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    ‘Son of Monarchs’ Review: Of Butterflies and Belonging

    This lush Mexican drama tells a story about climate change and cultural identity using the allegory of monarch butterflies’ migration.“Son of Monarchs” is about immigration, but this is no ordinary story of border crossing. The film, from the director Alexis Gambis, resists the stereotypical formulas that Hollywood demands of Mexican immigration dramas. Instead, it harnesses the allegory of monarch butterflies to sketch an alternate journey of being and belonging.Mendel (a phenomenal Tenoch Huerta) is a Mexican biologist studying the monarchs’ genetic sequencing. He recently left his home in Michoacán, the animals’ winter refuge, for New York City. The narrative structure is a collage, with radiant scenes from Mendel’s wide-eyed youth and icy images of his austere life in the United States. Before long, the scientist’s psyche unravels as he grapples with leaving home, reconciling spirituality with science and piecing together the fragments of childhood trauma and subsequent estrangement from his brother.“Son of Monarchs” is ambitious and meditative, thick with philosophical musings from its characters about the environment, life cycles and identity. In its attempt to cover so much, it stumbles at times. While the slow pace demands patience, the cinematographer Alejandro Mejía’s gorgeous visual universe possesses immense gifts that are well worth the wait. Mejía’s camera is gracious, reverent of the bucolic green hills of Michoacán and the microscopic, irregular surface of a chrysalis. It’s a larger statement about the planet’s disappearing treasures under catastrophic climate change. The film’s rich imagery will be imprinted in your memory, returning to you in dreams.Son of MonarchsRated R for disturbing imagery and explicit language. In English and Spanish, with subtitles. Running time: 1 hour 37 minutes. In theaters. More

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    ‘The Forever Purge’ Review: Anarchy Ever After

    This newest installment in the dystopian franchise, set in a Texan town, pits white supremacists against immigrants and their allies.James DeMonaco’s scripts for “The Purge” play out like drafts from the edgiest guy in your Intro to Creative Writing class. He asks us to imagine America at its hypothetical worst: The government has instituted an annual daylong crime spree called the Purge, and protagonists must fight their way through the waves of rabid murderers they once called neighbors. They’re the sort of plots that only hold up if you buy the misanthropic thesis of something like “Joker,” but DeMonaco likes to throw a few hot political topics into each script to keep things fresh. “The Forever Purge,” directed by Everardo Valerio Gout, tries to criticize American racism against Mexicans.Adela (Ana de la Reguera) and Juan (Tenoch Huerta) are new immigrants to the United States settling in for their first ever Purge. Juan works on a ranch for the wealthy, white Tucker family, where he must weather harassment from his boss’s petty son, Dylan (Josh Lucas). But once droves of rogue Americans rise up to continue the Purge for all time, the Tuckers, Adela and Juan (who notably are not given last names) must learn to fight together.“The Forever Purge” tries for political relevance by introducing immigrant protagonists, but it easily excuses racism from the other leads. (After all, Dylan doesn’t seem so bad compared with the bands of white supremacists stalking the film.) Words like “colonialism” and “the American dream” are thrown around, to little avail. This movie ultimately cares more about monotonous shootouts than making points about border relations.The Forever PurgeRated R for endless gun violence and a smattering of gore. Running time: 1 hour 43 minutes. In theaters. More