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    Cody Fry, Noah Kahan and Other Musicians Grapple With Universal’s TikTok Fight

    Cody Fry and Noah Kahan are among the artists who are wondering how the battle between Universal Music Group and the social media platform might affect them.Things were going well for Cody Fry, a singer-songwriter and producer known for his lush pop songs. He was looking forward to a pair of concerts with Ben Rector and the Colorado Symphony at the Boettcher Concert Hall in Denver. And on Monday his management team called him with exciting news: One of his songs, “Things You Said,” a romantic duet with Abby Cates, was gaining TikTok traction in China.More than 750,000 videos were created with that song in a single day, Mr. Fry said in a TikTok video. It was the kind of organic viral moment that artists and marketers dream of, the kind that can’t be forced.But by Thursday, many of the fan-made videos featuring “Things You Said” went mute. The sudden TikTok silence came about after Universal Music Group, the world’s largest music company, pulled its catalog from TikTok after its contract with the platform expired.In addition to Mr. Fry, who is signed to Decca Records, one of the company’s many labels, Universal artists whose videos went silent include SZA, Taylor Swift and Ice Spice.Picture a TikTok video of somebody dancing to a snippet of Ms. Swift’s “Bejeweled.” Now picture that person dancing in complete silence.“Help, this is so awkward with no music,” a comment read on a recent TikTok posted by Ice Spice, a rapper whose music regularly sparks a big reaction on the platform.

    @codyfrymusic Am i muted yet? #music #musicindustry #universalmusic #umg #thingsyousaid #tiktokmusic #greenscreen ♬ original sound – Cody Fry We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Meet the 2024 Grammys’ Best New Artist Nominees

    Listen to songs by Ice Spice, Jelly Roll, Victoria Monét and five more competitors for one of the show’s big four awards.Ice Spice.Nina Westervelt for The New York TimesDear listeners,Some people swear there’s a curse that comes with winning the Grammy for best new artist, but it’s difficult to believe that when you remember who has actually taken home the trophy.In the past five years, the award has gone to quite a few bona fide superstars-in-the-making, including Billie Eilish, Dua Lipa and Olivia Rodrigo — all of whom are currently nominated for song of the year. Toggle the winners list back another decade and you’ll see some established industry power players like John Legend (best new artist 2006), Carrie Underwood (2007) and Adele (2009). The Grammys even got it right as far back as 1965, when the award went to a group of worthy Liverpudlian newcomers called the Beatles.Today’s playlist is an introduction to the eight artists who stand a chance to join their ranks at this Sunday’s Grammys. They include some names you might already be familiar with, like the overnight rap sensation Ice Spice and the gravel-throated country crooner Jelly Roll, and a few you might not be, like the married Americana duo the War and Treaty and the R&B stylist Coco Jones.The current betting favorite is Victoria Monét, a trusted pop songwriter who has garnered previous Grammy nominations for her work on hits recorded by Ariana Grande and Chloe x Halle. Monét has a total of seven nominations as a solo artist this year, including two for her breakout album “Jaguar II” and one for a collaboration with Earth, Wind and Fire. Personally, I’d be happy to see the 34-year-old mom take home best new artist; I love when someone who’s been toiling in semi-obscurity for years finally gets her moment in the spotlight.But, as you’ll see below, Monét isn’t the category’s elder — one of these artists turns 40 this year, and stands a chance to become the oldest solo act ever to be crowned best new artist.As the Justin Bieber fans who unleashed unnecessary wrath on Esperanza Spalding will tell you, though, the category always holds the potential for an upset. For that reason, I wouldn’t be shocked to see the rootsy 27-year-old singer-songwriter Noah Kahan accept the award, even if his yelpy emotionalism isn’t exactly my thing. Still, best new artist is a rare Grammy category that skews female, which means that if Kahan wins he’d be the first male artist to do so since Chance the Rapper in 2017.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Noah Kahan Reflects on New Fame in the Vermont Woods

    Four German shepherds — Penny, Oma, Meadow and Poncho — came bounding out of a house that sits on a hilltop in central Vermont. They sniffed out the approaching stranger before deciding to grant passage. Noah Kahan, a 26-year-old singer-songwriter who became an unlikely sensation this year, emerged from the house and corralled the pack with a series of gentle commands.“Sorry about the dogs,” he said in a soft voice. “They can be rambunctious.”He was dressed in dark jeans, sturdy boots and a white sherpa overshirt that contrasted with his long dark hair and beard. Standing on the muddy driveway against a backdrop of snowy mountains and gray skies, he looked every bit his image as pop music’s latest sensitive woodsman.Mr. Kahan had just returned from Britain, where he had wrapped up a tour, to spend some time with his parents, who are divorced and live on adjoining properties spread across more than 100 acres of rugged land. In a few days, he was scheduled to perform on “Saturday Night Live” for the first time.“It’s kind of overwhelming and scary,” he said.Eight years after Mr. Kahan signed a record deal as a high school senior, his third album, “Stick Season,” has made him the next big thing. It reached No. 1 on the Billboard rock and alternative album charts this year and earned him a Grammy nomination for best new artist.Even in Strafford (population 1,075), he couldn’t escape the machinery of his newfound fame. Two publicists from his record label had driven up from New York to watch over the interview and photo shoot.Mr. Kahan said he has “been waiting for that feeling to come again” before he writes the songs for a follow-up to his album “Stick Season.”Hilary Swift for The New York Times“Stick Season,” which was released last year, is awash in acoustic guitars, banjo, mandolin and Mr. Kahan’s tenor voice, which alternates between plaintive and really plaintive. Lyrically, the album is filled with specific references to growing up in New England. “Forgive my Northern attitude,” Mr. Kahan sings on “Northern Attitude. “Oh, I was raised out in the cold.”As for the album’s title, Mr. Kahan said he heard the phrase spoken by old-time Vermonters and borrowed it. Stick season is the barren period between fall and winter in New England — “this really miserable time of year when it’s just kind of gray and cold, and there’s no snow yet, and the beauty of the foliage is done,” as he told the lyrics site Genius.Matching his rootsy sound and style, his fans wear flannel to his concerts, even in 90-degree heat. The shows have become emotionally charged revivals; teenagers cry, along with their chaperones. But after all the touring and meeting people and collaborations with everyone from Kacey Musgraves to Post Malone, he seemed a little burned out.“I’m also so tired that even right now, driving down to New York to go do ‘S.N.L.,’ I’m, like, ugh,” he said. “I think when I’m there, I’ll process it and be, like, ‘Oh, my God, what an opportunity.’”The plan for this late November day was to go on a walk in the woods on his parents’ properties in Strafford, where he holed up during the pandemic. In his father’s barn and his mother’s living room, he wrote the melancholy, pop-folk anthems that became “Stick Season” and, to hear him tell it, revived his stalled career.It had snowed the night before — one of those wet snows that aren’t good for skiing or much else, Mr. Kahan pointed out. He trudged along a path that led through the woods and up a mountainside, leaving the two publicists far behind. “It’s no longer stick season,” he said. “But it’s still depressing. Until we get some real snow.” His dog Penny, who goes on tour with him, and her sister, Oma, ran at his heels, grabbing fallen branches to play fetch.Mr. Kahan is not a swaggering pop star. He favors ambivalence and often expresses himself in the language of self-care. He titled his debut album “Busyhead” in a nod to his anxieties and the years he had spent in therapy. He started a charity, the Busyhead Project, to raise money and awareness for affordable access to mental-health care.As Mr. Kahan’s fame grew this year, Mercury Records/Republic Records released an expanded edition of the 2022 album “Stick Season,” with seven additional tracks.Mercury Records/Republic Records, via Associated PressIn person, he comes across as intelligent and introspective. Every so often, he brightens, revealing a wicked humor, as when his father suddenly appeared riding a snow machine with aggressively large track tires and Mr. Kahan called it “the world’s most distracting vehicle.”Describing his recent concerts in London, Mr. Kahan said he was amazed to see audiences singing along with lyrics about life in Strafford, which is little more than a town hall, a post office, a simple church and a dozen or so clapboard homes clustered around a village green.There isn’t a restaurant or bar for miles. The main gathering spot is Coburns’ General Store in South Strafford, which sells deli sandwiches, groceries, gas, ammunition, hardware supplies and liquor. There’s also a branch of Mascoma Bank in a little kiosk inside the store. Mr. Kahan’s fans have lately been showing up there, asking to take selfies with Melvin Coburn, the proprietor, whose voice can be heard on his song “The View Between Villages.”Mr. Kahan draws inspiration for his music from his hometown, Strafford, Vt.Hilary Swift for The New York Times“They’re singing about specific roads in a town that no one in New England knows about, let alone people in London,” Mr. Kahan said of his recent audiences.At one concert, overcome by a wave of feeling, he smashed a guitar to pieces onstage. Afterward, he wondered what had gone into his sudden outburst.“I’ve never done that before,” he said. “But I was seeing, like, when I was smashing a guitar — man, am I an angry person?”Returning to this remote part of Vermont calms him, he said.He spent his earliest years in Strafford, before the family moved to nearby Hanover, N.H. His father worked as an information technologist and his mother was in publishing. About 25 years ago, they bought the property in Strafford, and the family would often spend weekends there. Mr. Kahan and his three siblings gathered around a fire and slept in a camper while their father cleared the land to build a house. The Kahans moved back to Strafford full time when Noah was in high school.“All these trails — my dad cut all these trees down and built this huge trail system,” Mr. Kahan said. “You can walk around all day and still be on my property.”He came to a fork. Nailed to a tree were signs that announced the diverging paths, Swoop and Bypass. Mr. Kahan chuckled, saying that his father had gone on a naming spree. “We’ve lived here forever,” he said. “Why is it called Swoop?”He chose the trail that cut straight up the hillside. Halfway up, he was panting. “Sorry I’m so out of breath, dude,” he said. “I’m hunched over a guitar. And drinking I.P.A.s.”From the summit, he took in the view of New Hampshire’s White Mountains in the distance. The two-story house where his father lives stood in the clearing, along with the barn. “I grew up lucky as hell for all this,” Mr. Kahan said. “The amount of space you get up here.”“Dead quiet,” he continued. “Lonely as hell. During the pandemic, oh, my God, there would be weeklong periods where I would find myself talking to the dogs.”Two years after writing “Stick Season,” Mr. Kahan seemed nostalgic for the pre-fame days when he was back home and feeling adrift, making music that connected with others in the same position. Each week, as he workshopped his songs, he would post them on Instagram and TikTok.Mr. Kahan onstage in London last month. His 2024 world tour, which starts in January, is mostly sold out.Burak Cingi/Redferns“Those were the days, man,” he said.He is nervous about recording a follow-up to “Stick Season,” he said.“This album has been such a special and beautiful world to live in, that the idea of coming up with what’s next is kind of scary for me,” Mr. Kahan said. “It’s not even about having success. It’s about feeling the same way that I did. I’ve been waiting for that feeling to come again.”Mr. Kahan’s earlier music, which he made while living in Nashville and New York, showed a gift for songwriting, but it didn’t call much attention to itself. As he put it, “I was an unknown singer-songwriter in a sea of white-guy singer-songwriters.”Stuck at home in 2021, and unsure if he would perform again, he began to write in a more personal way about the place he was from. He turned Strafford into his version of Steinbeck’s Salinas Valley.He name-checked Alger Brook Road, his childhood address, and sang, “I’m mean because I grew up in New England.” He wrote about the love and hate he had for small-town life: the appreciation of history and community, the frustration with the lack of opportunity, the feeling of being left behind when your friends leave.Rebecca Jennings, a native Vermonter who is a senior correspondent for Vox, described in a recent essay the pull of Mr. Kahan’s music, especially for New Englanders whose region is typically nowheresville in terms of national pop culture.“On a drive up to Vermont in early October,” she wrote, “at the peak of the red-gold foliage we’re famous for, Kahan’s biggest hit of the moment, ‘Dial Drunk,’ comes on and suddenly I’m crying, missing the home I had and the family who’ve since moved out.”Mr. Kahan is now so beloved in Vermont, and New England generally, that people joke that he is bigger than Bernie Sanders. When visitors search their iPhones for local food options, they are served a list titled “Noah Kahan’s New England Spots.” Beneath a photo of Mr. Kahan superimposed over distant mountains, addresses appear for some of his favorite restaurants, bars, cafes and bakeries in New Hampshire and Vermont.“I didn’t realize that was going to be on everyone’s app,” Mr. Kahan said. “Gusanoz is my favorite restaurant in the area. The guys there are, like, ‘Dude, we have people from Ohio coming up to eat here.’ I got all my spots on there.”A merchandising company approached him about making a Stick Season candle, “inspired by Noah’s experiences in rural Vermont.” He wanted it to smell of rotting leaves or diesel engines; the end result was pine trees and whiskey.He also collaborated with a Connecticut brewing company to release “Noah Kahan’s Northern Attitude IPA.” And the Maine clothing company L.L. Bean offers a Stick Season Collection by Noah Kahan. It includes an anorak, a wool shirt and a reversible coat for dogs.The trail cut through his father’s place and went back down the mountain. Mr. Kahan caught his breath as he returned to the flat ground near his mother’s house. In her backyard was a screened gazebo. Inside it, taking up the whole interior, there was a bed on a wooden frame.“My mom would come out here and sleep sometimes,” Mr. Kahan said. “It’s actually wicked cozy in here. In the summertime, it’s dope. You hear the crickets.”Pines and birches on the land owned by Mr. Kahan’s family in central Vermont. “You can walk around all day and still be on my property,” he said.Hilary Swift for The New York TimesHe motioned to the blue tarp covering the bed.“We can take it off and sit on the mattress, if you want,” he said.As we sat on the bed in the cold and the quiet, gazing out at the snow-covered mountains, Mr. Kahan talked about how he had signed a record deal while still a teenager and moved to Nashville. How he had discovered that the reality of the music industry was very different from his dream of it. How he had struggled to figure out who he was as an artist. And how he had ended up back in Strafford.“I love feeling like there’s a place that hasn’t been touched by the rest of the world,” he said. “You can drive past the green and you’ll see buildings that have been there for hundreds of years.”A little more than a month after his “Saturday Night Live” appearance, Mr. Kahan will be leaving again for another world tour. It ends in July 2024 with two shows at Fenway Park in Boston that are already sold out.“I’m going to come back here as soon as I can,” he said.He added that he would like to purchase some property, ideally right nearby.“My goal is to live as close to my parents as possible,” Mr. Kahan said. “Be able to snowmobile down and stop at my mom’s for a beer. I’d be happy to spend the rest of my life here.” More

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    Noah Kahan’s Rootsy Rock Revival

    Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicNoah Kahan’s song “Stick Season” currently sits at No. 43 on the Billboard Hot 100. On its own, that’s a moderately impressive feat. But it’s more remarkable because “Stick Season” is the title track of an album released just over a year ago. Via diligent touring and an instinctual grip on how to leverage TikTok, Kahan has squeezed a fan favorite so hard it became a hit.That success arrives a few years into Kahan’s career, which began with more straight-ahead pop and shifted into rootsier territory during the pandemic. He inflects his songs with bits of Vermont attitude and lore, and has collaborated with Zach Bryan and Kacey Musgraves.On this week’s Popcast, a conversation about how Kahan’s niche stardom has given way to pop acclaim, how Vermont figures into his songwriting and sound, and how he revisits the rustic mainstream rock of the early 2010s.Guests:Rebecca Jennings, a senior correspondent at VoxJason Lipshutz, executive director, music at BillboardConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More