,” leaving me alone in his room in a sleeping bag. I was petrified. Absolutely petrified.”— Jason Heck of Belton, Mo., on seeing “Halloween II” at age 11.You Call These Children’s Movies?!The Wicked Witch of the West, played by Margaret Hamilton, fueled many of your nightmares.MGM“My earliest and most vivid encounter with sheer terror took place in a movie theater when I was 3 years old. It was at the Fresh Pond Cinema in Cambridge, Mass., not during a showing of ‘Cujo’ or ‘It,’ but another dog and clown horror classic (masquerading as a kids’ movie), ‘Air Bud.’ Still indelible in my memory is a particular scene in which the sottish, spiteful clown re-emerges intent on snatching Buddy, our endearing, basketball-dunking dog pal, away from his newfound, but kind, young companion. Even now, I’m not sure what was scarier: watching the clown reappear on the screen, or the deafening, collective cry of fear that erupted from me and the rest of the audience of toddlers.”— Clare Goslant of Cambridge, Mass., on seeing “Air Bud” at age 3.“The wicked witch was the most terrifying thing I had ever seen. I screamed and shut my eyes every time she appeared. That same year, after I had watched ‘The Wizard of Oz,’ I was cast as a wicked witch in my second-grade play. I cried and cried when I came home. I had wanted to play the fairy princess. My mother taught me how to cackle. And she said I’d be the star of the show. She was right.”— Cathy Arden of New York, on seeing “The Wizard of Oz” at age 7.“It was supposed to be a children’s movie, but the scene of Bambi’s mother dying in a forest was something I found terrifying!”— Carter Bancroft of Huntington, N.Y., on seeing “Bambi” at age 5.“My older sister and I were dropped off at the big movie theater for the Saturday matinee. She left me all by myself and went off with her girlfriends. This was before parental helicopter-ing. ‘The Wizard of Oz’ would later be broadcast annually on TV. Kids were able to cuddle with grown-ups in the safety of their own home, with the happy songs, cute little Munchkins and Dorothy’s funny friends. There’s no place like home. That’s a whole different process than I experienced, and it was a whole different picture for me. It was not so much my young age, but watching a family movie in that wild setting, having such a powerful effect on my senses, made it my first scary movie. I was scarred for life.”— Don Feiler of Mattituck, N.Y., on seeing “The Wizard of Oz” at age 5.‘Innocent’ FearJamie Lee Curtis as Laurie Strode in “Halloween II.”Universal Pictures“The menacing, manic Caligari with his long white hair and elongated hat terrified me as he danced around the tilted landscape and jagged windows. I could not wait for it to be over and for the threatening nonsense to stop. When it was, and my heart stopped racing, I realized I just had my first experience of art.”— Kathleen Brady of New York, on seeing “The Cabinet of Dr. Caligari” at age 14.“I’m sure I played it cool in front of my friends, but I laid in bed that night filled with dread, fear and regret. Michael Myers was coming for me. I finally went into my parent’s bedroom and woke up my mom and told her what was necessary at the moment — I wasn’t feeling well and needed her help. She took my temperature and tucked me back into bed and I think could tell I just really needed her right then. She sat on my bed and read me stories from a book she kept at her own bedside until the screams of Jamie Lee Curtis were replaced by the laughter of Erma Bombeck, and I was able to drift off to sleep. To this day I’ve never told my mom the truth of why I needed her that night. Maybe she knew all along. But I’m sure it was the last night of her soothing one of her babies to sleep.“My mother is now 90 years old and her senior living facility is showing Hitchcock’s ‘Rear Window’ this weekend. I’m planning to go watch it with her and perhaps afterward we will drink hot tea, finally tell this story, and read her Erma Bombeck book to distract us from any lingering fear. And isn’t that why we watch scary movies? They play out our fears and anxieties on the screen and remind us to find safety in those people and places who make us feel loved.”— Beth Martinez of Austin, Texas, on sneaking into a showing of “Halloween II” at age 14.“The sheer volume of spiders haunts me to this day. I am now a horror cinephile, but that movie wrecked me. The climax has spiders pouring out of the walls, the pipes, the television screen. And when it ended, I experienced this crazy sense of euphoria and pride at having survived something so terrifying. Unfortunately, it also instilled a lifelong fear of all things creepy and crawly — but honestly? I’ve been chasing the high of that first horror movie my whole life.”— Andrew Gombas of Queens, N.Y., on seeing “Arachnophobia” at age 8.“Being frightened by things that can’t really happen is both thrilling and teaches you perspective. Now that I’m grown up, I have a hard time watching scary movies because of all of the scary things that have happened to me in real life. I miss that ‘innocent’ fear.”— Erin Walla of Norway, Mich., on seeing “Horror of Dracula” at age 7.What Were My Parents Thinking?“Here’s Johnny!” is one of the classic phrases spoken by Jack Nicholson in “The Shining.”Warner Brothers“I actually watched this with my dad. Forty-three years later, I continue to jokingly ask, ‘Why did you think this was a good idea?’”— Derik Frederiksen of Seattle, on seeing “The Shining” at age 6.“The fact that no one in the room thought it was a bad idea for a child to be watching gave me true Gen X cred.”— Lynwood Lord, Media, Pa., on seeing “Alien” at age 9.“Why the title didn’t give them pause, I’ll never understand. I had my eyes covered through most of it, so I didn’t see much of the film; the soundtrack was scary enough. When the movie ended, the lights came up in the theater, and still, the stunned crowd sat silent, no one moving. I couldn’t understand why no one was running out of there, and in my little-kid, high-pitched voice, I yelled out, ‘Let’s get out before it starts again!’”— Joey Moskowitz of Paradise Valley, Ariz., on seeing “Psycho” at age 5.Skeptical, but Still ScaredSadako in “Ringu,” the Japanese original of “The Ring.”Basara Pictures“I remember being scared but also dubious of the entire premise of the movie. I just didn’t believe it was plausible for you to run for your life and the guy to catch up with its leisurely stroll.”— Eva Edith of Wasco, Calif., on seeing “Halloween IV” at age 8.“I remembered the scene of Sadako crawling out of the television set very vividly. The only scene that I covered my eyes was when they played the ‘cursed video’ that would give you a call after you’d seen it. Funnily enough, my mom also looked away from the screen. We were a superstitious Asian family, so we weren’t taking any chances.”— Ryan Oquiza, Ashburn, Va., on seeing “Ringu” at age 7.“I remember trying to act cool and not scared, surrounded by my newfound middle school peers. I still had to hide my eyes sometimes. The scene where the demon pops up behind the dad scarred me for life. I had to keep my bedroom door open with the TV on in the next room for the next six months. I swore my house was haunted after that movie.”— Sheridan Posschelle of Denver, on seeing “Insidious Part 1” at age 13. More

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    ‘The Nightmare Before Christmas’: A Hit That Initially Unnerved Disney

    The filmmakers look back on its 30th anniversary and recall how uncomfortable it made executives. They didn’t expect the celebrations around it today.“What’s this?” Jack Skellington sings excitedly when he first comes across Santa Claus’s snowy, colorful village in “The Nightmare Before Christmas.” That’s also what Disney executives asked with concern about the idiosyncratic stop-motion animation musical when they saw a rough cut.“Anytime you’re doing something like that, which was unknown: stop motion, the main character doesn’t have any eyeballs and it’s all music, what’s to feel comfortable about?” Burton said during a video call from London. “Of course they would be nervous about it.”Burton’s “Nightmare,” currently back in theaters to commemorate its 30th anniversary, is now more popular than ever: This weekend the Hollywood Bowl in Los Angeles is holding a series of live concerts around the film, Disney theme parks feature seasonal attractions inspired by its characters, and merchandise, from board games to housewares, abounds.But the eccentric and endearing movie wasn’t always a ubiquitous part of our holiday watch list. Back in October 1993, “Nightmare” was released not as a Disney title but under the studio’s more adult-oriented label Touchstone Pictures.“They were afraid it might hurt their brand,” the director Henry Selick said in a video call from his home in Los Angeles. “If they had put the Disney name on it right then, it would’ve been much more successful, but I understand it just didn’t feel anything like their other animated films.”Based on Burton’s original story and characters, the unusual picture was directed by Selick, by then a seasoned stop-motion artist with spots for MTV and a variety of commercials to his name. Burton’s frequent collaborators Michael McDowell and Caroline Thompson wrote the screenplay.Sally (Catherine O’Hara) and Jack Skellington. She was the subject of a sequel novel last year. Touchstone PicturesOver the course of its original run, “Nightmare” grossed $50 million at the domestic box office. And while that number is by no means dismal, it’s a far cry from Disney animated hits like “Aladdin,” which just a year earlier brought in $217 million from U.S. screens alone.At the time, Disney couldn’t figure out how to market the operatic saga of Jack, a lanky, sharply dressed skeleton, infatuated with bringing the wonder of Christmas to his monstrous friends in uncanny Halloween Town.Selick initially worried that the number of songs Danny Elfman had composed for the movie, a total of 10 tracks for the brisk 76-minute run time, would alienate viewers. In retrospect, he said, the memorable tunes were crucial to the film’s eventual success, once audiences connected with its unconventional rules of storytelling and design.These days Selick can’t go a week without running into a fan wearing a sweater, hat or other apparel emblazoned with “Nightmare” imagery.“This year there’s a 13-foot-tall Jack Skellington you can buy at Home Depot, and people have them on their lawns,” Selick said. “I like that because it’s pretty bizarre and extreme. That’s not just a T-shirt, that’s a real commitment.”For Burton, the character of Jack Skellington embodies a preoccupation common in his work over the years: the terrifying notion of being misunderstood. “The conception of it was based on those feelings growing up of people perceiving you as something dark or weird when actually you’re not,” he recalled.Selick compared the skeletal antihero’s amusingly manic behavior to Mr. Toad from the animated classic “The Wind in the Willows,” one of his favorite Disney protagonists. “I’ve always been drawn to characters like Jack Skellington,” Selick said. “He gets carried away with something new and goes way overboard with his enthusiasm.”Burton, who grew up in the Los Angeles area, where Latino culture has a strong presence, also holds a special affinity for Día de los Muertos, the Mexican holiday that embraces mortality as a natural part of life’s cycle. That was among his many inspirations for “Nightmare. ”The film was initially a modest hit that Disney released under its adult label, Touchstone.Touchstone Pictures“I always felt a connection to that celebration. People think of it as a dark sort of thing, but it’s quite light,” Burton said. “That’s where the juxtaposition of those feelings of dark imagery with more spiritual positive feelings connected with me very early in life.”For stop motion as a technique, “Nightmare” represented a watershed right before the advent of computer-generated animation. Selick credited the director of photography, Pete Kozachik, for introducing the tools that set the production apart, namely designing and building the rigs that allowed the heavy Mitchell film cameras to move a frame at a time.“That made the film so cinematic,” Selick said. “All the stop motion before had been done in lock shots or really simple little pans,” the mostly static visual language that limited other stories told in the same medium. But, Selick continued, “what Pete brought was this freedom of camera movement, which really turned it into a bigger movie.”While there was talk of turning his concept for “Nightmare” into a TV special or realizing it in hand-drawn animation, Burton — who as a child adored Ray Harryhausen’s creations and Rankin/Bass tales like “Rudolph the Red-Nosed Reindeer” — held out until there was a team to do it in stop motion.“If you’ve ever been on a stop motion set and you see its tactile beauty, it is like going back to the beginning of making movies in the sense that it’s all about artists making puppets, sets, there’s a feeling that’s unlike any kind of thing,” Burton said.Decades before he directed the stop-motion features “Corpse Bride” (2005) and “Frankenweenie” (2012), both of which earned him Oscar nominations for best animated feature, Burton dove into the painstaking technique with a 1982 short film, “Vincent.”“Other mediums are great, but for me that’s the most pure and beautiful one,” Burton added.Selick admitted that for a while the general public’s lack of awareness that he had directed “Nightmare” upset him. He’s now made peace with the lack of credit because this milestone in his career wouldn’t have happened without “Tim’s brilliance and ideas.”“I could still certainly win bar bets for the rest of my life,” he said with a cheeky smile. “‘For $20, who directed “The Nightmare Before Christmas”?’”The movie has inspired Disney theme park celebrations, concerts and merchandise.Touchstone PicturesFor Selick, one of the indicators that the movie had become a classic came a few years after the lukewarm reception to the theatrical release, but before Disney had fully embraced it. The director recalls children coming to his house trick-or-treating on Halloween night in homemade costumes of “Nightmare” characters before officially licensed versions existed.“I’d sometimes bring them in with their parents and show them the original figure of Jack as Santa in his sled with the reindeer that I kept, and they would just scream with joy,” Selick recalled while pointing his camera to the fragile figure in a glass display case.“It’s not really mine or Tim’s or Danny’s anymore,” Selick said. “It’s the world’s movie, and I kind of like that.”Since 2001, the Haunted Mansion ride at Disneyland has been transformed every fall into a “Nightmare”-inspired attraction known as Haunted Mansion Holiday. And each year, from early September through October, Disneyland holds the Oogie Boogie Bash, a Halloween party three nights a week featuring and named after the movie’s rambunctious villain.Burton believes these displays epitomize the film’s evolution from unclassifiable oddity to a uniquely beloved property. “When I see that, I go back to the early days when the film was first being done, and thinking of the journey that it’s taken, this symbolizes it in a very strange way,” said Burton.Selick added that he was invited the first year of the Haunted Mansion Holiday. “They didn’t try to turn it into one of their other characters,” he said. “They really got the aesthetic of the designs just right.”A sequel novel, “Long Live the Pumpkin Queen,” focused on Jack’s romantic partner, Sally, and a prequel comic, “The Battle for Pumpkin King,” were published in the last year. Yet three decades on, Burton maintained that the original animated film was a one-of-a-kind feat.“In a certain way that’s the beautiful thing about it as it is. It’s one movie. It’s stop motion and it tells its story. And that helps make it special for me,” Burton explained. “It’s its own thing, there aren’t five sequels and there’s not a live-action reboot.” More