HBO Max

Subterms

    More stories

    • 88 Shares189 Views

      in Television

      Evan Mock Is Having the Best Time

      by

      After a childhood of surfing and skateboarding on Oahu’s North Shore, the “Gossip Girl” star, party-circuit fixture and friend to many brands is making waves on the island of Manhattan.On a recent afternoon, Evan Mock was trying to do laundry in his East Village condo, but something was wrong with the dryer. Perturbed beeps cut through the retro-soul music playing in the airy third-floor walk-up. The machine kept starting and stopping. He mentioned a theory, something about excessive lint accumulation and a defective filter.Mr. Mock, 25, is probably best known for his role as the pink-haired, Park Avenue-raised, Tarkovsky-loving bisexual son of a right-wing media mogul on the HBO Max reboot of “Gossip Girl,” which returns for its second season on Dec. 1. But the downtown denizen has a lot of other things going on.A king of the “collab,” he has worked with brands including the Danish jewelry manufacturer Pandora and the Italian footwear designer Giuseppe Zanotti. He has modeled for designers including Paco Rabanne and Virgil Abloh. His skateboarding prowess has landed him a hefty sponsorship from Hurley and an elusive spot on the Instagram grid of Frank Ocean. A few months ago he started a fashion line, Wahine, with the stylist Donté McGuine.He is a bona fide multi-hyphenate, a party-circuit fixture, an it boy, a man about town. Also, he has frosted tips now.Mr. Mock with his usual order at Madhufalla Organic Juice and Smoothie Bar on Mulberry Street: a shot of wheatgrass juice and a shot of ginger.Ryan Jones for The New York TimesDespite the hyper résumé, Mr. Mock is laid-back. Serene. As the light streamed into his apartment, he reclined by a floor-to-ceiling corner window. “Sometimes it’s too much,” he said, referring to the intense sunlight. “But I’m not complaining.”He took a swig of coconut water from a Tetra Pak. His feet were up. They were clad in last month’s limited release North Face x Paraboot shoes, the ones with the vulcanized rubber outsoles, matelassé full grain leather uppers and an elastic collar — a mule so exclusive that it was not even available for purchase. As the streetwear website Hypebeast reported: “Simply put, you cannot buy this.”Growing up, Mr. Mock often went around barefoot. Born and raised on the North Shore of Oahu, his father put him on his first surfboard when he was 2 years old. “I caught my first wave before I could swim,” he said.He was home-schooled into his teenage years to accommodate peak surf hours. Around age 11, he also got into skateboarding. (“Pretty late,” he said.) By 16, he was making more than $15,000 a month from skateboarding sponsorships. He then moved to California to pursue what he called his “skateboarding dreams.” (He did air quotes around the words “skateboarding dreams.”)Hints of his modeling career were scattered throughout the tidy two-bedroom, two-bathroom apartment. On his kitchen counter sat a Louis Vuitton purse — a brand for which he walked the runway in 2019. In the corner of the living room, there was an overflowing Rimowa suitcase — the luxury German luggage maker for which he wrote, co-produced and starred in an online commercial last year. It shows Mr. Mock skateboarding through Manhattan donning a Rimowa cross-body messenger bag as he recounts, in a voice-over narrative, a whirlwind romance with a girl he met outside a club in Barcelona. Entranced by her beauty, he speaks of impulsively buying her a ticket to accompany him to Paris. But a lost passport, a brief stint in airport jail and six-hour flight delay put an end to the fling.Across the room, by a stack of shoe boxes, what looked at first like a regular McDonald’s Happy Meal box, was, upon closer inspection, a box of Cactus Plant Flea Market x McDonald’s collectibles from the streetwear label’s limited-run release. The figurines (originally retailing around $10) were reportedly listed on eBay for over $25,000, though the prices have since dropped significantly.Mr. Mock got up to clean his lint trap. “Let’s just get on some bikes,” he said.He puts a lot of mileage on his VanMoof e-bike. The day before, he rode uptown for a “Gossip Girl” A.D.R. (automated dialogue replacement) session, then back down to the Lower East Side to check out a Japanese whiskey bar he might invest in on Chrystie Street.“We could go to Curbs,” Mr. Mock said, referring to a section of Lafayette Street that has become popular among New York skateboarders for the many curbs afforded by its triangular layout.He started to get changed, switching his white T-shirt for a vintage dark gray Number Nine T-shirt. Above the chest pocket it had a small graphic of a speech bubble containing the word “cigarettes.” “It’s a Japanese brand that was illest back in the day,” Mr. Mock said of Number Nine. “Everyone in Japan knows what’s up.”Mr. Mock with Mr. Hiraga in Lower Manhattan.Ryan Jones for The New York TimesHe put on and then took off a hoodie of his own design, a boxy Wahine zip-up. On the front, the outline of a valentine heart surrounding a word that cannot be printed in The New York Times. “I drew it on my friend’s bathroom wall and then I took a picture of it,” he said of the design’s origin.He completed the outfit with a pair of dark-wash Palace jeans, Ambush edition Nike Air Adjust Force sneakers, a silver bomber jacket, a Palace hat and Isabel Marant sunglasses. Outside, he glided through Alphabet City on his next-gen smart-tech bike. As the scenery swept by, he kept one hand in the pocket of the unzipped bomber.Near the REI store, he swerved lithely across Houston Street to give a hello kiss to the photographer Gray Sorrenti, who happened to be passing by with the model-actress Blue Lindeberg. The chance encounter took place directly across from the 55-by-75-foot Calvin Klein billboard where, one year ago, Mr. Mock had appeared, smiling down at NoHo in nothing but black boxer briefs and thigh tattoos.The next stop was Madhufalla, a juice and smoothie bar on Mulberry Street. Mr. Mock ordered his usual: a ginger shot and a wheatgrass shot. “Sweeter than you’d think,” he said. He downed both in the store and ordered an açai berry almond milk smoothie to go.“Sometimes it’s too much,” Mr. Mock said of the intense sunlight in his New York apartment. “But I’m not complaining.”Ryan Jones for The New York TimesAround the corner, at Curbs, he fist-bumped a couple of acquaintances before taking a seat on a bench. Between sips of the smoothie, he talked about “Gossip Girl.” The original CW series, which ran from 2007 through 2012, was, he said, “before my time.” And when the showrunner of the HBO Max reboot, Joshua Safran, reached out to him about playing the part of Aki Menzies, Mr. Mock had never acted.“There were a lot of different firsts,” he said. “When I first read the script, I thought there was nothing more opposite than my actual life. In terms of living somewhere cold, going to a private school, all the drama.”He paused. Then picked up again: “It’s funny, because I never actually went to school. But the character is basically me — besides being filthy rich, going to a private school and living uptown in New York.”A game of eight ball at Ace Bar.Ryan Jones for The New York TimesOn his first day of filming, he had to take part in a sex scene with Emily Alyn Lind, the actress who plays his girlfriend. The inherently awkward situation had the added discomfort of taking place in September 2020. Between shots, the cast members wore K95 masks and plastic face coverings. During their downtime, the actors had to isolate in a room by themselves until they were called back to the set. “But, honestly, I’m kind of glad it happened like that, because we got the weird stuff out of the way,” Mr. Mock said. “Hopefully, everything from here on out will be a little bit quote-unquote normal.”He watched a skateboarder wipe out in front of the bistro Jack’s Wife Freda. Ms. Lindeberg, the actress and model, walked by again. This is something Mr. Mock loves about New York: “You basically have no option but to see homies everywhere you go,” he said. As if on cue, another friend, the actor Nico Hiraga, rode up on a skateboard, joined shortly by another skateboarding friend, George Hemp.“We could go play pool,” Mr. Mock suggested.Soon Mr. Hiraga and Mr. Hemp got Citi Bikes, and the group headed north. All three biked almost exclusively one-handed. The ride was punctuated by more run-ins. On St. Marks Place, Mr. Mock pulled over to hug his brand-deal agent, Jenelle Phillip, who was outdoor-dining at Cafe Mogador. On East 10th Street, at the edge of Tompkins Square Park, he stopped to chat with the skateboarding documentarian Greg Hunt, who was out with his camera, trying to take advantage of the good light. Mr. Mock said he had spotted other familiar faces in the 12-block journey, but he couldn’t pull over for everyone.It was early evening by the time he and his friends reached the Ace Bar on East Fifth Street. “Meet the Fockers” was playing on the TV screen above the Skee-Ball machine.“I love this movie,” Mr. Hiraga said, smiling. “I’m in my saga era.”A few feet from the pool table, a man stood contrapposto, beer in one hand, the other, adamantly on his hip. Mr. Mock said he tends to stand similarly, in a kind of half-akimbo pose. Skateboarders have a certain way of holding themselves — Mr. Mock offered the word “feminine” to describe it, but then agreed that it’s more about fluidity, or a specific grace that comes from being in a constant negotiation with gravity.He added that he has broken each arm three times. In one spill, he broke four fingers. What happens, he explained, is that you learn how to fall.Mr. Mock frequently travels through Manhattan by e-bike.Ryan Jones for The New York Times“If you watch skaters fall, it looks like Bruce Lee fighting water,” Mr. Mock said. “Falling in the same certain type of way, you get reflexes after a while. You can save yourself most of the time, but sometimes you can’t.”Is breaking bones scary?“It just comes with it,” he said. “You expect it.”He turned back to the pool table, adjusting his Palace jeans, which were more or less held up by a leather belt that he said he had gotten from “some random dude in Rome.” More

    • 150 Shares99 Views

      in Television

      Why Did It Take HBO So Long to Make Shows About Women?

      by

      An early top executive at the network believed that “the man of the house” paid for cable TV subscriptions. That mind-set affected HBO’s programming for decades.On “House of the Dragon,” Emma D’Arcy plays a would-be queen who is weighing what to do in the face of betrayal. On “Euphoria,” Zendaya plays a high school student who starts using drugs shortly after leaving rehab. On “The White Lotus,” which returns for its second season on Sunday night, Jennifer Coolidge plays a dazed heiress trying to escape her troubles in the comforts of a Sicilian luxury hotel.These characters are the new faces of HBO, the Emmy-magnet cable network that, until recently, specialized in making programs about men for men. In fits and starts over the last two decades, the network has at last begun to move away from the leering lotharios of its early years and the tortured male antiheroes of its middle period to present shows built around complicated women who drive the action.In the 1980s, when HBO was just starting to make original programming, its top executives made a point of appealing to male viewers. It was a strategy that affected the network’s creative output for years to come.Jennifer Coolidge, center, in a scene from Season 2 of “The White Lotus.” Fabio Lovino/HBOEmma D’Arcy, right, with Olivia Cooke in HBO’s latest ratings hit, “House of the Dragon.”Ollie Upton/HBO“I’ve figured out through research, and in my own mind, that the man of the house decided whether to have HBO or not,” said Michael Fuchs, the channel’s top executive when it started to concentrate on original programming, in a 2010 interview with the Television Academy.“I made sure that there were things for men,” he continued. “If commercial television had a female slant, HBO had a male slant.”The network bet big on stand-up comedy specials featuring mostly male comics in the years when it was defining the look and feel of premium cable. Without the restrictions of broadcast TV, George Carlin, Chris Rock and Robin Williams were free to do their routines unfettered.In the 1980s, the network cemented its identity as one that appealed to men when it signed the heavyweight champion Mike Tyson to an exclusive deal. At the same time, HBO started airing the documentary series “Eros America,” which was soon renamed “Real Sex.” It kicked off a run of sex-focused documentary shows, which would include “G String Divas,” “Cathouse” and “Sex Bytes.”HBO’s early forays into scripted programming followed a similar tack. John Landis, an executive producer of “Dream On,” a comedy about a male book editor that made its debut in 1990, used the show’s gratuitous nudity as a selling point. “We have breasts in the script just for the sake of seeing breasts,” he said in a 1992 interview. “Excuse me, but what’s so bad about that?”Susie Fitzgerald, an HBO programming executive from 1984 to 1995, said “Dream On” appealed to her bosses because it was cheap to make and “it featured nudity — female nudity, of course.” She recalled HBO’s research executives preaching that men “controlled the remote.” That line of thinking became a factor in programming decisions, she added.Return to Westeros in ‘House of the Dragon’HBO’s long-awaited “Game of Thrones” prequel series is here.Playing Kingmaker: Fabien Frankel plays Ser Criston Cole, who got to place the crown on the new King of Westeros’s head. He is still not sure how he landed the role.The Princess and the Queen: Emma D’Arcy and Olivia Cooke, who portray the grown-up versions of Rhaenyra Targaryen and Alicent Hightower, talked about the forces that drive their characters apart — and pull them together.A Man’s Decline: By the eighth episode of the season, Viserys no longer looks like a proud Targaryen king. The actor Paddy Considine discussed the character’s transformation and its meaning.A Rogue Prince: Daemon Targaryen is an agent of chaos. But “he’s got a strange moral compass of his own,” Matt Smith, who portrays him, said.Ms. Fitzgerald, who helped oversee HBO comedy specials starring Ellen DeGeneres, Roseanne Barr and Whoopi Goldberg, was part of the team behind the network’s first series to win widespread acclaim, “The Larry Sanders Show,” about an insecure talk-show host and cocreated by and starring Garry Shandling. Around the time of its debut, Ms. Fitzgerald said she floated the idea that a woman should be the lead of an HBO comedy series. She faced resistance when she brought it up, she said.The beginning of the shift toward productions centered on women did not come about until 1996, with the premiere of “If These Walls Could Talk,” a movie chronicling abortion in three different decades. It was produced by Demi Moore, who also had a leading role in the film.HBO didn’t give the green light to “If These Walls Could Talk” in the hope that it would attract large numbers of viewers and subscribers. The network’s main interest was in doing business with Ms. Moore, who was then at the height of her fame.“If These Walls Could Talk” did have something in common with HBO’s other productions, though: It had a strong point of view — fiercely in favor of abortion — and it was not a fit for broadcast TV or basic cable, which made money by keeping skittish advertisers happy.When the ratings came in, the executives were floored: “If These Walls Could Talk” had attracted the largest audience ever for an HBO production, contradicting its “man-of-the-house” programming strategy.Shortly afterward, HBO bought the option for “Sex and the City,” a book by Candace Bushnell on the lives of single women in Manhattan. The series ran from 1998 to 2004, becoming a cultural touchstone and winning 7 Emmys (out of 54 nominations). It also spawned two feature films, a popular sequel series, “And Just Like That,” for HBO’s streaming service, HBO Max, and countless memes.Sarah Jessica Parker as Carrie Bradshaw in the long-running HBO series “Sex and the City.”HBO, via Everett CollectionBut just as “Sex and the City” was in the middle of its run, HBO went back to the old playbook, adding “The Mind of the Married Man” to its prime-time schedule. The half-hour series was centered on a married Chicago newspaperman, his married pals and their sex lives. Writing in Entertainment Weekly, the critic Ken Tucker called the show a “rancid little barf-com” and found fault with its “moronic sexism.” And soon after 10 million viewers tuned in for the “Sex and the City” finale, HBO returned to a bro-y sensibility with “Entourage,” about young men on the loose in Hollywood.When Casey Bloys, the current head of programming at HBO, joined the network in 2004, its audience was still largely male, thanks to a cluster of shows — “Oz,” “The Sopranos,” “The Wire” — that chronicled the exploits of male antiheroes and outlaws.“There was definitely a core male 25- to 54-year-old audience,” Mr. Bloys said.Some HBO series appealed to women — Alan Ball’s “True Blood” and Michael Patrick King’s and Lisa Kudrow’s “The Comeback” — but old habits were hard to shake.In 2010, Mr. Bloys and his colleagues in the programming department were impressed by a proposal from a 23-year-old writer and filmmaker, Lena Dunham, for a series about young women in New York. Other executives were against it, partly because of the age of Ms. Dunham’s central characters, who were more than a decade younger than the “Sex and the City” foursome.“The prevailing wisdom of the time was that men basically subscribed,” Mr. Bloys said. “So in conversations around ‘Girls,’ they said we had never done a show with that young a lead and a female lead that young. The idea was young adults were not deciding to subscribe to HBO because they weren’t the head of the household.”After Mr. Bloys and his associates prevailed, “Girls” became a critical hit and fodder for thousands of think pieces. “Veep,” starring Julia Louis-Dreyfus as a U.S. vice president, was right around the corner.Even so, shows about men remained HBO’s stock in trade, along with certain tropes that had devolved into cliché. In a 2011 essay, “HBO, you’re busted,” Mary McNamara, a critic for The Los Angeles Times, blasted the network for its overreliance on scenes set in strip clubs and brothels.Must every HBO drama, Ms. McNamara lamented, feature shadowy men conducting business against a backdrop of unclad women? She cited “The Sopranos,” “Game of Thrones,” “Rome,” “Deadwood” and “Boardwalk Empire” as the biggest offenders, noting that “HBO has a higher population of prostitutes per capita than Amsterdam or Charlie Sheen’s Christmas card list.”The cast of “The Mind of the Married Man,” a critical flop.Anthony Friedkin/HBOJames Gandolfini as the HBO antihero Tony Soprano.Anthony Neste/Getty ImagesBy the time Mr. Bloys took over the programming department in 2016, 57 percent of viewers of HBO’s Sunday prime-time lineup were male, according to Nielsen. As Mr. Bloys settled into his new role, the network began a reboot of the cultural shift it had attempted two decades earlier with “If These Walls Could Talk” and “Sex and the City.”“My philosophy as a programmer was, if you’ve got a male core, that’s great,” Mr. Bloys said. “You do want to make sure you’re tending to that core audience, but you also have to broaden out from that. You can do both.”As the #MeToo movement ousted men in positions of power in the media industry, the signature HBO protagonist began to change. There were still shows centered on tortured male antiheroes — “Succession,” for one — but more and more, a new character came to the fore: the tough but flawed heroine who is looking to right past wrongs.“Big Little Lies,” starring Nicole Kidman and Reese Witherspoon, chronicled a group of women in Monterey, Calif., who band together after one of their husbands, an abuser, is murdered. In “Sharp Objects,” Amy Adams played a self-harming newspaper reporter who investigates the murders of two girls in her Missouri hometown. In “Mare of Easttown,” Kate Winslet immersed herself in the role of a damaged police detective working to solve the murder of a teenage mother in blue-collar Pennsylvania. “I May Destroy You,” a coproduction with the BBC, starred Michaela Coel as a struggling writer who attempts to shed light on her own past rape.Michaela Coel was the star, writer and producer of “I May Destroy You.”HBO, via Associated PressMs. Coel was the creative force behind “I May Destroy You.” Another female writer-producer, Marti Noxon, was the creator of “Sharp Objects,” a limited series based on the novel by Gillian Flynn. But several other HBO shows with female protagonists were led by men: David E. Kelley was the showrunner of “Big Little Lies”; Brad Inglesby created “Mare of Easttown”; and Saverio Costanzo was the creator of HBO’s adaptation of “My Brilliant Friend,” a show adapted from the Neapolitan novels series by Elena Ferrante.HBO reapplied the lesson it had learned from “Girls” when it signed off on “Euphoria,” a series about the drug-fueled escapades of teenagers created by Sam Levinson, with Zendaya in a starring role. Earlier this year, that show became the most-watched HBO program since the network’s biggest hit, “Game of Thrones.”The results of the shift have been evident in the makeup of the audience for HBO, which celebrates its 50th anniversary in November, and the streaming platform that shares its name. According to Nielsen, those watching the cable channel had a 50-50 male-female split in 2021, and 52 percent of HBO Max’s viewers in September were women.“I think that any brand — this is not specific to television — has to evolve,” Mr. Bloys said. “You can’t just kind of become comfortable and think, ‘Well, we know how to do one thing and let’s keep doing it.’” More

    • 125 Shares199 Views

      in Television

      ‘Succession’ Wins Best Drama at Emmys as HBO Triumphs Again

      by

      “Succession,” HBO’s portrait of a dysfunctional media dynasty, won best drama at the 74th Emmy Awards on Monday night, the second time the series has taken the prize.Jesse Armstrong, the show’s creator, also took home the Emmy for best writing, the third time he’s won in that category. And Matthew Macfadyen won best supporting actor in a drama for the first time for his performance on the show.It was the sixth time in eight years that HBO has taken the television industry’s biggest prize for a recurring series, making it yet another triumphant night for the cable network. HBO, as well as its streaming service, HBO Max, won more Emmys (38) than any other outlet, besting its chief rival, Netflix (26).“The White Lotus,” the cable network’s beloved upstairs-downstairs dramedy that took place at a Hawaiian resort, won best limited series, and tore through several other categories. The show won 10 Emmys altogether, more than any other series. Mike White, the show’s creator and director, won a pair of Emmys for best directing and writing. And performers from the show, Murray Bartlett and Jennifer Coolidge, both received acting Emmys.“Mike White, my God, thank you for giving me one of the best experiences of my life,” Bartlett, who played an off-the-wagon hotel manager, said from the Emmys stage.But HBO’s chronicles of the rich were not the only winners on Monday night.“Ted Lasso,” the Apple TV+ sports series, won best comedy for a second consecutive year, as the tech giant continues on an awards show tear. Apple TV+, which had its debut in November 2019, won best picture at the Oscars (“CODA”) earlier this year. And Jason Sudeikis repeated as best actor in a comedy as the fish-out-of-water soccer coach in “Ted Lasso.”There were other big moments in the comedy awards. Quinta Brunson, the creator of the good-natured ABC workplace sitcom, “Abbott Elementary,” about a group of elementary schoolteachers at an underfunded Philadelphia public school, won for best writing in a comedy. It was only the second time a Black woman won the award (Lena Waithe was the first, in 2017, for “Master of None”).In one of the night’s most electric moments, Sheryl Lee Ralph won best supporting actress in a comedy for her role on “Abbott Elementary” as a veteran teacher at the school. Ralph began her Emmys speech by singing “Endangered Species” by Dianne Reeves, and received a standing ovation from the room full of nominees. Her victory was also historic: It was only the second time a Black woman won the award. The last time was in 1987, when Jackée Harry won for her role in the NBC sitcom “227.”This has been the most competitive Emmys season ever: Submissions for all the categories surged, and 2022 is very likely to set yet another record for the highest number of scripted television series.But there was also a sense of concern among the executives, producers and agents in attendance at Monday night’s Emmy Awards, that 2022 represents the pinnacle of the so-called Peak TV era, which has produced the highest number of scripted television series, nearly every year, for more than a decade.Netflix, which lost subscribers this year for the first time in a decade, has laid off hundreds of staffers and is reining in its spending. HBO’s parent company, Warner Bros. Discovery, has shelved projects and is about to lay off a significant number of employees. NBC executives are considering ending its prime-time lineup at 10 p.m., and handing the hour over to local stations.Business challenges aside, the night was mostly a feel-good celebration. Zendaya won her second Emmy by taking best actress in a drama for her role as a troubled teen in HBO’s “Euphoria.” Jean Smart repeated as the best actress in a comedy for her role as a Joan Rivers-like comedian in HBO Max’s “Hacks.”“Squid Game,” the blood-splattered, South Korean Netflix series, won a pair of awards: Lee Jung-jae for best actor in a drama, and Hwang Dong-hyuk for directing. Those wins represented a major breakthrough for a foreign language show as television becomes more global, and as American audiences are increasingly receptive to series with subtitles.Michael Keaton, who played a small town doctor in “Dopesick,” took the best actor award in a limited series. And Amanda Seyfried won best actress in a limited series for her well-received performance as Elizabeth Holmes in “The Dropout.”Emmy voters often have a habit of finding a winner, and sticking with it, and this year was no different. John Oliver’s “Last Week Tonight” won the best talk show category for a seventh consecutive year, and “Saturday Night Live” took the best variety sketch series for a sixth straight year.This year’s ceremony was the first return to the Microsoft Theater since the pandemic. Producers for the Emmys incorporated an element that it experimented with at last year’s ceremony, which took place inside a tent: Instead of theater-style seating, nominees were gathered around tables with bottles of champagne and wine around them.This year’s host, Kenan Thompson, the “Saturday Night Live” veteran, opened the ceremony in a top hat and led a group of dancers in a bizarre interpretive dance to theme songs of famous TV series like “Law & Order,” “The Brady Bunch” and “Game of Thrones.”During his monologue, Thompson took a dig at Netflix’s recent woes.“If you don’t know what ‘Squid Game’ is, it is the contest you enter when you’re in massive debt and desperate for money,” the host said. “Joining the cast next season? Netflix.” More

    • 88 Shares129 Views

      in Television

      41 TV Shows to Watch This Fall

      by

      Noteworthy premieres include new seasons of buzzy hits (“Abbott Elementary,” “The Handmaid’s Tale”), reboots and revivals (“Quantum Leap,” “Willow”) and more.The fall television season got off to an early start this year with the arrival of the dueling franchise extensions and hopeful blockbusters, “House of the Dragon” on HBO and “The Lord of the Rings: The Rings of Power” on Amazon Prime Video. But TV’s vast landscape offers a lot more than expensively produced, effects-laden fantasy. From the relatable delights of “Abbott Elementary” to the highly specific hilarity of “Documentary Now!,” here are some noteworthy fall premieres, arranged in chronological order.All dates are subject to change.THE SERPENT QUEEN The story of Catherine de’ Medici, the 16th-century queen of France, in a satirical, talking-to-the-camera 21st-century telling, with Samantha Morton and Liv Hill as Catherine and a large cast, including Charles Dance, Colm Meaney and Ludivine Sagnier, as the clerics and aristocrats who underestimate her at their peril. Starz, Sept. 11.THE JENNIFER HUDSON SHOW The success of daytime talk-show hosts is notoriously hard to predict, and whether Hudson will have the right skill set and personality for the role is about to be seen. But she immediately becomes the most talented singer and actress in the field, for what that’s worth. Syndicated, Sept. 12.THE HANDMAID’S TALE This bleak allegory and nonlinear-TV pioneer — the first streaming show to win an Emmy for outstanding drama series — soldiers into its fifth season, with June (Elisabeth Moss) quickly coming down from the cathartic high of Season 4’s bloody conclusion. Hulu, Sept. 14.Elisabeth Moss in “The Handmaid’s Tale,” returning for its fifth season on Sept. 14.HuluATLANTA After a third season, ending in May, that was quietly received — and that dropped more than half of the show’s previous broadcast audience — Donald Glover’s prickly comedy quickly returns for a fourth and final go-round. FX, Sept. 15.THE U.S. AND THE HOLOCAUST Ken Burns, directing with Lynn Novick and Sarah Botstein, devotes six hours to an uncomfortable chapter of American history with an alarmingly familiar backdrop of racism and xenophobia. PBS, Sept. 18.QUANTUM LEAP Raymond Lee (the sympathetic diner owner in “Kevin Can F**k Himself”) plays a new time-jumping do-gooder in this reboot of the early-90s sci-fi series. The Quantum Leap project is restarted and the original hero, Sam Beckett, is still missing, so a Scott Bakula guest appearance seems pretty much preordained. NBC, Sept. 19.PARIS POLICE 1900 In the spirit of “Babylon Berlin,” this period policier sets standard crime drama against a vivid historical backdrop: the Dreyfus affair, organized and violent antisemitism, the rise of the pioneering lawyer Jeanne Chauvin (Eugenie Derouand) and the sometimes deadly career of the Parisian courtesan Marguerite Steinheil (Evelyne Brochu). MHz Choice, Sept. 20.REBOOT Steven Levitan, who grabbed the network-sitcom brass ring with “Just Shoot Me!” and “Modern Family,” indulges in some gentle self-parody. Judy Greer, Keegan-Michael Key and Johnny Knoxville play the cast of a hacky early-aughts family comedy who reunite for a new version written by a young woman (Rachel Bloom of “Crazy Ex-Girlfriend”) who is strangely obsessed with the original show. Hulu, Sept. 20.ABBOTT ELEMENTARY Quinta Brunson’s sitcom about struggling teachers at a Philadelphia elementary school, a breakout hit in the spring and an Emmy nominee for best comedy series, embarks on its second season. ABC, Sept. 21.Lisa Ann Walter, left, and Sheryl Lee Ralph in “Abbott Elementary,” returning for its second season on Sept. 21, on ABC.Scott Everett White/ABCANDOR Tony Gilroy has more on his résumé than a writing credit for “Rogue One,” and it looks as if his new “Star Wars” series might incorporate some of the real-world grit he displayed a feel for in the Bourne movies. That would be a good thing, though don’t tell it to your friend with the lightsaber collection. Disney+, Sept. 21.REASONABLE DOUBT Kerry Washington is an executive producer and a director of this legal melodrama created by Raamla Mohamed, who was a writer and producer on Washington’s breakthrough series, “Scandal.” Emayatzy Corinealdi plays a high-rent, high-stress Los Angeles lawyer whose conscience begins to bite her in the first scripted series from Disney’s Onyx Collective brand for creators of color. Hulu, Sept. 27.THE DARK HEART Gustav Möller, director of the Swedish film “The Guilty” (remade in America starring Jake Gyllenhaal), oversaw this five-part thriller inspired by real events. A woman who manages a civilian search team for missing persons takes on the case of a landowner and lumber baron who alienated a lot of people, including his ambitious daughter, before he disappeared. Topic, Sept. 29.SO HELP ME TODD A quirky-funny mystery series — in the long lineage of “Monk” — starring Marcia Gay Harden as a Type-A lawyer and Skylar Astin as her son, who’s better at investigating than he is at adulting. CBS, Sept. 29.Marcia Gay Harden stars in “So Help Me Todd,” premiering Sept. 29 on CBS.Michael Courtney/CBSANNE RICE’S INTERVIEW WITH THE VAMPIRE AMC takes its first step toward an Anne Rice universe, under the aegis of the veteran producer Mark Johnson (“Better Call Saul”). Jacob Anderson, the eunuch warrior Grey Worm in “Game of Thrones,” plays Louis, the Brad Pitt role from the movie version; Sam Reid steps in for Tom Cruise as Lestat; and the newcomer Bailey Bass, soon to be seen in several “Avatar” sequels, replaces Kirsten Dunst as the child vampire, Claudia. AMC, Oct. 2.EAST NEW YORK William Finkelstein, a creator of this cop drama, spent the 1990s and early 2000s writing and producing for a good roster of shows: “L.A. Law,” “Murder One,” “Brooklyn South,” “Law & Order” and “NYPD Blue.” On the other hand, he also created “Cop Rock” with Steven Bochco. Amanda Warren (the mayor in “The Leftovers”) plays a new precinct boss in the Brooklyn neighborhood of the title, heading a cast that includes Jimmy Smits, Richard Kind and Ruben Santiago-Hudson. CBS, Oct. 2.THE WALKING DEAD There was a time — and it was only six years ago — when “The Walking Dead” was drawing more than 12 million viewers an episode and the death of a major character was Monday morning news. Now more important as intellectual property than as weekly storytelling, the original series shuffles to the finish line with its final eight episodes. AMC, Oct. 2.Norman Reedus in AMC’s “The Walking Dead,” returning for its final season on Oct. 2.Jace Downs/AMCMAKING BLACK AMERICA: THROUGH THE GRAPEVINE Henry Louis Gates Jr. explores the codes, networks and private societies that Black Americans have created “behind the veil” of the color line in a four-part documentary series. PBS, Oct. 4.ALASKA DAILY Tom McCarthy, who made one of the best newspaper dramas of our time in the film “Spotlight,” created this series about an abrasive reporter (Hilary Swank) who gets canceled in New York and takes a job in Anchorage, lured by a story about the deaths of Indigenous women. The presence of Jeff Perry as her new boss probably isn’t the only thing that will remind you of the shows of the ABC stalwart Shonda Rhimes. ABC, Oct. 6.A FRIEND OF THE FAMILY Anna Paquin and Colin Hanks star in this true-crime mini-series as the parents of the actress Jan Broberg, who was kidnapped when she was 12 and again when she was 14 by the same family friend (played by Jake Lacy). The bizarre story has also been told in the 2017 feature documentary “Abducted in Plain Sight.” Peacock, Oct. 6.Jake Lacy and Anna Paquin in the Peacock mini-series “A Friend of the Family.”PeacockPENNYWORTH: THE ORIGIN OF BATMAN’S BUTLER This stylish “Batman” prequel series, about the former special-forces soldier who will one day be Bruce Wayne’s butler (as the show’s awkward new title makes clear), leaves Epix for a platform closer to its DC Comics roots. Season 3 also mostly leaves behind the alt-history British civil war that occupied the first two installments, jumping ahead five years and introducing superheroes. HBO Max, Oct. 6.LET THE RIGHT ONE IN John Ajvide Lindqvist’s ultra-bleak 2004 novel about a child vampire keeps circulating through the culture: It has inspired films, plays, a comic book and a TV pilot, with Thomas Kretschmann, that wasn’t picked up. Now the story makes it to TV with Demián Bichir as the father of the girl vampire (Madison Taylor Baez) who’s forever 12. Showtime, online Oct. 7, cable Oct. 9.THE MIDNIGHT CLUB The latest from Mike Flanagan, whose atmospheric horror series (“The Haunting of Hill House,” “Midnight Mass”) have won a following on Netflix. Heather Langenkamp plays the doctor at a hospice where the patients like to tell one another scary stories. Netflix, Oct. 7.BECOMING FREDERICK DOUGLASS The documentarian Stanley Nelson (“Attica,” “Freedom Riders”) fills in some important chapters in his epic yet quotidian history of Black life in America with this film and with “Harriet Tubman: Visions of Freedom” (Oct. 4), both directed by Nelson and Nicole London. PBS, Oct. 11.CHAINSAW MAN Anticipation is running high in the anime world for the MAPPA animation studio’s adaptation of “Chainsaw Man,” a dark-comic, body-horror manga about a young devil hunter with a deadly appendage. Crunchyroll, Oct. 11.SHERWOOD The cast of this BBC mystery series is a lengthy British-TV who’s who: David Morrissey, Lesley Manville, Claire Rushbrook, Philip Jackson, Joanne Froggatt, Terence Maynard, Kevin Doyle, Robert Glenister, Clare Holman, Lorraine Ashbourne, Adeel Akhtar, Pip Torrens and Mark Addy, among others. Morrissey is the detective investigating a bow-and-arrow murder in Robin Hood’s old Nottinghamshire haunts that brings up hatreds from a 1980s miners’ strike. BritBox, Oct. 11.THE WINCHESTERS Jensen Ackles returns to the “Supernatural” universe, reassuming his role as the monster hunter Dean Winchester in this prequel series. This time Dean, in a supporting role, is tracking down the real story of the younger days of his mother and father (Meg Donnelly and Drake Rodger), which sounds like a good strategy for avoiding pesky continuity questions. CW, Oct. 11Drake Rodger and Meg Donnelly in “The Winchesters,” premiering Oct. 11 on the CW.Matt Miller/CWDOCUMENTARY NOW! One of TV’s greatest pleasures returns after a more than three-year hiatus. The fourth season, hosted, as always, by Dame Helen Mirren, will include sendups of “My Octopus Teacher,” “The September Issue,” “When We Were Kings” and Werner Herzog’s “Burden of Dreams.” IFC, Oct. 19.FROM SCRATCH Zoe Saldana stars in a mini-series that crosses cultures — a Black American woman falls in love with a Sicilian chef during her Wanderjahr in Italy — and genres, mixing picturesque Euroromance and sorrowful survivor’s tale. Netflix, Oct. 21.THE PERIPHERAL Scott B. Smith, who wrote the screenplay (based on his own novel) of the excellent 1998 thriller “A Simple Plan,” is the creator and showrunner of this series based on a dystopian, alternate-futures mystery by William Gibson; Chloë Grace Moretz stars; and Lisa Joy and Jonathan Nolan are among the executive producers. That’s an awful lot of bleak-noir experience. Amazon Prime Video, Oct. 21.GUILLERMO DEL TORO’S CABINET OF CURIOSITIES Del Toro takes on the Alfred Hitchcock role, playing master of ceremonies for an eight-episode horror anthology. (A previous title included the words “Guillermo del Toro Presents.”) The first season’s directors include Jennifer Kent (“The Babadook”), Catherine Hardwicke (“Twilight”) and Ana Lily Amirpour (“A Girl Walks Home Alone at Night”). Netflix, Oct. 25.SHERMAN’S SHOWCASE Diallo Riddle and Bashir Salahuddin’s consistently clever, stealthily sophisticated, unabashedly nostalgic sendup of old-school variety shows finally returns for a second season. IFC, Oct. 26.Bashir Salahuddin, foreground, in “Sherman’s Showcase,” returning for its second season on Oct. 26, on IFC.Michael Moriatis/IFCTRUE CRIME STORY: INDEFENSIBLE Back for a second season, the comedian Jena Friedman applies the adversarial techniques of topical late-night humor to the true-crime genre, in 20-minute episodes that are less investigations — the facts of the cases are generally pretty plain, at least in Friedman’s eyes — than expressions of darkly comic outrage. SundanceTV, Oct. 27.BIG MOUTH Since Nick Kroll broke the third-dimensional wall in the Season 5 finale and had a heart-to-heart with his animated character, Nick Birch, will any of his castmates get to follow suit in the sixth season of this raunchy paean to puberty? The real-life John Mulaney would probably have some interesting things to say to his animated counterpart, randy Andy Glouberman. Netflix, Oct. 28.MANIFEST A hit in reruns on Netflix after being canceled by NBC, this paranormal mystery-melodrama gets a fourth and final season at its streaming home. Netflix, Nov. 4.DANGEROUS LIAISONS This new adaptation of the Choderlos de Laclos novel was announced nearly a decade ago, with Christopher Hampton, who had already based a play and a film on the novel, attached as writer once again. Hampton didn’t remain as the writer — he gets an executive producer credit — but the mini-series has arrived billed as the “origin story” of the Marquise de Merteuil and the Vicomte de Valmont. Apparently they weren’t always jaded monsters. Starz, Nov. 6.MOOD Like Phoebe Waller-Bridge (“Fleabag”) and Michaela Coel (“Chewing Gum”) before her, Nicole Lecky turns a hit one-woman play into a buzzy British TV series. She plays Sasha, a broke and unemployed young Londoner who finds herself in the potentially lucrative and liberating — and also potentially exploitative and dangerous — world of the influencer economy. BBC America, Nov. 6.Nicole Lecky in “Mood,” premiering Nov. 6 on BBC America.Natalie Seery/BBC Studios, via Bonafide FilmsTULSA KING On the same night that Tyler Sheridan’s flagship show, “Yellowstone,” begins its fifth season, his portfolio of manly genre dramas grows with the addition of this mash-up of gangster story and neo-western. It’s also Sheridan’s latest action-hero reclamation project: Sylvester Stallone stars as a Mafia capo sent to oversee operations in the foreign territory of Tulsa, Okla. Paramount+, Nov. 13.LIMITLESS WITH CHRIS HEMSWORTH Deploying the charm he brings to his depiction of the Norse god Thor for Marvel, Hemsworth headlines a wellness-and-longevity documentary series for Marvel’s corporate parent, Disney. (The sound of his unadulterated Australian accent makes him even more charming, if that’s possible.) Subjects like how to deal with stress and the value of fasting are addressed with superheroic energy. Disney+, Nov. 16.WELCOME TO CHIPPENDALES Robert Siegel, fresh off “Pam & Tommy,” and Jenni Konner of “Girls” are the showrunners of a mini-series starring Kumail Nanjiani as Steve Banerjee, the unlikely and eventually ill-fated founder of a male-stripping colossus. Hulu, Nov. 22.WILLOW Ron Howard’s 1988 fantasy film “Willow” is not the first piece of intellectual property anyone would have predicted for a reboot, but when George Lucas is involved — he received “story by” credit on the film — anything can happen. Lucasfilm and Howard’s Imagine Entertainment are producing this sequel series; Warwick Davis, now 52, returns as the title character. Maybe Willow will be a more consistent spell caster than he was as a teenager. Disney+, Nov. 30.Warwick Davis in “Willow,” premiering Nov. 30 on Disney+.Lucasfilm/Disney+THE ADVENTURES OF SAUL BELLOW Asaf Galay’s documentary, an “American Masters” offering, recruits wives, children and innocent bystanders to talk about being the real-life sources of Bellow’s books. Meanwhile, fellow novelists and critics like Charles Johnson, Salman Rushdie, Stanley Crouch and, in what may have been his last interview, a captivating Philip Roth certify or question Bellow’s place in the American pantheon. PBS, Dec. 12.And if all that isn’t enough for you, these new and returning shows are also coming this fall (new shows in bold):Sept. 11: “Monarch,” Fox; Sept. 12: “War of the Worlds,” Epix; Sept. 13: “The Come Up,” Freeform; Sept. 15: “La Otra Mirada,” PBS; “Vampire Academy,” Peacock; “The Light in the Hall,” Sundance Now; Sept. 16: “Los Espookys,” HBO; Sept. 18: “60 Minutes,” CBS; “SEAL Team,” Paramount+; Sept. 19: “Bob Hearts Abishola,” “NCIS,” “NCIS: Hawai’i,” “The Neighborhood,” CBS; “9-1-1,” “The Cleaning Lady,” Fox; Sept. 20: “FBI,” “FBI: International,” “FBI: Most Wanted,” CBS; “The Resident,” Fox; “New Amsterdam,” NBC; Sept. 21: “The Conners,” “The Goldbergs,” “Home Economics,” “Big Sky,” ABC; “Survivor,” “The Amazing Race,” CBS; “Chicago Fire,” “Chicago Med,” “Chicago P.D.,” NBC; Sept. 22: “The Kardashians,” Hulu; “Law & Order,” “Law & Order: Organized Crime,” “Law & Order: SVU,” NBC; “Thai Cave Rescue,” Netflix; Sept. 23: “Who’s Talking to Chris Wallace,” HBO Max; Sept. 24: “Finding Happy,” Bounce; Sept. 25: “The Rookie,” ABC; “The Simpsons,” “The Great North,” “Bob’s Burgers,” “Family Guy,” Fox; “Van der Valk,” PBS; Sept. 27: “The Rookie: Feds,” ABC; “La Brea,” NBC; “Mighty Ducks: Game Changers,” Disney+; Sept. 28: “The D’Amelio Show,” Hulu; Sept. 29: “Young Sheldon,” “Ghosts,” “CSI: Vegas,” CBS; “Welcome to Flatch,” “Call Me Kat,” Fox; “Dragons Rescue Riders: Heroes of the Sky,” Peacock; Sept. 30: “Ramy,” Hulu; Oct. 2: “The Equalizer,” CBS: “Family Law,” “The Coroner,” CW: Oct. 3: “The Good Doctor,” ABC: Oct. 5: “Kung Fu,” CW: “Reginald the Vampire,” Syfy; “Chucky,” Syfy/USA; Oct. 6: “Grey’s Anatomy,” “Station 19,” ABC; “Walker, Independence,” “Walker” CW; Oct. 7: “The Problem With Jon Stewart,” Apple TV+; “Fire Country,” “Blue Bloods,” “SWAT,” CBS; Oct. 9: “NCIS: Los Angeles,” CBS; “Secrets of the Dead,” PBS; Oct. 10: “All American,” “All American: Homecoming,” CW; Oct. 11: “Professionals,” CW; Oct. 14: “Shantaram,” Apple TV+; Oct. 16: “Magpie Murders,” “Miss Scarlet and the Duke,” PBS; Oct. 20: “One of Us Is Lying,” Peacock; Oct. 21: “Acapulco,” Apple TV+; Oct. 26: “Mysterious Benedict Society” Disney+; Nov. 3: “Blockbuster,” Netflix; “The Capture,” Peacock; “The Suspect,” Sundance Now; “Kold x Windy,” WE; Nov. 4: “Lopez vs. Lopez,” “Young Rock,” NBC; Nov. 9: “Zootopia+,” Disney+; Nov. 10: “The Calling,” Peacock; Nov. 11: “The English,” Amazon Prime Video; Nov. 13: “Yellowstone,” Paramount; Nov. 18: “The L Word: Generation Q,” Showtime; “Planet Sex With Clara Delevingne,” Hulu; Nov. 23: “Pitch Perfect: Bumper in Berlin,” Peacock; Nov. 30: “Irreverent,” Peacock; Dec. 1: “Wicked City,” “Hush,” AllBlk; Dec. 22: “The Best Man: The Final Chapters,” Peacock. More

    • 100 Shares149 Views

      in Television

      HBO Max Pulls Nearly 200 ‘Sesame Street’ Episodes

      by

      HBO Max took down classic episodes of “Sesame Street” as it prepares to combine with Discovery+. The move came as a surprise to fans, who worried about what it signals.Nearly 200 episodes of “Sesame Street” have been pulled from HBO Max, the streaming platform that has been purging films and television shows in recent weeks as it prepares to combine with another streaming service, Discovery+.Fans of “Sesame Street” were surprised on Friday to see that hundreds of episodes, most from the first 40 years of the show, had been removed from HBO Max.It is the latest shift at HBO Max following the merger of its former parent company, WarnerMedia, with Discovery Inc. in April. Together, the companies formed Warner Bros. Discovery, which is aiming to find $3 billion in savings in an effort to reduce its $55 billion in debt.This week, about 70 HBO Max staff members were laid off as a part of the reorganization, and HBO Max announced that 36 titles were being pulled from the platform. The pulled programming included the animated series “Infinity Train” and “The Not-Too-Late Show With Elmo,” a “Sesame Street” spinoff.David Zaslav, the company’s chief executive, also told investors this month that the company plans to offer a single paid subscription streaming service, bringing together content from HBO Max and Discovery+.It was not clear what that means for the future of “Sesame Street” on HBO Max.As of Friday, HBO Max had cut the number of “Sesame Street” episodes it provides to 456 from 650, Variety reported. Some spinoff series survived the cull, including seven seasons of “My Sesame Street Friends,” and “The Magical Wand Chase” special, featuring Elmo and Abby Cadabby, a pink fairy-in-training who joined “Sesame Street” in 2006.Every episode of “Sesame Street” from Seasons 39, which aired in 2008, through 52, the latest season, is still available on HBO Max. The newest season, 53, will air on HBO Max in the fall.The only episodes available from before season 39 are from seasons one, five and seven, including a fan favorite in which all of the characters gather for a singalong in Bert and Ernie’s bathroom.Some of the most notable episodes HBO Max once streamed are no longer available, including an episode that aired in 1983 and featured Big Bird confronting death, following the death of the actor who played Mr. Hooper, Will Lee.HBO said in a statement that the streaming platform was “committed to continuing to bring ‘Sesame Street’ into families’ homes.”“‘Sesame Street’ is and has always been an important part of television culture and a crown jewel of our preschool offering,” the statement said.Sesame Workshop, the nonprofit group behind “Sesame Street,” struck a five-year deal with HBO in April 2015 to give the premium cable network the first run of new episodes. The episodes would then air free nine months later on PBS, where the show had aired for 45 years.In 2019, Sesame Workshop made a similar deal with HBO Max, which started in May 2020. Both deals also gave HBO Max access to the enormous back library of “Sesame Street,” though it has never made all of the episodes available at the same time.Some episodes of the show are available on PBS and the Sesame Street YouTube account.Sesame Workshop did not immediately respond to a request for comment on Saturday.Joe Hennes, editor in chief of ToughPigs, a website for fans of “Sesame Street,” the Muppets and other Jim Henson creations, said the “Sesame Street” episodes still available on HBO Max were a “random assortment.”“The culturally important episodes, or the episodes that maybe a more casual fan would say, ‘I’d like to see that again,’ that stuff is what’s missing,” Mr. Hennes said.Mr. Hennes, who worked in the creative department of Sesame Workshop from 2012 to 2021, said that he was concerned that the episode removal could signal a fading relationship between HBO Max and Sesame Workshop.Sesame Workshop expanded its offerings and increased its production values with the influx of funding from the premium cable network. If HBO Max reduced its financial support or ended the relationship, Mr. Hennes said it could limit the nonprofit’s production and outreach work.“In a perfect world, HBO Max would want to invest more in ‘Sesame Street’ and really make it the flagship that it could be for the streaming network,” Mr. Hennes said. “So it’s a little baffling that they would decide to go backward on that and say we’re going to do less of this and not really capitalize on their own investment in the franchise.”After HBO Max’s decision to remove episodes became public, the official Twitter account for “Sesame Street” seemed to address the change.“Your friends on Sesame Street will always be here when you need them,” it said. “Visit the neighborhood any day of the week with full episodes on our YouTube channel.” More

    • 200 Shares169 Views

      in Television

      The Best Movies and TV Shows Coming to HBO, Hulu, Apple TV+ and More in July

      by

      Every month, streaming services add movies and TV shows to their libraries. Here are our picks for some of July’s most promising new titles.(Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)Chris Pratt as James Reece in “Terminal List.”Amazon PrimeNew to Amazon Prime‘The Terminal List’ Season 1Starts streaming: July 1Chris Pratt is the lead actor and an executive producer of “The Terminal List,” a military mystery based on a series of novels by Jack Carr. Pratt plays James Reece, a Navy SEAL whose team is wiped out on a mission under circumstances that look much more suspicious once Reece is back home and able to investigate — a task complicated by a brain injury that makes it hard for the soldier keep his memories straight. This star-studded drama also has Taylor Kitsch playing one of Reece’s buddies, Riley Keough as Reece’s wife, Jeanne Tripplehorn as a top-level bureaucrat and Constance Wu as a reporter who helps the hero understand that the people he had answered to might not have had his best interests at heart.‘Paper Girls’ Season 1Starts streaming: July 29In 1988, four adolescent girls are delivering newspapers in suburban Ohio when they inadvertently travel through time, and in the process get caught up in a long-running battle between bands of adventurers who disagree about who should be allowed to use the time-hopping technology.That is the premise of the writer Brian K. Vaughn and the artist Cliff Chiang’s Eisner-winning comic book series “Paper Girls” as well as its new television adaptation, which is filled with enough metaphysical mysteries, ’80s nostalgia and ray-gun blasts to keep most “Stranger Things” fans satisfied. The show is also a coming-of-age drama, concerned with the past, present and future of its young heroines, who during their journeys get a chance to confront the women they will become, and to think about whether their fates can — or should — be changed.Also arriving:July 8“Warriors on the Field”July 15“Don’t Make Me Go”“Forever Summer: Hamptons” Season 1“Love Accidentally” Season 1July 22“Anything’s Possible”New to AMC+‘Moonhaven’ Season 1Starts streaming: July 7Set 100 years in the future, this quirky science-fiction series takes viewers to a lunar colony where scientists and idealists have spent decades testing out ways to make an increasingly fragile Earth more habitable. Emma McDonald plays Bella, a skeptical pilot and part-time criminal who gets stuck in this weird utopia when she becomes a suspect in a murder. As Bella works alongside one of the colony’s law enforcement officers (Dominic Monaghan) to clear her name, she become embroiled in the political intrigue that is threatening to wreck this grand social experiment.Created by Peter Ocko (a veteran TV writer and producer who has worked on cult favorite shows like “Lodge 49” and “Pushing Daisies”), “Moonhaven” is the kind of drama meant to keep audiences wondering what will happen next and pondering the deeper theme of social interconnectedness.‘Better Call Saul’ Season 6, Part 2Starts streaming: July 11The final six episodes of this acclaimed “Breaking Bad” prequel has a lot of ground to cover, as the creators Peter Gould and Vince Gilligan connect all the pieces of the Jimmy McGill/Saul Goodman story: from how he cemented his place as Albuquerque’s go-to attorney for drug kingpins to what became of him years later after he changed identities again and moved to Nebraska.The fates of some of the “Better Call Saul” characters are already sealed because of what happened on “Breaking Bad,” but the show’s fans have been nervous about others — and especially about what night happen to Jimmy’s good-hearted, keen-minded wife, Kim Wexler (Rhea Seehorn). Regardless of how the plot plays out, these last few chapters will offer another chance to savor one of the most artfully directed, sharply written crime dramas on TV.Also arriving:July 1“Barbarians”July 8“Last Looks”July 12“Cow”July 15“Paris, 13th District”July 22“Happening”Egerton in “Black Bird” as Jimmy Keene, a convicted drug dealer who is offered a deal to leave prison early if he can elicit a confession from another inmate.Alfonso Bresciani/Apple TV+New to Apple TV+‘Black Bird’Starts streaming: July 8Based on a memoir, “Black Bird” stars Taron Egerton as James Keene, a seemingly untouchable golden boy — a former high school football hero and policeman’s son — who gets busted for drug-dealing and weapons possession, and is sentenced to 10 years in prison. Then James gets offered a deal: transfer to a rougher facility, where he can cozy up to the suspected serial killer Larry Hall (Paul Walter Hauser), and get the man to confess to where he buried the bodies, earning himself an early release.Produced and written by the crime novelist Dennis Lehane, this mini-series features an accomplished cast (including Greg Kinnear as a dogged detective and Ray Liotta in one of his final roles as James’s dad), telling a story about the unsettling mysteries at the heart of some criminal cases, including when the truth is in conflict with the evidence.Also arriving:July 8“Duck & Goose”July 22“Best Foot Forward”“Trying” Season 3July 29“Amber Brown”“Surface”A scene from “The Wonderful Summer of Mickey Mouse.”Disney+New to Disney+‘The Wonderful Summer of Mickey Mouse’Starts streaming: July 8The arrival of a new season brings another of Disney’s quarterly Mickey Mouse anthologies — the third this year, after “The Wonderful Winter of Mickey Mouse” and “The Wonderful Spring of Mickey Mouse.” This new special alters the format a bit, telling five “Rashomon”-like interconnected stories, with Mickey and his pals each explaining how and why they left a trail of destruction while recklessly speeding toward a lakeside vacation resort. As with most of the recent Mickey Mouse cartoons, the emphasis here is on colorful visual design and inventive slapstick, delivered at a frenetic pace.Also arriving:July 1“Marvel Studios Assembled: The Making of Doctor Strange in the Multiverse of Madness”July 4“America the Beautiful”July 15“Zombies 3”July 20“Siempre Fui Yo”“Tudo Igual… Só Que Não”July 27“High School Musical: The Musical: The Series” Season 3“Light & Magic”Aida Osman, left, and KaMillion in “Rap Sh!t.”Alicia Vera/HBO Max New to HBO Max‘The Rehearsal’Starts streaming: July 15Fans of the deadpan comedian Nathan Fielder’s offbeat reality series “Nathan for You” should quickly catch onto the vibe of his new show “The Rehearsal.” The premise is similar: Fielder helps ordinary people with their ordinary problems by going to absurd lengths. In this case, he prepares his clients for potentially stressful or uncomfortable interactions with their friends and families by hiring actors and constructing detailed sets, so that these men and women can practice what they want to say. Because this is a Fielder project, there are a few twists along the way, all intended to jolt the viewer into noticing how awkward and artificial even the simplest human behavior can be.‘Rap Sh!t’ Season 1Starts streaming: July 21Issa Rae follows up her HBO dramedy “Insecure” with the more experimental “Rap Sh!t,” for which she is the head writer and creator, but not the star. Aida Osman plays Shawna, an aspiring rapper who makes ends meet by working at the front desk of a Miami hotel and doing favors — sometimes legal, sometimes not — for her friends.Much of the show is framed through the cellphones the characters use to text each other, to post on social media, to make snarky comments about their rivals and to communicate with the not-always-reliable men in their lives. Like “Insecure,” this new series is about how relationships and careers have changed in the modern era. But the women in ‘Rap Sh!t” are more desperate, feeling anxious to make something exciting happen in their lives before they get stuck in a working-class rut.Also arriving:July 1“Last Night in Soho”July 10“The Anarchists”July 11“Tuca & Bertie” Season 3July 12“The Bob’s Burgers Movie”“Edge of the Earth”July 14“FBoy Island” Season 2July 21“The Last Movie Stars”July 26“Bugs Bunny Builders” Season 1July 27“We Met in Virtual Reality”July 28“Harley Quinn” Season 3“Pretty Little Liars: Original Sin” Season 1New to Hulu‘What We Do in the Shadows’ Season 4Starts streaming: July 13In its brilliant third season, this hilarious mockumentary about a Staten Island vampire colony took some unexpected narrative turns, becoming more about the existential ennui and centuries-old regrets that threaten to tear these immortal bloodsuckers apart. Season 4 will resolve last year’s surprising cliffhangers, which saw the moody Nandor (Kayvan Novak) set to return to his Middle Eastern homeland, the debauched Laszlo (Matt Berry) staying in New York to look after the newly reincarnated form of his annoying colleague Colin Robinson (Mark Proksch) and the bossy Nadja (Natasia Demetriou) heading to London to join the Supreme Vampiric Council. Much of the humor in this show is derived from the way these very different characters play off each other, so it shouldn’t be long before their paths cross again.Also arriving:July 1“Feud” Season 1“The Princess”July 2“Asking for It”July 6“Maggie” Season 1July 7“Rehearsals” Season 1“Ultrasound”July 8“Minamata”July 9“Gold”July 10“Killing Eve” Season 4July 12“The Bob’s Burgers Movie”July 13“Solar Opposites” Season 3July 14“Victoria’s Secret: Angels and Demons”July 18“The Cursed”July 19“Aftershock”July 21“American Horror Stories” Season 2“You Are Not My Mother”July 22“All My Friends Hate Me”July 26“Santa Evita”July 29“Hatching”“Not Okay”July 31“A Day to Die”Cristin Milioti and William Jackson Harper as a beleaguered, mystery-solving married couple in “The Resort.”PeacockNew to Peacock‘The Resort’ Season 1Starts streaming: July 28Fans of “The White Lotus” and “Only Murders in the Building” who are looking for another twisty, character-driven mystery in an upscale locale should check out this stylish dramedy, produced by Sam Esmail (“Mr. Robot”) and created by Andy Siara (the co-writer of the movie “Palm Springs”).Set at an all-inclusive Mexican beach resort, “The Resort” has Cristin Milioti and William Jackson Harper playing a married couple on the brink of breaking up who stumble upon evidence of an old crime. The series jumps between the events 15 years earlier, filling the viewers in on the details of what might have happened, and the present day, showing the bickering heroes rediscover what they love and loathe about each other while they work together to crack the case.Also arriving:July 1“The Bad Guys”July 5“Dateline: The Last Day” Season 1July 7“The Real Housewives: Ultimate Girls Trip” Season 2July 8“Trigger Point” Season 1July 11“Days of Our Lives: Beyond Salem” Season 2July 14“Hart to Heart” Season 2July 19“Love Island” Season 4 More

    • 163 Shares179 Views

      in Movies

      Andy Garcia Is the Father of the Bride in More Ways Than One

      by

      The actor, who’s playing the role onscreen and in reality, understands his rigid character: “He’s an amalgamation of everybody I’ve ever known, including myself.”Andy Garcia still believes in the American promise of prosperity for all. “If you come here and you work hard, there’s a future for you,” he said. “There will always be obstacles, but the opportunity is there.”In more ways than one, the Cuban-born Garcia, 66, understands the worldview of Billy Herrera, the patriarch he plays in the new Latino-centric take on “Father of the Bride,” streaming on HBO Max. The poignant reinterpretation highlights the generational plight that immigrants and their American-born children face as they try to communicate with one another. The comedy, from the director Gaz Alazraki and the screenwriter Matt Lopez, also manages to avoid depicting Latinos as a monolith.For his latest lead role, the veteran actor best known for his turns in “The Untouchables,” “The Godfather Part III” and “Ocean’s Eleven,” portrays a proud, self-made Cuban architect whose oldest daughter is about to marry her Mexican sweetheart.At the same time, Herrera’s wife, Ingrid, played by the singer Gloria Estefan (Garcia’s longtime friend and fellow Cuban exile), announces she wants a divorce, leading Billy to re-examine his inflexible beliefs about masculinity, the work ethic and marriage.On a recent sunny afternoon at a golf club in the Toluca Lake neighborhood of Los Angeles, Garcia looked appropriately casual chic in a light-blue button-down shirt and beige slacks. Occasionally enhancing his anecdotes with words in Spanish, he spoke about his father’s thoughts on his profession, breaking ground before inclusion was a Hollywood priority, and staying on the entertainment industry “menu.” These are excerpts from our conversation.Garcia in “Father of the Bride” opposite Gloria Estefan, center, Diego Boneta and Adria Arjona. Claudette Barius/Warner Bros.You achieved substantial success long before conversations on representation were as prominent as they are today. What was it like for you at the onset of your career?It was very difficult for someone with a Hispanic surname because you were never considered. There were exceptions to the rule like Raul Julia, and José Ferrer before him. But for people who weren’t established, it was very hard to be considered for anything other than a Hispanic part. When I started in ’78, there were only about five studios, three networks and PBS; there was no cable. You were typecast and the parts they were writing for Hispanics were predominantly gang members and maids. But they wouldn’t consider me for the gang member roles because I wasn’t physically right: In their minds, gang members were only, in the case of Los Angeles, Chicanos.When did it feel like you were starting to break through despite the roadblocks?I was lucky to begin getting some work because I was a member of an improvisational theater group. Casting directors would see me there, and I would land a little thing here and there. But it was very hard to get it going. It took a long time, from ’78 to ’85, to get a part that was integral to the story. When I got “The Untouchables” (1987), I didn’t have to work as a waiter anymore. Before that I was also doing walla groups, which provide all the incidental dialogue in movies. That was my first post-waiter job. It kept my only child back then in Pampers.Were your parents encouraging or concerned by your choices?My father was very concerned about me leaving the family [fragrance] business, which I had worked in all my life and was growing rapidly. As a lawyer by trade and a farmer who worked hard all his life to give his kids opportunities and trained his children to take over the business, it was very difficult for him to see that I was going off in another direction.Not that he wasn’t supportive, but I know he struggled with concern because there was no understanding of what that industry was. It wasn’t like that with my kids. I have two daughters who are actresses. They grew up in it. They understand the pitfalls.My father had no concept of the entertainment business or acting. To him, an actor was Humphrey Bogart or Clark Gable. I’m sure in the back of his mind he said, “I love my son, but he’s no Humphrey Bogart.” [Laughs] My mother, on the other hand, was like, “Go and fly. If you break a wing, come back to heal and then decide.” She was more reckless.There’s a scene in “Father of the Bride” where your character and Gloria’s talk about the difficulty of passing along your native language, Spanish, to your American-born children. Did that dialogue speak to you personally?Yes. Growing up we spoke Spanish at home, but we also grew up in Miami, where everybody spoke Spanish. My children have had a harder time with it because no matter how much Spanish we spoke, they always favor English because of the environment. They become more Americanized. They can understand and speak it, but they’re not as fluent. If you’re not on top of it every day and practicing it, the language suffers. We as parents are as much at fault for not ingraining it as much as we should have, because we fall into the pattern of speaking English. We could probably be doing this interview in Spanish, but we’re talking in English.Have you become the father of the bride in your own family?Two of my daughters are getting married. [There was] a wedding on June 11, then the movie, and I have another wedding on July 9. I’m the father of bride three times within a 30-day period. When we saw the movie together, my youngest daughter said, “Dad, you’re nothing like this guy in the movie.” And I go, “Really?” That was her impression.Garcia said his decision to act was concerning to his father, whose conception of actors ran to stars like Humphrey Bogart: “I’m sure in the back of his mind he said, ‘I love my son, but he’s no Humphrey Bogart.’”Daniel Dorsa for The New York TimesDo you agree with her or does Billy and his mentality remind you of yourself?He’s an amalgamation of everybody I’ve ever known, including myself, and the traditions of people who come from a conservative background. There’s a psyche that happens with the immigrant populations — in our case we’re political exiles — that you come to this country with a basic understanding that it is a place, with all its flaws and warts, where you’re free to express yourself and to pursue your dreams. We fled, with my parents, like many Cubana to this day fleeing, to seek freedom and opportunities for their families. And when you come here, there is a certain responsibility that you have to honor that freedom and have a strong work ethic and better yourself and your family. That is prevalent in all immigrant stories.That’s a heavy burden to carry.My brother René and I, we always kid that because we come from this situation where everything was taken away from our family in Cuba there’s a part of us that always says, “We have to work hard and save because one day they’re going to come and take everything away from us again.” We all have these trigger points subconsciously that become behavioral patterns. They’re ingrained in you since childhood depending on your journey.Do you long to return to Cuba?Every day.Did you ever consider visiting after the Obama administration eased restrictions on travel to the island for American citizens in 2015?No. It’s like asking a Jewish person if they’d go back to Nazi Germany. Everybody has their own personal reason to go, and I don’t pass judgment. But I’ve been critical of that regime; if I went, they would use it to say, “See, he believes we’re doing the right thing. He’s here vacationing.” They won’t let us in there to do a concert and speak my mind. But I did go back to the Guantánamo Bay Naval Base with Gloria and Emilio [Estefan]. We did a concert for the rafters [Cuban refugees] in 1995. At the time, there were around 16,000 rafters in an interim camp.One time the U.S. interests section in Havana invited us — at the time there wasn’t an embassy there — to show my movie “The Lost City” [his 2006 film set in Cuba]. I said, “Can you guarantee my safety?” They said, “We cannot.” And I said, “Thanks for the invite.” But I know many people who have gone to Cuba who are in the public eye. The Cuban ones who have gone, they’re watched. They have government people following them around.You are a prolific performer, playing leads, as in “Father of the Bride,” as well as numerous supporting parts. What’s your philosophy on longevity?I had a conversation with Tom Hanks at an event one time. We were talking about the business and I said, “Tom, I just want to stay on the menu.” When you open the menu, just let me be one of the choices: an appetizer or a main course. If you can stay on the menu, then you can provide for your family and explore your art form. If you’re off the menu, it’s hard to get ordered. If you’re fortunate, you might be the flavor of the month for a moment, but then you’ve got to keep yourself on the menu. Be there for the long haul, for a body of work. More