In ‘Towards Zero,’ Agatha Christie Gets Steamy
A new three-part TV mini-series streaming on BritBox amps up the themes of forbidden desire and psychological distress in the detective novelist’s 1944 book.In the second episode of the BBC’s latest Agatha Christie adaptation, a bride walks into the hall of a large country house and finds her husband standing on the elegant curved staircase, with his head buried beneath the silk evening gown his ex-wife is wearing.This, it is clear, is not a stereotypically cozy Christie retelling.Instead, this three-part limited series, “Towards Zero” — which comes to BritBox on Wednesday — takes the forbidden desire, well-heeled nihilism and murderous emotion from Christie’s 1944 novel of the same name and gives those a distinctly contemporary feel.“It’s incredibly dark, interesting material,” said Sam Yates, the show’s director. Since Christie’s novels have already been adapted so many times, “the choice is do them exactly by the book every time, or let them live for the moment,” said Yates, who also directed “Vanya,” the inventive one-man Chekhov adaptation currently playing Off Broadway and starring Andrew Scott.The show features a love triangle between Audrey, played by Ella Lily Hyland, center; and Nevile and Mimi.James Pardon/Mammoth ScreenFor “Towards Zero,” Yates and the writer Rachel Bennette chose the moment, tweaking their source material for today’s audience, as shown by the steamy interaction on the staircase, which pushes the characters to violent extremes.Set in 1936 among the British upper class, “Towards Zero” opens with a love triangle playing out around a much-publicized divorce. Nevile Strange (Oliver Jackson-Cohen), a playboy tennis star, is ending his marriage to Audrey (Ella Lily Hyland), on whom he cheated with the younger and more assertive Kay (Mimi Keene), who would become his wife.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More