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    Golden Globes 2021: Where to Stream the Winners

    #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonGolden Globes: What HappenedBest and Worst MomentsWinners ListStream the WinnersRed Carpet ReviewAdvertisementContinue reading the main storySupported byContinue reading the main storyGolden Globes 2021: Where to Stream the WinnersNearly all of the big winners from the evening are available to stream. Here’s a look at where to find them and what The Times first had to say about them.Sacha Baron Cohen in “Borat Subsequent Moviefilm,” which won the award for best musical or comedy at the Golden Globes.Credit…Amazon StudiosMarch 1, 2021, 11:31 a.m. ETDuring a normal year, when many of the awards-contending movies are released late in the season, home viewers often have to wait for a month or two to catch the winners on various streaming services. But the one benefit to an awards show during a pandemic year is that all the winners are immediately available — or so we might have assumed.To the surprise of many Golden Globes prognosticators — and to the actress herself — Jodie Foster won best supporting actress for “The Mauritanian,” a 9/11-themed legal drama that’s currently in theaters, but will arrive on VOD on Tuesday, March 2nd. (Our critic, Jeannette Catsoulis, would advise you to proceed with caution.) Otherwise, the night’s big winners on the film side are scattered among the streaming giants, with “Nomadland” and “The United States vs. Billie Holiday” on Hulu, “Borat Subsequent Moviefilm” on Amazon Prime and “The Trial of the Chicago 7,” “Ma Rainey’s Black Bottom” and “I Care a Lot” on Netflix.The awards were not distributed quite so democratically for the TV slate, where the fourth season of Netflix’s “The Crown” took best drama as well as prizes for three of the four acting categories. Netflix also has The Queen’s Gambit,” which won for best limited series or TV movie and for Anya Taylor-Joy’s performance as an American chess grandmaster of humble origins. And the service is streaming all six seasons of the best musical or comedy winner “Schitt’s Creek.”Here’s a guide to the major-category winners that are currently a click away, along with excerpts from their New York Times reviews or features.Movies‘Nomadland’Won for: Best picture, drama; best director“In a fine Emersonian spirit, the movie rebels against its own conventional impulses, gravitating toward an idea of experience that is more complicated, more open-ended, more contradictory than what most American movies are willing to permit.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Hulu.‘Borat Subsequent Moviefilm’Won for: Best musical or comedy; best actor, musical or comedy“Would I call this the best movie of 2020, from the standpoint of cinematic art? Look, I don’t know. It’s been a weird year. But I would insist that this sequel to a cringey, pranky, 14-year-old classic is undeniably the most 2020 movie of all time.” (Read the full Times article on the Best Movies of 2020, in which A.O. Scott put Sacha Baron Cohen’s satire at #1.)Where to watch: Stream it on Amazon Prime.‘The Trial of the Chicago 7’Won for: Best screenplay“‘The Trial of the Chicago 7’ is a mixed bag. While [Aaron] Sorkin draws some of his dialogue from court transcripts, he also exercises the historical dramatist’s prerogative to embellish, streamline and invent. Some of the liberties he takes help to produce a leaner, clearer story, while others serve no useful purpose.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Netflix.‘Ma Rainey’s Black Bottom’Won for: Best actor, drama“Of course it’s hard to watch Levee — to marvel at [Chadwick] Boseman’s lean and hungry dynamism — without feeling renewed shock and grief at Boseman’s death earlier this year. And though ‘Ma Rainey’s Black Bottom’ has been around for a long while and will endure in the archive, the algorithm and the collective memory, there is something especially poignant about encountering it now.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Netflix.‘The United States vs. Billie Holiday’Won for: Best actress, drama“Andra Day, who plays Holiday, is a canny and charismatic performer, and the film’s hectic narrative is punctuated with nightclub and concert-hall scenes that capture some of the singer’s magnetism. Rather than lip-sync the numbers, Day sings them in a voice that has some of Holiday’s signature breathy rasp and delicate lilt, and suggests her ability to move from whimsy to anguish and back in the space of a phrase.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Hulu.‘I Care a Lot’Won for: Best actress, musical or comedy“An unexpectedly gripping thriller that seesaws between comedy and horror, “I Care a Lot” is cleverly written (by the director, J Blakeson) and wonderfully cast. Marla is an almost cartoonish sociopath, and [Rosamund] Pike leans into her villainy with unwavering bravado.” (Read the full Times review by Jeannette Catsoulis here.)Where to watch: Stream it on Netflix.‘Judas and the Black Messiah’Won for: Best supporting actor“‘Judas and the Black Messiah’ represents a disciplined, impassioned effort to bring clarity to a volatile moment, to dispense with the sentimentality and revisionism that too often cloud movies about the ’60s and about the politics of race.” (Read the full Times review by A.O. Scott.)Awards Season More

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    Rosamund Pike Is Delighted to Appall You

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyRosamund Pike Is Delighted to Appall YouBest known for her titular role in “Gone Girl,” the British actress stars as another seductively dangerous character in the new Netflix film “I Care a Lot.”In “I Care a Lot,” Rosamund Pike plays a legal guardian who uses the court system to separate elderly people from their money.Credit…Seacia Pavao/NetflixFeb. 19, 2021, 5:00 a.m. ET“There are two types of people in this world,” says the coolly assured voice of Rosamund Pike, playing Marla Grayson, in the opening voice-over of “I Care a Lot” as the camera slowly pans over the dazed-looking inhabitants of a nursing home. “The people who take, and those getting took.”From the first shot of the back of Marla’s razor-sharp blond bob, it’s clear which category she belongs to. A ruthlessly amoral and icily self-assured con woman, she plays the role of a conscientious, court-mandated guardian perfectly, all while deftly separating the elderly wards under her care from their families and bank accounts.Pike, the British actress best known for her Oscar-nominated performance in “Gone Girl,” is the blazing star of “I Care a Lot,” written and directed by J. Blakeson, arriving on Friday on Netflix. Pike has already earned a Golden Globe nomination for the role, in which she is both chillingly villainous and seductively fearless, a true antihero doing very bad things with relish.“Marla is like a scrappy street fighter in designer clothing,” Pike said in a recent video interview from Prague. “It was a deep dive into finding a place where I could own the hunger for money, the hunger to win, the conviction that your own goal is more important than anything else.”All are traits “that aren’t often portrayed by women in film,” she added.Pike, 42, is disarmingly beautiful with flawless peaches-and-cream skin and smooth blond hair. Articulate and thoughtful during the interview, she considered questions carefully, occasionally going off-piste: “I wish I could ask you some questions,” she said at one point.Pike, who found early limelight at 21 as a Bond girl in “Die Another Day,” has had a successful acting career for more than two decades, but she has never acquired — or apparently aspired to — the mega-fame of some of her peers.In “Pride and Prejudice,” Pike, second from the left, played the sweet Jane Bennet.Credit…Focus Features, via Everett CollectionWhile in “An Education” she was Helen, a ditsy socialite.Credit…Sony Pictures Classics, via Everett CollectionPerhaps that’s because although she might have successfully specialized playing the English rose (see her turn as Jane Bennett in Joe Wright’s 2005 “Pride and Prejudice”), Pike has never allowed herself to be pigeonholed by prettiness. She has spoofed the British spy film in “Johnny English Reborn,” acted opposite Tom Cruise in the action thriller “Jack Reacher,” and played a hilariously clueless socialite in “An Education,” the hard-bitten reporter Marie Colvin in “A Private War” and the enigmatic Amy of “Gone Girl.”“I think she sometimes gets a bit bypassed because she rarely goes showy in her roles,” Blakeson said. “It confounds me that she didn’t win the Oscar for ‘Gone Girl.’”Blakeson added that he had long wanted to work with Pike. “She is different in every part; you never know what you are going to get,” he said. “In ‘I Care a Lot,’ playing a character that couldn’t be more unlike her as a person, you are reminded of just how good she is.”Pike grew up in London, the only child of two opera singers who spent a lot of time on the road as they traveled from job to job. She said she knew that she was going to be an actor from about the age of 4. “You grow up in a creative household and you assimilate that,” she said. “Adults to me were people who could play and tell stories in compelling ways. I would sit for hours in rehearsals for operas and work out why I believed things, or why I didn’t. I found a kind of magic in the theater; it felt like a good place where I belonged.”She did not do much about it, she said, until she was 16, when she saw a flyer at her school for the National Youth Theater, a British institution that has built a reputation for producing actors like Daniel Craig, Colin Firth and Helen Mirren. Pike auditioned, was accepted and spent the next two years performing with the group, eventually playing the heroine in “Romeo and Juliet.”Her performance as Juliet won Pike an agent (who she is still with), a fact she kept quiet when she went to Oxford University. “I would secretly go to London to audition for things I mostly wouldn’t get, and wonder, ‘Is he going to give up on me?’” she said. Pike also acted at university — “a hotbed of opportunities to fail,” she said dryly.Pike’s first film role was as Miranda Frost in the 2002 James Bond film “Die Another Day.”Credit…Keith Hamshere/MGMShe traveled for a bit after graduation, returning in time to audition for the Bond movie. “I was all shaggy haired, in a cardigan and old jeans,” she said. “I couldn’t have been less appropriate, but luckily they could see beyond that.” But although she was praised for her part in the movie — her first film role — Pike said it opened few doors.She returned to stage work, performing in Terry Johnson’s “Hitchcock Blonde” at the Royal Court, which she described as a career highlight. Since then, however, she has mostly worked in film, and has been drawn to characters based on real-life figures, including Ruth Williams, the wife of Seretse Khama, the first president of Botswana, in “A United Kingdom,” Marie Colvin in “A Private War” and Marie Curie in “Radioactive.”“She could have easily kept playing a beautiful blonde, the object of desire,” said Marjane Satrapi, the director of “Radioactive.” “That would have been easy for her, but instead she has taken on roles that are each more challenging than the other. She is an actress who is not scared of getting old, who thinks this is interesting.”Pike with David Oyelowo in “A United Kingdom.”Credit… Stanislav Honzik/Fox Searchlight PicturesAnd as Marie Curie in “Radioactive.”Credit…Amazon StudiosPike said that studios rarely saw her as a comedian, but she showed she can be one in the recent BBC series “State of the Union,” for which she won an Emmy. “Perhaps people will notice now,” she said.“Things are funny because they are true, and someone like Rosamund who plays so truthfully can be very funny,” said David Tennant, who co-starred with Pike in the British dramedy “What We Did on our Holiday.” For comedy, he added, “you need a lightness of touch, a deftness, you need to come to work with a bit of joy — all qualities that Rosamund has.”It was 2014’s “Gone Girl,” though, that proved to be Pike’s breakthrough role. “It gave me the chance to learn more about screen acting than I ever had before,” she said. “I was allowed to show every part of being a woman — to be extreme, dangerous, sweet, compliant, vulnerable. It was the first I could achieve a freedom onscreen that I had only previously felt onstage.”The character of Marla Grayson in “I Care a Lot” shares certain traits with Amy — notably the deployment of femininity as both a weapon and a performance — but Pike was slightly indignant at the suggestion that the characters were similar.“I saw them as totally different,” she said. “I would never want to do a sub-‘Gone Girl.’ To me, Marla was more a shoot from the hip, think on your feet person.”“It was important to us that this was fun for audiences and that the darkly comedic side was rooted in truth” she added. “What are the values in America? What earns you respect? Money.”She thought for a bit, then smiled: “Being able to relish and watch in appalled horror and glee — people like that.”“There are two types of people in this world,” says Marla Grayson (Pike) in the opening scene of “I Care a Lot.” “The people who take and those getting took.”Credit…NetflixAdvertisementContinue reading the main story More

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    ‘I Care a Lot’ Review: The Art of the Steal

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyCritic’s Pick‘I Care a Lot’ Review: The Art of the StealNasty people do terrible things in this wildly entertaining Netflix caper about guardianship fraud.Rosamund Pike in “I Care a Lot.”Credit…Seacia Pavao/NetfilxFeb. 18, 2021, 7:00 a.m. ETI Care a LotNYT Critic’s PickDirected by J BlakesonComedy, Crime, ThrillerR1h 58mFind TicketsWhen you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.Bookended by towering stilettos and a guillotine-blade bob, Marla Grayson (Rosamund Pike) strides through “I Care a Lot” with the icy confidence of the inveterate fraud. Her racket is guardianship: identifying powerless retirees, having them falsely declared mentally incompetent and herself appointed their legal conservator.A network of enablers — including an unscrupulous doctor and an oblivious judge — grease the grift as Marla and her personal and business partner (Eiza González) happen upon Jennifer (Dianne Wiest). With a healthy nest egg and no apparent relatives, Jennifer is a “cherry”; and one chilling, all-too-believable sequence later, she has been secured in an assisted-living facility and her considerable assets liquidated. Marla, however, is about to discover she has messed with the wrong old lady.[embedded content]An unexpectedly gripping thriller that seesaws between comedy and horror, “I Care a Lot” is cleverly written (by the director, J Blakeson) and wonderfully cast. Marla is an almost cartoonish sociopath, and Pike leans into her villainy with unwavering bravado. And Wiest is sly perfection: Watch as Jennifer, drugged and smirking, spits an unprintable curse at her tormentor before putting her in a headlock. But it’s the introduction of an inscrutable Russian gangster (Peter Dinklage, all cool intelligence and wounded-puppy eyes) that gives Marla a worthy foil and the plot a reason to climax.With its ice-pick dialogue and gleefully ironic title, “I Care a Lot” is a slick, savage caper with roots in a real-world scam (as an episode of the Netflix series “Dirty Money” recounts). An overlong, somewhat mushy middle section made me fear Blakeson was losing his nerve. I was wrong.I Care a LotRated R for killing, cursing and elder abuse. Running time: 1 hour 58 minutes. Watch on Netflix.AdvertisementContinue reading the main story More