Hit Me Hard and Soft (Album)

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    Beyoncé and Young Women Pop Sensations Lead 2025 Grammy Nominations

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    Charli XCX, Billie Eilish, Chappell Roan and Sabrina Carpenter will compete in the biggest categories, along with Taylor Swift and Kendrick Lamar.Beyoncé and Taylor Swift will face off in all top categories at the 67th annual Grammy Awards, leading a pack of nominees that also features buzzy young female stars who have dominated the pop charts over the past year.With 11 nods, Beyoncé has more citations than any other artist this year, for “Cowboy Carter,” her gumbo of country, R&B and acoustic pop that spurred conversations about the Black roots of many American genres, including country.The other top nominees, with seven apiece, are Billie Eilish, a onetime teenage disrupter who is now a Grammy and Oscar darling; Kendrick Lamar, the rapper laureate, whose nominations stem from a no-holds-barred battle of words with Drake; Post Malone, a pop shape-shifter gone country (and who appeared on both Beyoncé and Swift’s latest albums); and Charli XCX, the British singer-songwriter and meme master whose digital-nostalgic iconography was borrowed by the Kamala Harris campaign.Swift has six nominations, as do Sabrina Carpenter and Chappell Roan — two of this year’s fresh pop sensations, each receiving their first Grammy nods.The awards ceremony is set for Feb. 2 in Los Angeles.The biggest contest this year, at least in terms of celebrity wattage, is Beyoncé vs. Swift. Both are juggernauts in the culture and at the Grammys. With 32 career trophies, Beyoncé, 43, has already won more awards than any other artist, and is now also the most-nominated person, with 99. Yet she has never taken album of the year, despite four previous nods.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      8 Correct Answers to ‘What Was the Song of the Summer?’

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      Revisit contenders from Sabrina Carpenter, Kendrick Lamar and Billie Eilish.Sabrina Carpenter has the top contender for song of the summer.Amy Harris/Invision, via Associated PressDear listeners,I’m sorry to be the one to break it to you, but the end of the summer is approaching. Every year around this time, music fans’ favorite unwinnable debate reaches an apex: What was the song of the summer?At the risk of breaking even more bad news, I’ll say that for the most part, the Song of the Summer is a fictitious and even pointless construction, generally immeasurable and usually difficult to agree on unanimously. Sure, every so often a single tune becomes so ubiquitous during those sweltering, school’s out months that it rightfully earns the title. Think of Lil Nas X’s chart-dominant “Old Town Road” in 2019; the viral glee of Carly Rae Jepsen’s “Call Me Maybe” in 2012; or, if you can remember that far back, the Bayside Boys remix of Los Del Rio’s “Macarena” in 1996 (Ay!).But more often than not, the Song of the Summer is up for debate. And given that I believe a true S.o.t.S. must be monocultural and undeniable, most contenders do not truly reach that status.Around Memorial Day, it did seem like we had a prime candidate: the rising pop star Sabrina Carpenter’s fun, flirty “Espresso.” It had all the makings of a summer smash, including a well-timed release date, a beach-themed music video and several goofy, endlessly quotable lyrics that just begged to be printed on novelty boardwalk T-shirts. Case closed, right?But as the summer continued, “Espresso” faced some formidable challengers. The Drake-vs.-Kendrick Lamar beef produced a bona fide anthem in “Not Like Us,” by most measures the biggest hit of Lamar’s career. The rise of the Midwest princess Chappell Roan became one of the year’s most captivating narratives, and her wrenching synth-pop single “Good Luck, Babe!” climbed the Hot 100 accordingly. Even Carpenter herself gave “Espresso” a run for its money with its irresistible follow-up single, “Please Please Please,” which achieved a feat that her previous hit did not: It went to No. 1 on the Billboard Hot 100.So, which was the Song of the Summer? Today’s playlist contains 8 different and entirely acceptable answers to the question. If I had to pick just one, I’d still go with “Espresso,” but I’d argue this summer contained too many unexpected plot twists for there to be a unanimous winner. Maybe it’s just one of those years where you need a collection of different tunes to tell the full story of the season. So let this playlist be a time capsule that you can return to in subsequent years when you want to conjure up the sound of summer ’24 — or in a couple of months, when the autumn chill makes you long for these endless sunny days.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Taylor Swift Prevails Over Billie Eilish for a Fifth Week at No. 1

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      In a tight battle that had fans hustling to support their favorite star, “The Tortured Poets Department” outsold “Hit Me Hard and Soft.”Taylor Swift holds the No. 1 spot on Billboard’s latest album chart for a fifth consecutive week, after an intense contest with Billie Eilish in which both stars released a blizzard of “versions” of their LPs to lure fans.Eilish fought for “Hit Me Hard and Soft,” her third album, with release-week arena listening events in New York and Los Angeles. In an era of supersized track lists as a strategy to maximize streaming yield, the LP had just 10 songs. But fans were given a long menu of options to buy it, including nine colored vinyl editions. There were also four CDs, among them a “splatter” variant for which Eilish herself decorated the covers with splashed paint (“each one is unique,” her website said).But Swift may have fought harder, or at least hurled more product at the marketplace. Since “The Tortured Poets Department” was released last month, it has come out in more than 20 iterations, according to Billboard, with enough track list variations, media pigments, bonus tracks and collectible goodies like autographs and magnets to keep fans coming back.Over the last week, both artists’ camps launched new items like cannonballs. On the day Eilish released “Hit Me Hard and Soft,” Swift put out three limited digital editions of “Tortured Poets” featuring “first-draft phone memo” bonus tracks; then came a remix of her hit “Fortnight”; then, on Thursday, with just hours left in the tracking week, three additional digital versions of the album arrived with live tracks from her recent Eras Tour performances in Paris.Eilish, for her part, released three “deluxe” digital albums, adding versions of her LP’s songs featuring isolated vocals or in sped-up or slowed-down form. The day after Swift’s “Fortnight” remix, Eilish put out a remix of “L’Amour de Ma Vie.”Fans acted as foot soldiers in this war, clicking for streams or buying up as many album variations as they could. Many also complained on social media, accusing Swift of ruthlessly raining on another star’s parade, or taking Eilish to task for comments in a recent interview in which she criticized “some of the biggest artists in the world” for excessive vinyl production.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Billie Eilish and Taylor Swift Race for No. 1

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      The two pop music titans, locked in a close contest for the top of next week’s album chart, are stoking fans’ competitive spirit with a variety of digital tactics.A cold war between pop music titans — or at least their mobilizing fan bases and record labels — turned into a digital arms race this week as both Taylor Swift and Billie Eilish gunned for the No. 1 spot on next week’s Billboard album chart.Swift, 34, has occupied the top of the Billboard 200 for the past four weeks with her blockbuster new album, “The Tortured Poets Department,” which has earned more than 3.6 million equivalent album sales so far (counting physical purchases, downloads and streams). But Eilish’s well-reviewed new album, “Hit Me Hard and Soft,” is challenging for No. 1 in its debut, as its 10 songs prove popular on streaming services like Spotify.If only it were that simple.Already, some impassioned followers of the two artists had been stoking a rivalry, dating back to comments Eilish made in March about “some of the biggest artists in the world” selling many vinyl versions of the same album, “which ups the sales and ups the numbers and gets them more money.”The tactic, which Eilish called “wasteful” and damaging to the environment, has been widespread but used especially broadly — and effectively — by Swift. (Even before those comments, Eilish’s brother and main collaborator, Finneas, had once been heard on a hot mic joking about being “sued by Taylor Swift” after performing with an artist who had criticized her work.)Eilish, 22, said later that she had not meant to single out any artist with her vinyl comments and added that she had participated in the practice, too. (Both artists’ work remains available in a variety of physical formats, though Eilish has stressed sustainability.)Still, when Swift pre-empted the release of Eilish’s album last week with three special digital editions of “Tortured Poets,” available for 24 hours and including previously unheard “first-draft phone memo” demos, many saw the move as pointed. Especially online, where pop fan allegiance can be a blood sport, the matchup became one to watch.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Popcast (Deluxe): Billie Eilish Is Done Hiding

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      Subscribe to Popcast!Apple Podcasts | Spotify | Amazon Music | YouTubeThis week’s episode of Popcast (Deluxe), the weekly culture roundup show on YouTube hosted by Jon Caramanica and Joe Coscarelli, includes segments on:The new Billie Eilish album, “Hit Me Hard and Soft,” and how it compares to her earlier workOther early-to-mid-career pop star pivotsEilish’s evolution as a vocalistEilish’s relationship to other unconventional pop stars like LordeSongs of the week, including how Tinashe’s “Nasty” went viralSnack of the weekConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      Taylor Swift Beats Gunna on the Chart. Her Next Rival? Billie Eilish.

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      “The Tortured Poets Department” logs a fourth week at No. 1. Next week’s competition is a battle between two stars with multiple versions of their LPs for sale.Taylor Swift stays at No. 1 on Billboard’s album chart for a fourth time, easily holding off a new release by the Atlanta rapper Gunna. But next week she may face a challenge from Billie Eilish — and its result could come down to fans’ appetites for buying multiple “versions” of the stars’ albums.“The Tortured Poets Department,” Swift’s latest studio album, holds atop the Billboard 200 with the equivalent of 260,000 sales in the United States, including 282 million streams and 41,000 copies sold as a complete package, according to Luminate, a data tracking service. Since its record-breaking opening last month, “Tortured Poets” has racked up about 3.6 million equivalent album sales.Gunna’s “One of Wun,” released only in digital form — though Gunna’s website also sold CDs and vinyl LPs that it said would be sent to fans later this year — starts at No. 2 with the equivalent of 91,000 sales, most from its 119 million streams.On Friday, Eilish released “Hit Me Hard and Soft,” her third LP, and the first since she won two Oscars and added two more Grammys to the seven she already had. The music industry is watching the album’s progress closely, in part to see if Eilish’s latest can end Swift’s dominance on the chart.Most of the 31 tracks on “Tortured Poets” have begun to trickle down the daily charts of the major streaming services, while Eilish’s new songs — there are only 10 — have opened strong. For next week’s chart, the key differentiator may be both women’s releases of multiple versions of their albums, on rainbows of vinyl or in digital editions with extra goodies to goose fans’ interest.Swift made “Tortured Poets” available in four variants across physical formats, each with an extra track; these were also sold in special editions from Swift’s website with autographs and collectibles like magnets and engraved bookmarks. Eilish, who has complained about artists’ excessive marketing of physical media — saying in a recent Billboard interview that it was “wasteful” to release “40 different vinyl packages that have a different unique thing just to get you to keep buying more” — put “Hit Me” out in eight colored vinyl variants, as well as other formats like a CD decorated with paint “splattered by Billie.” (Eilish defended her release plans by promoting an “eco-friendly” approach to manufacturing, saying her releases would use recycled materials.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Billie Eilish Dares to Write (Twisted) Love Songs on ‘Hit Me Hard and Soft’

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      “Hit Me Hard and Soft,” her third album, is both concise and far-reaching.“Twenty-one took a lifetime,” Billie Eilish, 22, sings in “Skinny,” the song that opens her third album, “Hit Me Hard and Soft.”Any woman her age could say that; it’s just math. But even before she was old enough to vote, Eilish had packed a lifetime of accomplishments into a career that she began in 2015 as a teenager uploading songs to SoundCloud. Since then, Eilish has racked up billions of streams, an armload of Grammy Awards, two Oscars and a full-length documentary. On “Hit Me Hard and Soft,” she deliberately tamps down some pop expectations while she warily embraces others.Eilish has both the time-honored musicianship that awards shows admire and the metanarrative savvy of her digital-era generation. Countless imitators have learned from — and been emboldened by — her blend of raw revelations, graceful melodies and wily productions, abetted by her brother and songwriting partner, Finneas.Their historically grounded pop recombines musical theater, parlor songs, punk, folk, electronica, soundtracks, bossa nova, industrial rock and more. Eilish brings to all of them the poise of a vintage crooner: the capacity to float above beats and jolts, to treat a microphone as a confidant. Her voice can be breathy and intimate or eye-rolling and sardonic; at very strategic moments, she reveals her power to belt.Eilish’s 2019 debut album, “When We All Fall Asleep, Where Do We Go?,” mapped gothic nightmares, adolescent obsessions and lingering traumas along with an occasional giggle. Her second, “Happier Than Ever” in 2021, reacted directly to the attention, shock, exploitation, stalking, exhaustion and newfound power that success brought her.“Skinny” is a hushed update on Eilish’s superstardom. “Am I acting my age now?/Am I already on the way out?,” she sings, along with thoughts on her body shape, finding nontoxic love, her sense of isolation and a resigned reaction to social media: “The internet is hungry for the meanest kind of funny/and somebody’s gotta feed it.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More