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    ‘Lilo & Stitch’ Cast Discuss What Lured Them to the Live-Action Remake

    Cast members from the original 2002 animated film and the live-action remake explain what lured them to — or back to — “Lilo & Stitch.”When Maia Kealoha learned that she was going to play Lilo in Disney’s live-action remake of “Lilo & Stitch,” she sobbed big, fat, happy tears.“That might be the first time I was quiet in my whole entire life,” she said of the video call with the film’s director, Dean Fleischer Camp, in 2023, when he asked her to be his Lilo.Kealoha, 8, is a big fan of the original animated film from 2002 about a destructive but adorable alien experiment named Stitch who crash-lands in Hawaii and befriends a young girl named Lilo.The film, which earned more than $273 million (or $484 million when adjusted for inflation) at the global box office, was one of the first Disney animated movies to be driven by a nonromantic story line. It also won praise for its strong female characters and nuanced depictions of Hawaii.“I’ve seen it 1,000 times,” Kealoha, who was born and raised on Hawaii’s Big Island, said in a recent video call. “It’s so good.”Stitch, unsurprisingly, is her favorite character. The rambunctious blue troublemaker also reminds her of someone she knows: Her 1-year-old brother, Micah Kealoha.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Lilo & Stitch’ Review: Creature Chaos

    The live-action remake of the hit 2002 Disney film is mostly serviceable and often adorable, even if the best parts of the original got left behind.An interesting facet of this age of Disney live-action remakes is how the style and tone of these updates to children’s classics, reimagined decades later, can personify exactly how the sensibilities of mass entertainment have shifted since. From the opening moments of “Lilo & Stitch,” which mostly mirrors the content of its 2002 animated predecessor, the difference is clear: more speed, more noise and more hand-holding for the audience.To be fair, that is all particularly enhanced by a movie whose entire engine (and marketing) is fueled by a critter that wreaks mayhem and destruction at every turn. Here, things move at warp speed, even as the movie constantly trips over itself trying to pluck at the next heart string. But there’s just enough to make for a moderately fun, mostly serviceable and often adorable revamp that will probably satisfy fans of the original.Save for a couple characters added and subtracted, along with an amped-up climax, this update, directed by Dean Fleischer Camp, is largely faithful to the original, tracking the bond between Lilo (Maia Kealoha), an orphaned girl being raised by her older sister, Nani (Sydney Agudong), and Stitch (a returning Chris Sanders, who was one of the directors of the 2002 film), an incorrigible alien lab experiment that crash-lands in the jungles of Hawaii.On the run from the United Galactic Federation, Stitch poses as a dog and goes home with Lilo and Nani, using them as human shields against Jumba (Zach Galifianakis) and Pleakley (Billy Magnussen), two aliens tasked with capturing Stitch. As Nani struggles to raise her sister on her own and tries to prevent child services from taking Lilo away, Stitch only adds to the chaos. But for Lilo, a desperately lonely girl still grieving the loss of her parents, Stitch quickly becomes “ohana,” i.e. family, i.e. “nobody gets left behind.”This early aughts romp didn’t seem like an obvious candidate for Disney’s ongoing live-action redo campaign, other than the opportunity it presented to let such a memorable (and moneymaking) creature loose in the real world; the studio giant’s other remakes have been partly justified by either recreating vast and fantastical universes (“The Little Mermaid,” “The Lion King”) or dusting off classic storybook properties for a new century (“Dumbo,” “Pinocchio”). In this case, the unique visual splendor of the original — rendering Hawaiian landscapes in a gorgeous and idiosyncratic watercolor animation — is replaced by the easy blandness of a Disney Channel movie.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More