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    Stereotypes Are Rife Among Asian and Pacific Islander Film Roles, Study Finds

    Two-thirds of characters reflect stereotypes, and just 3.4 percent of movies had leads or coleads who were Asians or Pacific Islanders, the study of 1,300 movies found.Of the 1,300 top-grossing films released from 2007 through 2019, just 44 featured an Asian or Pacific Islander character in a leading role — and one-third of the roles went to a single actor, Dwayne Johnson, a study has found. More

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    Could ‘Young Rock’ Be Dwayne Johnson’s ‘Apprentice’?

    A wrestler’s job is to sell an absurd fiction, and make it reality — maybe it’s not so different from politics.Listen to This ArticleThe eighth episode of “Young Rock” finds the show’s protagonist, a 15-year-old Dwayne Johnson, in a classic sitcom predicament. He has pretended to be rich to impress a classmate named Karen, who has the blond hair and movie-grade makeup that teenage boys dream of. Now she is coming over for dinner and expecting to see a palace; in reality, Young Rock is squeezed into a small apartment with his parents, who struggle to pay the rent. The show, which just finished its first season on NBC, follows the actor’s childhood growing up around the professional wrestling business, back when his father, Rocky Johnson, was a star. In a bind, Young Rock turns to his father for the sort of advice only he can provide.“I understand,” Rocky says with paternal knowingness and a roguish smile that implies he has been here before. “You were working a gimmick, and you cornered yourself.” In pro wrestling, working a gimmick is the tapestry of untruths you speak and act into reality — the commitment to character that propels the most gifted fabulists into superstardom. The all-American Hulk Hogan persuaded children to eat their vitamins; the Undertaker somehow made people think he really was an undead mortician; Rocky, who dressed fantastically and went by “Soulman,” was the coolest guy around. (It wasn’t more complicated than that.) It’s why, on the show, he leaves the wrestling arena in a fancy Lincoln Continental, only to check into a run-down motel for the night — he has created a high-rolling persona for the fans, and he must keep it intact. And it’s why he dismisses Young Dwayne’s concerns that maybe he should just come clean with Karen. “Wrong, son,” he says. “What you gotta do is work the gimmick even harder.”Professional wrestling is a form of entertainment that invites viewers to understand its fictive properties but nevertheless still buy into its dramas; in fact, the knowledge that it’s all constructed quickly gives way to a form of meta-appreciation. And unlike actors in a conventional TV drama, wrestlers are their characters, even in real life. This informal contract between performer and audience to never break character means that no matter where Rocky Johnson goes, he’s still recognizable as himself and must behave accordingly.With “Young Rock,” Johnson may very well be trying to find out if this alchemy can be performed for real: if a fiction can be created in front of an audience and then imposed on reality. The framing device for the show, the reason we’re learning about Young Rock’s life, is that Johnson is on the campaign trail for the 2032 presidential race, where he has a real shot to win. Like all coming-of-age stories — and most instantly remaindered political memoirs — “Young Rock” purports to trace how Johnson’s upbringing turned him into the man he is today: wrestling champion, the highest-paid actor on the planet, maybe a future president. Roll your eyes, but accept the possibility. Ever since Donald Trump was elected, plenty of charismatic celebrities have been floated as potential candidates. More than the other contenders — Oprah, Mark Cuban — Johnson has gained real traction, even going so far as to publicly state that he wouldn’t run in 2020 but that it was something he “seriously considered.”Johnson passes every cosmetic test: handsome, tall, voice like a strong handshake. He’s the star of several film franchises that future voters will have grown up watching. And while a different show might play all this for laughs, “Young Rock” frequently lapses into what messaging for Johnson’s actual campaign might sound like. It’s never specified whether he’s running as a Democrat or a Republican; he presents as a third-way politician who just wants America to push past its divisions. Candidate Rock is a little like Michael Bloomberg, but with more convincing platitudes and even better delts. One episode shows Young Rock watching his grandmother’s wrestling company struggle to adjust to contemporary trends, something that leads candidate Rock to sympathize with everyday Americans concerned about their jobs being replaced by automation. Another ties his childhood friendship with Andre the Giant to his selection of a female general (played by Rosario Dawson) as his running mate — because, just like Andre, the general will “always push me to consider other points of view.” (She had previously endorsed his opponent.) Celebrity politicians, like Trump or Arnold Schwarzenegger, can usually skip this self-mythologizing process; the reason they’re running is that people already know who they are. But on “Young Rock,” Johnson runs a fairly conventional campaign; he even engenders a small controversy when he eats a Philly cheesesteak improperly. The insistence that his candidacy would be in any way conventional only heightens the sense that the show is a road map for an actual run.Back in 1987, Young Rock takes his father’s advice to double down on the gimmick in order to impress Karen. It backfires when she sees through the ruse, because for most people charisma can transform reality only so far — and even wrestlers run into this barrier, once their stars fade a little, or their addictions take root, or they simply grow older. Wrestling history is littered with ignoble ends and performers who couldn’t quite accept that the show was over. But there’s one — the only one who has ever lived, actually — who has kept doubling down and seen his star ascend accordingly. For most people, charisma can only transform reality so far — and even wrestlers run into this barrier. Johnson followed his father into professional wrestling, then left the W.W.E. at the apex of his success to get started in Hollywood; he latched himself to the “Fast & Furious” franchise, always playing some version of his stentorian, trash-talking wrestling persona, until he became a movie star in his own right; when his name started coming up as a potential presidential candidate, he indulged the rumors rather than say, “Wait a minute, I’m the guy who says, ‘Can you smell what the Rock is cooking?’” And here he is now, maybe sort-of speaking his fictional presidential campaign into reality, a compelling “will he or won’t he” drama that’s up there with any of his best wrestling or Hollywood stories.“Young Rock” has been modestly successful, averaging more than four million viewers per episode. It’s not Trump’s “The Apprentice,” which was a genuine hit for a decade. But Johnson has many other concurrent efforts to expand his fame across American life: A new “Fast & Furious” movie comes out in June; his relaunch of the much-maligned X.F.L., which he purchased last year, is still in the works; there are rumors that he’ll return to the W.W.E. for a final match. Nobody has ever taken this path to the Oval Office, but you could have said that about Trump, who also understood the importance of committing to character. When your supporters want to believe what you’re saying, there’s no limit to how far the gimmick can go.Source photographs: Mark Taylor/NBC/NBCU Photo Bank, via Getty Images; David M. Benett/WireImage, via Getty Images; PM Images, via Getty Images. More

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    Dwayne Johnson Finds Room to Grow in ‘Young Rock’

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyDwayne Johnson Finds Room to Grow in ‘Young Rock’The new NBC comedy, based on Johnson’s real life, chronicles him at three different ages on his journey to adulthood and stardom.From left, Dwayne Johnson at age 10, age 20 and in 2019. “Young Rock,” a new NBC sitcom, tracks three different periods in the actor’s life.Credit…via Dwayne Johnson (left, center); Jon Kopaloff/Getty Images (right) Feb. 15, 2021, 8:00 a.m. ETIt’s hard to imagine Dwayne Johnson as anything other than the gargantuan, musclebound star of the “Fast and Furious” and “Jumanji” movie franchises, TV shows like “Ballers” and the professional wrestling ring, where he first came to prominence as the Rock. But he was once a smaller — or, at least, younger — man.His history is now the basis for the new comedy “Young Rock,” which debuts Tuesday on NBC. This series checks in with Johnson at three stages of his life: as a preteen, still known by the nickname Dewey (played by Adrian Groulx); as an awkward teenager (Bradley Constant); and as a budding college football player (Uli Latukefu).“Young Rock” also features Stacey Leilua as Johnson’s real-life mother, Ata, and Joseph Lee Anderson as his famed father, the wrestling champion Rocky Johnson. Dwayne Johnson appears as himself in the series, which was created by Nahnatchka Khan and Jeff Chiang (both of “Fresh Off the Boat”).And while he’s rarely known for getting taken down, Johnson, 48, said in a recent video interview that the process of creating “Young Rock” was “so incredibly surreal” that it “knocked me on my butt.”Uli Latukefu plays Johnson as a college student.Credit…Mark Taylor/NBC“Unlike anything I’ve ever participated in, it required real specificity and an attention to detail,” he said. “And nuance, to find the comedy and make sure that some of these lessons that I learned a tough way would hopefully help audiences, too.”Johnson spoke further about mining his life stories for the material found in “Young Rock,” and how the show required him to re-evaluate himself and his father, who died in 2020. These are edited excerpts from that conversation.First of all, is there anyone in your life who still calls you Dewey?Yes, my mom calls me Dewey all the time. And unfortunately, she calls me that in public. I hated that name when I was young — hated it every time my parents would call me that in front of girls, teachers and my friends. And it stuck.How did you decide which stages of your life the series would focus on?It required a lot of hours of sitting down with Nahnatchka, just talking and sharing stories and then walking away, going back home, writing things down, meeting back again, going over more stories. Once we chopped up a lot of years, Nahnatchka and her team went back and they sifted through everything. And they came back with the concept of three timelines, at 10, 15 and 18, which were defining years of my life.Did you do anything to help resurface these old stories and generate the raw material?I poured myself a lot of tequilas and I was able to jog my memory. I would leave Nahnatchka these voice notes, after my second or third drink, and say, listen, you’re never going to believe this. But I’ll tell it to you anyway. And then we would talk the next day.Bradley Constant in “Young Rock.” Johnson said he spent time with the actors who played him “and let them know what I was like during that time.”Credit…Mark Taylor/NBCDid you want to be involved in casting the actors who play you on the show?Every single one. And I was able to spend some time with them, prior to shooting, and let them know what I was like during that time. What I thought my priorities were. The times, more important, that I fell on my ass and I had to get back up. That was surreal, in and of itself. The thing that really pulled at my cold, black heartstrings was finding the actors to play my mom, my dad and my grandmother, and spend time with them. As we’re having these conversations and they would start talking about what they knew of my mom and my grandmother and my dad [snaps fingers], within seconds I would well up.Did you ever consider a “PEN15”-style approach to the show where you’d play yourself at the different ages?We talked about everything creatively you could think of. Could I play all three characters? How could we do that? Would we pull in technology and see what we could accomplish there? One of the issues became time and trying to balance out my already very full plate of things that I had to do. One of the original pitches was that I would actually remain in the shadows — do what I would do, promotionally, but otherwise let this live on its own. Then we came back and realized, let’s have you in every episode, talking and reminiscing. This is probably a better way to do it.We see in “Young Rock” how with the wrestlers of your father’s era, their lives in the ring are glamorous and exciting, but their lives at home are more mundane, even a bit meager. Was that true to your experience growing up?Oh, yes, we are showing the truth of that generation, of the ’70s and ’80s. Those wrestling stars were adored and they were celebrated. They would wrestle in 5,000-seat arenas or in high-school gyms. And when they left, they always left in a Cadillac or a Lincoln. Always. Everyone. Wherever they would park, you would see a fleet of Caddies and Lincolns. Because that was working the gimmick. And it was important that fans saw them getting into an expensive car. But then when you go down the road, to where they lived, in many cases it was small apartments, like we did. And we would live paycheck to paycheck. I felt like there was value in showing that. This was the commitment that these men had to their business. This, in essence, put food on their table.Adrian Groulx, center, with Joseph Lee Anderson and Stacey Leilua, plays Johnson as a boy.Credit…Mark Taylor/NBCSome viewers have already had a glimpse into your awkward high-school years, courtesy of a famous photograph from that era that showed you wearing a turtleneck, a gold chain and a fanny pack. Will we learn the origin of the fanny pack in a future episode?The fanny pack will live a life, for sure. It’s very, very important. But we all went through that in high school to varying degrees. I was 14 when we left Hawaii and had to move to Nashville. And that’s where everyone thought I was an undercover cop because “21 Jump Street” was on at that time. And we left Nashville within three months and moved to Bethlehem, Pa., and I felt like who I was wasn’t good enough. I didn’t want to be Dwayne, I wanted to be Tomás. I thought that girls would think it was a cool name. They had to think that I had money, and I would steal these expensive clothes. I got arrested twice when I went to Bethlehem, for stealing — which is not in the pilot, either, but it’ll make its way in down the road.The show’s portrayal of your father is complicated because we see him first as a popular wrestler, and then later when his wrestling career is over and he’s working more quotidian jobs to make ends meet. Was it hard for you to think about him this way?When NBC said, “We’re in, let’s partner up [on ‘Young Rock’],” it was big news. I called home to my mom and dad and spoke to them both. A few days later, he passed away suddenly. But I believe that he would want that to be shown. He would want to offer that example to help other athletes transition out of their world, with maybe a little bit more grace than he did. He had a very hard time, and he had to find any job. He drove a truck, he did whatever he could do to make a buck. That’s a hard reality shift. My dad and I, we had a complicated relationship — it was very tough love. Let’s show the flaws, but when people aren’t here anymore, let’s show the good stuff, too.Has your mother seen the show yet?My mom was my “Young Rock” consigliere throughout. She felt we could showcase the tough [expletive] and the hard [expletive] because we got through it. That’s the lesson. Hopefully, people who are going through some hard [expletive], too, can see that there’s a way out. You can get on the other side of it.AdvertisementContinue reading the main story More