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    ‘Padre Pio’ Review: A Movie in Need of a Miracle That Never Comes

    In this film directed by Abel Ferrara, Shia LaBeouf gives viewers a contemporary version of the saint — that is, one who curses a blue streak.We are now in the month of June, so the idea of Shia LaBeouf in the title role of a fictionalized biography of the revered and controversial Italian cleric Padre Pio directed by Abel Ferrara has a low probability of being some kind of April Fool’s joke. This is a real movie. And alas, an occasionally rank one.Now Ferrara hasn’t even attempted a conventional biopic of the man born Francesco Forgione at the end of the 19th century, and who, according to some accounts, started displaying stigmata after an illness-plagued childhood. And that’s to his credit. Rather, he’s attempted a sometimes Brechtian consideration of the nodes of political history and spirituality.The movie is set in the Italy between two world wars, during which time Pio was a priest in San Giovanni Rotondo, where he spent his entire life. (And where a 1920 Fascist-initiated massacre of civilians took place; the movie ends with a depiction of it.) Ferrara’s narrative toggles between Padre Pio’s cloistered, spiritually tormented existence and the Socialist and Fascist factions competing to transform Italy at the time.LaBeouf essays a rather, let’s say, contemporary Pio. And completely sinks the picture. Early in the movie Pio is asked by an interrogator about the “countless” women “you had your narcissistic way with.” Who’s under scrutiny here, the character, or LaBeouf himself, who’s recently faced allegations of sexual abuse from more than one woman? Later, a male character played by Asia Argento confesses feeling lust for his own daughter, and LaBeouf’s Pio, utterly callow in spite of his prodigious beard, tells him to shut-the-you-know-what-up. He detaches the movie from the Brechtian and lands it firmly in the territory of “improv scene workshop gone horribly wrong.”Padre PioRated R for themes, violence, Shia LaBeouf’s language. Running time: 1 hour 44 minutes. In theaters. More

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    Will the Spiraling Publicity Harm ‘Don’t Worry Darling’ at the Box Office?

    A series of missteps on the promotional trail has raised questions about the film’s viability and its director, Olivia Wilde.It was one of the hottest projects Hollywood had seen in years. Eighteen bidders. An ascendant female director. Florence Pugh, the actress of the moment, shooting upward like a rocket. “Don’t Worry Darling” was set up to be a smash.But now, the $35 million production is being referred to around town as “Kill Your Darlings.” Over the past three weeks, the once highly anticipated movie has become a spectacle in all the wrong ways, with its director, Olivia Wilde, self-immolating on the publicity trail. Now all eyes are on the box office as the film — one of only three Warner Bros. is releasing theatrically through the remainder of the year — debuts nationally on Sept. 23.Signs of trouble began appearing in March when Wilde’s personal life became entangled with her promotional efforts on a stage in Las Vegas, where her introduction of the “Don’t Worry Darling” trailer was co-opted by a process server presenting her with custody papers from her ex-fiancé, the “Ted Lasso” actor Jason Sudeikis.That spiraled into internet gossip over Pugh’s lack of substantive promotion for the film, which led to reports of a clash between the director and the star over the rumored on-set affair between Wilde and Harry Styles, the pop star in his first major film role. (Wilde has declined to discuss the rumors other than to tell Vanity Fair that stories that she left Sudeikis for Styles were “completely inaccurate.”) Things ratcheted up when Wilde told Variety she had fired Shia LaBeouf, the actor first cast in the role that eventually went to Styles, only to have LaBeouf dispute her account with both audio and video evidence backing up his contention that he quit.The saga peaked this month in a tense news conference at the Venice Film Festival, which Pugh did not attend. When asked about the controversy, Wilde tersely replied: “The internet feeds itself. I don’t feel the need to contribute. I think it’s sufficiently well-nourished.”Wilde with some cast members of “Don’t Worry Darling” in Venice: Harry Styles, left, Gemma Chan and Chris Pine. The star, Florence Pugh, skipped the news conference.Joel C Ryan/Invision, via Associated PressWilde declined to comment for this article, canceling a long-scheduled interview last week just hours before it was to take place. A representative for Pugh also declined to comment.This scandal ranks rather low on Hollywood’s outrage meter. Stephen Galloway, the dean of the Chapman University Dodge College of Film and Media Arts and the author of “Truly, Madly,” the story of the whirlwind romance between Vivien Leigh and Laurence Olivier, characterized it as “a messy fling.” But the “Don’t Worry Darling” situation is high-profile enough that it could have the power to dim the excitement around Wilde’s potential ascent as Hollywood’s bright new directing talent.The film centers on Alice and Jack (Pugh and Styles), a wildly-in-love married couple whose idyllic 1950s existence belies a more sinister reality. Originally conceived by Carey and Shane Van Dyke (the grandsons of Dick Van Dyke) in a script that was featured on the Black List, a compendium of the best unproduced screenplays of the year, “Don’t Worry Darling” was rewritten by Katie Silberman (Wilde’s “Booksmart”). It became the subject of a bidding war, with the New Line division of Warner Bros. landing the title thanks in part to its commitment to releasing the film theatrically.Now “Don’t Worry Darling,” which is set to debut in more than 2,000 theaters, is in jeopardy of falling flat. Based on pre-release surveys that track consumer interest, box office experts had predicted roughly $20 million in opening-weekend ticket sales. In recent days, those estimates have cooled to about $18 million. Surveys have shown that ticket sales could be as low as $16 million. Warner Bros. declined to comment on box office projections but an insider at the studio who was not permitted to speak on the record said it had always expected about $18 million and that interest had not fluctuated.Early reviews have not been kind. Rotten Tomatoes currently has the film hovering at a 38 percent score, squarely in the rotten category. Many critics have mentioned the scandal surrounding the film. The Los Angeles Times critic Justin Chang wondered whether Alice could be “a more fitting stand-in for Wilde, a talented director trying to fight her way out of a misogynistic system, one that wouldn’t blink twice at a male filmmaker in a similar position?”Styles and Pugh in the film, which is opening Sept. 23.Warner Bros.Is the reaction to the tabloid controversy misogyny at work, as Chang suggested? Male directors, after all, have a long history of both becoming combative with the press and engaging in on-set affairs. Or will this become a case of Hollywood adding Wilde, a daughter of the journalists and documentarians Andrew and Leslie Cockburn, to the life’s-too-short list, meaning that this episode will overshadow her talent? Some question, given the rift with Pugh and her dispute with LaBeouf, whether talent will want to work with Wilde in the future.“There’s some degree of sexism in this,” Galloway said. “Male directors have done this for decades and gotten away with it. A female director does it and it explodes. That’s unfair. On the other hand, what she did is wrong, just as it was wrong for all the male directors to behave like male chauvinist pigs. Part of me feels bad for her being judged by a different standard. Part of me says, ‘There is a modern standard which we should all be upholding.’”What’s next for Wilde is not clear. She was scheduled to follow “Don’t Worry Darling” with “Perfect,” about the gymnast Kerri Strug. But according to three people with knowledge of the project who were granted anonymity to discuss its status, Wilde abandoned the movie after asking for multiple rewrites from different screenwriters before walking away, believing the script was still not ready for production.“It became clear to me that this year was a time for me to be a stay-at-home mom,” she told Variety. “It was not the year for me to be on a set, which is totally all-encompassing.”She has two projects in early development: a new Marvel movie, which two people involved said was “Spider-Woman,” and an untitled holiday comedy that Universal Pictures has had in the works since 2019.Some believe the attention caused by the scandal could bring more moviegoers to theaters, following the adage that there’s no such thing as bad publicity.“I think that even a title like this with A-list talent attached, increased awareness in this challenging marketplace totally can help people to know that it exists, it’s out there and it’s coming soon,” said Joe Quenqua, a veteran strategic communications executive.Warner Bros. is continuing with its original marketing strategy. The studio announced last week that its Sept. 19 IMAX experience, which will include a screening of the film and a live question-and-answer session in 100 locations across the country, is the fastest-selling live event in IMAX’s history.Wilde will be in attendance. Pugh will not. More

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    What Defines Domestic Abuse? Survivors Say It’s More Than Assault

    AdvertisementContinue reading the main storySupported byContinue reading the main storyWhat Defines Domestic Abuse? Survivors Say It’s More Than AssaultThe Congresswoman Cori Bush and the musician FKA twigs describe how manipulative, isolating conduct known as “coercive control” helped trap them in abusive relationships. Lawmakers are starting to listen.Congresswoman Cori Bush of Missouri has been sharing her story as a survivor of domestic abuse to help “normalize the conversation.”Credit…Whitney Curtis for The New York TimesMelena Ryzik and Jan. 22, 2021Updated 5:16 p.m. ETIt was, at first, the kind of dreamily romantic attention that Cori Bush craved. She was 19 or so, barely making ends meet working at a preschool, and a new boyfriend was spooning on affection. He lavished her with gifts, too. “He would spoil me, he would spoil my friends, my sister — whoever was near me,” she said.But quickly, she said, the high-watt beam of his attentiveness became an unyielding glare. He monopolized her time and curbed her independence.“He would answer my phone,” Ms. Bush said. “I thought it was cute at first — he wanted to answer my phone and talk to my friends. But then it turned into him screening my calls.”When she tried to end things, he hit her, she said. It was the first of many instances in which he was physically violent. “He would pinch me so hard, he would take off not only skin, but flesh,” she said. “He would cut me with knives, box cutters.” She couldn’t leave, she said, because he threatened to turn the weapons on himself. And then the cycle began anew: “He would come back so sweet and so kind and so loving — and so sorry,” she said.Days into her freshman term as a Democratic Congresswoman from Missouri, Ms. Bush, 44, emerged as a public force; as her first action, she introduced legislation to investigate and expel members of Congress who voted to overturn the election and supported the riot in the Capitol.But even before she was sworn in, she shared her experiences as a survivor of domestic abuse, in hopes of reframing the issue. “I’ve allowed myself to be vulnerable about it,” she said in an interview last month, “because I feel like if we don’t normalize the conversation — people are still being hurt, especially right now, with Covid, and the lockdown,” when calls to support networks are spiking.Ms. Bush’s candor comes as some state lawmakers, working with researchers, have begun to reshape the law to acknowledge that the controlling and isolating behaviors she cites, often referred to as “coercive control,” are not only steppingstones to violence, but can be criminally abusive in their own right. Activists hope that by broadening the definition of abuse, they can help victims reclaim their autonomy, and catch perpetrators before cases spiral toward hospitalization — or worse.In September, California passed a law that allows coercive control behaviors, such as isolating partners, to be introduced as evidence of domestic violence in family court. That month, Hawaii became the first state to enact anti-coercive control legislation. A similar law was introduced in the New York legislature.The efforts address what experts say is a common, long-held misperception that an abusive situation is only a partner throwing a punch, rather than an incremental constricting of someone’s life, to dominate them.“By the time you see a broken bone, the person has experienced a lot of other damaging behaviors,” said Lynn Rosenthal, who was the first White House adviser on violence against women and served on the Biden transition team.Of course the violence itself has not abated. In the United States, one in four women and one in seven men experience severe violence in their relationships in their lifetimes, and it’s the leading cause of homicides for women, according to the National Domestic Violence Hotline.But as gender-based inequities surfaced in the wake of the #MeToo movement, and more women — and therefore more survivors — entered government, they and others have been vocal about how much more complicated the calculus of abuse can be, how yawning the gaps in protection and how damaging the belief that victims can just leave.Though they may suffer injuries, many survivors say that what keeps them in the relationship, and what makes the trauma last, is mental and emotional abuse. The musician FKA twigs, 33, who filed a lawsuit last month accusing her former boyfriend, the actor Shia LaBeouf, of sexual battery, assault and inflicting emotional distress, said in the suit that his constant “belittling and berating” shrunk her self-esteem and made her easier to control. A year later, she said in an interview, she was still suffering the repercussions: “I have panic attacks almost every single night.”The musician FKA twigs, born Tahliah Debrett Barnett, filed a lawsuit accusing her former boyfriend, the actor Shia LaBeouf, of abuse.Credit…Ana Cuba for The New York TimesThe term coercive control is embraced by some researchers to describe the dynamics of abuse because it encompasses acts like creeping isolation, entrapment, denigration, financial restrictions and threats of emotional and physical harm, including to pets or children, that are used to strip victims of power. Mild but frequent bodily aggression — pushing and grabbing, or increasing roughness during sex in a way the partner does not like — is another hallmark, experts said.As destructive as those behaviors may be, they are not often treated by law enforcement or courts as improper on their own, sharpening the belief that victims must be battered and hospitalized before their accounts might be taken seriously. Doubt about how the justice system would treat them is not unfounded: About 88 percent of survivors surveyed by the ACLU said the police did not believe them or blamed them for the abuse.The new laws to address coercive behaviors have raised some concerns from advocates who worry that — in court proceedings that lawyers in the field say are already stacked against survivors — the standard of proof might be too high, especially when officials don’t have the tools to identify and prove patterns of risky behavior. “Researchers understand coercive control as something that can help predict the outcome of a dangerous situation that becomes deadly,” said Rachel Louise Snyder, author of the 2019 book “No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us.” But, she added, “law enforcement doesn’t necessarily recognize that.”Coercive control has been illegal in England and Wales since 2015, but 2018 saw the highest number of domestic violence-related killings in five years, according to the BBC. The Center for Women’s Justice, a British watchdog group, filed complaints in 2019 and 2020 alleging “systematic failure” on the part of police to safeguard victims. “Officers on the ground don’t understand” coercive control, said Harriet Wistrich, the center’s director. Though there has been some training, she emphasized that for the law to be most effective, police, social workers and the courts need to have a shared understanding of how emotional abuse can become criminal.Others are concerned that, in the United States, adopting and implementing new laws could drain resources from survivors’ pressing logistical needs, or from other pathways to justice. A growing faction of advocates say the best response lies not in the criminal courts, with their racial and economic inequities, but in dialogue-based alternatives like restorative justice.Judy Harris Kluger, a retired New York judge who is executive director of the nonprofit Sanctuary for Families, said she agreed that coercive control is important as a concept. As a judge, though, “I’d rather have energy put into enforcing the laws that we have,” she said, “but also focusing on other things besides litigation to address domestic violence,” like funding for prevention, housing and job programs for survivors.Still, supporters say that legally acknowledging how pernicious the problem is will make it easier to fight — and help force a reckoning over its pervasiveness.They point to Scotland as a potential model. Its domestic abuse laws enacted in 2019 focus on coercive control and include funding for training; a majority of its police and support staff has taken mandatory courses to understand the issue, said Detective Superintendent Debbie Forrester, Police Scotland’s lead for domestic abuse. The judiciary got lessons too. Alongside a public campaign explaining that controlling behavior is illegal, the authorities put abusers on notice that they would be scrutinized: “We will speak to previous partners,” a police statement warned.In the year following the law, the number of charges reported for prosecution related to domestic abuse jumped nearly 6 percent, according to the Scottish government. Though they could always prosecute violence, previously “there was nothing that was actually called domestic abuse,” Ms. Forrester said. “That has been really important for victims — they understand that the laws and the structure is there to support them.”Susan Rubio, 50, the state senator from California who headed the effort to adopt new legislation there, said she was motivated partly by her own experiences. In 2016, during divorce proceedings, she accused her husband, Roger Hernández, a California state assemblyman, of domestic violence, describing instances in which he punched her in the chest and attempted to strangle her with a belt, court documents say. The judge granted her a restraining order. Mr. Hernández, who was gearing up for a congressional primary, denied the allegations. Rebuked by his statehouse colleagues, he disappeared from his congressional race. (Mr. Hernández did not respond to requests for comment.)The law Ms. Rubio proposed, which allows coercive control to be used as evidence of domestic violence in family court, went into effect this month. It defined those behaviors as instances in which one party deprived, threatened or intimidated another, or controlled, regulated or monitored their “movements, communications, daily behavior, finances, economic resources or access to services.”Susan Rubio, a state senator from California, headed the effort to adopt legislation that allows coercive control behaviors to be used as evidence of domestic violence in family court.Credit…Lorie Shelley, California Senate Rules PhotographyIn Hawaii, the definition of domestic violence was expanded to acknowledge coercive control, including name-calling and degradation. The law was shaped in part by a researcher, Barbara Gerbert, and a local police officer, May Lee. “Domestic violence is a complex issue, but at the heart of it is the need for power and control,” Ms. Lee wrote to the legislature.The term coercive control was popularized around 2007 by Evan Stark, a researcher and forensic social worker whose work was cited by governments in the United Kingdom.The laws, in the United States and other countries, recognize an evolution in thought and research about domestic abuse, once normalized and minimized as an unfortunate outgrowth of bad relationships. Experts say research has increasingly shown the insufficiency of law enforcement approaches that treat domestic assaults as isolated incidents, akin to being punched by a stranger in a bar fight, and ignore the experiences of those for whom the abuse was often broader in scope and not always marked by violence, but debilitating, repetitive and no less damaging.“We have failed to connect the dots until very recently in all these other ways,” Ms. Snyder, the author, said. “Coercive control laws are a first attempt to address some of that — the unseen dynamics that are so, so dangerous.”Those who study domestic abuse say it follows a pattern: Ardent, rapid courtship that gives way to tests of loyalty, isolation from loved ones, belittling and deprivation of resources, whether it’s money, time, sleep or food — all in service of breaking down and controlling another person.At the outset of a relationship, “love-bombing,” as it’s sometimes called, is a classic warning sign, experts say. “Showing up early to give the partner flowers. Picking her up when she doesn’t expect it,” said Chitra Raghavan, a forensic psychologist at John Jay College of Criminal Justice.The gestures may seem sweet, thoughtful, but they’re a test: Monopolizing a partner’s time and attention sows isolation and shows the abuser “that he can control her,” Dr. Raghavan said.If a partner protests, an abuser may ratchet up the charm, experts said. The cycle gives the victim an illusion of control, and the perpetrator an excuse to mete out punishment: just don’t hang out with those friends, wear that outfit, cook that meal. But the boundaries for correct behavior keep shifting.“Every time we see that someone died at the hands of their partners, that’s something we could’ve stopped, as a society,” Ms. Bush said.Credit…Whitney Curtis for The New York TimesMs. Bush’s former boyfriend had rules about how and when she could wash the dishes or use the stove, she recalled. FKA twigs, whose given name is Tahliah Debrett Barnett, said that Mr. LaBeouf was feverishly jealous, and would also grow angry if she handed him his toothbrush when he was in the shower, even though that’s when he liked to brush his teeth. “He said that I was controlling, because I had given him the toothbrush with toothpaste,” she recalled.(Mr. LaBeouf did not respond to a request for comment. In a statement to The New York Times when Ms. Barnett’s lawsuit was filed, he said: “I have been abusive to myself and everyone around me for years. I have a history of hurting the people closest to me. I’m ashamed of that history and am sorry to those I hurt.” He added that “many” of the allegations by Ms. Barnett and another former girlfriend were not true, but gave no further details.)Jennifer Spivak, 31, the founder of a digital advertising agency whose ex-boyfriend pleaded guilty in 2011 to felony strangulation, said that he more often used threats than physical violence. During the early wave of affection, she gave into requests like forgoing the gym to spend more time with him. She relinquished her privacy, showing her boyfriend her texts and emails. But he wasn’t satisfied.“I became obsessed with figuring out how to keep things nice, moment to moment,” Ms. Spivak said. He would escort her to the bank and force her to cash her paychecks and relinquish the money, which complicated her ability to leave him.Jennifer Spivak said her ex-boyfriend forced her to hand over money from paychecks. Now she makes a point to work with women, to boost others’ financial independence.Credit…Meghan Marin for The New York TimesFor the most part, she said he didn’t hit her; rather she said he “psychologically tortured” her for small infractions like not answering his call at work, berating her for hours while she stood in the tub naked and he held an iron above the water.“I would wonder, am I being abused if I don’t have any bruises?” said Ms. Spivak, whose isolation exacerbated her self-doubt. As a survivor, she makes a point to work with women, to boost others’ financial independence.Ms. Barnett said that once she could finally see how bad things were with Mr. LaBeouf, she was too ashamed to admit it: “I just couldn’t connect with my old life, because it was a reminder of how far away I was from myself.” She filed the lawsuit, she said, to highlight the patterns in her relationship, and to show how anyone, no matter their status, can be ensnared.The most dangerous moment for victims of domestic violence, experts say, is when they decide to end their relationship; on average, it takes seven attempts to leave an abuser, according to the National Domestic Violence Hotline. Shame and fear — coupled with economic insecurity, racial and social justice concerns, and worries about destabilizing the household, especially with children — keep many from reporting their assaults or the terrors they live with, advocates say.Ms. Rubio, the California lawmaker, resisted calling authorities during her marriage — despite her resources, she didn’t have the courage, she said, and worried about public scrutiny. “Coercive control, it paralyzes a victim,” she said.Ms. Bush said her boyfriend’s violence escalated to the point that he once shot at her with a gun. She never called the police. “I didn’t want him to go to jail,” she said. “So I couldn’t figure out how to say what happened. And I didn’t want people to look at me like I was stupid — like, why are you with this guy? Because I’m smarter than what they’re going to think.”As she enters Congress, Ms. Bush said she thinks of combating domestic violence as building a social movement to save lives. “Every time we see that someone died at the hands of their partners,” she said, “that’s something we could’ve stopped, as a society.”If you or someone you know is being abused, support and help are available. Visit the hotline’s website or call 1-800-799-7233.AdvertisementContinue reading the main story More

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    How Readers Reacted to FKA twigs and Her Allegations of Abuse

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best MoviesBest TV ShowsBest BooksBest TheaterBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyHow Readers Reacted to FKA twigs and Her Allegations of AbuseWomen responded on social media with their own stories of violence, and their support for survivors, after the Times reported that FKA twigs had sued Shia LaBeouf, her former boyfriend.FKA twigs, born Tahliah Debrett Barnett, in London.Credit…Ana Cuba for The New York TimesDec. 13, 2020, 12:50 p.m. ETAfter a report The New York Times published on Friday detailing a lawsuit the performer FKA twigs filed against the actor Shia LaBeouf, accusing him of sexual battery, assault and inflicting emotional distress, the reaction on social media was enormous and swift. The topic, trending on Twitter, became the subject of conversation among women who said they had also been abused by a partner.The 32-year-old singer and actress, born Tahliah Debrett Barnett, spoke to The Times, saying that she had chosen to come forward to explain how someone so well-known, with money and a strong support network, could be caught in a cycle of abuse. Karolyn Pho, another former girlfriend of Mr. LaBeouf, described similar experiences to The Times.In an email, Mr. LaBeouf wrote that many of the allegations that the women raised were not true. He broadly addressed his behavior in an email. “I have no excuses for my alcoholism or aggression, only rationalizations. I have been abusive to myself and everyone around me for years,” he told The Times.Ms. Barnett later posted a thread on Twitter, which has since been liked and retweeted thousands of times, acknowledging the reaction to the suit and her story.“I hope that by sharing my experience I can truly help others feel like they are not alone and shed some light on how those who are worried somebody they care about may be in an abusive relationship can help because I understand it can be confusing and hard to know what to do,” she wrote in the thread.Readers responded to her account by sharing their own stories, as well as expressing support for Ms. Barnett and her decision to speak out. Among those weighing in were Angelica Jade Bastién, a critic at Vulture, who wrote that she had witnessed and experienced abuse, and Karen Attiah, the global opinions editor for The Washington Post, who posted about leaving an abusive relationship.On Saturday night, the Australian singer-songwriter Sia also shared her support for Ms. Barnett, posting on Twitter that she had been “hurt emotionally” by Mr. LaBeouf. A representative for Mr. LaBeouf did not immediately respond to a request for comment regarding that accusation.During her relationship with Mr. LaBeouf, Ms. Barnett was finishing her album “Magdalene,” which was ultimately released in November 2019 after several delays. Gary Suarez, a freelance journalist and music critic, wrote that the album “was already such a powerful and emotionally potent listening experience,” before he learned what Ms. Barnett had been through while working on the album.Others also pointed to Ms. Barnett’s descriptions of isolation. “Abusers steal their victims’ freedom through tactics of coercive control,” Myriam Gurba, a writer and artist, posted on Twitter. Ayesha A. Siddiqi, a trends forecaster and writer, noted that isolation occurs outside the relationship, as well.Statistics from the National Coalition Against Domestic Violence state that one woman in four is a victim of sexual violence, physical violence and/or stalking by an intimate partner during their lifetime. Intimate partner violence occurs at a disproportionately high rate in Black communities where systemic discrimination can create barriers to safety and justice, according to the organization.Domestic violence calls have increased during the pandemic as stay-at-home orders were imposed, according to the Domestic Violence Hotline. Katie Benner More

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    FKA twigs Sues Shia LaBeouf, Citing Abusive Relationship

    AdvertisementContinue reading the main storySupported byContinue reading the main storyFKA twigs Sues Shia LaBeouf, Citing ‘Relentless’ Abusive RelationshipThe lawsuit, filed in Los Angeles by the musician, accuses the actor of sexual battery, assault and infliction of emotional distress.The musician FKA twigs, born Tahliah Debrett Barnett, filed a lawsuit in Los Angeles Superior Court that accuses the actor Shia LaBeouf of sexual battery, assault and infliction of emotional distress.Credit…Ana Cuba for The New York TimesKatie Benner and Dec. 11, 2020Updated 6:12 p.m. ETJust after Valentine’s Day in 2019, the musician FKA twigs was in a car speeding toward Los Angeles. At the wheel was her boyfriend, the actor Shia LaBeouf. He was driving recklessly, she said in a lawsuit filed on Friday, removing his seatbelt and threatening to crash unless she professed her love for him.They were returning from the desert, where Mr. LaBeouf, the star of “Transformers,” had raged at her throughout the trip, FKA twigs said in the lawsuit, once waking her up in the middle of the night, choking her. After she begged to be let out of the car, she said he pulled over at a gas station and she took her bags from the trunk. But Mr. LaBeouf followed, and assaulted her, throwing her against the car while screaming in her face, according to the suit. He then forced her back in the car.The gas station incident is at the heart of the lawsuit that says Mr. LaBeouf, 34, abused FKA twigs physically, emotionally and mentally many times in a relationship that lasted just short of a year. Her aim in coming forward, she said in an interview, was to explain how even a critically acclaimed artist with money, a home and a strong network of supporters could be caught in such a cycle.“I’d like to be able to raise awareness on the tactics that abusers use to control you and take away your agency,” FKA twigs, 32, born Tahliah Debrett Barnett, said.Mr. LaBeouf responded Thursday to the concerns raised by Ms. Barnett, and a second former girlfriend who has accused him of abusive behavior, in an email that broadly addressed his conduct.“I’m not in any position to tell anyone how my behavior made them feel,” he said in an email to The New York Times. “I have no excuses for my alcoholism or aggression, only rationalizations. I have been abusive to myself and everyone around me for years. I have a history of hurting the people closest to me. I’m ashamed of that history and am sorry to those I hurt. There is nothing else I can really say.”The lawsuit, filed in Los Angeles Superior Court, says that Mr. LaBeouf knowingly gave Ms. Barnett a sexually transmitted disease. It accuses him of “relentless abuse,” including sexual battery, assault and infliction of emotional distress.Mr. LaBeouf and his representative did not immediately respond to a request for comment on the lawsuit.“I have no excuses for my alcoholism or aggression, only rationalizations,” Mr. LaBeouf wrote in an email to The New York Times. Responding to specific accusations in another email, he wrote that “many of these allegations are not true.”Credit…Mark Blinch/ReutersKarolyn Pho, a stylist who is another of Mr. LaBeouf’s former girlfriends, described similarly tumultuous experiences to The Times, some of which are also outlined in the lawsuit. Once, the suit says, he drunkenly pinned her to a bed and head-butted her, enough that she bled. Afterward, she began to grapple with the idea that he was abusing her. “So much goes into breaking down a man or woman to make them OK with a certain kind of treatment,” she said in an interview.Presented with a detailed account of the claims that the women made against him, in interviews and subsequently in the lawsuit, Mr. LaBeouf, responding in a separate email, wrote that “many of these allegations are not true.” But, he continued, he owed the women “the opportunity to air their statements publicly and accept accountability for those things I have done.”He added that he was “a sober member of a 12-step program” and in therapy. “I am not cured of my PTSD and alcoholism,” he wrote, “but I am committed to doing what I need to do to recover, and I will forever be sorry to the people that I may have harmed along the way.”Mr. LaBeouf has a long history of turbulent behavior. He has been arrested several times on charges that have been dismissed, including assault and disorderly conduct, according to newspaper reports and public records. In 2015, strangers recorded video of him arguing with his girlfriend at the time, the actress Mia Goth, telling her, “This is the kind of thing that makes a person abusive.” After the men recording Mr. LaBeouf gave him a ride, he told them: “If I’d have stayed there, I would’ve killed her,” according to the video.Ms. Barnett said Mr. LaBeouf would squeeze or grab her to the point of bruising. But she did not go to the police, she said, first out of a misguided concern about harming his career, and later because she thought her account would not be taken seriously, and it would be futile.Though many states have laws that treat gender-based, sexual or domestic violence as a civil rights violation, tort suits of the kind Ms. Barnett is pursuing, with a daunting account of painful moments, are relatively uncommon; most often, allegations arise amid divorce or custody proceedings, or while seeking orders of protection. But there has been a slight uptick in civil claims since the #MeToo movement, amid more attention on the complex nature of abuse, said Julie Goldscheid, a law professor at CUNY Law School who studies gender violence and civil rights.Three women die each day at the hands of their abusers, according to the National Organization for Women. The pandemic has exacerbated dangerous situations by forcing partners to stay without interruption in close quarters, law enforcement officials said, and hotlines around the world have reported an increase in calls for help.In the lawsuit, Ms. Barnett describes how she met Mr. LaBeouf in 2018, when she was cast in “Honey Boy,” a mostly autobiographical film he wrote, and they started dating after the movie wrapped. The early days of their relationship were marked by his “over-the-top displays of affection,” she says in the lawsuit, which helped earn her trust.In an abusive relationship, there’s often a “honeymoon phase,” as some experts call it, that builds intimacy and sets a benchmark for how happy the romance could be. It serves as a powerful lure; though flashes of bliss may remain, they are meted out through increasingly controlling demands and impossible standards of behavior.Noah Jupe and Ms. Barnett on the set of “Honey Boy,” a mostly autobiographical film Mr. LaBeouf wrote.Credit…Amazon StudiosIn the lawsuit, Ms. Barnett and Ms. Pho said that Mr. LaBeouf did not like it if they spoke to or looked at male waiters; in an interview, Ms. Barnett said she learned to keep her eyes down when men spoke to her. She also stated in the suit that Mr. LaBeouf had rules about how many times a day she had to kiss and touch him, which he enforced with constant haranguing and criticism.Mr. LaBeouf convinced Ms. Barnett to stay with him in Los Angeles, she said, rather than move back to London where she and her professional circle lived. It was a step toward her isolation, she said. And he would often say that her creative team used her, a message that eventually led her to doubt them.But living with him became frightening, she said. The lawsuit says that he kept a loaded firearm by the bed and that she was scared to use the bathroom at night lest he mistake her for an intruder and shoot her. He didn’t let her wear clothing to bed, and would spin a trifling disagreement — over an artist she liked and he didn’t, for example — into an all-night fight, depriving her of sleep, the suit says.The situation came just as she was completing what became her most critically lauded album, “Magdalene.” Ms. Barnett said she found herself in stasis, struggling to fulfill her professional duties, and confounding her friends and colleagues. “Twigs is always the driving force behind her career — always a step ahead of everyone else,” said her longtime manager, Michael Stirton. “This was an extreme change in her personality and character.” The album’s release was delayed multiple times, and a tour was rescheduled at great cost, Mr. Stirton said, as Ms. Barnett receded. “I could speak to her,” he said. “But I couldn’t reach her.”As Ms. Barnett grew more isolated, she said she felt as though her safety nets were unraveling. The gas station incident had happened in public, she said, and no one stepped to her aid; an early attempt she made to tell a colleague was brushed off. “I just thought to myself, no one is ever going to believe me,” she said in an interview. “I’m unconventional. And I’m a person of color who is a female.”Slowly, with the help of a therapist, she began to strategize her exit. While she was packing to leave in spring 2019, Mr. LaBeouf turned up unannounced and terrorized her, according to a sworn statement from a witness, her housekeeper, in the lawsuit. When Ms. Barnett wouldn’t leave with him, the statement says, he “violently grabbed” her, picked her up and locked her in another room, where he yelled at her.Escaping him began to seem “both difficult and dangerous,” the lawsuit says. And even as she grew in resolve, she felt overwhelmed, she told her therapist, in an email The Times has reviewed. Though she had the means, it took several attempts for Ms. Barnett to extricate herself, she said in an interview. And it was only afterward that she realized how broken down she had become.“The whole time I was with him, I could have bought myself a business-flight plane ticket back to my four-story townhouse in Hackney,” in London, she said. And yet she didn’t. “He brought me so low, below myself, that the idea of leaving him and having to work myself back up just seemed impossible,” she said.In her lawsuit, Ms. Barnett said she plans to donate a significant portion of any monetary damages to domestic-violence charities. “It was actually very expensive, and a massive undertaking of time and resources, to get out,” she said in an interview. Her status makes her situation unusual, she said. But she wanted to share her story because it was otherwise so common.“What I went through with Shia was the worst thing I’ve ever been through in the whole of my life,” she said. “I don’t think people would ever think that it would happen to me. But I think that’s the thing. It can happen to anybody.”AdvertisementContinue reading the main story More