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    How Does a Dressing Room Get Into Character?

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    As a child, the actor Krysta Rodriguez would mentally rearrange unfamiliar rooms as a way of soothing herself. The fixation followed her everywhere, from friends’ houses to historical sites. She remembers visiting a clothing store in Paris with her family when she was 11 and obsessing over where she would put a bed if she lived there. “As I’m thinking about it, it was probably a control issue,” she says. “I immediately try to figure out what a space wants to be. Is it a midcentury house that got renovated in the ’90s with all this incorrect architecture? I clear it away.”Over the past two decades or so, Rodriguez, 39, has mostly channeled this aesthetic intensity into her character work, for roles on both the stage and screen (including a memorable turn as Liza Minnelli in the 2021 Netflix series “Halston”). In 2022, while appearing as Jean-Michel Basquiat’s fictional girlfriend in the Broadway play “The Collaboration,” she arranged her dressing room to look like a messy artist’s loft, filled with the kind of ratty ’70s furniture that her character would have grabbed from the streets of the East Village in the ’80s. She says the actor Nathan Lane, with whom she co-starred in “The Addams Family” musical in 2010, helped her realize dressing rooms could be taken seriously when he turned his into an extravagant lounge, complete with a full bar. She also credits the actor Michael Cerveris, who painted his walls blood red and brought in a vintage barber’s chair while starring in a 2006 revival of “Sweeney Todd.” “I try to use these spaces as a gateway,” Rodriguez says of her own dressing rooms. “I want to have some sense of the character, even if it’s not my personal style.”Nestled among framed photos of Jordan’s friends and family are mementos from previous performances, including a bobblehead doll of his character on the TV series “Supergirl.”Blaine DavisIn 2020, when acting work slowed during the pandemic, she turned her interest in interior design into a full-fledged business, renovating the homes of clients in her native Orange County, Calif., and beyond. But it wasn’t until this spring that Rodriguez decorated a dressing room for another actor. When her friend Jeremy Jordan was preparing for his leading role in the Broadway musical adaptation of “The Great Gatsby,” he asked Rodriguez to lend her design expertise. She took inspiration from the subtle details of the character’s Jazz Age world rather than creating what she calls a “Party City Art Deco theme.” Jordan’s only request was that she make the windowless room, deep within the Broadway Theater, feel cozy. Rodriguez decided to reimagine the space as a sunroom in Jay Gatsby’s Long Island mansion, with a soothing watercolor wallpaper of a Japanese maple tree, to reflect the era’s affinity for Japonisme, and a marine blue love seat whose tropical plant print pillows match a nearby bird of paradise.Jordan’s Jazz Age costumes. Linda Cho won the Tony Award for best costume design for her work on the production.Blaine DavisRodriguez sourced period photographs online to help Jordan get into character. Next to a bottle of Buchanan’s whisky — a reference to Gatsby’s love interest in the story, Daisy Buchanan — is a framed image of a champagne tower similar to one featured in the production.Blaine DavisWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      Eboni K. Williams and Her ‘Harlem Jewel Box’

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      The broadcaster and author’s brief to her designer was simple: ‘Imagine if Josephine Baker lived in Harlem today. That’s what I want this apartment to look like.’When Eboni K. Williams moved to New York from Los Angeles in 2014, to take a job as a correspondent at CBS News, she knew exactly where she was going to live.“No disrespect to any other borough or any other part of the city, but being a Black woman from the South, it had to be Harlem U.S.A.,” said Ms. Williams, 39, a native of Charlotte, N.C. “It was important for me to walk out my door every day and feel the spirit and energy of the ancestors who lived there — James Baldwin and Malcolm X and Lorraine Hansberry and Josephine Baker.”Ms. Williams, a lawyer, writer and broadcaster (Fox News, WABC Radio and REVOLT and GRIO cable networks), who is probably best known as the first Black cast member of “The Real Housewives of New York City,” landed at Riverton Square, a large rental development near the F.D.R. Drive, between 135th and 138th Streets.“Looking at it, you would think it was a housing project, but it has a real legacy. Baldwin lived there, and so did David Dinkins,” said Ms. Williams, referring to the former mayor of New York. “If it was good enough for them, it was good enough for me.”But life is complicated, and love sometimes requires a change of address. From 2019 to 2021, Ms. Williams, the author of the recently published “Bet on Black: The Good News About Being Black in America Today” and the host of the podcast “Holding Court with Eboni K. Williams,” found herself in TriBeCa, in a three-bedroom sublet at the Four Seasons Private Residences, with her fiancé, a financier. They have since ended their relationship.Eboni K. Williams, an author, lawyer and TV, radio and podcast host, lives in a one-bedroom condo in Harlem with her tricolor Cavalier King Charles Spaniel, Carey James.Hiroko Masuike/The New York TimesEboni K. Williams, 39Occupation: Lawyer, journalist, authorHarlem on my mind: “It meant something to me, as a Black woman, to land in a neighborhood that has meant so much to Black people.”“I’m glad I had that experience,” Ms. Williams said. “Because as gorgeous as the unit was, when I went to buy a place coming out of the lease, I had learned what was really important to me.”For starters, that meant an apartment that was a little more down-to-earth, literally. “We were on the 67th floor, which was not my jam,” she said. “I have a fear of heights.”An open kitchen was also a must. “That was a $7 million apartment, and it had a galley kitchen,” she said. “I love to cook, so I hated the galley kitchen.”And also: Who needs a dining table? “I never used it,” she said. “I ate in front of the TV.”But having three bedrooms was nice. It allowed for a dedicated office, and she realized she “needed a separate work space.”“Oh, honey, aesthetics are very important to me,” Ms. Williams said. “I know what I want my house to look like.”Hiroko Masuike/The New York TimesAnd she will not soon forget the abundance of storage space at the Four Seasons. “That place introduced me to California Closets,” Ms. Williams said, referring to the company that creates custom organizing systems. “I had them do every closet in my new apartment.”About that new apartment: Ms. Williams went into contract two and a half years ago, based on the model unit, in a building under construction in central Harlem — one bedroom, floor-to-ceiling windows, nine-foot ceilings, high-end finishes — and moved in last June after many delays, with her Cavalier King Charles Spaniel, Carey James (named for her grandfather).“It was the only place I looked at. I’m very decisive in that way,” she said.“I’m a girl from the South, and I’m a pageant queen, and the finishes were very important to me,” Ms. Williams continued. “It was important for me to have Carrara marble countertops. It was important for me to have the beautiful white-oak herringbone floors throughout. I’m allergic to carpet. Not really, but you know what I mean.”Ms. Williams’s brief to her interior designer, Ty Larkins, was simple and to the point: “Imagine if Josephine Baker lived in Harlem today. That’s what I want this apartment to look like. I want it to be a Harlem jewel box.”Bunches of flowers add pops of color. (Ms. Williams is partial to pink.)Hiroko Masuike/The New York TimesIn something of a nod to Ms. Baker’s adopted city, Paris, a 19th-century French mirror leans against the wall in the living room. A French desk of the same vintage anchors the work space. Baccarat candlesticks catch the light on the coffee table.Ms. Baker sometimes performed in head-to-toe pink. For her part, Ms. Williams used to be “pink, pink, pink, pink, like a 12-year-old lives here,” she said. But she has learned moderation. True, the two velvet accent chairs in front of the tall windows in the living room are dusty rose, the side chair has pink-and-gray stripes, and the grasscloth on the walls is a very pale blush, “but there are also some masculine elements,” she said, pointing to the oversized chocolate-brown tufted sofa.If you want to get invited back, don’t touch the earth-toned Hermès blanket that’s neatly folded over an arm of the sofa. “It’s just for show,” she said.Although Ms. Williams chose her apartment quickly and surely — and although her determination to plant roots in Harlem was unswerving — it was an emotionally complicated business.“I was going to buy a million-dollar condo somewhere in New York,” she said. “But because people are paying that and more in my building, it’s displacing many of those who have called Harlem home for years. That’s the truth. It’s like any privilege — what do I do with that privilege? To me, it’s about preserving the culture that came before me, so it still lives beyond me. The moment you walk through the door, there is this explosion of Black-centeredness and Black celebration.”The canopy bed adds a touch of Hollywood glamour.Hiroko Masuike/The New York TimesBusts of the journalist Ida B. Wells and the abolitionists Harriet Tubman and Frederick Douglass are on display in the cozy alcove Ms. Williams uses as her office. The bathroom walls are papered with designer Sheila Bridge’s pattern Harlem Toile de Jouy, which trades France’s classic pastoral motifs for those reflecting an African-American heritage.On one wall of the living room is a print depicting the stowage of a ship carrying enslaved Africans. Almost directly opposite is a painting by the Zimbabwean artist Kudzanai Chiurai featuring a Black woman in front of a line of microphones. “This is about the amplification of the struggle and liberation,” Ms. Williams said.“This place,” she added, “is dripping with Black identity. That’s me. Literally. It’s my name: Eboni.”For weekly email updates on residential real estate news, sign up here. More

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      in Music

      Rupert Holmes, on Creating a Victorian-Flavored Escape in Upstate NY

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      The artist you know from ‘The Piña Colada Song’ has a new play about Ruth Bader Ginsburg and a new novel coming out next year — but still no plans to live in the city.Over the decades, the playwright, novelist and singer-songwriter Rupert Holmes has collected quite the haul of trophies and treasures. They include — deep breath, now — two Tony Awards (for the book and score of his 1985 musical “The Mystery of Edwin Drood”), two Edgar Awards, 16 gold records, and 15 platinum records, including for his 1979 earworm “Escape.” (You undoubtedly know it as “The Piña Colada Song”).In his home studio, Mr. Holmes has a framed thank-you note from Barbra Streisand, for his contributions to her 1975 album “Lazy Afternoon,” as a composer and co-producer, and a signed Rosebud matchbook from Orson Welles, whom he met on a talk show. He also has a piano bench that belonged to Marvin Hamlisch, a gift from Mr. Hamlisch’s widow.But there is one thing that Mr. Holmes does not have — has never had and never wanted to have — despite all of his Times Square-centric pursuits: a permanent address in New York City.“When I’m working on a show, I get some sort of accommodations in Manhattan for a couple of months,” said Mr. Holmes, 75, whose new play, “All Things Equal: The Life & Trials of Ruth Bader Ginsburg,” will be at the Bay Street Theater in Sag Harbor, N.Y., from Nov. 3 to Nov. 27, and whose thriller “Murder Your Employer,” the first book in a new series, is due out in February. “But for me, New York has always been a place that’s like a thermonuclear reactor, where everything interesting and exciting happens. And then you want to leave at the end of the day and calm down.”Rupert Holmes, the Tony Award winning writer and composer of the 1985 musical “The Mystery of Edwin Drood” and “The Piña Colada Song,” lives with his wife, Liza, in a colonial-style house in Cold Spring, N.Y.Andy Ryan for The New York TimesRupert Holmes, 75Occupation: Playwright, novelist, singer-songwriterLost in translation: “When I was three and a half, my parents told me we were moving from England to a place called Long Island. I thought, ‘Oh, pirates and lagoons.’ And it turned out to be Levittown, Long Island.”In 1980, Mr. Holmes and his wife, Liza, a lawyer, settled in Tenafly, N.J. They had a snug house they loved in a nice community that was within quick reach of the city. But when the couple’s 10-year-old daughter, Wendy, died suddenly from an undiagnosed brain tumor in 1986, “we couldn’t stay there,” he said. “Her friends would walk by the house; her bedroom was empty. We just couldn’t do it. So we moved to Scarsdale.”Again, nice house, quiet street, easy commute. There they stayed for 22 years. “Then, once again, a child issue,” Mr. Holmes said.Timothy, the younger of the couple’s two sons, is “severely autistic,” he said. “He doesn’t have language, really,” and he was aging out of a local care facility. There was an excellent adult-treatment program farther afield, but it was open only to residents of Putnam and Dutchess Counties. Relocating was less than ideal, “but we tried to make the most of it,” he said. “We wanted this to feel like a good thing.”Thirteen years ago, the Holmeses moved to a hillside colonial-style house in Cold Spring, N.Y., where, depending on the room and the window, they could see woods, gardens, the Hudson River, Storm King Mountain, Crows Nest Mountain, West Point or some fine combination.The piano bench in the basement studio once belonged to Marvin Hamlisch, with whom Mr. Holmes collaborated on a stage adaptation of the 1963 movie “The Nutty Professor.”Andy Ryan for The New York TimesThe couple chose Cold Spring in part because of a key resemblance to Nyack, where they both grew up and were high school sweethearts: The main stem in both villages slopes down to the Hudson. The house was also appealing for its proximity to the train station — a 12-minute walk, critical for Mr. Holmes, who has never learned to drive. “One of my eccentricities,” he said.But the move was not without drama. The couple stayed in Scarsdale for several months after closing on the property so that Mr. Holmes could finish a project in Manhattan. It was winter, and the pipes in the new house froze and burst, flooding the place. To focus on the good news, the house was insured. And because they hadn’t yet shuttled their possessions upstate, nothing was lost. Plus, they now had an opportunity to make some design adjustments.Borrowing square footage from a porch, they built a sunroom adjacent to the dining room. On the second floor, a wall between two small bedrooms came down to make a more expansive office for Mr. Holmes. Soil was excavated so that he could have a window — let there be light — in his basement studio. And the powder room was redone in a symphony of black-and-gold lacquer to serve as a color-appropriate backdrop for his many framed gold records. When a plumber comes to do repair work, Mr. Holmes said ruefully, “his quote changes after he’s been in the bathroom.”The British-born Mr. Holmes began life as David Goldstein; he changed his name when he got into the music business in the late 1960s. “Rupert” was a nod to the poet Rupert Brooke. “Holmes” was a tip of the deerstalker to …. well, it’s pretty elementary.A kidney-shaped platform is a favorite spot where Mr. Holmes likes to read al fresco.Andy Ryan for The New York TimesWith its show posters, Hirschfeld caricatures, framed sheet music and shelves of scripts, awards and branded mugs, the house could be viewed as celebration of Mr. Holmes’s life in the entertainment business. But really, it’s a valentine to Victoriana and to Baker Street’s most famous resident.The Victorian hat stand in the foyer sets the tone. Three rare Sherlock Holmes movie posters and an Inverness cape hang in the dining room, along with a painting of the legendary detective and Dr. Watson that Mr. Holmes commissioned. The Victorian cabinet that he and Ms. Holmes bought early in their marriage sits in the living room. A rose-colored globe lamp on a marble-topped Victorian-style table keeps the theme going in the sunroom. A Victorian student lamp helps light the office.Just before the pandemic, Mr. Holmes’s next-door neighbor decided to sell his house and an adjoining parcel of land. “I realized this was the last piece of property in Cold Spring with a view of the Hudson that did not have a house on it,” Mr. Holmes said. “And I was probably the only person in the world who wouldn’t want to develop that land and build a house on it to sell or live in.”The view from the bay window in the living room takes in the Hudson River and Storm King Mountain.Andy Ryan for The New York TimesHe knew that if he didn’t buy the land, someone else would. Hello bulldozers, goodbye expansive water views. “Without a moment’s thought, I offered him well above what he was asking,” he said. “So now I’ve gone from having a house with a small footprint to having around three acres.”Cleared of scrub and weeds, the terrain has become a sloping pocket park complete with a gazebo. A small platform beneath towering oaks is a favored destination for Mr. Holmes when he wants a break. Or, as he once so lucratively put it, an escape.For weekly email updates on residential real estate news, sign up here. More

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      in Television

      New Kid Jonathan Knight on His 'Farmhouse Fixer' Life

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      ESSEX, Mass. — When he was 22 and flush from success as a member of the boy band New Kids on the Block, Jonathan Knight bought a Georgian house, built circa 1900, on the North Shore here, with a slate roof, Palladian windows, terraces and 12,000 square feet to pad around in.It was 1990, two years after the New Kids released their second studio album, “Hangin’ Tough,” which topped the Billboard charts, spawned several hit singles and went on to sell more than 14 million copies worldwide. Suddenly, the five members — Jonathan, his younger brother Jordan Knight, Joey McIntyre, Donnie Wahlberg and Danny Wood — went from scruffy kids from Boston to fantasy boyfriends for suburban teen girls everywhere.Mr. Knight invited his large family to move out of the city and come up to live with him in the new place. “And then we went on tour, so it was up to my brothers and sisters and mother to do the shopping,” Mr. Knight said, meaning for furniture. His mother’s taste ran to frilly curtains, floral sofas, busy patterned rugs, all appropriate to the house but not to a young pop star.Mr. Knight’s circa-1760 farmhouse.Tony Luong for The New York TimesThe flower garden.Tony Luong for The New York Times“I came home and was, like, ‘What is going on?’” Mr. Knight said. “Looking back, I’m like, what a dummy for buying a house like that at such a young age. It was ridiculous. Waste of money. Just stupid. Best day was when I sold that house.”Mr. Knight, who is now 52 and back before our eyeballs again, this time with a home-renovation show on HGTV, “Farmhouse Fixer,” is nevertheless living a version of his life at 22. In some ways, it is humbler. In others, grander. Because now, instead of his family all piled into that house, each person gets their own on the 10-acre rural Shangri-La he created just down the road.There are gardens, a fenced-in horse pasture, antique barns, wildflowers climbing up stone walls and several historic houses, all of which Mr. Knight owns. His mother, Marlene, lives in the circa-1890 dwelling as you enter the property; his nephew stays in the farmhouse with Italianate details across the field. Mr. Knight and his partner, Harley Rodriguez, are building a new Colonial-style home on a gentle rise in the center of it all, while living temporarily in a pretty circa-1760 farmhouse with a white-painted clapboard exterior, a pond for their six ducks and a little barn for their three goats.A grand piano is one of the few hints of his musical career.Tony Luong for The New York TimesPlenty of greenery inside, too.Tony Luong for The New York TimesThe couple bought the farmhouse when it came up for sale last year, selling the circa-1800s house in the nearby town of Ipswich where they’d lived for just one year. “I was like, ‘I have to buy it, I have to,’” said Mr. Knight, stretched out on a sofa in the farmhouse’s high-ceilinged living room on a recent morning. “I didn’t want somebody moving across the street. It just adds to the whole family compound.”Plus, it’s 260 years old, and as viewers of “Farmhouse Fixer” have discovered, Mr. Knight has a passion for historic houses. He grew up in a Victorian in the Dorchester section of Boston, which his hippie parents bought for something like $25,000 in the ’70s. He referred to it affectionately as “a big, old, cold, drafty holes-in-the-wall house.”For him, refurbishing houses that have seen better years isn’t a pop star’s hobby. It’s how he made his living, especially in the lean years after the New Kids fell from the pop-culture firmament in the grunge-y ’90s.On the six-episode series, which debuted in March and was just renewed for a second season, Mr. Knight and his interior designer partner, Kristina Crestin, roam New England, the land of old farmhouses in slow decline. They add open-plan kitchens and central air while keeping the old charm in the house so their current owners won’t call the bulldozers. When they achieve the right balance of historic preservation and modern amenities, Ms. Crestin said, Mr. Knight has been known to cry off camera.“When he walks in, I’m, like, ‘Wait, wait, watch.’ I want him to lose it with happiness,” Ms. Crestin said. “To me, he’s reacting to what was done well then. He’s looking at the original stonework. He seems to be reflecting back to the people who did it and the pride they took in their work.”Back in the day. From left, Donnie Wahlberg, Joey McIntyre, front, Danny Wood, Mr. Knight, front, and his brother, Jordan Knight.Michel Linssen/Redferns, via Getty ImagesFrom Hits to FlipsDressed in flannels and jeans and driving a pickup truck, on the show the still-boyishly handsome Mr. Knight comes across like a Yankee Chip Gaines — an image that isn’t made for TV. He actually does come home from a tour or recording session and hop on his tractor. He’s the sort who stops to admire an original newel post or a carpenter’s miter work from 200 years ago. His heart hurts a little when confronted with vinyl siding and plastic decking.Mr. Knight sighed thinking about those and other modern horrors. “I hate when people put trendy things in a house and it goes out of style so fast,” he said. “Like everybody’s using this pattern tile now. You’re going to look back and go, ‘That’s so 2020.’”Walking out to the property’s 18th-century post-and-beam barn, Mr. Knight explained that he hired a company to disassemble it, refurbish the wood beams one by one and rebuild it with a new roof and siding in a different spot, at probably 10 times the cost to build a new barn.“Everybody said, ‘Why?’” said Mr. Knight, looking up at the old ceiling beams. “It just has meaning. You know, it’s just my love of old things. It was standing since the 1700s. I wouldn’t tear it down. Now this thing will be around for another two or three hundred years.”From love songs to lavender.Tony Luong for The New York TimesHe never promised you a rose garden, and yet somehow….Tony Luong for The New York TimesMr. Knight was 16 when he joined the New Kids and 26 when their brand of sweet pop went out of fashion, they stopped selling out concerts and the carnival ride ground to a halt. With the rest of his life ahead of him, he had no idea what to do. While other young adults were in college or working their first jobs developing life skills, he’d lived inside the pop-star bubble. He didn’t know how to order for himself at a restaurant.“It was probably the scariest time in my life,” he said. “I just remember being home for a few days, opening the door to my bedroom in the morning and looking around and nobody’s there. The New Kids weren’t there. There were no tour buses. Everything was just done.”Mr. Knight spent a year staying up all night, sleeping until 4 in the afternoon and sinking into a deep depression. Then one day he got a call from a Boston cop who’d worked security detail for the group. He was flipping houses on the side and invited Mr. Knight to partner with him. “When he said ‘flip houses,’ I thought, Is this some mafia thing? We’re going to go in there and rob these people?” Mr. Knight said. “It was a term I’d never heard.”But Mr. Knight’s father was a carpenter and he’d grown up going to job sites with him on weekends. “And my mother is an old house nerd,” he said. “Me and my mother would drive around neighborhoods and look at old houses. To this day, I love driving slow down roads like, ‘Look at that place.’”Three horses owned by his mother are pastured on the property.Tony Luong for The New York TimesIn the vegetable garden.Tony Luong for The New York TimesSoon, Mr. Knight found himself pulling junk out of a trashy yard in West Roxbury and painting a banister at 3 a.m. ahead of the next day’s open house. Through the ’90s and into the 2000s, he estimates he bought, renovated and flipped a hundred or more houses, at first doing the construction work with his policeman partner and, as the business grew, with hired subcontractors.When the pair started doing new construction — “cookie-cutter boxes,” Mr. Knight called them — it was less appealing to him. And then the 2008 housing crash hit. “We’d just finished a nine-unit condo complex in Boston,” Mr. Knight recalled. “It was a lot of money lost in 2008. That’s actually when New Kids started up again. The timing was just perfect.”‘A Stress-Free Life’The band reunited in 2008 on the “Today” show, released a new album and went on a 150-date world tour. In the way of boy bands, Mr. Knight was the “shy one” in the group and his personal life largely remained a mystery to fans. He wasn’t closeted, but he also never declared on the cover of People, “I’m gay!” Rather, he was accidentally outed by fellow ’80s pop star Tiffany when she appeared on a 2011 episode of “Watch What Happens Live With Andy Cohen” and told the host they’d dated, and that “he became gay later. I didn’t do it! But he’s fabulous.” She publicly apologized to Mr. Knight. He thought the whole episode was funny.Until the HGTV series, few knew about his history with a hammer, either. “I was doing New Kids, I’d come home, renovate houses,” he said. “On tour, so many fans would ask, What do you do? Even the New Kids, they never really knew what I did.”Swing went the strings of his heart: over the decades, Mr. Knight has relaxed into rural life.Tony Luong for The New York TimesIn recent years, Mr. Knight’s life has fallen into a happy rhythm of touring for three months every other year with the reformed New Kids, taking on three or four renovations a year for clients and spending the rest of the time as caretaker of his mini Old Sturbridge Village.Mr. Knight is forever embarking on improvement projects that demand his scattered attention (“I was never diagnosed with A.D.H.D.,” he said, “but everybody’s like, ‘You’ve got A.D.H.D.’”) and that remain in various states of completion. Currently, he’s having the barn prepared to stable his mother’s three horses. He’s learning to care for the goats he was given by a rent-a-goat company he featured on the show. He’s tending vegetable and flower gardens.And then there’s the 1760 farmhouse, renovated by its previous owners in 2004 “and it already feels dated,” he said with a sigh, adding, “It needs paint and furniture and a new kitchen and new bathrooms. It’s a lot.” He’s not sure who will live in the house when he’s done. He and Mr. Rodriguez will be moving across the street, as soon as their new-old home is finished.Surveying his expanse while puffing on a cigarette under the hot sun, Mr. Knight said, quite earnestly, “It’s such a stress-free life, the country life.” More