More stories

  • in

    A Look at the ‘Fast and Furious’ Franchise Feuds

    As “Fast X” races into theaters, here’s a look at the conflicts — star vs. star, star vs. director and more — that have kept this franchise in high gear.Over the course of more than 20 years of the “Fast and Furious” — the 10th in the franchise, “Fast X,” arrives this weekend — battles have been fought, villains have been overcome, friends have become foes and lovers have been reunited. (There was even a case of alignment-altering amnesia.)Behind the scenes, though, the conflicts have been no less fractious, with stars variously attacking the producers, their castmates and the franchise itself. With so much drama onscreen and off, it can be difficult to keep track of who has feuded and who is still feuding. So in honor of “Fast X,” here’s a guide to the beefs of the “Fast and the Furious.”Brian vs. DomThe series of explosive, high-octane blockbusters involving international espionage and elaborate multimillion-dollar heists began with “The Fast and the Furious,” a relatively straightforward 2001 crime thriller about an undercover cop trying to bust a Los Angeles street racing ring. The cop was Brian O’Conner (Paul Walker), and his quarry was the brawny, mysterious Dominic Toretto (Vin Diesel). The pair faced off on the road, as uneasy friends turned enemies on opposite sides of the law, until their reconciling in an extravagant show of mutual respect. In the aftermath, Brian and Dom teamed up, stealing supercars and helping the feds as demanded by various plot turns.Paul Walker and Vin Diesel vs. the ProducersAfter the success of “The Fast and the Furious,” Diesel turned down at least $20 million to appear in the 2003 sequel, leaving Walker to reprise his role in “2 Fast 2 Furious” without his co-star. A third film, “The Fast and the Furious: Tokyo Drift,” starred neither, which Walker attributed to “politics, studio stuff, a regime decision” (though Diesel did make a cameo appearance). By the time a fourth film was proposed, Walker felt he was finished with the franchise: He told The Los Angeles Times that he found the material “stale” and questioned “if there was even an audience anymore” for another movie. It took Diesel to persuade him to put his reservations aside and sign on. “I thought, ‘Why not?’” Walker said.Dom and Brian vs. HobbsWith “Fast Five” (2011), the street-racing franchise transformed into a heist flick: Brian, Dom and the rest of their fast-driving crew head to Rio de Janeiro to steal a safe full of cash from a nefarious drug kingpin. In hot pursuit is the big-biceped Luke Hobbs (Dwayne Johnson), an agent with the Diplomatic Security Service whose motor skills rival Brian and Dom’s. They have no choice but to put up a fight — a conflict resolved in later films when Hobbs joins their team.Dwayne Johnson vs. Vin DieselIn summer 2016, toward the end of production on the eighth installment, “The Fate of the Furious,” Johnson surprised fans when he appeared to criticize the cast: “My female co-stars are amazing and I love ’em. My male co-stars however are a different story,” he wrote in a now-deleted caption on Instagram. “Some conduct themselves as stand up men and true professionals, while others don’t,” adding some colorful expletives denigrating the men. Many assumed he was calling out Diesel — a hunch later confirmed by both actors, who said they did not share any scenes together. Johnson has since slammed Diesel as “manipulative,” and he did not appear in “F9” or “Fast X.”Letty vs. the CrewDom’s wife, Letty (Michelle Rodriguez), died in the fourth entry, “Fast & Furious” (2009), at the hands of a drug lord and his right-hand man during an undercover bust gone wrong. But she made a dramatic — if somewhat far-fetched — return two films later, revealed to have survived the explosion that seemed to kill her but suffering from amnesia. She spends the bulk of “Fast & Furious 6” (2013) on the villains’ side, fighting Dom and the crew without remembering who they are, until she’s won over by the sight of a precious heirloom. Dom works to restore Letty’s memory throughout “Furious 7.”Shaw (and Shaw) vs. the CrewThe antagonist of “Furious 6” is the nefarious British agent Owen Shaw (Luke Evans), a hardened, elite soldier ultimately defeated by Dom and his crew. “Furious 7” (2015) introduces a brother out for revenge: one Deckard Shaw (Jason Statham), the more ruthless sibling, who wants blood after our heroes landed Owen in a coma. Deckard has had wavering allegiances throughout the films, occasionally teaming up with Dom and company and, in the spinoff “Fast & Furious Presents: Hobbs & Shaw,” partnering with Johnson’s Shaw in a classic buddy action scenario.Tyrese Gibson vs Dwayne JohnsonAfter the public remarks by Johnson about his male co-stars, Tyrese Gibson — who has appeared in seven “Fast and Furious” movies as the fan favorite Roman Pearce — seemed to turn on his fellow actor. On Instagram, he appeared to object to Johnson making the 2019 spinoff “Hobbs & Shaw,” claiming that Johnson “purposely ignored the heart-to-heart” they had by moving forward with it, and that by refusing to appear in subsequent “Fast” films with Diesel and others, he “really broke up the #FastFamily.” Johnson never responded, and in late 2020, Gibson said that the two had “peaced up” and resolved the dispute.Michelle Rodriguez vs. the Franchise2001: After signing on to play the female lead in the original “Fast and the Furious,” Rodriguez vociferously objected to her character’s intended role as the trophy girlfriend, demanding that the filmmakers rewrite Letty to be more independent-minded. She particularly took issue with a story line that put her in a love triangle with Dom and Brian: “I basically cried and said I’m going to quit,” she told The Daily Beast in 2015. Her objections were taken seriously, and ultimately the love triangle was scrapped and the character changed.2017: In an Instagram post to mark the digital release of “Fate of the Furious,” Rodriguez made the surprising announcement that she “just might have to say goodbye to a loved franchise,” unless “they decide to show some love to the women of the franchise on the next one.” Happily, Rodriguez committed to reprising her role in “F9” (2021) and beyond after reaching an agreement with Universal that brought on a female screenwriter.Justin Lin vs. Vin DieselThe director Justin Lin, who had previously helmed five of the “Fast” movies, was set to direct the latest entry, “Fast X,” but dramatically quit after shooting began. According to The Hollywood Reporter, heavy-handed studio notes, changing locations and near-constant updates to the screenplay contributed to the creative conflicts that sent Lin packing, but the final straw was a meeting with Diesel, who had some notes of his own. The meeting is alleged to have ended with a slammed door and Lin’s stepping down. Diesel obliquely acknowledged the conflict in an interview with Total Film, saying, “It wasn’t an easy time,” and adding, “Nothing but love for Justin, and nothing but gratitude for the work that he did to get us to that first week of filming.” The replacement director, Louis Leterrier, said in that interview that when he took over, he asked, “‘OK, what did Justin do? Can I see storyboards? Can I see shot lists?’ I took it all in. And then you find your bearings, and it becomes yours.” More

  • in

    Best Oscars Red Carpet Looks: Angela Bassett, Cate Blanchett and More

    Color was already a buzzword by the time the first stars showed up at the 95th Academy Awards, thanks to the new champagne rug that replaced the traditional red carpet.And as nominees and guests started to appear, so, too, did most every color of the rainbow: Angela Bassett arrived in purple and Dwayne Johnson in pink. Cate Blanchett went with blue; Sandra Oh with orange; and Fan Bing Bing with green. Rounding out the spectrum were gowns in yellow, worn by the costume designer Ruth E. Carter, and red, worn by the model Cara Delevingne.But it was white that might have emerged as the most popular shade of the night: Michelle Yeoh, Michelle Williams, Andrea Riseborough, Harry Shum Jr., Paul Mescal, Emily Blunt and Mindy Kaling all wore it. Jamie Lee Curtis, Ariana DeBose, Zoe Saldana and Eva Longoria also wore white-leaning outfits, some of which sparkled because of liberal bedazzling.At an event that is basically the Olympics of dressing up, to ask who looked the best is something of a trick question because everyone looked glamorous. (One scroll through our full list of outfits from the carpet makes that clear.) The 21 looks that follow, though, had a little something extra — more polish or personality or panache (or all three) — that made them stand out more than most.Finishing this awards season strong and elegant.Jutharat Pinyodoonyachet for The New York TimesCate Blanchett: The Most Restrained!The actress, who took on the role of an imperious orchestra conductor in the film “Tár,” reminded audiences that she is also a maestro of the (red) carpet when she arrived in a strong-shouldered velvet top from Louis Vuitton’s archives tucked gracefully into a trim silk skirt.Distinctive and daring.Jutharat Pinyodoonyachet for The New York TimesDanai Gurira: The Most Updo!The square neckline on the actress’s gown projected strength. So did her gravity-defying hair — styled by Larry Sims — which Ms. Gurira said made her feel her most “African self.”Why wear an ordinary tuxedo?Jutharat Pinyodoonyachet for The New York TimesHarry Shum Jr.: The Most Asymmetrical!“East meets West” is how the actor described his custom tuxedo by Adeam, a label that traditionally makes women’s wear. The looser fit, asymmetrical lapel, navy piping and sash belt were all elements that made it more fun than your average penguin suit.Taking the shirtless trend to a new place.Jutharat Pinyodoonyachet for The New York TimesRiz Ahmed: The Most Subtle Pink!The actor’s Prada look, a black suit with a pink wool cardigan peeking out (and a bare chest peeking out beneath that), was perhaps best described as Batman meets Harry Styles.The only way to capture this dress properly was from the side.Jutharat Pinyodoonyachet for The New York TimesHong Chau: The Most Party in the Back!A mandarin collar was a detail specifically requested by the Vietnamese actress for her satin Prada gown, which was adorned with a shimmering black train. The look, according to Ms. Chau, paid homage to her roots and to the brand’s 1997 show.More on the 95th Academy AwardsA24’s Triumphant Night: The art-house studio behind “Everything Everywhere All at Once” and “The Whale” became the first studio in the history of the Oscars to capture the top six awards in the same year.Normalcy Reigns: After breathing a sigh of relief that the night went smoothly, our co-chief film critics discussed the academy’s carefully staged return to (fingers crossed?) a new normal.Oscar Fashion: Rihanna’s belly, Florence Pugh’s shorts and Cate Blanchett’s archival velvet brought new relevance to awards show dressing, our fashion critic says.After-Parties: Take a look inside the Governor’s Ball and Vanity Fair’s Oscar party, where the stars and filmmakers celebrated with moguls, musicians and models.Making it look easy.Jutharat Pinyodoonyachet for The New York TimesNicole Kidman: The Most Flowers!She might not have not been up for any Oscars this year, but that did not stop the actress from dressing (and posing) like a winner in a shiny black Armani Privé gown with giant flowers at the shoulder and the hip and a leg-revealing front slit.Sharper than a stealth bomber.Jutharat Pinyodoonyachet for The New York TimesJennifer Connelly: The Most Mach 10!The actress’s black Louis Vuitton gown had a gem-studded trapezoidal neckline that soared upward toward her jaw, like a runway lit up at night.A dress that is also a balancing act.Jutharat Pinyodoonyachet for The New York TimesJanelle Monáe: The Most Statuesque!Orange is reportedly among the least worn colors on awards-show carpets. Fitting, then, that the singer and actress known for taking style risks chose a tangerine-colored skirt to complete her custom Vera Wang ensemble.She always goes for it.Jutharat Pinyodoonyachet for The New York TimesFlorence Pugh: The Most Doing It!Shorts? At the Oscars? If anyone could make them work it would be the English actress, who sported a black pair beneath a voluminous gray-white Valentino couture gown made more edgy by her mini bangs and septum ring.Can we have this dance?Jutharat Pinyodoonyachet for The New York TimesPaul Mescal: The Most Flared (Pants)!The internet’s boyfriend looked refreshingly retro and ready for prom in his white Gucci dinner jacket, complete with a rose on the lapel, and flared black trousers.A shape shifter, Lady Gaga always surprises.Jutharat Pinyodoonyachet for The New York TimesLady Gaga: The Most Poker Faced!The singer and actress kept it relatively simple in a sheer black Versace gown straight off the runway. (Days before the Oscars, Gigi Hadid modeled the dress at the brand’s show in Los Angeles.) And instead of incorporating red meat into the look, she went with a red lip.Getting better and better every year.Jutharat Pinyodoonyachet for The New York TimesAngela Bassett: The Most Purple!The actress’s snake-shaped necklace and soft wavy hair were two elements of a regal look that was anchored by a flowing Moschino gown in a purple shade that Ms. Bassett described as “the color of royalty.”Don’t let the sweetness fool you.Jutharat Pinyodoonyachet for The New York TimesAllison Williams: The Most Killer!Like the A.I. humanoid robot she shares the screen with in “M3GAN,” the actress slayed the Oscars carpet in her sheer crystal-encrusted dress by Giambattista Valli, which she topped with a billowing pink satin coat.A winning shade.Jutharat Pinyodoonyachet for The New York TimesDwayne Johnson: The Most Ballet!“Ballet pink” was how the actor described the color of his double-breasted Dolce & Gabbana tuxedo jacket, which he said had a wool base that brought out the piece’s “masculinity.”She went all out with one leg and one arm out.Jutharat Pinyodoonyachet for The New York TimesCara Delevingne: The Most Rosey!No red carpet, no problem. Thanks to the model and actress, who wore a scarlet one-shoulder Elie Saab dress with a high slit, the color was not totally absent from this year’s awards ceremony.Calm after the storm of “Everything Everywhere All At Once.”Jutharat Pinyodoonyachet for The New York TimesStephanie Hsu: The Most Spacious!“I am wearing Valentino Haute Couture and it is giving ‘taking up space,’” the actress said of her strapless ball gown, which she paired with simple — if not sparkly — jewelry and side-swept hair in loose waves.A look that says: Go your own way.Jutharat Pinyodoonyachet for The New York TimesSarah Polley: The Most Comfortable!Though the screenwriter and director of “Women Talking” may prioritize dressing practically — “I don’t ever like to be cold, and I don’t like my feet to hurt,” she said of her outfit on the carpet — her ruffle-trimmed shirt suggested that she appreciates playfulness as well.No risk of this dress blowing up over a subway grate.Jutharat Pinyodoonyachet for The New York TimesAna de Armas: The Most Marilyn!It reportedly took 1,000 hours to make the petals that formed the skirt of Ms. de Armas’s silvery Louis Vuitton gown. In it, the actress looked as much like Marilyn Monroe, whom she portrayed in the film “Blonde,” as any others who have recently tried to channel the Old Hollywood icon.Oceanic.Jutharat Pinyodoonyachet for The New York TimesHalle Bailey: The Most Disney Princess!Of the many princess dresses on the carpet, the singer’s poufy aquamarine Dolce & Gabbana gown arguably stood out the most. Why? Because of the buzz surrounding her role playing a Disney princess, Ariel, in the forthcoming live-action remake of “The Little Mermaid.”Schwing!Jutharat Pinyodoonyachet for The New York TimesHarvey Guillen: The Most Twirl!The shape of the actor’s brocade Christian Siriano suit jacket was matched only by his beautifully swirled hair shellacked into shiny waves.No matter where he goes, there he is.Jutharat Pinyodoonyachet for The New York TimesLenny Kravitz: The Most Lenny!The rock star showed up to perform at the Oscars looking as fine as ever in a low-cut satin Saint Laurent top with lots of necklaces layered over his exposed chest. When you have a working formula, as he does, stick with it.Stella Bugbee, Sadiba Hasan, Callie Holtermann, Madison Malone Kircher, Anthony Rotunno and Wilson Wong contributed reporting. More

  • in

    Watch Dwayne Johnson Chase Ryan Reynolds in ‘Red Notice’

    The director Rawson Marshall Thurber narrates a sequence set in a museum.In “Anatomy of a Scene,” we ask directors to reveal the secrets that go into making key scenes in their movies. See new episodes in the series on Fridays. You can also watch our collection of more than 150 videos on YouTube and subscribe to our YouTube channel.A chase scene through a museum allowed the filmmakers behind “Red Notice” to try out some fun new technology.This sequence involves the F.B.I. profiler John Hartley (Dwayne Johnson) getting into a foot chase with the art thief Nolan Booth (Ryan Reynolds). The chase involves some creative use of scaffolding and some inventive reuse of locations.In this video, the writer and director Rawson Marshall Thurber discusses how he and his crew worked through some of the limitations involved in shooting the film during the pandemic. They couldn’t leave Atlanta, their home base for the production, and had to build a museum set on a soundstage there.“Ryan and Dwayne chase each other through hallways, and oftentimes, what we would do is have them run through one hallway,” Thurber said, “and then overnight we would change it to look like a different hallway and they would run back the other way.”The filmmakers also employed a small camera called the Komodo, from Red Digital. That camera was attached to a race drone, which could chase the actors through the sets.“It got us some pretty great shots,” Thurber said.Read the “Red Notice” review.Sign up for the Movies Update newsletter and get a roundup of reviews, news, Critics’ Picks and more. More

  • in

    The ‘Rust’ Shooting Spurs a Debate Over Using Guns on Film Sets

    Alec Baldwin, who fatally shot a cinematographer with a gun he had been told was safe, has called for productions to hire police officers to monitor gun safety.Ever since the actor Alec Baldwin fatally shot the cinematographer of the film “Rust” last month with a gun he had been told, incorrectly, contained no live ammunition, the debate on the use of firearms on sets has been growing.Dwayne Johnson — the action star whose production company has made gun-filled films like the “Fast & Furious” spinoff “Hobbs & Shaw” — told Variety last week that the company would no longer use real guns on set. Dozens of cinematographers have signed a commitment not to work on projects using functional firearms. And a state lawmaker in California is drafting legislation that would ban operational firearms from sets.Mr. Baldwin, who was a producer of “Rust” as well as its star, weighed in this week with his own suggestion: that productions should hire police officers to monitor safety. Mr. Baldwin posted Monday on his Twitter and Instagram accounts: “Every film/TV set that uses guns, fake or otherwise, should have a police officer on set, hired by the production, to specifically monitor weapons safety.”But many in the film industry see the tragedy more as a problem of failing to adhere to existing firearms safety protocols than of requiring new, stricter protocols, and it is unclear if any of the proposed changes will have the momentum to come to fruition.The “Rust” shooting happened on Oct. 21, after an old-fashioned revolver was placed in Mr. Baldwin’s hands and proclaimed “cold,” meaning that it should not have contained any live ammunition. But it did: As Mr. Baldwin practiced drawing the gun for a scene, it fired a real bullet, law-enforcement officials said, killing the film’s cinematographer, Halyna Hutchins, and wounding its director, Joel Souza. There should not have been any live ammunition on the set at all, according to court papers, and law-enforcement officials are investigating how the gun came to be loaded with a lethal bullet.The backlash to Mr. Baldwin’s proposal to have police officers monitor on-set gun safety included comments from industry veterans like David Simon, the creator of “The Wire,” who tweeted that “the average cop is no more a totem of gun safety than a trained film armorer.”Then there are those calling to ban the use of functional guns — which are supposed to be loaded only with dummies or blanks — on sets. They say that technology has advanced to the point where special effects can be used to create the illusion of convincing gunfire. After the shooting in New Mexico, Craig Zobel, the director of the HBO whodunit “Mare of Easttown,” noted that all of the gunshots on that show were digital. But some studio executives say that there are times when visual effects are not sufficient, and that some actors struggle to make fake weapons that cannot even fire blanks appear convincing.The calls for systematic change are complicated by the fact that it is still unclear exactly why the tragedy occurred.Some crew members voiced concerns about the experience level of the film’s armorer, Hannah Gutierrez-Reed, whose lawyers have defended her training and commitment to safety and faulted the production. And the film’s first assistant director, Dave Halls, told a detective investigating the case that he should have checked the gun more thoroughly before Mr. Baldwin handled it, according to an affidavit. (His lawyer later said in a television interview that checking the gun was not his job.) But the central question, of how a live round got into the revolver in the first place, remains a mystery.Despite the remaining questions, the fatal shooting has spurred calls for change inside and outside of the film and television industry..css-1xzcza9{list-style-type:disc;padding-inline-start:1em;}.css-3btd0c{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:1rem;line-height:1.375rem;color:#333;margin-bottom:0.78125rem;}@media (min-width:740px){.css-3btd0c{font-size:1.0625rem;line-height:1.5rem;margin-bottom:0.9375rem;}}.css-3btd0c strong{font-weight:600;}.css-3btd0c em{font-style:italic;}.css-1kpebx{margin:0 auto;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:700;font-size:1.375rem;line-height:1.625rem;}@media (min-width:740px){#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-size:1.6875rem;line-height:1.875rem;}}@media (min-width:740px){.css-1kpebx{font-size:1.25rem;line-height:1.4375rem;}}.css-1gtxqqv{margin-bottom:0;}.css-19zsuqr{display:block;margin-bottom:0.9375rem;}.css-m80ywj header{margin-bottom:5px;}.css-m80ywj header h4{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:500;font-size:1.25rem;line-height:1.5625rem;margin-bottom:0;}@media (min-width:740px){.css-m80ywj header h4{font-size:1.5625rem;line-height:1.875rem;}}.css-12vbvwq{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;}@media (min-width:740px){.css-12vbvwq{padding:20px;width:100%;}}.css-12vbvwq:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-12vbvwq{border:none;padding:10px 0 0;border-top:2px solid #121212;}.css-12vbvwq[data-truncated] .css-rdoyk0{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-12vbvwq[data-truncated] .css-eb027h{max-height:300px;overflow:hidden;-webkit-transition:none;transition:none;}.css-12vbvwq[data-truncated] .css-5gimkt:after{content:’See more’;}.css-12vbvwq[data-truncated] .css-6mllg9{opacity:1;}.css-qjk116{margin:0 auto;overflow:hidden;}.css-qjk116 strong{font-weight:700;}.css-qjk116 em{font-style:italic;}.css-qjk116 a{color:#326891;-webkit-text-decoration:underline;text-decoration:underline;text-underline-offset:1px;-webkit-text-decoration-thickness:1px;text-decoration-thickness:1px;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:visited{color:#326891;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:hover{-webkit-text-decoration:none;text-decoration:none;}The governor of New Mexico, Michelle Lujan Grisham, said days after the shooting that “if the industry doesn’t come forward with very specific accountable safeguards, they should expect that we will.”Stephen Lighthill, the president of the American Society of Cinematographers and one of the prominent signatories of the statement — first reported by Variety — pledging to avoid operational firearms on sets, said that there had not been a wide-scale conversation around what the industry standard should be before the “Rust” shooting. Cinematographers including Bill Pope of “The Matrix” and Mandy Walker of “Mulan” have signed on to the pledge. The statement was posted with a hashtag:#BanBlanks, calling for an end to the use of blank cartridges, which contain gunpowder and paper wadding or wax.Another signatory, Reed Morano, a cinematographer who directed episodes of “The Handmaid’s Tale,” wrote in an Instagram post that she had once been hit by a blank at close range while operating a camera and wished she had thought more about large-scale change then.“How many more deaths do we need to mourn to prove that this must change?” Ms. Morano wrote.In California, a Democratic state senator who represents Silicon Valley, Dave Cortese, has been drafting legislation that would ban operational firearms from sets, which he said would effectively also ban blanks. Mr. Cortese said in an interview that the current system for safety protocols around handling guns on sets — guidelines outlined by unions and production companies — were not sufficient to ensure enforcement and accountability.“Right now what’s missing is the consequences,” he said. “Life and death is not an OK consequence of an error or omission.”Another legislative approach that is being considered, Mr. Cortese said, is a restriction on certain kinds of blanks. But his preference is for an outright ban on operational firearms and blanks, which he thinks can be replaced with special effects.“Some people say, ‘Why get rid of them?’” Mr. Cortese said. “Why have them? What’s the point in this day and age?”He said he has scheduled a meeting this week with members of the union local that represents armorers, and a bill would likely be considered in February.Those in the film industry who warn against making such rapid and wholesale changes to the industry say safety protocols are usually clear, and usually closely followed.Michael Sabo, who was propmaster on “The Wire” and oversaw the use of operational guns on the set, said he thinks nonfunctional guns would appear fake to viewers. Instead of a ban, he favors tighter restrictions on who can handle them.“You can have some of the best actors in the world, but if they pull a trigger and nothing happens, it’s not real,” he said. “That’s my biggest problem when they say we should ban guns on sets.”Brooks Barnes contributed reporting. More

  • in

    No Lion, the Skipper Is the Real King of the Jungle Cruise

    Bad jokes and puns are part of a Disneyland job that has been immortalized in a new film. Those who’ve held the role at the theme park never really leave it behind.In 1916 Brazil, Skipper Frank Wolff runs the cheapest jungle cruise on the Amazon. And undoubtedly the cheesiest, as he introduces tourists to the river’s wondrous sights with a spiel overflowing with doozies.“If you look to the left of the boat, you’ll see some very playful toucans. They’re playing their favorite game of beak-wrestling. The only drawback is, only two can play.”“The rocks you see here in the river are sandstone. But some people just take them for granite. It’s one of my boulder attractions.”And the highlight of the tour: “Ladies and gentlemen, get ready for the eighth wonder of the world,” he says, building toward the climax, as his rickety steamboat passes behind a makeshift waterfall. “Wait for it … the backside of water!”Frank’s guests may groan and roll their eyes at his droll banter in Disney’s “Jungle Cruise,” starring Dwayne Johnson as the swaggering skipper and arriving July 30 on Disney+ and in theaters. But the skippers and their spiels — corny jokes and bad puns, the cringier the better — have been the real stars of the Jungle Cruise attraction since the first one opened at Disneyland in 1955. Take them away and the seven-minute fantasy boat trip along rivers in South America, Asia and Africa, inspired in part by “The African Queen,” might be just another ride down a fake waterway with fake scenery.It’s also one of the rare performing jobs at a Disney theme park where the skippers can weave their own personalities into the script — from dry and geeky to animated and flamboyant — and get guests in on the action. “It’s this alchemy that happens” that few attractions can replicate, said Alex Williams, a former skipper who now works for the Disney fan club D23.With the new movie as well as the ride’s freshly reimagined story line, the Jungle Cruise is in the spotlight now, and no one is feeling it more than the skippers themselves.“We’re all just really excited about being able to share this experience with everyone and being the inspiration for the movie,” said Flor Torres, a “lead” on the attraction.“Once a skip, always a skip.” That’s the motto of skippers who’ve held a job requiring them to maneuver a boat while performing a stand-up routine dozens of times across an eight-hour day.Puns and jokes about the “backside of water” abound on the ride at Disneyland.Don Kelsen/Los Angeles Times, via Getty Images“People really take that to heart,” Torres added of the motto. “I know skippers that have worked here maybe 20, 30 years ago, and they still come by and talk to us like they were just here yesterday.”A handful have wisecracked their way to bigger stages, like Ron Ziegler, the White House press secretary for President Richard M. Nixon; the filmmaker John Lasseter; Steve Franks, a screenwriter and the creator of the TV series “Psych”; and, it’s said, the actor Kevin Costner. (Alas, stories that Robin Williams and Steve Martin honed their humor at the helm are apparently only myths.)Other former skippers have recounted their experiences on podcasts like “Tales From the Jungle Crews” and “The Backside of Water,” or provided pandemic uplift in Freddy Martin’s “World Famous Jungle Cruise” video and its sequel.And a bold few have revealed some not-Disney-approved antics in books like “Skipper Stories: True Tales From Disneyland’s Jungle Cruise,” a compilation of six decades of anecdotes from former skippers, including the author, David John Marley.To wit: The ritual of becoming a “real skipper” by peeing in the river at night. The Jungle Justice inflicted on skippers who abused their break time (they found themselves suddenly scheduled for upward of 90 minutes of nonstop cruises without water or a bathroom stop). The off-hours party where $2,000 was spent on alcohol and condoms.A good skipper is an extrovert, a nut and somewhat of a rogue. At least that’s how Bill Sullivan, who joined the Jungle Cruise in 1955, once put it. His own skipper colleagues included a man who arrived one morning with chameleons around his neck.They didn’t have much of a script in the beginning so the men wrote their own, Sullivan, who eventually became vice president of the Magic Kingdom, recalled in 2008. (Women didn’t become skippers until the mid-1990s.)Johnson with Emily Blunt in the film, which now incorporates a bit of the ride patter.DisneyThe spiel had been repeatedly fine-tuned by the time Franks landed his gig in the late 1980s. And venturing from it was ill-advised.“You would hear these stories about supervisors hiding in the jungle, listening for people going off-book, but if that was true, they would have canned me on Day 2,” he said. “I knew I wanted to make movies, and I was doing stand-up at the time. And as soon as we got around the first corner, I was working in material.”Franks stayed at Disneyland for eight and a half years, writing the script for Adam Sandler’s “Big Daddy” while monitoring the Enchanted Tiki Room.Crews may have been rowdier back in the day, but “today we’re much more conservative, a little less the Wild West,” said Kevin Lively, one of two skippers chosen to represent Disneyland at Tokyo Disney Resort’s 25th anniversary celebration in 2009. (There’s also a Jungle Cruise at Walt Disney World and Hong Kong Disneyland.)Lively now works as a Disney Imagineer, developing skipper spiels and contributing “gnu” magic to the attraction, which has replaced racist elements like spear-throwing African “headhunters” with a story about Felix Pechman XIII, “the unluckiest skipper on the dock.”And when the “Jungle Cruise” movie needed an injection of humor, Lively was on it.“I shotgun-blast puns and references and Easter eggs to them, and let them kind of just run amok,” he said. “There’s stuff in there that I think all these skippers will get, which just makes me over-the-moon happy. They really showed their love of the attraction in that film.”Skipper Frank’s ersatz Amazon tour wasn’t in the original script, said Jaume Collet-Serra, the movie’s director. But once the filmmaker had ridden the actual Jungle Cruise and witnessed reactions to that “backside of water” joke, he knew what he had to do.Treat the audience to a mini-Jungle Cruise experience.“I was like, let me give them what they want for two minutes and then I’ll give them more, but at least they’ll be happy early,” he said. “You know, ‘Here is what you came for — now let the movie begin.’” More

  • in

    ‘Jungle Cruise’ Review: Amazon Subprime

    Not even Emily Blunt, doing her best Katharine Hepburn impression, can keep this leaky boat ride afloat.Like Vogon poetry, the plot of Disney’s “Jungle Cruise” is mostly unintelligible and wants to beat you into submission. Manically directed by Jaume Collet-Serra, this latest derivation of a theme-park ride shoots for the fizzy fun of bygone romantic adventures like “Raiders of the Lost Ark” (1981). That it misses has less to do with the heroic efforts of its female lead than with the glinting artifice of the entire enterprise.Emily Blunt plays Lily, a sassy British botanist weary of being disrespected by London’s chauvinistic scientific community. The Great War is in full swing, but Lily is obsessed with reaching the Amazon jungle to search for the Tree of Life, rumored to cure all ills. A roguish riverboat captain named Frank (Dwayne Johnson) is hired, and soon Lily and her fussy brother (Jack Whitehall) — whose discomfort with all things Amazonian is a running gag — are heading upriver into a host of digital dangers.As snakes, cannibals and maggoty supernatural beings rattle around the frame, “Jungle Cruise” exhibits a blatantly faux exoticism that feels as flat as the forced frisson between its two leads. The pace is hectic, the dialogue boilerplate (“The natives speak of this place with dread”), the general busyness a desperate dance for our attention. Jesse Plemons is briefly diverting as a nefarious German prince, and Edgar Ramírez pops up as a rotting Spanish conquistador named Aguirre. Werner Herzog must be thrilled.Buffeted by a relentless score and supported by a small town’s worth of digital artists, “Jungle Cruise” is less directed than whipped to a stiff peak before collapsing into a soggy mess.“Everything you see wants to kill you,” Frank tells his passengers. Actually, I think it just wants to take your money.Jungle CruiseRated PG-13 for chaste kissing and bloodless fighting. Running time 2 hours 7 minutes. In theaters and on Disney+. More

  • in

    Wait, Who’s Fast, Who’s Furious?

    A guide to the characters and the melodramas in the sprawling, surprisingly complicated “Fast & Furious” franchise.At one point, rather a long time ago now, the “Fast & Furious” movies were about street racing. They do still involve cars moving at breakneck speeds, but only as one component in a blockbuster machine that also routinely includes high-stakes espionage, military-grade shootouts, multimillion-dollar bank heists and villainous schemes for global annihilation. They lately have more in common with James Bond or “Mission: Impossible” than with “Gone in 60 Seconds.”As the movies have gotten bigger and more spectacular, so too has their ensemble swelled and broadened, and with the latest installment, “F9,” the list of marquee names makes “Game of Thrones” look like “Waiting for Godot.” This is made more complicated by the franchise’s tendency to shuffle characters in and out of the troupe without warning or explanation — actors are frequently being written out and then written back in, or killed off, then suddenly resuscitated. It can be very, very hard to keep track of who’s who and what their deal is.With “F9” nitrous-boosting its way into theaters this weekend, here’s a handy cast explainer to get you up to speed.Vin Diesel in “Fast Five.”Jaimie Trueblood/Universal PicturesDominic Toretto (Vin Diesel)The heart of the series, Dom’s a world-weary, Corona-drinking street racer and car hijacker with an obsessive devotion to his family and a fraught relationship to the law. He first appeared in “The Fast and the Furious” (2001, the movie that started it all) as a small-time Los Angeles crook with a heart of gold, and has gradually evolved to become a sort of freelance secret agent and globe-trotting supercop. In “The Fate of the Furious” (2017), it was revealed that he had an infant son.Paul Walker in “Fast & Furious 6.”Giles Keyte/Universal PicturesBrian O’Conner (Paul Walker)The original series hero, Brian was a cop going undercover as a street racer to bust Dom and his crew of hijackers. When it came time to make the arrest, Brian chose to let Dom get away, and the two have been like brothers ever since. Paul Walker died in an automobile accident in 2013, but rather than kill him off, the films wrote Brian into peaceful retirement. He was last seen in the closing moments of “Furious 7” (2015) literally riding off into the sunset.Michelle Rodriguez in “Fast & Furious 6.”Giles Keyte/Universal PicturesLetty Ortiz (Michelle Rodriguez)Dom’s wife and partner in crime, Letty was killed at the beginning of the fourth film, “Fast & Furious” (2009), after she ran afoul of a master criminal. In “Fast & Furious 6” (2013), however, she was revealed to have survived the murder attempt after all — though with a serious case of mind-wiping amnesia, which caused her, temporarily, to team up with the bad guys. She saw the error of her ways at the end of that movie, and she’s been back with Dom and company ever since.Tyrese Gibson in “Fast & Furious 6.”Giles Keyte/Universal PicturesRoman Pearce (Tyrese Gibson)One of Brian’s childhood friends, Roman was introduced in “2 Fast 2 Furious” (2003, the first sequel) as a silver-tongued Lothario who is sensational behind the wheel. Since being called upon for help with a bank heist in “Fast Five” (2011), he’s been a mainstay of Dom’s crew, usually serving as the comic relief.Ludacris in “Fast & Furious 6.”Giles Keyte/Universal PicturesTej Parker (Ludacris)Like Roman, Tej first appeared in “2 Fast 2 Furious” and has been a series regular since “Fast Five.” He’s the crew’s gifted computer hacker, handling comms, tech and surveillance, although when necessary, he’s willing to drive or fight. Tej and Roman have a friendly rivalry and tease each other constantly.Dwayne Johnson in “Furious 7.”Scott Garfield/Universal picturesLuke Hobbs (Dwayne Johnson)Dwayne Johnson made his debut in “Fast Five” as the brawny Diplomatic Security Service agent Luke Hobbs, the antagonist striving to foil Dom and his crew’s heist plans. Eventually, Dom and friends won him over to their side, and since “Fast & Furious 6” he’s been their frequent teammate and friend. He most recently appeared in the series spinoff “Fast & Furious Presents: Hobbs & Shaw” (2019).Jordana Brewster in “Fast Five.”Jaimie Trueblood/Universal PicturesMia Toretto (Jordana Brewster)Dom’s sister, Mia, was Brian’s love interest in “The Fast and the Furious,” and she has continued to accompany him on his adventures. After she gave birth to her first child, in “Furious 7,” she and Brian have been in retirement, and is back for “F9” after being sidelined in “The Fate of the Furious.”Sung Kang in “Fast & Furious 6.”Giles Keyte/Universal PicturesHan Lue (Sung Kang)Han, a Korean street racer living in Japan, co-starred in the third film in the series, “The Fast and the Furious: Tokyo Drift” (2006), and was killed in a car crash during the finale. He appeared alive and well in the next three sequels, however, because they evidently took place before the third film chronologically. To add to the confusion, his accidental death was rewritten as a murder in “Furious 7,” using a mix of archival and new footage. And now he is back, alive again, in “F9,” for reasons that are as yet unclear.Gal Gadot in “Fast Five.”Jaimie Trueblood/Universal PicturesGisele Yashar (Gal Gadot)A femme fatale in “Fast & Furious,” Gisele was inducted into the crew in “Fast Five,” when she started a romantic relationship with Han. She died in “Fast & Furious 6,” sacrificing herself to save Han during the action-packed climax. She has not been brought back to life — yet.Nathalie Emmanuel in “F9.”Giles Keyte/Universal PicturesMegan Ramsey (Nathalie Emmanuel)A world-renowned super-hacker rescued by Dom and his crew from kidnapping in the middle of “Furious 7,” Ramsey has since become a series regular who helps the team with computer-related problems. Tej and Roman have been steadily competing to win her affections.Lucas Black in “The Fast and the Furious: Tokyo Drift.”John Johnson/Universal PicturesSean Boswell (Lucas Black)The hero of “Tokyo Drift,” Sean is a ne’er-do-well young street racer who hopes to avoid a stint in juvenile detention by shipping out to live with his father in Japan. Other than a brief cameo in “Furious 7,” he hadn’t appeared in a “Fast” movie since, but surprisingly enough, he’s back for “F9.”Kurt Russell in “The Fate of the Furious.”Matt Kennedy/Universal PicturesMr. Nobody (Kurt Russell)A top-secret government agent with seemingly limitless resources, Mr. Nobody hired Dom and his crew to help save the world in “Furious 7” and again in “Fate of the Furious.” Think of him as the M to Dom’s James Bond.2017 FATE OF THE FURIOUSUniversal PicturesDeckard Shaw (Jason Statham)Another villain turned hero, Shaw tried to wipe out Dom’s crew in “Furious 7” before teaming up with them in “The Fate of the Furious.” He last co-starred in the series spinoff “Hobbs & Shaw” and only has a small cameo in “F9.”Helen Mirren in “F9.”Giles Keyte/Universal PicturesMagdalene Shaw (Helen Mirren)Deckard’s cockney-accented mother, Magdalene, turned up in “The Fate of the Furious” to lend a hand to Dom. She was last seen in “Hobbs & Shaw,” serving time in prison.Luke Evans in “Fast & Furious 6.”Universal PicturesOwen Shaw (Luke Evans)Deckard’s brother, Owen, meanwhile, was the villain terrorizing the crew in “Fast & Furious 6,” hounding them across London before being thrown out of an airplane in mid-takeoff. He survived that fall and came to Deckard’s (and Dom’s) aid in “The Fate of the Furious.”Charlize Theron in “F9.”Giles Keyte/Universal PicturesCipher (Charlize Theron)Cipher is reputedly the world’s most gifted and terrifying hacker, so much so that even the notorious Anonymous collective is afraid to mess with her. She tries to bring about nuclear war in “The Fate of the Furious,” holding Dom’s baby son hostage and killing the baby’s mother in the process. She returns — apparently as a villain again — in “F9.”John Cena in “F9.”Giles Keyte/Universal PicturesJakob Toretto (John Cena)A newcomer to the saga. Jakob is Dom’s never-before-mentioned brother, and of course the primary antagonist of “F9.”Elsa Pataky in “Fast & Furious 6.”Giles Keyte/Universal PicturesElena Neves (Elsa Pataky)Dom’s love interest when Letty was presumed dead, Elena was a cop in Rio tapped by Hobbs for assistance in “Fast Five.” She had Dom’s baby, unbeknown to him, and was killed by Cipher shortly after revealing the news to him in “The Fate of the Furious.”Tego Calderon and Don Omar in “Fast Five.”Jaimie Trueblood/Universal PicturesTego and Rico (Tego Calderon and Don Omar)Perennial comic sidekicks Tego and Rico have tagged along on several of Dom’s jobs, and usually turn up once or twice per movie for some pratfalls. More

  • in

    Stereotypes Are Rife Among Asian and Pacific Islander Film Roles, Study Finds

    Two-thirds of characters reflect stereotypes, and just 3.4 percent of movies had leads or coleads who were Asians or Pacific Islanders, the study of 1,300 movies found.Of the 1,300 top-grossing films released from 2007 through 2019, just 44 featured an Asian or Pacific Islander character in a leading role — and one-third of the roles went to a single actor, Dwayne Johnson, a study has found. More