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    Kjersti Flaa’s Celebrity Interviews Are Intended to Start Conversations

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    Kjersti Flaa’s awkward interviews with Blake Lively and Anne Hathaway from years ago blew up online. She may release more because “the times are a little different.”Kjersti Flaa says she never intended for her uncomfortable encounter with Blake Lively to get so much attention. Ms. Flaa, a Norwegian journalist who is based in Los Angeles, had been having a conversation with a fellow Norwegian reporter about celebrity interviews gone wrong when her conversation with Ms. Lively, which took place during the 2016 press junket for the movie “Café Society,” came to mind.In a recent interview, Ms. Flaa, whose first name is pronounced SHER-sty, said she had decided to post the tense exchange with Ms. Lively to YouTube to “see what happens.” The clip, which runs four minutes and 17 seconds, is titled “The Blake Lively interview that made me want to quit my job,” and it has garnered more than 5.4 million views since it was published in August.In the clip, Ms. Flaa congratulates Ms. Lively, who had just announced her pregnancy, on her “little bump.” A visibly annoyed Ms. Lively shoots back, “Congrats on your little bump.” Ms. Flaa was not pregnant.Ms. Flaa said she had coincidentally published the clip while Ms. Lively was facing backlash for the tone of her press tour for the romantic thriller “It Ends With Us.” The timing instigated a new wave of criticism of the actress. And Ms. Flaa, a little-known junket reporter, was suddenly everywhere.“Back then, when I did that interview, I never wanted to post it on YouTube, because I knew if I did, A, I would probably never be invited again by her publicists, clients or the studio again,” she said. “And B, I think it was a different cultural landscape eight years ago, and they would have attacked me instead of her, right?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      What ‘It Ends With Us’ Gets Wrong (and Right) About Domestic Abuse

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      Its depiction of love-bombing and psychological abuse rings true, experts say, but other oversimplified aspects could send a dangerous message.A person trying to escape an abusive relationship, on average, needs seven attempts to actually leave. Lily Bloom, the protagonist of the new drama “It Ends With Us,” needs only one.In the hit adaptation of the best-selling Colleen Hoover novel, Bloom (Blake Lively) is a young woman who grew up watching her father repeatedly hit her mother and who sees her own marriage to the seemingly perfect neurosurgeon Ryle Kincaid (Justin Baldoni, also the film’s director) deteriorate into physical and emotional abuse. When Bloom learns she’s pregnant with Kincaid’s child after a violent night, she decides to get out.Professionals who counsel domestic violence survivors or work on related issues say “It Ends With Us” is an oversimplified depiction of being in and leaving an abusive relationship. But whether it’s a potential tool for advocacy or an unattainable vision of escaping abuse depends on whom you ask.“I think it’s very likely that people are going to come to the movie and see themselves in Lily,” said Pamela Jacobs, the chief executive officer of the nonprofit organization the National Resource Center on Domestic Violence. She said that although “It Ends With Us” had problems, she was surprised by how well it showed abuse overall.The big inaccuracy to professionals is how easily Bloom leaves once she realizes she is being abused. In real life, she would probably have faced stalking, harassment and other escalating pressure tactics, including violence.In “It Ends With Us,” Bloom and her husband peacefully part ways after a single conversation. Jacobs said Bloom’s departure was unrealistically smooth thanks to her financial independence (she owns a flower shop) and unwavering community support, including from her best friend, who is also Kincaid’s sister.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Blake Lively, Justin Baldoni and the ‘It Ends With Us’ Drama, Explained

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      What’s happening onscreen has become secondary to the conversation about differences between Blake Lively and Justin Baldoni, her co-star and director.The Blake Lively romantic drama “It Ends With Us” revolves around a florist, and the film’s marketing campaign, including the red carpet and the posters, has been entirely floral-themed. But the press tour has hardly come up roses.The movie itself is a box office hit, earning $50 million after its release last weekend. The plot centers on Lily Bloom (Lively), who escapes a rough childhood, opens her dream flower store and soon meets her seemingly dream guy, Ryle Kincaid, played by the film’s director, Justin Baldoni.Based on a best-selling Colleen Hoover novel, “It Ends With Us” is ultimately about breaking the cycle of domestic violence that entraps one generation after another. But the film has been at the center of a surprisingly varied number of controversies that have raised a number of questions:Has there been a rift between Baldoni and the cast?Hints that things were off first surfaced at the New York and European premieres. Though Baldoni was in attendance, he wasn’t posing for the cameras with anyone else involved in the movie and wasn’t participating in joint interviews. Fans speculated that this was a marketing tactic, given that he plays an abusive husband. The theory seemed to be that the distance was a statement about not romanticizing the relationship between the Lively and Baldoni characters.But that conjecture was quickly discarded when it emerged that Lively, her husband, Ryan Reynolds, other cast members and even Hoover had unfollowed Baldoni on social media. The interpersonal drama was fueled by reports of conflict during the making of the film — all of it related by anonymous sources, of course.Lively and her husband, Ryan Reynolds, at the New York premiere. Cindy Ord/Getty ImagesDoes the rift involve Ryan Reynolds?Baldoni and his production company, Wayfarer Studios, secured the rights to the book in 2019, and in 2023 it was announced that Lively had signed on to star. Crucially, both had executive producer roles.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      What ‘It Ends With Us’ Says About the Blake Lively Brand

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      The images onscreen are informed by the actress’s offscreen businesses, making the movie a fascinating study in the uses of star power.Blake Lively’s hair is like a character unto itself in the new romantic drama “It Ends With Us.”Her thick mane shapeshifts with her role, Lily Bloom, a flower shop owner who falls in and out of love with an abusive neurosurgeon. Lively’s hair, dyed a soft ginger, is artfully messy when she gets her hands dirty starting up the store. The camera follows a mass of buoyant curls when she struts into a party dressed to impress the man who will ultimately betray her. When she wakes up post-coitus, her hair is perfectly tousled. When she is sad, it droops as if by magic.You could say Blake Lively’s hair is a tool she uses to sell her performance, but her performance is also a tool she uses to sell her hair. Those who are impressed with her locks in “It Ends With Us” can learn from her Instagram that she recently debuted a line of hair-care products called Blake Brown. (Brown is her father’s last name.)In many ways “It Ends With Us” is a brand-building exercise for Lively. Yes, the film, directed by Justin Baldoni, is an adaptation of a popular novel, meant to lure fans of the best-selling author Colleen Hoover, but it also serves as an advertisement for the world of Lively — not just her talent but her celebrity and her other significant role, mogul, making the film a fascinating study in the various forms star power can take.On the most readily understandable level, “It Ends With Us” makes a convincing case for Lively as an actress. Her particular je ne sais quoi was evident back in the 2007 pilot of “Gossip Girl,” which opened with a tribute to her allure. Her character — Serena van der Woodsen, the rich girl with a troubled past — arrives at Grand Central, back in New York after a mysterious absence, and everyone turns toward her. As she looks around the train station’s vast hall, she looks gorgeous and wistful, every flip of her hair (that hair!) seems imbued with greater meaning.Lively as Serena van der Woodsen in the opening scenes of “Gossip Girl.”KC Bailey/CWLike every young star on that prime-time soap, Lively made a bid for a film career. “Green Lantern” (2011) didn’t win her a franchise, but it did introduce her to her future husband, Ryan Reynolds. The dark comedy “A Simple Favor” (2018), in which she played a martini-stirring psychopath, was a surprise box office success and garnered a fervent enough fan base to earn a sequel. But Lively seemed to struggle to find her niche in movies, and while she received some praise for performances in the romance “The Age of Adaline” (2015) and the survival thriller “The Shallows” (2016), nothing propelled her to the next level of fame on the big screen.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘It Ends With Us’ Review: For Blake Lively, Love Hurts and Even Bruises

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      Blake Lively plays Lily Bloom, a flower lover with a thorny personal garden, in this gauzy adaptation of Colleen Hoover’s best-selling novel.Buried under the gauzy romanticism of “It Ends With Us” — under the softly diffused visuals, the endless montage sequences, the sensitive mewling on the soundtrack and the luxuriously coifed thickets of Blake Lively’s sunset-on-Malibu-Beach dyed-red hair — is a tough little movie about women, bad choices, worse men and decisions that doesn’t fit into a tidy box.Lively stars as the improbably named Lily Blossom Bloom, a beauty with a traumatic history, a soulful ex and a passion for gardening. Over the course of the movie, she falls in love with a neurosurgeon who looks like he stepped out of a Calvin Klein ad. She also befriends a wisecracking sidekick, opens a whimsical floral shop, endures heartache and, after much reflection and many plot complications, finds herself. It’s hard going, but Lily takes whatever life throws at her with her meticulously styled head up and a neo-bohemian influencer vibe. She’s a dream of a woman, an aspirational ideal, an Instagram-era Mildred Pierce.You may know Mildred from Turner Classic Movies as the pie-baking survivor played by Joan Crawford in the 1945 noir “Mildred Pierce.” Mildred walks into that classic wearing a mink coat with linebacker shoulder-pads and the kind of stricken look that clouds a woman’s face when she discovers that her no-good second husband is sleeping with her no-good teenage daughter, and the brat has just offed the creep. It’s no wonder that when Mildred stares into the nighttime waters of the Pacific, she seems to be mulling her equally dark past and future, much as Lily does one evening on a Boston rooftop early on in “It Ends With Us.”Lily doesn’t have long to consider her existential options because her rooftop reveries are soon interrupted by the neurosurgeon, Ryle Kincaid (Justin Baldoni, who directed the movie). A brooding hunk with soft eyes, hard muscles and miraculously unchanging three-day stubble, Ryle has a touch of menace and a gift for cornball lines, and before long he and Lily are flirtatiously circling each other. Love buds and, yes, blooms, and Lily settles down with Ryle. He seems like a ready-made catch (Baldoni gives himself plenty of close-ups), although anyone at all familiar with the conventions of romantic fiction will wonder about the intensity of his attentions. A picture-perfect guy doesn’t necessarily make a picture-perfect life, dig?Adapted from Colleen Hoover’s best seller by Christy Hall, “It Ends With Us” is fitfully diverting, at times touching, often ridiculous and, at 2 hours and 10 minutes, almost offensively long. It’s visually and narratively overbusy, stuffed with flashbacks of Lily as an adolescent (Isabela Ferrer) that create two parallel lines of action. As the adult Lily moves forward with Ryle and opens her store — she gets help from a nattering assistant, Allysa (Jenny Slate), who enters with her luxury bag swinging and motormouth running — images of the past fill in Lily’s history and her high-school romance with another student, Atlas. (Alex Neustaedter plays him as a teen, while Brandon Sklenar steps into the grown-up role.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Guide to Every ‘Deadpool & Wolverine’ Cameo

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      Ryan Reynolds and Hugh Jackman are the stars, but they get help from a host of actors you may know from other superhero movies.“Deadpool & Wolverine” expects its audience to have a very good memory. To get the most out of the movie you have to not only be well-versed in the previous films starring the characters of the title — Ryan Reynolds’s foul-mouthed mercenary and Hugh Jackman’s gruff mutant with spiky claws — but you also should be able to recall the last 25 or so years of movies inspired by Marvel comic books. Even the ones that perhaps Marvel would like to forget.It also helps to know your Hollywood deal history. The film, directed by Shawn Levy, refers repeatedly to the fact that Disney, the owner of Marvel Studios, purchased Fox, Deadpool’s previous home. There are all sorts of appearances from previous Marvel stars thanks to a timeline-hopping plot in which Deadpool recruits Wolverine to help him save his friends from destruction. Along the way they meet heroes and baddies from various versions of this universe, many of whom have very familiar faces. Most of these characters have been discarded in what is called the Void, a wasteland of unwanted superpowered individuals first introduced in the Disney+ series “Loki.”Here’s a guide. Be warned: These are all spoilers.Chris Evans as Johnny StormWhen Chris Evans is first unveiled in “Deadpool & Wolverine,” both Deadpool and the audience assume he is playing Steve Rogers, a.k.a. Captain America. After all, Deadpool is now part of the Marvel Cinematic Universe. But Evans is actually here as the superhero he played before Captain America: Johnny Storm, the Human Torch. Evans portrayed that Fantastic Four member in 2005’s “Fantastic Four” and “Fantastic Four: Rise of the Silver Surfer” (2007). Those films were decidedly not as acclaimed or beloved as any of the Captain America flicks. So Evans’s appearance here as Johnny is both something of an intentional letdown and a more dastardly joke. It’s the first sign that “Deadpool & Wolverine” is going to be heavily referencing the pre-M.C.U. era of Fox Marvel movies.Jennifer Garner as ElektraJennifer Garner in “Elektra,” her 2005 superhero movie.20th Century FoxAfter Evans, there are three other stars who make for the most gasp-worthy cameos. The first is Jennifer Garner, back in leather as Elektra, whom she played in the 2005 movie of the same name. “Elektra,” a spinoff of “Daredevil” (2003), was not reviewed positively at the time, with The New York Times calling it a “rickety vehicle.” What about her Daredevil, played by Garner’s ex-husband, Ben Affleck? He does not show up in “Deadpool & Wolverine,” a fact acknowledged with a knowing laugh line. (Mostly, seeing Garner just made us wish for an “Alias” reboot.)Wesley Snipes as BladeWesley Snipes as Blade, a character that was better received than some of the others making cameos.New Line CinemaWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More