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    Halloween TV: Five Shows That Mix Horror and Humor

    “Creepshow,” “The Fall of the House of Usher” and other shows serve up humor with their horror.Sorting through the seasonal bounty of horror and supernatural television series timed to Halloween, I have focused on shows that approach the grim task with a sense of humor. Here, in alphabetical order, are five series released this month that put more emphasis on wit than on sheer terror.‘30 Coins’The Spanish filmmaker Álex de la Iglesia careens through the conventions of the religious conspiracy thriller in this preposterous and highly enjoyable series that combines a “Da Vinci Code”-style premise with extremes of gore and a circling, tenuously comprehensible plot.In the first season, a Spanish village became the site of a battle among Roman Catholic cabals and emissaries of Satan over Judas’s 30 pieces of silver, which if collected would give their owner unimagined power. Or something like that. Fighting back against these forces of evil was a motley crew that included a renegade priest, the village’s unhappily married mayor and a plucky veterinarian.Paul Giamatti plays a cult leader in the new season of “30 Coins.”Manolo Pavón/HBOIn Season 2, which premiered this week on HBO and Max, the apocalypse has been averted but its likelihood is still palpable, and the number of creepy beasts in the manner of Bosch and Guillermo del Toro has exponentially increased. Also joining the show is Paul Giamatti as a science-fiction-writing cult leader who is human in form but as frightening as any beast.‘Creepshow’Now in its fourth season on the horror-centric streaming service Shudder (as well as AMC+), this anthology series wears its comic-book sensibility and B-movie aesthetic proudly. And the best of its 22-minute stories (two per episode) also exhibit the cleverness and industriousness that contribute to real pop-culture satisfaction. You’ll see the first twist coming, but the second and the third may take you by surprise.“Creepshow” doesn’t reach too far for its inspirations — Season 4’s familiar scenarios include a persecuted vampire family, a werewolf in a “Little Red Riding Hood” situation, a haunted video game and a cursed pair of 3-D glasses.But along with its unpretentious nature comes a willingness to be self-referential and provide fan service, and some of its most entertaining segments are unabashed in-jokes. The Season 4 opener, “The Hat,” suggests that the novels of a writer strongly resembling Stephen King were actually composed by a snappy homburg that refuses to stop writing. In “George Romero in 3-D,” Romero comes back to life in animated form to battle ghouls of his own creation. King and Romero were, of course, the writer and director of the 1982 film “Creepshow” from which the series was spun off.‘The Fall of the House of Usher’Mike Flanagan’s fifth horror mini-series for Netflix (a collection that began with “The Haunting of Hill House”) is, if you care about consistency with the source, a serious mismatch. The genuinely morbid intensity of Edgar Allan Poe’s writing, on prominent display in “The Fall of the House of Usher,” is out of tune with Flanagan’s well-upholstered, tongue-in-cheek, slightly synthetic approach to horror, where everything is right there on the surface.But that surface is often diverting, if not particularly frightening or memorable, and Flanagan can be counted on for large, capable casts. The eight-episode “Usher” offers Bruce Greenwood and Zach Gilford as current and past versions of Roderick Usher, reimagined as a Sackler-like big-pharma executive; Carl Lumbly as a prosecutor named Auguste Dupin; a raspy Mark Hamill as a corporate fixer named Arthur Gordon Pym; and T’Nia Miller as an Usher offspring named Victorine Lafourcade. The Flanagan regular Carla Gugino cycles through costumes and makeup, “Kind Hearts and Coronets”-style, as a seductive angel of death.Dupin, Pym, Lafourcade and many others are named after Poe characters who had nothing to do with “Usher,” an indication of how Flanagan’s series is less an adaptation of the original — it isn’t really that at all — than a Frankenstein’s-monster collage of references to numerous Poe stories and poems. Episode titles — “Murder in the Rue Morgue,” “The Pit and the Pendulum” — clue you in to the style of gruesome death that’s about to take place. Passages of Poe’s prose and poetry are frequently incorporated into the dialogue, making for very flowery conversations. Gugino’s character is named Verna, an anagrammatic nod to Poe’s favorite bird.Flanagan’s biggest change is to expand and update the story into a carnivalesque critique of capitalist greed and inhumanity. Roderick Usher, childless in the original story, now has six heirs whose lives are a catalog of wealth-and-entitlement motifs: nightclub bacchanals, sex with subordinates, wellness profiteering, antiquities looting, crisis management, A.I. infatuation, baking silly trompe l’oeil cakes. Poe’s Ushers were doomed by malaise and sheer malevolent ambience; Flanagan’s have to die because they’re a virus on the earth. As apocalyptic metaphors go, his “Usher” is reasonably entertaining.‘Shining Vale’Jeff Astrof and Sharon Horgan’s series cunningly blends horror, satire and situation comedy in its picture of a modern American woman’s dilemma: Has Pat Phelps, the struggling writer played by Courteney Cox, been driven crazy by the stresses of marriage, motherhood and career? Or does she act like a crazy person because her house is haunted and she’s fighting off demonic possession?Courteney Cox, left, and Mira Sorvino, in the new season of “Shining Vale.”StarzThe first season of “Shining Vale” on Starz was a riff on “The Shining,” with Pat eventually taking an ax to her suburban Connecticut manse and to her feckless husband, played with simpering perfection by Greg Kinnear. Season 2, whose third episode premieres Friday, tackles another celebrated film, “Rosemary’s Baby”; the herbal tea a neighbor provides to calm Pat’s nerves after her release from a psychiatric ward has the unexpected side effect of reversing her menopause.The avenging (but often friendly) spirit played by Mira Sorvino in Season 1 has supposedly been electro-convulsed out of Pat’s head, but luckily Sorvino returns, now playing the concerned neighbor. She and Kinnear, along with a stellar supporting cast that includes Judith Light, Merrin Dungey, Parvesh Cheena, Allison Tolman and the great Harriet Sansom Harris (Bebe in the original “Frasier”), bring a comic harmony to the show’s indelicate balance of tones.‘Wolf Like Me’A melancholy Australian romantic dramedy with werewolves, Peacock’s “Wolf Like Me” mixes tones and tropes in the manner of “Shining Vale” but with a quieter, less satirical effect. When “Shining Vale” sags, it goes flatly jokey; when “Wolf Like Me” runs out of energy, it gets blandly sentimental.But when the creator, writer and director of “Wolf Like Me,” Abe Forsythe, is on his game, it’s a funny, lovely and moving show that can tap straight into your emotions. Also crucial are the performances of Isla Fisher as Mary, an American werewolf hiding from the world in Adelaide, Australia, and the young actress Ariel Donoghue as Emma, a girl devastated by the loss of her mother who becomes Mary’s de facto stepdaughter and develops a fierce loyalty to her. Josh Gad plays Gary, Emma’s father and Mary’s unlikely new boyfriend, and does a nice job of staying out of Fisher and Donoghue’s way.Season 1 brought this accidental trio together, introduced a teasing note of magical realism (along with the outright full-moon supernaturalism) and established the theme of love’s triumph over grief and alienation. In Season 2, the focus shifts to Mary’s pregnancy, which is both a blessed event and a five-alarm crisis. Forsythe’s inventiveness occasionally runs low, and the characters can get strident and unengaging, but he builds to an exciting and wrenching finale that’s also a dire cliffhanger. More

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    SAG-AFTRA Advises Actors Against Character Costumes Amid Strike

    The SAG-AFTRA union told its members not to dress as characters from major productions and post pictures, which could be seen as promoting the work of companies they are negotiating with.Barbie, Ken and Wednesday Addams costumes are out. Ghosts and zombies are in.Halloween this year is tricky for actors on strike, under new union guidelines that tell them how to avoid crossing the virtual picket line: Don’t dress as characters from major studio productions or post photographs of the costumes online.“Let’s use our collective power to send a loud and clear message to our struck employers that we will not promote their content without a fair contract,” the union, SAG-AFTRA, said in the guidelines on Thursday.The union urged its members to “celebrate Halloween this year while also staying in solidarity.”SAG-AFTRA, representing more than 150,000 television and movie actors, has been on strike since July while it negotiates a contract with the Alliance of Motion Picture and Television Producers, which represents major movie and streaming companies including Disney, Netflix and Warner Bros.Generally, the union encourages striking members to share photographs of their union engagement and the picket line in order to amplify their demands, which include increased residual payments from streaming services, a wage boost and protections regarding the use of artificial intelligence. But SAG-AFTRA said its Halloween guidelines were intended “to make sure our members don’t inadvertently break strike rules.”The guidelines urge members to choose generic costumes — of zombies, spiders or ghosts, say — or to base their costumes on characters from animated television shows.In its coverage of the new guidelines on Thursday, The Hollywood Reporter highlighted some of the rules’ technicalities. For example, a costume based on Barbie, which is owned by Mattel, could suggest that the wearer was promoting the summer’s biggest movie from a major studio.“Presumably, actors could dress up like struck characters if they weren’t seen publicly in their costumes, but it’s probably best not to risk it — after all, nothing is scarier than getting called out for scabbing,” the publication wrote, using the slang term for someone who disregards a strike.Social media photos of costumes inspired by content covered by the strike could be considered publicity work, according to the union. It was not clear how actors would handle dressing up as Barbie or J. Robert Oppenheimer at events that would not be publicized or whether actors would influence the costume choices of their family members.“I look forward to screaming ‘scab’ at my 8 year old all night. She’s not in the union but she needs to learn,” the actor Ryan Reynolds said in a joking post on X, the platform formerly known as Twitter.John Rocha, a union actor and the co-host of “The Hot Mic,” a film review podcast, called the decision “foolish” and said he hoped that SAG-AFTRA would reverse course.“Partying at Halloween dressed as the characters their fellow SAG actors brought to life (while they blow off some steam) should be ENCOURAGED,” he said on X.Negotiations between the entertainment studios and the union collapsed last week, with both sides saying they remained far apart on the most significant issues. More

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    James Wan Prefers Peter Jackson’s Gory Horror Comedies

    The director of 21st-century horror blockbusters (and “Aquaman”) on the movies, food and trading cards that get him through the Halloween season (and beyond).From “Saw” to “Insidious” and “The Conjuring,” James Wan has been a director, creator and producer on some of the biggest horror franchises of the last two decades. Even when he’s gearing up for films outside his genre (Wan’s “Aquaman and the Lost Kingdom” drops next year), he’s never far from the horror conversation. The trailer for the Wan-produced possessed doll film, “M3GAN,” lit up the internet when it was released earlier this month. So, it’s not surprising that Wan takes the Halloween season seriously. To start, there’s the annual pilgrimage to Halloween Horror Nights at Universal Studios Hollywood.“I get to take a break from work and indulge my horror craving,” he said in a recent video interview. “But I’m not watching it, I’m walking through it and experiencing it in a more tactile way. I like to be scared. But, ultimately, it’s fun. You know the guy chasing you with an ax isn’t actually going to ax you.”And then, of course, there are the films. Wan rotates through some of his favorite horror films in October, like “Chopping Mall” and “Night of the Creeps” — or “The Frighteners,” which he says is full of the director Peter Jackson’s unique sense of humor.“Sadly, most people today know him from his ‘Lord of the Rings’ films, but for hardcore fans we all grew up with ‘Dead Alive,’ ‘Bad Taste,’ and ‘Meet The Feebles,’” he says. “In his gory horror comedies, his horror set pieces are so over the top — blood spraying everywhere — it’s just hilarious. And that’s what I see in ‘The Frighteners,’ a little bit of that cheekiness peppered throughout.”Here, Wan talks about the places, movies and food that he enjoys throughout the year. These are edited excerpts from the conversation.1. “The Last of Us Part II” During the pandemic, I played “The Last of Us Part II,” like, five times. It feels like I’m actually playing a movie. These games are so in-depth, you spend hours and days and even weeks with the characters and the story, and you get caught up with them emotionally. And that’s what “The Last of Us Part II” did so well: It was exciting, it was scary, but it was ultimately driven by emotion.2. “Mars Attacks” Trading Cards I grew up collecting toys, comic books and trading cards. During the pandemic, I got back into collectibles. I went on eBay and tried to collect all of the “Mars Attacks” cards. Unfortunately, the originals are almost impossible to find, so I had to buy some reissues. I collected a lot of sports cards in my high school days, so now it’s kind of fun to collect non-sports ones, like “Mars Attacks.”3. Home Theater When I was renovating the home that I’m in now, one of the things I really wanted was a really good home theater. I’ve got nice recliners, a big screen, high-end projectors, a great sound system and the room is fully soundproofed. The first full movie I watched in there was “Tenant.” It’s my pride and joy of the house.4. 1978 Rolex “Pepsi” Another thing I like collecting are vintage watches. They don’t have to be big and fancy. I enjoy the idea of so much artistry and engineering going into something that’s so small. The older the watch is, the cooler it is to me. One of my favorites is my red and blue 1978 Rolex GMT-Master 1675 “Pepsi.” I thought it was fun to get a watch that was, basically, as old as me.5. Netherworld Haunted House One of my favorite haunted houses that I’ve been to is called Netherworld, near Atlanta. A group of us went when we were shooting “Furious 7” around Halloween. There are a lot of cinematic ideas that they put into it. It’s really cool to see them pull off a lot of the gags with cool animatronics, great lighting, fog, and other old-school film tricks, which is the stuff I like about old-school horror films.6. My Mother’s Laksa I grew up on a spicy Malaysian noodle dish called Laksa. It’s not an easy dish to get in America and usually when they do make it, it’s not quite like the one I grew up with. Where I was born in East Malaysia, they make Laksa with spicy shrimp paste, while the rest of the world seems to make it with curry paste. And it just has a different flavor. It takes a lot of work and patience to make — which I don’t really have the time for — so, I just wait until my mother visits me from Australia. She brings all the ingredients and she cooks it for me.7. My Courtyard Garden When you see Rob Zombie and then you see his crib, you kind of go, Oh yeah, that makes sense. When people come to my place, they notice that it’s very different from the kind of movies I make. I need a space that’s calm, light filled, and peaceful. I love my courtyard. It’s a peaceful place for me to go out in the middle of the night, pace back and forth and just think.8. “The Cuphead Show!” Late at night, just before bed, my wife and I have been watching “The Cuphead Show!” on Netflix. It’s a cartoon based on a video game, Cuphead. It’s about a pair of cups who are brothers. I love the old-timey cartoon aesthetic. It’s a nice palate cleanser.9. Antique Music Boxes I have a handful of antique music boxes. I love the way they cram such smart engineering into tiny little boxes. I have one on my coffee table that’s about the size of a child’s coffin. I also have an old gramophone that I like to play every now and then. It freaks my wife out because it sounds like something that’s straight out of one of my horror films — you know, that crackly record player that’s playing some old-timey music.10. The Uffizi Gallery I’m a big fan of Italian art and culture, from artists during the Renaissance to Italian horror directors like Dario Argento and Lucio Fulci. When we went to Florence a few years ago, I said we had to visit Uffizi Gallery. The place is filled with the most incredible artwork from artists like Rembrandt and Caravaggio. It was amazing. To see the works of artists I grew up admiring was one of my favorite life experiences. More

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    ‘The Curse of Bridge Hollow’ Review: Attack of the Halloween Décor

    A father and daughter team up to save a town after she sets loose a spirit that brings spooky decorations to life.“The Curse of Bridge Hollow,” a lighthearted horror comedy from the director Jeff Wadlow, boasts an appealing premise: The plucky teenager Sydney (Priah Ferguson), futzing around with a Ouija board, unwittingly sets loose a demonic spirit, which brings to nefarious life every Halloween decoration in town. Her father, Howard (Marlon Wayans), is a high school science teacher and hard-nosed skeptic; when the awakened skeletons, zombies and clowns terrorize the town, the rational father and credulous child must team up and meet each other’s views halfway. And in what seems like the perfect conceptual addendum, the town is widely renowned for its Halloween decorating. “Everyone picks a theme, and then you go big time on that theme,” explains a zealous neighbor (Rob Riggle), whose yard is decked out with zombies in tribute to “The Walking Dead.”This setup promises a gleeful escalation of comic pandemonium, but the film fails to deliver. One early set piece, in which deadly spiders run amok in a nursing home, shows potential but swiftly devolves into a tedious slog of limp action clichés and irreverent quipping. The most flagrant problem is the film’s lack of visual imagination. Wadlow, a good horror director, seems hamstrung by the family-friendly context and struggles to develop tension in the absence of a plausible threat of violence. (For a movie rife with fights and chase scenes, it has a body count of zero.) The creatures are dull and unoriginal across the board, failing to capitalize on the range of styles of decorations, while the evil spirit who is the film’s ultimate villain looks like he’s been outfitted from the discount bin of a Spirit Halloween.The Curse of Bridge HollowNot rated. Running time: 1 hour 29 minutes. Watch on Netflix. More

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    Things To Do in New York: Halloween Events and Activities

    Haunt the streets at Halloween parades. Dance at a “Zombie Prom.” Or find your way through a corn maze. We’ve got you covered on how to celebrate.During Halloween, it’s OK — even encouraged — to frighten your neighbors and devour mounds of Twizzlers and candy corn without judgment. This tradition was partially halted by the pandemic, as walk-through haunted houses mutated into drive-throughs and theaters shut out viewers, while streaming services welcomed them.As in-person programming bounces back, here’s a guide to pumpkin picking, drag shows, haunted houses and more to enjoy throughout New York City with friends and family. All scare levels are welcome.Frights for the FamilyIn its 49th year, the Village Halloween Parade returns on Halloween Day with hundreds of puppeteers, dancers, artists and musicians marching — or crawling — along Greenwich Village. The parade, which begins at 7 p.m. on Sixth Avenue between Spring Street and 16th Street, encourages thousands of costumed New Yorkers to walk alongside the performers.At the annual Bronx Halloween Parade, beginning Oct. 22 at noon, Halloween enthusiasts can enjoy a similar experience as the New York Police Department marching band, the Philadelphia 76ers drum line and dozens of community organizations haunt the streets for about a half mile, from Southern Boulevard and Westchester Avenue to Dawson Street and Rogers Place, adjacent to Bill Rainey Park. The comedian Radel Ortiz will host the post-parade festivities, and all ages are encouraged to participate in a costume contest for a cash prize.Run as you are, whether in a witch costume or your racing attire, during the NYCRuns Haunted Island 5K and 10K. The race takes place early on Oct. 29, wrapping around Governors Island — twice for 10K runners — and provides age and gender-specific awards. All racers can enjoy a ferry ride, a post-race breakfast and Halloween candy. Governors Island will also host Pumpkin Point, its annual pumpkin patch and fall festival at Nolan Park (Oct. 22-23 and Oct. 29-30), where guests can enjoy pumpkin picking with a suggested donation, arts and crafts, pumpkin painting and trick-or-treating. Pumpkins that don’t find a home will be composted or donated locally to organizations combating hunger.At the Amazing Maize Maze at the Queens County Farm Museum, visitors can join a scavenger hunt through acres of towering cornstalk.Matthew BorowickAt the family-run Decker Farm on Staten Island, visitors can handpick the perfect pumpkin, hop on a tractor-towed hayride exploring the 11 acres of farmland, wander through the children’s hay maze and even chuck a gourd (exactly what it sounds like) on October weekends and Oct. 10. The farm, established in the 19th century and a designated New York City landmark, also welcomes guests for fall-themed family portraits and pumpkin painting.In the Amazing Maize Maze, located at the Queens County Farm Museum, visitors can embark on a scavenger hunt through acres of towering cornstalk on Fridays, Saturdays and Sundays in October and on Oct. 10. For an added challenge, Maze by Moonlight allows visitors to venture through the path at night on four select dates, using only a flashlight to guide them.If you’re in search of a different leafy plant this season, watch “Little Shop of Horrors” Off Broadway at the Westside Theater/Upstairs, Tuesday through Sunday on select afternoons and evenings. The 40-year-old musical, created by Howard Ashman and Alan Menken, follows a bloodthirsty plant, Audrey II, that catapults a geeky flower shop assistant, Seymour, to stardom. The musical, inspired by Roger Corman’s 1960 black comedy, has since grown into one of the most produced shows in high schools nationwide. As the plant’s size multiplies, so does Seymour’s prominence. The story reminds viewers “of the special potency of grisly things that come in small, impeccably wrapped packages,” the former New York Times critic Ben Brantley wrote in a 2019 review.The streaming service Disney+ has resurrected the cult classic that follows three kooky sisters who cast spells on the unfortunate youth in the city of Salem, Mass. In Anne Fletcher’s “Hocus Pocus 2,” Bette Midler, Sarah Jessica Parker and Kathy Najimy reprise their witchy roles as they zap into the 21st century, summoned by a charmed candle. The sisters run amok using Roombas instead of flying broomsticks and chug anti-aging creams in a local pharmacy. A treat for the whole family, the film embraces existing fans and attracts new ones.“RuPaul’s Drag Race Night of the Living Drag” in Los Angeles last year. On Oct. 30, the drag queen Yvie Oddly will lead the show at Kings Theater in Brooklyn.Emma Mcintyre/Getty ImagesHorror With a Hint of GlamHouse of Yes, a club in Bushwick, Brooklyn, known for theatrical, sky-high performances and pulsating rhythms, has a full slate of Halloween-themed events such as “Vampire Ball” (Oct. 20) and “Zombie Prom” (Oct. 27), where guests are encouraged to dress as “bloody (bat)dies” and “gory ghouls.” A Halloween edition of the venue’s popular variety show “Dirty Circus” will begin Oct. 26 and conclude with “Absolutely: A Halloween Drag Spectacular” on Halloween night.Kings Theater will also host a night of drag queen royalty with “RuPaul’s Drag Race Night of the Living Drag,” led by Yvie Oddly, the absurdist drag queen and Season 11 winner, and featuring eight other performers in an interpretation of Dante’s “Divine Comedy.”Particularly PetrifyingThe NYC Ghosts tour visits eight to 12 locations throughout the city, including the Morris-Jumel Mansion, which served as Gen. George Washington’s headquarters during the Revolutionary War, and a Revivalist Greek brownstone called the House of Death, where Mark Twain lived for about a year. Tours range from an hour to 90 minutes and are held nightly throughout the year.For a true bloodcurdling experience, Blood Manor, a 10,000-square-foot haunted house in TriBeCa with clowns, corpse brides and cannibals, would be a good place to start. The renowned Halloween destination, where Kevin Hart and Jimmy Fallon shrieked in terror in 2016, has welcomed the fearful and fearless for more than a decade. This year, the house brings attractions like “Maggot Invasion” and “Hannibal’s Hell” as well as killer clowns and a paranormal battlefield. Attend at your own risk on weekends and select weekdays through Nov. 5.For those willing to venture outside the city, Headless Horseman Haunted Attractions, upstate in Ulster Park, guarantees a horrifying immersive experience along its 65-acre property with escape rooms, haunted houses, a corn maze and a new walk-through trail. More sinister than the special effects are the masked serial killers and squealing clowns in each dimly lit, blood-smeared room. It’s open Friday, Saturday and Sunday evenings, with Children’s Days, which tone down the thrills, from 11:30 a.m. to 3 p.m. on the second and fourth Saturday in October. More

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    5 Movies to Watch for Halloween

    5 Movies to Watch for HalloweenErik PiepenburgIn Manhattan, watching with the lights out 👻 [embedded content]Cult: ‘Butcher, Baker, Nightmare Maker’Starring ’70s teen hearthrob Jimmy McNichol, this movie is one of the few classic slasher films to feature a positive portrayal of a gay character. But it’s Susan Tyrrell who turns it into a camp showpiece.Find where to stream it. More

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    Behind the 'Boo!': How Haunted House Actors Scare Guests

    SurfacingWhen ‘Boo!’ Is Only the BeginningWhat does it take to scare the candy corn out of someone? Performers at two of New York’s hallowed haunted attractions explain the secrets behind the shocks.Keenan Loughney, who portrays a nurse at Headless Horseman in Ulster Park, N.Y.Angie Hansen knows what she wants: energy, professionalism, a gift for ad-lib. “And then somebody that really likes to scare people,” she said cheerfully.As the creative director of Blood Manor, a 10,000-square-foot haunted house nestled inside a TriBeCa skyscraper, Hansen assembles 60 performers annually, many of them Blood Manor veterans. She sorts the newcomers into appropriate roles — clowns, killers, corpse brides, victims weeping silicone wounds. In just three or four days of rehearsal, she teaches them to terrify the thousand or so guests who enter Blood Manor, a Halloween staple since 2005, each weekend evening.About two hours north, at Headless Horseman in Ulster Park, N.Y., David Berman leads acting workshops for seasonal scare actors. Because it takes more than ghoulish makeup and vibrating vocal cords to make ticket holders scream.“To just jump out of a closet and just yell, it doesn’t do anything,” Berman said.Nicole Borbone plays a reanimated corpse at Blood Manor.Such haunts — the industry term for a variety of haunted attractions — became popular in the 1980s. Spencer Terry, the president of the Haunted Attractions Association, a trade group, estimates that there are about 1,800 professional haunts in the United States this year. While horror now thrives in sundry forms, these destinations offer something entirely immersive, a 360-degree experience in which audiences can star in their worst nightmares.William Burton is Blood Manor’s mortician.Even as professional attractions move toward more extreme effects — animatronic monsters, plummeting elevators, rippling walls — most still depend on the potential of the human body alone. (Well, the human body and some terrifying face painting.) “Yes, you can scare folks with jump scares, or even puffs of air,” said Beth Kattelman, a professor of performance at Ohio State University. “But what people really remember are the characters, the special things that folks do.”Before Michael Jubie opened Headless Horseman nearly 30 years ago, he worked as a commander of a mounted police unit in Kingston, N.Y. He still projects extreme stoicism, and yet, his actors regularly frighten him. “Oh, I’ve been scared,” he said. “Oh, yes.”Shamia Diaz, a Blood Manor regular, plays the Bride, an asylum escapee. In the weeks leading up to Halloween, we spoke to some of the actors of Blood Manor, amid the hustle of New York City, and Headless Horseman — which operates escape rooms, haunted houses and a very scary corn maze on 65 acres a half-hour drive from the nearest train station — about how they make those scares happen.While some haunted houses use trained actors, most fill their ranks with enthusiastic amateurs. Before the pandemic, applicants came in for interviews and auditions. Now they typically audition remotely, scaring the camera. What makes a great haunt actor? “There has to be at least a little something off about you,” said Will Szigethy, a longtime Headless Horseman actor. But not too off. Most haunts run background checks.Scott Taylor, a packaging engineer for Avon by day, has worked at Headless Horseman for 10 years, with nine of them spent playing a very unsettling clown. “You can tell the people whose heart is in it,” he said. “And you can tell the people that are here just for a paycheck. Those people don’t usually last very long.”Scott Taylor has worked at Headless Horseman for 10 years, playing a clown for most of that time.Veterans take first-timers under their wings, helping them improve their personae and teaching them to scream without shredding their throats. (The trick: Howl from the diaphragm.) Over the course of a season, newcomers will refine characters based on their environment — a morgue, a cemetery, a sideshow — finding distinctive ways to move, to scream, to wield a chain saw or an ax. They will also find their rhythms: a horror variant on comic timing, with a shriek in place of a punchline.Shamia Diaz, a Blood Manor regular, plays the Bride, an asylum escapee. In her blood-smeared hands, the role involves a lot of shaking, a lot of screaming, a lot of encouraging attendees to read scripture from the book of Satan. “You have to find your own mojo, your own vibe,” she said. “Because once you find what works for you, you’re unstoppable.”Jose Torres as Jack, Blood Manor’s masked serial killer.For Dominique Peres, who joined Headless Horseman five years ago as a painfully shy teenager, mojo meant creating a character called Jacket, an exuberant take on a psycho killer. “Jacket is crazy, has an ax, runs rampant, likes candy, likes to make friends,” she said.Some performers specialize in jump scares, popping out from unexpected corners. Others prefer more psychological scares, sidling up to ticket holders, whispering in their ears. (Before Covid-19, some haunts allowed performers to do more than just whisper, but Blood Manor and Headless Horseman have always maintained strict no-contact policies.) Others are more versatile. Amateur psychologists, they vary the scare depending on the mood in the room.Jose Torres, who plays Jack, Blood Manor’s masked serial killer, adjusts his attitude for each new group. “It’s just a connected energy that comes between you and the people walking through,” Torres said.David Berman leads acting workshops at Headless Horseman.That energy, however connected, can be difficult to maintain. While a stage actor will perform once or twice per day, a haunt actor may replay the same scene 10 times an hour, for six to eight hours at a stretch. “It is physically strenuous,” said Meagan Donovan, who oversees a haunted house on the Headless Horseman property. “You’re swinging an ax around all night or just hiding in a small space, being loud.”But the adrenaline rush of eliciting scream after scream keeps performers swinging. “It’s better than a roller coaster,” said Hansen, who spent years playing a Blood Manor victim. “It’s better than sex. It’s better than then the best meal you’ve ever had. The feeling of scaring somebody is what makes you want to do it again and again and again.”Ketara Adolphus plays a character named Stressedgod at Blood Manor.This brand of acting rewards performers in other ways, too. Putting on the makeup and picking up a fake weapon allows them a sense of freedom and disinhibition they may not feel otherwise. “For me, the experience has been very empowering,” Diaz said.Many also treat haunt acting as a form of stress relief. “They use it as a kind of therapy,” said Berman, who plays a gross-out character named Dewey Tewey at Headless Horseman. “You can’t, in your regular day job, tell somebody you’re going to rip their arms and legs off and toss them into the woods.”As Reff, Hector Vega Toro prowls the depths of Blood Manor.Every so often an actor goes too far, continuing to scare a ticket holder who is obviously already petrified. But most know when to quit or even how to lend a helping, blood-covered hand, scooting people out of a room without breaking character. Besides, the best scares, many performers said, are the ones they really have to work for.Nicole Borbone and William Burton, recent college graduates, perform a scene set in Blood Manor’s sinew-stained morgue. They begin with a jump scare, then move into a sequence in which Borbone’s corpse suddenly rises from the table and begs attendees to help her. Burton likes to lock eyes with the customers who look like they’d be tough to scare; Borbone tends to lunge for them. Usually she gets the reaction she wants.“When I make a grown man scream and fall on his knees,” she said, “I’ve done my job.”Dominique Peres performs as Jacket, an exuberant psycho killer.Surfacing is a column that explores the intersection of art and life, produced by Alicia DeSantis, Jolie Ruben, Tala Safie and Josephine Sedgwick. More

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    What to Do for Halloween in New York City

    The Village Halloween Parade is back. Haunted houses have reopened. And we’ve rounded up movies that are not-so scary or are downright horrifying.Recently, a friend told me she hated horror movies. Make that horror movie. Turns out she’d only seen one, and didn’t make it through: “The Texas Chainsaw Massacre.”Renouncing horror after watching one of its most notoriously grisly films through trembling fingers is like watching “The Sopranos” and swearing off New Jersey. Take it from a horror movie fan: Being scared doesn’t have to be that scary.In time for Halloween, here’s a selection of in-person experiences around New York City, as well as movies to view at home, to get the just right amount of fright, whether you’re a curious newbie or a seasoned aficionado.Creepy CuddlyFor families with kids.Through Oct. 31, the Metrograph Theater is offering digital streams of a 45-minute compilation of Halloween-themed cartoons from the collection of the archivist Tommy José Stathes, with live-action and animated shorts featuring Felix the Cat and Koko the Clown. (It’s recommended for ages 8 and up.) On Halloween, head to the Film Forum for an 11 a.m. screening of the original “Frankenstein” (1931).“Frankenstein,” from 1931, will be screened at Film Forum on Oct. 31.Universal Studios Home EntertainmentOn Saturday, costume contests for all ages are set at the Bronx Halloween Parade, where the entertainment lineup includes the Marching Cobras, a drum line; Mazarte, a Mexican dance company; and the comedian Sasha Merci, the parade’s host. The Halloween Kids Spooky Cruise (Oct. 23, 30 and 31) offers panoramic views of the Manhattan skyline and — you’ve been warned — unlimited Halloween-themed candies. BAMboo! at the Brooklyn Academy of Music (Oct. 31) is a free block party with goody bags that kids can grab from decorated car trunks.For families with little ones, steer clear of the movie “Pumpkinhead” and go for the real thing. Pumpkin Point transforms Nolan Park on Governors Island into a family-friendly pumpkin patch; for a donation, you can take home a pumpkin of your own. Decker Farm on Staten Island offers pumpkin carving and a corn maze. Bring your own bag and load up on pumpkins or explore the Amazing Maize Maze at the Queens County Farm, which will host trick or treating with farm animals on Halloween.Finish your day with “It’s the Great Pumpkin, Charlie Brown,” streaming on AppleTV+.Easily EerieFor horror beginners.After being canceled last year because of the coronavirus, New York City’s Village Halloween Parade is back on Oct. 31. Now in its 48th year, the parade runs up Sixth Avenue from Spring Street to 16th Street, starting at 7 p.m. and finishing around 11 p.m. The grand marshal is the comedian and YouTube star Randy Rainbow. If you can’t participate in person, the parade will be telecast live on NY1 starting at 8 p.m.“Universal Horror,” a new eight-film collection on the Criterion Channel, spotlights some of the legendary movie monsters, like Frankenstein and the Mummy, that originated at Universal Pictures in the 1930s. Highlights include the longer and racier Spanish-language version of the original “Dracula” (1931), and Boris Karloff and Bela Lugosi in the grisly, Poe-inspired revenge tale “The Raven” (1935).Bela Lugosi in “Dracula,” from 1931. Universal PicturesGhost stories, true crime — and interior design? That’s “Dark House,” a new podcast from House Beautiful magazine and the first podcast in Hearst’s 125-year history. The five-episode series is free, and explores the architectural elements of spooky houses around the country. One episode is about a house in the Hollywood Hills — where Jean Harlow and Sharon Tate’s boyfriend Jay Sebring once lived — that may be cursed.The Brooklyn Brainery offers digital and in-person (and affordable!) classes for adults who want to learn about the scary side of history. Options include a “Murder at the Seaport” walking tour in Manhattan (Oct. 23 for $25) and a virtual class on witch hunts (Oct. 27 for $7)..css-1xzcza9{list-style-type:disc;padding-inline-start:1em;}.css-3btd0c{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:1rem;line-height:1.375rem;color:#333;margin-bottom:0.78125rem;}@media (min-width:740px){.css-3btd0c{font-size:1.0625rem;line-height:1.5rem;margin-bottom:0.9375rem;}}.css-3btd0c strong{font-weight:600;}.css-3btd0c em{font-style:italic;}.css-w739ur{margin:0 auto 5px;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}#NYT_BELOW_MAIN_CONTENT_REGION .css-w739ur{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:700;font-size:1.375rem;line-height:1.625rem;}@media (min-width:740px){#NYT_BELOW_MAIN_CONTENT_REGION .css-w739ur{font-size:1.6875rem;line-height:1.875rem;}}@media (min-width:740px){.css-w739ur{font-size:1.25rem;line-height:1.4375rem;}}.css-9s9ecg{margin-bottom:15px;}.css-uf1ume{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-box-pack:justify;-webkit-justify-content:space-between;-ms-flex-pack:justify;justify-content:space-between;}.css-wxi1cx{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-flex-direction:column;-ms-flex-direction:column;flex-direction:column;-webkit-align-self:flex-end;-ms-flex-item-align:end;align-self:flex-end;}.css-12vbvwq{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;}@media (min-width:740px){.css-12vbvwq{padding:20px;width:100%;}}.css-12vbvwq:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-12vbvwq{border:none;padding:10px 0 0;border-top:2px solid #121212;}.css-12vbvwq[data-truncated] .css-rdoyk0{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-12vbvwq[data-truncated] .css-eb027h{max-height:300px;overflow:hidden;-webkit-transition:none;transition:none;}.css-12vbvwq[data-truncated] .css-5gimkt:after{content:’See more’;}.css-12vbvwq[data-truncated] .css-6mllg9{opacity:1;}.css-qjk116{margin:0 auto;overflow:hidden;}.css-qjk116 strong{font-weight:700;}.css-qjk116 em{font-style:italic;}.css-qjk116 a{color:#326891;-webkit-text-decoration:underline;text-decoration:underline;text-underline-offset:1px;-webkit-text-decoration-thickness:1px;text-decoration-thickness:1px;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:visited{color:#326891;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:hover{-webkit-text-decoration:none;text-decoration:none;}Moderately MacabreFor a scare that won’t keep you up at night.The guided NYC Ghosts tour stops at said-to-be haunted locations across New York, including the Jefferson Market Library, which once served as a women’s prison, and a Revivalist Greek brownstone in the West Village that’s known as the House of Death, where the ghost of Mark Twain, who lived there for a year, allegedly roams. For chilly nights, stay at home and read “Yours Cruelly, Elvira,” the dishy new memoir from Elvira (a.k.a. Cassandra Peterson), the longtime horror movie hostess and entrepreneur. In it, she details her rise from a Kansas childhood to Las Vegas showgirl to beloved horror personality. But she also spills the beans on her chance encounter with Elvis and her relationship with a woman. Stream the horror comedy “Elvira, Mistress of the Dark” (1998) on Amazon Prime.The Alamo Drafthouse Lower Manhattan opened this month beneath the landmark 28 Liberty Street building in the Financial District. “Lights of New York,” a series of movies set in and about the city, will include the religious paranoia thriller “God Told Me To” (1976) and the gritty vampire film “The Addiction” (1995), for a week starting Oct. 29. For horror fans on a budget, the new streaming service Kino Cult offers a free deep dive into cinematic weirdness. The collection includes bizarro films by the Oscar-winner Yorgos Lanthimos (“Dogtooth”) and the Italian master Mario Bava (“Black Sabbath”), as well as themed collections like ’70s and ’80s Flashback (“The Pit”) and Drive-In Favorites (“Beware! The Blob”).Truly TerrifyingFor those who like their horror pitch black.“The Dark House” in the Hudson Valley, inspired by W.W. Jacobs’s ghost story “The Toll House,” is an immersive theatrical experience that takes place entirely in the dark. Written and directed by Timothy Haskell, the story is told through a headset you wear as you navigate the darkened space, where sounds, tastes and smells emerge around you. The show continues through Oct. 31 at the Philipstown Depot Theater in Garrison, N.Y. The Dark House in the Hudson Valley is an immersive theatrical experience that takes place in the dark.Russ RowlandSpectacle Theater, the offbeat Brooklyn microcinema, has reopened its doors, and its Halloween offerings are as delightfully bizarre as ever. On Halloween night the theater is showing “Cemetery of Terror” (1985), a Mexican film about teenagers who bring a serial killer back from the dead.The creative team behind Blood Manor, the ultra-scary haunted house in Lower Manhattan (through Nov. 6), takes a culinary turn this year with Nightmare on Beech Street, a “haunted dining experience” in Long Beach on Long Island. Costumed actors will interact with diners, who will choose from a menu that includes Witches Hair Pasta, the Death Wish-key cocktail and the Brain Hemorrhage, a chocolate brain-shaped dessert. The venue is open until 2 a.m. through Oct. 31. More