Hit Man (Movie)

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    Watch Glen Powell and Adria Arjona Fight and Flirt in ‘Hit Man’

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    The director Richard Linklater narrates a pivotal sequence from his rom-com thriller.In “Anatomy of a Scene,” we ask directors to reveal the secrets that go into making key scenes in their movies. See new episodes in the series on Fridays. You can also watch our collection of more than 150 videos on YouTube and subscribe to our YouTube channel.The following includes spoilers for “Hit Man.”Actions speak louder, and more flirtatiously, than words in this key sequence from “Hit Man,” the rom-com thriller from Richard Linklater now streaming on Netflix.During the movie’s screenings at film festivals last year, this particular scene had audiences erupting with applause for the feat that it pulls off. It’s “kind of a performance within a performance within a performance,” Linklater says in his narration.At this point in the movie, the lead character, Gary Johnson (Glen Powell), is at a turning point. He has been working undercover with the New Orleans Police Department as a hit man named Ron. In that role, he developed a secret romantic relationship with a woman who initially tried to solicit Ron for his services. Her name is Madison (Adria Arjona) and she was going to hire Ron to kill her abrasive husband, but Ron talks her out of it.Madison’s husband later ends up dead, and the police think that Madison is the killer. One of the officers, Jasper (Austin Amelio) has seen Gary and Madison together in public and has suspicions about what’s going on with the two. He decides to put a wire on Gary and send him to talk with Madison in the hopes of creating an entrapment scenario. But to save Madison (and himself), Gary thinks fast and comes up with a way to warn Madison that they are under surveillance.He types out information to her through his Notes app on his phone and directs her through what to say, and not say, in their conversation, in an exchange that is both sexy and flirty, while also being a tense high-wire act.“It’s fun to see your hero, the guy you’re invested in, kind of figure his way out of a really sticky, tight situation that I don’t think any of us would be quick enough to find a way out of,” Linklater says.“It’s a dance, and it’s just fun to see them figure it out as they go.”Read the “Hit Man” review.Sign up for the Movies Update newsletter and get a roundup of reviews, news, Critics’ Picks and more. More

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      Adria Arjona on ‘Hit Man’ and How the Production Surprised Her

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      The actress, who stars with Glen Powell, said that with the contract-killer movie, her ideas were finally valued in a writer’s room.Editor’s note: Spoilers ahead.Adria Arjona doesn’t like doing what she’s told.The co-star of the new Netflix romantic action comedy “Hit Man,” Arjona accompanied her father, the Guatemalan Mexican singer-songwriter Ricardo Arjona, on tour from the time she was young. It was a musical mentorship opportunity, so she ended up deciding early on: Music was out.He also made her read the poems of Pablo Neruda and the work of Gabriel García Márquez, so naturally, she said, all she wanted to do was listen to ’N Sync.“I do everything backwards,” Arjona, 32, said on a recent weekday morning over sparkling water at the Whitby Bar in Midtown Manhattan. “That’s just my personality — I just listen to my intuition. It’s not like I’m doing it on purpose or trying to be rebellious.”In “Hit Man,” directed by Richard Linklater, Arjona is Madison Masters, a desperate housewife who tries to hire a hit man, played by Glen Powell, unaware he’s a police operative. The rapturously reviewed movie is the latest entry in a 12-year-long acting career that has suddenly become white hot.She broke out in 2022 as the mechanic Bix Caleen in the streaming “Star Wars” series “Andor,” playing Cassian Andor’s fearless friend. (Season 2 of the Disney+ series, which she’s finished filming, is expected next year.) She also appeared as the betrothed daughter in the 2022 reboot of “Father of the Bride,” after roles in “Pacific Rim: Uprising” and Season 2 of “True Detective.”Arjona with Glen Powell in “Hit Man,” the Netflix action romantic comedy.Brian Roedel/NetflixWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Twisters’ Star Glen Powell Intends to Play the Hollywood Game

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      In a town littered with would-be superstars, he’s trying to beat the odds by giving studios what they crave. It’s no coincidence he’s everywhere.The cookies weren’t selling.It was a blustery day in suburban Austin, Texas, in 1996, and Lauren and Leslie Powell had a sales quota to meet for their Girl Scout troop. But it was that cookie time of year: Thin Mints and Caramel deLites were seemingly up for grabs everywhere.Glen, their 8-year-old brother, suggested a marketing gambit. “He had us make signs that advertised ‘free gift with every purchase,’ and we put them up around the neighborhood,” Leslie recalled.Glen was the gift.“He would hide in some honeysuckle bushes and pop out after a purchase to perform Elvis songs,” she said, laughing. “That’s my big brother. Ain’t nothin’ but a hound dog.”I confess: Until I heard stories like that one — and spent time with the hound dog himself — I didn’t have high hopes for this profile. Glen Powell? I figured he was a dumb jock who coasted into a movie career on his all-American good looks. Boring.Yes, fine, Powell has been having a bona fide Hollywood moment. He stood nude on a cliff top with Sydney Sweeney in “Anyone but You” at Christmas. He is currently starring on Netflix in “Hit Man,” a comedy-drama-thriller-romance. And in July, Powell will be outrunning big-budget tornadoes in “Twisters.”But a superstar in the making?C’mon.I met Powell, 35, for breakfast in April at the Sunset Tower Hotel in West Hollywood, Calif. He showed up in a tight blue polo accessorized with a chain necklace and chest hair. (Perhaps he was in character, I snarked to myself, as Good-Looking Frat Guy, a bit part he played in “Stuck in Love,” a 2012 romance.) An omelet was ordered. Tabasco sauce was summoned and squirted.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The True Story Behind Glen Powell’s Character in ‘Hit Man’

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      The romantic shenanigans are the stuff of Hollywood, but the film’s fake contract killer is based on a real man profiled in a Texas Monthly article.“Hit men don’t really exist!” an exasperated undercover pretend assassin says in Netflix’s new romantic action comedy, “Hit Man.” But the very existence of the film, which is loosely based on a seemingly strait-laced community college instructor who moonlighted as a fake assassin for the Houston police, proves just how much they fascinate us.Though plenty of officers have worn wires and impersonated hit men in murder-for-hire investigations, the film’s inspiration, Gary Johnson, was the “Laurence Olivier of the field,” according to a 2001 Texas Monthly article by Skip Hollandsworth. Over a decades-long career, relying on a bevy of accents and a penchant for being a sympathetic listener, Johnson, who died in 2022, managed to ensnare more than 60 people who tried to hire him.That’s just the kind of character that’s catnip for a leading-man-in-the-making like Glen Powell, who plays a version of Johnson in “Hit Man.” Of course, the actor and his director Richard Linklater, who wrote the script together, added a few Hollywood touches, including a rom-com plot involving the fictional Johnson and a woman (Adria Arjona) hoping to hire him to kill her husband.But some of the movie’s most outlandish plot elements — like the teenager who tries to pay Johnson partly in Atari computer games — did really happen. Here’s the story behind the movie and a look at hit men in real life.Who was Gary Johnson, whose life inspired the film?To his neighbors, he was a mild-mannered, middle-aged man who lived alone with two cats and worked in human resources at a company downtown, as he told them. (The baggy jorts and love of birding are Hollywood inventions.)In reality, Johnson, who spent a year as a military policeman in Vietnam, was an investigator for the district attorney’s office in Houston. On the side, he taught classes in human sexuality and general psychology two nights a week at a local community college. (The film switches it up, making Powell’s character a professor working for the police on the side and relocating the action to New Orleans.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Richard Linklater on ‘Hit Man’ and the Killer Inside Us All

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      Richard Linklater’s latest movie, “Hit Man,” is a bit of a departure for the director, who has made some of the most acclaimed and influential indie films of the last 30-plus years. The movie, which stars the ascendant Glen Powell, is about a mild-mannered college professor who has a side gig with the New Orleans Police Department, setting up stings by posing as different hit men. It’s a tight, stylish and sexy thriller, with some twisted romance added in, from a filmmaker better known for the ambling rhythms and gently existential tone of beloved classics like “Dazed and Confused,” “Boyhood” and “Before Sunrise” (not to mention his great comedy “School of Rock,” which exists in a category of its own).Listen to the Conversation With Richard LinklaterDavid Marchese talks to the acclaimed director about his new film “Hit Man” and life’s big questions.But alongside its pop charms, “Hit Man” still manages to sneak in a provocative exploration of one of Linklater’s pet themes: the nature and malleability of personal identity. It’s also, as so many of the 63-year-old’s films are, a movie that understands the pure cinematic pleasure of watching smart, inquisitive people converse — exploring ideas and philosophies, making one another laugh, testing one another.It’s the talking that made me fall in love with Linklater’s films, which he almost always writes or co-writes. (He co-wrote “Hit Man” with Powell.) The way his vivid, relatable characters discuss the big questions, with so much soul and hang-looseness, free from any highfalutin airs, has long been something of a north star for me as a movie lover and as a talker. The searching, openhearted discussions in Linklater films are the kind of conversations most meaningful to me in my own life and work. I don’t want to make too big a deal of it, but I can see a pretty clear line from adolescent me sitting around watching all the chatty oddballs in “Waking Life” and “Slacker” to middle-aged me, here and now, speaking with Richard Linklater — who, surprise surprise, sounds a lot like a character from one of his movies.I’m curious how you think about your identity at 63 years old. Do you feel as if it’s fixed? Do you still have formative experiences? It’s the kind of thing I’ve thought a lot about my entire life: What could transform me? I was probably more in the camp of we’re fixed, give or take whatever little percentage around the edges. So I was interested in this notion lately that, oh, you can change, the personality isn’t fixed. That seems current: this notion of self and identity, gender. I sort of like that it’s all on the table, that everybody’s thinking you kind of are who you say you are. To me, that’s interesting.Do you have a lot of different identities? Probably as many as anybody else.What are the different ones? Well, if you get me on a Ping-Pong table — my third rail is athletics. I feel this little rush of competitiveness, which I really don’t have in the world of art at all — or my life even. I’m the guy looking at the world through glass. I was always the guy in the corner thinking about everything. I’m an introvert who gets put in extroverted situations occasionally, and I can play that role. But roles I currently play? I don’t know. It’s nice to care less about it as you get older. More

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      ‘Hit Man’ Review: It’s a Hit, Man

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      Glen Powell stars in one of the year’s funniest, sexiest, most enjoyable movies — and somehow it’s surprisingly deep, too.If I see a movie more delightful than “Hit Man” this year, I’ll be surprised. It’s the kind of romp people are talking about when they say that “they don’t make them like they used to”: It’s romantic, sexy, hilarious, satisfying and a genuine star-clinching turn for Glen Powell, who’s been having a moment for about two years now. It’s got the cheeky verve of a 1940s screwball rom-com in a thoroughly contemporary (and slightly racier) package. I’ve seen it twice, and a huge grin plastered itself across my face both times.That’s why it’s a shame most people will see it at home — Netflix is barely giving it a theatrical release before it hits streaming even though it’s the sort of movie that begs for the experience of collective gut-splitting joy. Oh well. If you can see it in a theater, it’s worth it. If not, then get your friends together, pop some popcorn and settle in for a good old-fashioned movie for grown-ups.The director Richard Linklater and Powell collaborated on the “Hit Man” script, which is loosely based on Skip Hollandsworth’s 2001 Texas Monthly article about Gary Johnson, a faux hit man who actually worked for the Houston Police Department. In the movie version, Gary (Powell) is a mild-mannered philosophy professor in New Orleans with a part-time side gig doing tech work for law enforcement. One day, he is accidentally pulled into pretending to be a hit man in a sting operation, and soon realizes he loves playing the role.Or roles, really: The more Gary gets into it, the more he realizes that each person’s fantasy of a hit man is different, and he starts to dress up, preparing for the part before he meets with the client. (If this movie were solely constructed as a de facto reel demonstrating Powell’s range, it would work just fine.) Then, one day, pretending to be a sexy, confident hit man named Ron, he meets Madison (Adria Arjona, practically glowing from within), a put-upon housewife seeking his services. And everything changes for Gary.A great deal of the enjoyment of “Hit Man” comes from simply witnessing Powell and Arjona’s white-hot chemistry. Seeing Powell transmogrify from nerdy Gary to five o’clock shadow Ron and back again is both hilarious and tantalizing, while Arjona has a big-eyed innocence crossed with wily smarts that keeps everyone, including Gary, guessing. Multiple layers of deception keep the movie from feeling formulaic — you’re always trying to keep track of who thinks what, and why. Eventually, when “Hit Man” morphs into a kind of caper comedy, part of the joy is rooting for characters as they make choices that are, at best, flexibly ethical. In doing so, we get to be naughty too. In a movie starring a philosophy professor, that’s especially funny, a wry joke on us all.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Glen Powell at the Sundance Film Festival

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      The star and co-writer of “Hit Man” heard that his film had wowed audiences, but because of the actors’ strike, he couldn’t see for himself until now.Glen Powell doesn’t want for much these days, after co-starring in “Top Gun: Maverick” and watching his new film, the romantic comedy “Anyone but You,” cross $100 million at the worldwide box office. Still, for the past few months, there was one little thing he felt he had missed out on.It has to do with “Hit Man,” a comedy Powell co-wrote with the director Richard Linklater that casts him as a hapless teacher who must pose as an assassin for hire. I first saw it at the Venice Film Festival in September, where it proved so crowd-pleasing that the audience broke into applause midway through the movie. A week later at the Toronto International Film Festival, the response was also through the roof.But for months, Powell had only heard about all that secondhand. Since the Screen Actors Guild strike was still going strong during the fall tests, Powell wasn’t able to attend a premiere of “Hit Man” until it played Monday night at the Sundance Film Festival. Afterward, he called me from a car that was speeding him toward celebratory drinks.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More