Homosexuality and Bisexuality

Subterms

    More stories

    • 163 Shares199 Views

      in Theater

      A Queer Mountain Lion Leaps From the Page to the Little Island Stage

      by

      Henry Hoke’s 2023 novel, “Open Throat,” narrated by an animal in peril in the Hollywood Hills, is adapted for a staged reading.The concept behind Henry Hoke’s 2023 novel, “Open Throat,” is an eyebrow-raising one: It’s a story about overdevelopment and climate change narrated by a mountain lion who muses on the lives of hikers and loved ones.Hoke was loosely inspired by the mountain lion known as P-22 whose regular sightings in the hills surrounding Los Angeles’s Hollywood sign, successful crossing of two freeways and eventual death captured the public’s attention in 2022. In “Open Throat,” according to the book’s publisher, the animal identifies as queer, and uses they and them pronouns.The book is “what fiction should be,” the novelist Marie-Helene Bertino wrote in her review for The New York Times, and it made several end-of-year best-of lists and awards shortlists.With an internal monologue that has poetically broken stanzas and a fluid sense of time and reality, “Open Throat” does not immediately call for theatrical adaptation. Yet a staged version of the work is premiering Wednesday as part of Little Island’s ambitious summer series of live performances at its outdoor amphitheater.The narration is divided among three performers, including Chris Perfetti, who is holding the book, and Calvin Leon Smith. “I think the beauty of it, and the reason we’re intentionally having three different voices, is making it universal,” Perfetti said.Jeenah Moon for The New York Times“It reads beautifully,” Zack Winokur, Little Island’s producing artistic director, said of the book. “The way it’s placed on the page is visually interesting. The way the voice exists is not like anything else. I kept thinking that it being so voice-driven would make an amazing show, and I didn’t know how to do it, which is the greatest thing in the world.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares189 Views

      in Movies

      5 Places to Visit in Baltimore, Maryland, With John Waters

      by

      The writer and director, famous for making theatergoers squirm in their seats, says he feels most at home wherever the outsiders gather in his native city.The 1998 John Waters film “Pecker” ends with an unlikely crowd carousing in a seedy basement bar/impromptu photo gallery in Baltimore. Strippers and one busty, enthusiastic art collector dance on tables as a talking Virgin Mary icon watches. It’s a jubilant, chaotic and naughty party open to anyone with a sense of humor, just the way the director likes it.Mr. Waters, 78, gained a cult following in the 1970s with delightfully shocking films like “Multiple Maniacs,” “Female Trouble” and, of course, the raunchy “Pink Flamingos” before breaking big with “Hairspray,” in 1988.Since then, Mr. Waters has built an empire of camp, now comprising more than a dozen films, spoken-word shows and numerous books, including his 2022 debut novel, “Liarmouth,” which has been optioned for a movie that Mr. Waters hopes will star Aubrey Plaza.Mr. Waters, a Baltimore native, grew up in Lutherville, Md., a suburb he described in a recent phone interview as “upper-middle-class everything.” Yearning for escape, he had his mom drop him off at a Baltimore beatnik hangout called Martick’s, even though he was underage. “She said, ‘Maybe you’ll meet your people here,’” he recalled.“I did find my people — bohemia!” he said.Since those days, Mr. Waters has become an unofficial spokesman for all things Baltimore, which was one of The New York Times’s 52 Places to Go in 2024. The city has embraced him, too. It honored him with an official day, Feb. 7, 1985 (it was a one-off), and the all-gender restrooms at the Baltimore Museum of Art, the institution to which he has bequeathed his sizable art collection, are named for him.Though Mr. Waters has apartments in San Francisco and New York and spends summers in Provincetown, Mass., he lives primarily in North Baltimore and has no plans to change that. “If I had to give up everywhere,” Mr. Waters said, “this is where I’d live.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares129 Views

      in Television

      Can Japan’s First Same-Sex Dating Reality Show Change Hearts and Minds?

      by

      Producers of “The Boyfriend” on Netflix hope it will encourage broader acceptance of the L.G.B.T.Q. community in Japan, which still has not legalized same-sex unions.Japan is the only country among the world’s wealthiest democracies that has not legalized same-sex unions. Few celebrities are openly gay. Conservative groups oppose legislative efforts to protect the L.G.B.T.Q. community.But now, Netflix is introducing the country’s first same-sex dating reality series.Over 10 episodes of “The Boyfriend,” which will be available in 190 countries beginning on July 9, a group of nine men gather in a luxury beach house outside Tokyo. The format evokes Japan’s most popular romantic reality show, “Terrace House,” with its assembly of clean cut and exceedingly polite cast members, overseen by a panel of jovial commentators.The vibe is wholesome and mostly chaste. The men, who range in age from 22 to 36, operate a coffee truck during the day and cook dinner at night, with occasional forays outside for dates. One of the biggest (among very few) conflicts of the series revolves around the cost of buying raw chicken to make protein shakes for a club dancer who is trying to maintain his physique. Sex rarely comes up, and friendship and self-improvement feature as prominently as romance.In Japan, the handful of openly gay and transgender performers who regularly appear on television are typically flamboyant, effeminate comic foils who are shoehorned into exaggerated stereotypes. With “The Boyfriend,” Dai Ota, the executive producer, said he wanted to “portray same-sex relationships as they really are.”Mr. Ota, who was also a producer of “Terrace House,” which was made by Fuji TV and licensed and distributed globally by Netflix, said he had avoided “the approach of ‘let’s include people who cause problems.’”“The Boyfriend,” he said, represents diversity in another way — with cast members of South Korean, Taiwanese and multiethnic heritages.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares99 Views

      in Music

      Brazil’s Pabllo Vittar is the World’s Next Big Drag Queen

      by

      São Paulo’s main avenue was packed this month with thousands of people draped in the yellow and green of the Brazilian flag and captivated by a commanding figure atop a tractor-trailer rigged with speakers.From above, the scene could have maybe passed for one of the many political rallies held in the same spot by former President Jair Bolsonaro, the Brazilian far-right leader who has infamously declared that he could never love a gay son.(Though, to be fair, the enormous rainbow flag would be a giveaway.)It was, in fact, one of the world’s largest Pride parades, and the person atop the sound truck was Phabullo Rodrigues da Silva, 30, the gay son of a working-class single mother in Brazil’s north.Yet everyone in the crowd knew him as Pabllo Vittar, a 6-foot-2-inch drag queen in a glittering cutoff Brazilian soccer jersey and shredded jean shorts — one of the biggest pop stars in this nation of 203 million.“It’s so beautiful to see you in yellow and green!” Pabllo Vittar shouted to those in the crowd, many wearing fishnet and G-strings. She had called on the revelers to wear Brazil’s national colors to reclaim the Brazilian flag from Mr. Bolsonaro’s right-wing movement. “Let’s dance!”RuPaul may still be the queen of queens, but the heir to the global crown has arrived.Fans and digital influencers visiting the Brazilian drag queen Pabllo Vittar, center left, in her dressing room before a concert.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 163 Shares169 Views

      in Movies

      The Gay Comedians Who Showed the Way Even if They Weren’t Exactly Out

      by

      Paul Lynde, Charles Nelson Reilly and Rip Taylor get a cursory mention in a new documentary about queer stand-up, but they were groundbreaking.In 1987, David Letterman was taping his late-night show in Las Vegas before rowdy audiences of mostly young men in preppy pullovers and muscle shirts — prototypical bros raised on “Porky’s.”On one episode, Letterman introduces a “very funny and strange, peculiar man who first played Las Vegas way back in 1963.” The sea of seemingly straight guys parts, and to a cartoonishly accelerated rendition of “Happy Days Are Here Again,” the comedian Rip Taylor speed-walks through, ferociously hurling heaps of confetti, his signature entrance shtick.I’ve had this clip on repeat since watching “Outstanding: A Comedy Revolution,” a new Netflix documentary about the history of queer stand-up comedy. Not because Taylor plays a big role in the film, but because he and two other groundbreaking gay comics — Paul Lynde and Charles Nelson Reilly — do not.“Outstanding” does briefly single out the three men as renowned comedy elders, even though they weren’t primarily known for stand-up. The documentary also does right by underappreciated comedians like Robin Tyler and Bob Smith and household names like Rosie O’Donnell and Margaret Cho.But why just the cursory mention of Lynde, Reilly and Taylor? It’s as if we couldn’t possibly glean anything meaningful from old-school comedians who were apolitical and effeminate, steppingstones for contemporary comedians, like Hannah Gadsby and Jerrod Carmichael, who are willing to wait for a room to quiet down so they can talk about difficult childhoods.Lynde, Reilly and Taylor didn’t sit in their trauma. They kept it light and never talked about their biography in a serious way, because doing so would have led to questions they weren’t prepared to engage with. Maybe that’s why the documentary made me race to YouTube to see these Stonewall-generation funnymen with dippy but dark-edged sensibilities that were shaped by decades of self-hatred and fear the likes of which a 20-year-old today cannot fathom.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 88 Shares149 Views

      in Music

      Sam Smith Throws a Gay Pride Party

      by

      The British singer selected Julius’, a Manhattan tavern with a storied past, as the place to celebrate the 10th anniversary of “In the Lonely Hour.”On Thursday night in the West Village of Manhattan, the soulful British balladeer Sam Smith hosted a private party at Julius’, which is known as the oldest gay bar in New York. Friends and fans sweltered inside the tavern, sipping vodka tonics as they waited for a late-night performance by Smith and a rumored special guest, Alicia Keys.Smith, who uses they/them pronouns, chatted with fans by the worn wooden bar. Standing about 6-foot-7 in Vivienne Westwood platform boots, paired with a tartan kilt and a big belt, the Grammy-winning singer towered above those who asked for selfies.The gathering commemorated the 10th anniversary of Smith’s debut album, “In the Lonely Hour,” which included the slow-burning anthems “Stay with Me” and “I’m Not the Only One.” Little menus along the bar advertised cocktails named after Smith songs like “Good Thing” (a cosmo) and “Life Support” (a margarita). And they noted Julius’ relevance as a historic site, detailing the events of the 1966 Sip-In, an act of civil disobedience that predated the Stonewall uprising by several years.The crowd at Smith’s barroom party.Nina Westervelt for The New York TimesWith Pride celebrations in full force throughout the West Village, Smith had chosen Julius’ precisely because of its connection to the Sip-In, when members of the Mattachine Society, an early gay rights group, visited Julius’ to challenge bars that would not serve gay customers. When the activists were refused service after intentionally revealing that they were “homosexuals,” the incident made news, attracting the attention of the Commission on Human Rights.“Why did I pick Julius’?” Smith said, leaning down to a reporter. “Because I’ve never felt more safe in any other bar in the world than here.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares169 Views

      in Movies

      Chucky, Queer Icon? Peacock Includes Killer Doll in Pride Month Collection.

      by

      A graphic on the Peacock home screen seemed to induct the killer doll into the gay pantheon. His creator, however, says Chucky’s queer credentials are well established.During Pride Month, it can seem as if their faces are everywhere: Madonna, James Baldwin, Elton John, Judy Garland, Grace Jones, Bea Arthur. The well of queer icons is as deep as it is colorful. But how about Chucky, the homicidal redhead doll?Chucky, the killer doll who first appeared in the 1988 horror film “Child’s Play,” was thrust into the L.G.B.T.Q. spotlight this month when Peacock, NBCUniversal’s streaming service, displayed a banner on its home screen advertising a collection of queer-themed movies and TV shows. The image included the demonic doll, as well as the evergreen gay icons Cher and Alan Cumming, beside the words “Amplifying LGBTQIA+ Voices.”Through the years, viewers have come to learn quite a bit about the horror movie character, watching him navigate companionship (“Bride of Chucky”) and parenthood (“Seed of Chucky”). But many seem to have been taken by surprise that he was also a queer ally.In the first season of the TV series “Chucky,” one of several “queer horror” offerings in Peacock’s Pride collection, the doll reveals to Jake, a gay teenager who bought him at a yard sale, that he has his own queer, gender-fluid child.“You’re cool with it?” Jake asks.“I’m not a monster, Jake,” the doll responds. Chucky, it seems, is a PFLAG parent.Also in Season 1 of the TV show, Chucky is living his life — including his sex life — in a woman’s body, and he remarks on how interesting it has been. Chucky has broadened his sexual horizons.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More