David Bordwell, Scholar Who Demystified Filmmaking, Dies at 76
Roger Ebert called him “our best writer on the cinema.” His scholarship focused on how movies work.David Bordwell, a film studies scholar whose immersive, accessible writing transcended the corridors of academia and illuminated the mechanics of moviemaking to a generation of cinephiles and filmmakers, died on Feb. 29 at his home in Madison, Wis. He was 76.The cause was interstitial pulmonary fibrosis, said his wife, Kristin Thompson, a prominent film scholar who frequently collaborated with him.Dr. Bordwell taught at the University of Wisconsin for 30 years and wrote or co-wrote more than 20 books, including “Film Art: An Introduction” (1979), a textbook written with his wife that is widely used in film studies programs. After retiring in 2004, he and Dr. Thompson analyzed movies on his blog at davidbordwell.net and in videos for the Criterion Channel.Hailed as “our best writer on the cinema” by Roger Ebert, Dr. Bordwell’s film analysis avoided ivory tower theories on the social and political undertones of movies in favor of clear, frame-by-frame examinations of scene structure, shot angles and other elements of filmmaking.In a blog post about “The Social Network,” David Fincher’s 2010 film about the founding of Facebook, he analyzed the facial expressions of Facebook co-founder Eduardo Saverin (played by Andrew Garfield) during a scene when Mark Zuckerberg (Jesse Eisenberg) blindsides him.Dr. Bordwell used a single frame that he cropped into several images.In the first image, only Eduardo’s eyes are visible. “Certainly they give us information — about the direction the person is looking, about a certain state of alertness,” Dr. Bordwell wrote. “The lids aren’t lifted to suggest surprise or fear, but I think you’d agree that no specific emotion seems to emerge from the eyes alone.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
