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    England’s delayed reopening is a blow to culture and nightlife.

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    LONDON — Andrew Lloyd Webber last week promised to open his musical “Cinderella” in London’s West End on June 25 — even if it were illegal to do so.“We are going to open come hell or high water,” he told The Daily Telegraph, a British newspaper. If Britain’s government tried to stop him because of rising coronavirus cases, he had one response, he added: “We will say: Come to the theater and arrest us.”Now, Mr. Lloyd Webber, 73, has his chance to go to prison — although he doesn’t appear to want to take it.On Monday evening, Prime Minister Boris Johnson of Britain said that social distancing would continue in England until July 19, at least — almost a month later than originally planned.The decision, announced at a televised news conference, was made because of a rise in coronavirus cases linked to the Delta variant. An average of 7,278 cases per day were reported in United Kingdom in the last week, an increase of 127 percent from the average two weeks ago. Deaths are rising but still very low, with an average of nine a day over two weeks.Scientists remain at odds over exactly how serious a threat it poses in Britain, however, with some arguing that the most dire predictions about rising hospitalizations underestimate the effect even the current level of vaccinations have on breaking the link between the number of new cases, hospitalizations and deaths.United Kingdom Coronavirus Map and Case CountSee the latest charts and maps of coronavirus cases, deaths, hospitalizations and vaccinations in United Kingdom.“I think it’s sensible to wait just a little bit longer,” Mr. Johnson said, adding that the delay would allow more people to be fully vaccinated.The delay was a gut punch to the British cultural world, which has been desperately seeking an end to social distancing.The delay leaves “thousands of jobs hanging in the balance,” Julian Bird, chief executive of UK Theater, a trade body, said in a statement. A quarter of nighttime businesses cannot survive longer than a month without new government support, the Night Times Industries Association, which represents clubs and pubs, said in a news release.The biggest blow may be to England’s nightclubs, which were told for the fourth time that they could not reopen at all, even with distancing. Nightclubs in Britain have been closed since March 2020, and over 150 events were planned in London alone for the weekend of June 25, including a sold-out 42-hour-long party at Fabric, a famed club that can hold 1,500 people.Those were all immediately canceled.“It’s really, really frustrating,” Cameron Leslie, one of Fabric’s founders, said in a telephone interview. He had hired over 100 staff over the past month, expecting to reopen, and now was not able to furlough them. “You can only be pushed and tested so far before our entire sector can’t respond anymore,” Leslie added.Stuart Glen, the founder of The Cause, another London club, said in a telephone interview that the delay would cost him “hundred of thousands” of pounds and force him to rearrange 40 events. He’d had enough, he said. “I think everyone should riot if July doesn’t happen,” he said. “They can’t control people like this,” he added.“It’s so devastating for so many people,” said Yousef Zahar, a D.J. and co-owner of Circus, a nightclub based in Liverpool, that in May held two pilot events featuring 6,000 maskless dancers.Theaters, museums and music venues were allowed to reopen with distancing last month, but larger venues and all nightclubs have remained firmly shut. Mr. Lloyd Webber has repeatedly said that glitzy productions like “Cinderella” — which has a 34-strong cast and is already weeks into rehearsals — are financially unviable in half-full theaters.For those hoping to attend the opening of“Cinderella,” it was still unclear if the show would go on.“We’re working hard behind the scenes to make sure everyone gets to the ball,” the show’s producers said in a statement posted on Twitter. More

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      in Television

      Stephen Colbert’s late-night show will resume filming soon before a vaccinated live audience.

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      Stephen Colbert’s late-night talk show will return to filming in front of a studio audience on June 14, CBS said on Monday.About 400 audience members will be allowed in the Ed Sullivan Theater on Broadway in Manhattan, provided they can show proof of vaccination against the coronavirus, such as through the Excelsior Pass issued by New York State or an original physical vaccination card from the Centers for Disease Control and Prevention. There will be no capacity restrictions, and masks will be optional.CBS said that staff and crew members will be tested for the virus before starting work and will be screened daily for symptoms, monitored by a Covid-19 compliance officer. The network said the plan comports with New York State guidelines.The show’s changes will come just a few months before Broadway shows are expected to return, and about a month after baseball stadiums in New York began designating separate seating sections for people who have been vaccinated and those who have not.Last week Gov. Andrew M. Cuomo relaxed the state’s capacity restrictions, allowing businesses to serve as many patrons as they like as long as there is enough space for people to adequately socially distance. He also ended the mask mandate for vaccinated people indoors and outdoors, though individual businesses are allowed to have stricter mask policies.The pandemic put a stop to many late-night talk shows for a time in mid-March 2020, when New York and Los Angeles, where many of them are produced, introduced strict social distancing and quarantine guidelines.Since then, the shows have had to get creative, interviewing guests by video conference and filming in empty studios or from the hosts’ homes, with family members sometimes serving on the crew.When Mr. Colbert began doing his show from home, the first episode had him delivering the monologue from his bathtub. At the time, Mr. Colbert and the network changed the name from “The Late Show with Stephen Colbert” to “A Late Show with Stephen Colbert,” to reflect the show’s straitened circumstances. The name will return to normal once the audience returns.A screengrab from the first episode shot at home.CBS“Over the last 437 days, my staff and crew (and family!) have amazed me with their professionalism and creativity as we made shows for an audience we couldn’t see or hear,” Mr. Colbert said in a statement included in CBS’s announcement on Monday. “I look forward to once again doing shows for an audience I can smell and touch.”The show resumed studio production in August 2020, using a small set in the Ed Sullivan Theater, a far cry from Mr. Colbert’s normal setting. Of the 205 episodes shot without a live audience so far, 16 have been broadcast live, including an impromptu reaction to the Jan. 6 Capitol assault.During a recent interview on “Fresh Air,” Mr. Colbert said that working without an audience created challenges that only a crowd could ameliorate.“I’m much more likely to mess up and have to retake something, lose the rhythm of a joke, or even just misread the prompter without an audience there, because there’s some vital performance adrenaline spark that’s missing that the audience provides,” Mr. Colbert said. “And so my wife and my kids have seen me absolutely shank monologues over and over again. And it’s very humbling for them to realize that I’m not that good at this.” More

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      in Theater

      Theaters are fighting to keep ‘A Christmas Carol’ on stage during the pandemic.

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      Through recessions and blizzards and other upheavals, Ebenezer Scrooge has drawn small children and big money to his redemption story in “A Christmas Carol.”Stage adaptations of the tale, which generally run between Thanksgiving and year-end, have been a tradition and a lifeline for troupes big and small, professional and amateur. But now, after decades in which the Dickens classic has sustained them, this year theaters are sustaining Dickens.Gone are the large-cast extravaganzas playing before cheery crowds in packed venues. Instead, theaters are using every contagion-reduction strategy they have honed during the coronavirus pandemic: outdoor stagings, drive-in productions, street theater, streaming video, radio plays and even a do-it-yourself kit sent by mail.Many of these theaters are willingly running the long-lucrative show at a loss — they are hungry to create, determined to stay visible and eager to satisfy those “Christmas Carol” die-hards who don’t want to miss a year.“It’s absolutely an obligation, in the best sense of that word,” said Curt Columbus, the artistic director of Trinity Repertory Company, in Providence, R.I., which has staged “A Christmas Carol” each holiday season since 1977. “The story felt more urgent, and more necessary, than it has in many years.”The financial implications are enormous, especially for those that have opted not to charge at all. Ford’s Theater in Washington last year sold $2.5 million worth of tickets to “A Christmas Carol.” This year, it is releasing a free audio version on its website and on public radio, paid for by corporate sponsorships and donations. “Hopefully it will come back to us in other ways,” said Paul R. Tetreault, Ford’s director.The money “A Christmas Carol” usually brings in allows theaters to perform more challenging work at other times of the year.“This thing has kept American theaters alive for decades and decades,” said Charles Fee, the producing artistic director of Great Lakes Theater in Cleveland. “Without ‘Christmas Carol,’ our company would almost certainly have failed.” More