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    How Sarita Choudhury, the ‘And Just Like That …’ Star, Spends Her Sundays

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    When Sarita Choudhury joined the cast of “And Just Like That …” in 2021 as Seema Patel, she said the role initially felt “bigger” than her.But three seasons into the show, a revival of “Sex and the City” on HBO Max, the actress has found herself much more settled in playing the glamorous, sex-positive real estate broker who steals scenes in sophisticated neutrals, gesticulates with cigarettes and dons old-Hollywood head scarves.“Just like I grew into playing Seema, Seema also has grown through mistakes, through hanging out with Carrie and being free within her power,” said Ms. Choudhury, referring to Carrie Bradshaw, the character played by Sarah Jessica Parker.Ms. Choudhury has played Seema Patel on “And Just Like That …” since 2021. She also spent many seasons on Showtime’s “Homeland” and starred opposite Denzel Washington in a 1991 romantic drama.Craig Blankenhorn/MaxWhile she has always taken it as a compliment that Seema reminds viewers of the original series’ sexually liberated Samantha Jones (played by Kim Cattrall), Ms. Choudhury believes Seema has carved her own lane. “Her ability to dive into, whether it’s an affair or a quick advice, is similar,” she said. “But apart from that, I find them very different.”In the new season of “And Just Like That …,” which premieres Thursday, she said she is looking forward to more “character growth” emerging in Seema’s arc.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Reformed’ Is a Charming Show About a Young Rabbi

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      Sitcom shenanigans nestle alongside philosophical musings in this French dramedy on Max.The French dramedy “Reformed,” on Max (in French, with subtitles, or dubbed), follows a young rabbi who moves back home to begin her career. Léa (Elsa Guedj) is smart, knowledgeable and capable, but she is also new at this and nervous. It doesn’t help that those around her, including members of her own family, scoff at the idea of a female rabbi — when they’re tired of scoffing at religion in general.“There was Galileo, there was Freud, there was Auschwitz,” says her father (Éric Elmosnino), a therapist. “I thought we’d figured it out. God doesn’t exist.”Doubt is a constant presence in “Reformed,” both grandly and in the sense that “Eh, aren’t we all just muddling through?” The show is based loosely on the book “Living With Our Dead,” by the French rabbi Delphine Horvilleur, and the episodes center on life cycle events: a bris, a bar mitzvah, a wedding, a funeral, shiva. Most of the people availing themselves of Léa’s services aren’t particularly observant, and they’re not sure if or how to engage with the rites.And Léa isn’t sure either, so she rehearses different voice memos. Yes, do it. No, don’t. Oh no, uh, there was a family emergency, I can’t help you. But invariably, she does help them, with real care and curiosity, not in trite or Pollyannaish ways. She is doctrinal but not doctrinaire, and all these rituals of change for her congregants are rituals of change for her, too. She becomes more confident and mature ushering a reluctant bar mitzvah boy through the process. She hones her discernment skills while officiating a wedding.The most intriguing relationship on the show is between Léa and Arié (Lionel Dray), the local orthodox rabbi and her former teacher. There’s a magnetic pull and constant fascination between them, a lot of trust but also a sense of betrayal. He’s her mentor, and they have an intense erotic energy, but each also sees the other as practicing religion incorrectly — a tension that can be playful right up until it is profoundly hurtful. The goings on at their respective shuls highlight their own misgivings about their denominational choices: Maybe her practice is shallow; maybe his practice is misogynistic. Let’s resolve to smolder at each other about it.In addition to being charming, “Reformed” is interesting. Sitcom shenanigans nestle alongside philosophical musings. A farce unfolds at a seder, and goofy sibling banter segues into deeper conversation and back. Seven episodes are available now, and the season finale arrives on Friday. More

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      The 50 Best Movies on Max Right Now

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      In addition to new Warner and HBO films, the streamer has a treasure trove of Golden Age classics, indie flicks and foreign films. Start with these.When HBO Max debuted in May 2020, subscribers rightfully expected (and got) the formidable catalog of prestige television associated with the HBO brand. But its movie library drew from a much deeper well. Warner Bros. Discovery, which owns HBO, is a huge conglomerate, and its premiere streaming service comprises decades of titles from Warner Bros., Turner Classic Movies, Studio Ghibli and more. Viewed in that light, its recent rebranding as Max seems fitting.That means a lot of large-scale fantasy series and selections from the DC extended universe. Max is also an education in Golden Age Hollywood classics and in independent and foreign auteurs like Federico Fellini, Satyajit Ray and John Cassavetes. The list below is an effort to recommend a diverse range of movies — old and new, foreign and domestic, all-ages and adults-only — that cross genres and cultures while appealing to casual and serious movie-watchers alike. (Note: Streaming services sometimes remove titles or change starting dates without notice.)Here are our lists of the best movies and TV shows on Netflix, the best movies on Amazon Prime Video and the best of everything on Hulu and Disney+.A24‘Aftersun’ (2022)Memory pieces about childhood are nearly always touched by nostalgia, however bittersweet, but Charlotte Wells’s gorgeous, semi-autobiographical debut feature is graced instead by perspective. The memory in “Aftersun” encapsulates a few days in 1999 at a downscale Turkish resort, where an 11-year-old (Frankie Corio) went on her last vacation with her 30-something father (Paul Mescal), who did a credible job at the time of masking his personal anguish in order to make her happy. The MiniDV camera footage the girl captured of the trip tells a different story about him, and the film seizes on it subtly and beautifully. A.O. Scott admired Wells for directing with “the unaffected precision of a lyric poet.”Stream it on Max‘Logan’ (2017)Superhero franchises like the MCU and the DCEU have developed such a predictable template that each new entry can feel at least partially like a paint-by-numbers exercise. Though it extends from the popular “X-Men” series featuring Hugh Jackman as Wolverine and Patrick Stewart as Professor X, James Mangold’s “Logan” has the somber tone and feel of an old-school Western, emphasizing the exhaustion of an aging, battered hero dragged reluctantly to another mission. Having retired to Mexico to look after a sick Professor X, Jackman’s Logan is tasked with protecting a vulnerable young girl (Dafne Keen) whose powers (and history) overlap mysteriously with his own. Manohla Dargis called the film “a strong argument for bringing the comic-book movie down to earth.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Harry Potter’ HBO Series Casts Dumbledore, Hagrid and More Major Roles

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      John Lithgow will play the Hogwarts headmaster in the HBO show, with Paapa Essiedu filling the role of Severus Snape.Potterheads are one step closer to seeing a television series about the boy wizard come to life, two years after it was announced.HBO said on Monday that it had cast John Lithgow as Albus Dumbledore, Janet McTeer as Minerva McGonagall, Paapa Essiedu as Severus Snape and Nick Frost as Rubeus Hagrid.Casting for major roles like Harry Potter, Hermione Granger and Ron Weasley has not been announced, and the series — based on the best-selling books by J.K. Rowling — does not have an official title or air date.HBO also said that Luke Thallon and Paul Whitehouse were joining the cast as Quirinus Quirrell and Argus Filch.“We’re delighted to have such extraordinary talent onboard, and we can’t wait to see them bring these beloved characters to new life,” Francesca Gardiner, the showrunner of the series, and Mark Mylod, who will direct several episodes, said in a joint statement. (They are both also executive producers of the show.)Paapa Essiedu will play Severus Snape in the show.Neil Hall/EPA, via ShutterstockLithgow starred in the 1990s television series “3rd Rock From the Sun” and won Emmys for his roles in “Dexter” and “The Crown.” He has also won two Tony Awards and has an extensive movie career; he played one of the cardinals contending for the papacy in last year’s “Conclave.”He told ScreenRant in February that he had signed on to play Dumbledore, a role played in the original “Harry Potter” films by Richard Harris, who died in 2002, and Michael Gambon, who died in 2023. (Jude Law played a younger Dumbledore in “Fantastic Beasts: The Secrets of Dumbledore,” a spinoff film.)“It was not an easy decision because it’s going to define me for the last chapter of my life, I’m afraid,” Lithgow said then. “But I’m very excited. Some wonderful people are turning their attention back to ‘Harry Potter.’ That’s why it’s been such a hard decision. I’ll be about 87 years old at the wrap party, but I’ve said yes.”The new show will air on HBO and stream on Max. HBO said in 2023 that the series would be a “faithful adaptation” of the seven books published between 1997 and 2007. Eight hit films were released between 2001 and 2011. More

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      ‘Cowboy Bebop’ Creator Discusses His New Anime ‘Lazarus’

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      In an interview, Shinichiro Watanabe discusses his latest anime, “Lazarus,” a pharmaceutical mystery set in the near future.Shinichiro Watanabe’s first anime, “Cowboy Bebop,” was quite an opening act. A story of space bounty hunters trying to scrape by, its genre mash-up of westerns, science fiction and noir, with a jazzy soundtrack, was a critical and commercial success in Japan and beyond. Its American debut on Adult Swim, in 2001, is now considered a milestone in the popularization of anime in the United States.Not one to repeat himself, Watanabe followed up “Bebop” with a story about samurai and hip-hop (“Samurai Champloo,” 2004); a coming-of-age story about jazz musicians (“Kids on the Slope,” 2012); a mystery thriller about teenage terrorists (“Terror in Resonance,” 2014); an animated “Blade Runner” sequel (“Blade Runner Black Out 2022,” 2017); and a sci-fi musical show about two girls on Mars (“Carole & Tuesday,” 2019).Now, he has returned to the kind of sci-fi action that made his name with “Lazarus,” streaming on Max and airing on Adult Swim, with new episodes arriving on Sundays. The show is set in 2055, after the disappearance of a doctor who discovered a miracle drug that has no side effects. Three years later, the doctor resurfaces with an announcement: The drug had a three-year half-life, and everyone who took it will die in 30 days unless someone finds him and the cure he developed.Watanabe has never been shy about being a fan of cinema. “Cowboy Bebop,” for instance, makes specific references to films like “Alien” and “2001: A Space Odyssey.” For “Lazarus,” Watanabe went further, teaming with a Hollywood filmmaker, the “John Wick” director Chad Stahelski, to design the thrilling, kinetic action sequences of the anime.In a video interview, Watanabe, speaking through the interpreters (and co-producers on the series) Takenari Maeda and Saechan, discussed the making of “Lazarus,” the timeliness of the show’s story and how watching the original “Blade Runner” inspired his multicultural and inclusive anime casts. These are edited excerpts from the conversation.Unlike your previous sci-fi projects, “Lazarus” takes place not on a distant planet or far into the future, but in our world just 30 years from now. Why was that important?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares159 Views

      in Television

      ‘The White Lotus’ Luxury: How Branded Collaborations Are Capitalizing on Privilege

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      The hit HBO series satirizes luxury vacationers’ privilege. That hasn’t slowed demand for branded collaborations that sell the show’s lavish lifestyle.Ahead of the much-anticipated Season 3 finale of “The White Lotus,” HBO’s dark comedy-drama that skewers self-absorbed luxury travelers, some fans will be able to immerse themselves in a version of the show’s opulent settings.The Four Seasons Hotel Westlake Village, in the foothills of California’s Santa Monica Mountains, is offering an “exclusive luxury wellness retreat,” set to begin hours ahead of the finale’s airing on Sunday. The experience is intended to “capture the essence” of this season’s Thailand location.“We’re inviting fans to go beyond watching ‘The White Lotus’ and truly experience it,” Pia Barlow, HBO and Max’s executive vice president of originals marketing, said in a news release about the campaign.The retreat is only one of many “White Lotus” experiences and products pegged to the current season. The premium luggage company Away sold out its “White Lotus” capsule collection, complete with lotus flower-printed interior lining. Clothing retailers including H&M, Abercrombie & Fitch, Bloomingdale’s and Banana Republic have all offered show-inspired resort apparel. (Patrick Schwarzenegger, a star of the season, modeled for Banana Republic.) There is “White Lotus” wallpaper, sunscreen and a travel skin-care set in a branded beach tote. Sunglasses, candles, chocolates and even a Thai coffee-flavored creamer can be purchased by viewers looking to live like the show’s wealthy protagonists.But truly experiencing “The White Lotus” is an inherently dicey proposition. The primary motif of the series — created, written and directed by Mike White — has always been to satirize the wealthy who, even while enveloped by the world’s most tranquil and extraordinary surroundings, can’t help but indulge their egos or keep up with their ever-growing list of grievances. They can’t relax either.“I just was like, I should just do a show about people on vacation who have money, and how money is impacting all of their relationships,” White told The New York Times in 2021, ahead of the Season 1 premiere.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      ‘Common Side Effects’ Is a Stylish and Trippy Animated Thriller

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      Filled with smart dialogue, specificity and visual wonder, this Max series is a good choice to help fill the “Severance”-shaped hole in your heart.The animated pharma thriller/stoner dramedy “Common Side Effects,” available on Max, is as rare and precious as the miraculous mushroom its hero, Marshall (Dave King), discovers in the jungle. Smarts, humor, style and perspective rarely align so harmoniously. Not a lot of shows have as much to say, and fewer still say it with such panache.“Common” follows the open-shirted, tiny-mouthed environmentalist Marshall, who wants to protect the fragile habitat of the blue angel mushroom, a fungus that can heal seemingly everything. Everyone should be able to access its powers, Marshall says, and no one should be denied a lifesaving cure because of poverty.But he’s up against a lot, including the D.E.A., the F.B.I., big pharma, fellow mycologists, backwoods hooligans, jailhouse power players and sometimes just his own naiveté. He reunites with his high school lab partner, Frances (Emily Pendergast), after he is booted from one of her boss’s speeches. Frances doesn’t admit to him that she works for Reutical, a pharmaceutical company that does every single bad thing Marshall abhors. They trust each other, even though they haven’t seen each other in years, and when Marshall is in peril, he calls her.“Just two things to mention,” he says, panic rising in his voice. “Some people are following me, and I brought my tortoise.”Frances is just as desperate as Marshall. Her mother has Alzheimer’s and is in a memory care facility that they can barely afford; her boyfriend is sort of a yutz; and she is always waist-deep in a crisis of conscience about working for Reutical. Should she try to help Marshall do things Marshall’s slapdash way, or might Reutical be in a better position to cultivate, test and distribute such a powerful drug?Her boss, Rick (Mike Judge), takes her up to the company’s rooftop helipad to encourage her to stick with the corporate vision. “You’re with us now, the helicopter people,” he says. “We don’t worry about the down-there problems.” He doesn’t say it in an evil, cackling villain voice, though. He says it like an encouraging dad, like a mentor.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares109 Views

      in Television

      ‘Deli Boys,’ Plus 9 Things to Watch on TV this Week

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      A new Hulu comedy premieres, “The Righteous Gemstones” are back and “The Traitors” wraps up its third season.Between streaming and cable, there is a seemingly endless variety of things to watch. Here is a selection of TV shows and specials that air or stream this week, March 3-9. Details and times are subject to change.Things aren’t going as expected.On the Hulu thriller “Paradise,” things took an unexpected turn right from the beginning — and have only gotten more twisty from there. The show follows Xavier Collins, a secret service agent played by Sterling K. Brown who is in charge of protecting President Cal Bradford (James Marsden). Slight spoilers ahead: The end of the first episode showed that Xavier, Cal and a few lucky civilians have been living in an underground city after the world ended — and that the president is actually dead. In a series of flashbacks, the rest of the episodes have revealed how things got to where they are, and this week’s finale will reveal who killed the president. Streaming Tuesday on Hulu.Netflix’s lush historical drama “The Leopard” follows the Salina family, Sicilian aristocrats who are bracing for the Giuseppe Garibaldi’s Redshirt guerrillas to conquer the island in the 19th century. The 1958 book, by Giuseppe Tomasi di Lampedusa, became one of the highest selling novels in Italy. If not for a look at the history, tune in for the stunning location and enviable outfits. Streaming on Wednesday on Netflix.What happens when you have been raised in the cushy world of wealth but your father’s death has left nothing but his convenience store empire, which is actually a crime front? “Deli Boys,” a new comedy, answers that question. Asif Ali and Saagar Shaikh star as brothers who are trying to maintain a deli counter while also dealing with a Peruvian cartel and the Italian mafia. Streaming Thursday on Hulu.An inside look at sports.It’s no secret that Boston takes their sports seriously. The new documentary series “Celtics City” transports viewers back to the founding of the Boston Celtics N.B.A. team in 1946 and forward to their championship win in 2024. The show features archival footage and interviews with past and present players, including Bob Cousy, Larry Bird, Jayson Tatum and Jaylen Brown. Monday at 9 p.m. on HBO and streaming on Max.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘The Eastern Gate’ Is a Lean and Mean Spy Drama

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      Office politics are global politics in this intense Polish series on Max.Nothing is fair in love or war in the fast-paced Polish spy drama “The Eastern Gate” (in Polish and Russian, with subtitles or dubbed). The show, on Max, is intense, tricky and surprising. “Don’t trust anyone,” the characters constantly warn one another. And, well — don’t.Ewa (Lena Gora) is a Polish spy, and at the outset she is undercover at a glamorous party. Only she isn’t there to hobnob with her boyfriend’s icy mom, she is there to gather information about said mom’s involvement in nuclear bomb making.A lot of shows begin with scenes of shocking violence, but few stick with it the way “Gate” does. Outside of “Cobra Kai,” I’m not sure there’s a show with more kicking. Oh, there’s punching, eyeball-squishing, wrist-wrenching and plenty of shooting, too, but all the ways people can kick or be kicked are on vicious display here. It’s not morbid or gratuitous, though: It’s part of the show’s percussive insistence, heard also in its hostile knock-knock-knocks on car windows or in the startling clack of a bolt in lock.The initial mission does not go exactly to plan, and in the fallout Ewa gets sent to Minsk, Belarus, where her bosses suspect a leak within their own intelligence program. How do you look over your shoulder and listen to the voice in your earpiece all at once? The show is set in 2021, and Ewa et al.’s espionage work focuses on the relationships between Poland, Belarus and Russia, and on managing Russian influence as crises deepen and the body count grows.Office politics are global politics here, and international conflict is just an embodiment of interpersonal conflict: Sniffing out Russian moles and arguing about NATO policies are Ewa’s and her colleagues’ love language. Or maybe not “love,” but … maybe. On one mission, Ewa’s handler tells her the safe word is “Don’t hurt me.” When an intelligence official bungles an operation, his boss snarls, “I’ll start a [expletive] war against you myself.”“Gate” is lean and mean in the best ways. All the logs are going on the same fire here, and the heat does not abate. Three of its six episodes are available now, and new episodes on arrive Fridays. More