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    A Musical Tour of Tim Walz’s Minnesota

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    The state is a hotbed of corrosive underground rock, birthplace of two acclaimed icons, home to a lively hip-hop scene and a bedrock of ’80s pop and funk.Minnesota royalty: Prince.Chris Pizzello/R-PIZZELLO, via Associated PressDear listeners,On Tuesday, Vice President Kamala Harris announced that she had chosen a running mate: Tim Walz, governor of Minnesota. The news cast a spotlight not only on Walz, but on Minnesota’s culture — and in particular its rich, varied musical history.Walz is an avowed music fan himself, with a special appreciation for local record stores and artists who hail from the state. My colleague Marc Tracy delves into this side of Walz in a piece published this morning, in which he suggests that the Gen X governor’s fandom of Twin Cities indie-rock legends like the Replacements and Hüsker Dü has “signaled a changing of the generational guard.” Adds Michael Azerrad, author of the ’80s rock tome “Our Band Could Be Your Life,” “It makes sense that our post-Boomer politicians would be into indie rock.”But Minnesota, of course, is more than just a hotbed of corrosive underground rock. It’s also the birthplace of two of the greatest American musicians of the last century (Duluth’s Bob Dylan and Minneapolis’s Prince), home to a lively hip-hop scene that produced a recent superstar (the Detroit expat Lizzo), and the locus of the wildly influential “Minneapolis sound” (practiced by groups like the Time) that reverberated throughout ’80s pop and funk.Today’s playlist is a celebration of the many sounds of Minnesota, and it features all the aforementioned artists plus the heartland revivalists the Hold Steady, the grunge hell-raisers Babes in Toyland and the alt-country mainstays the Jayhawks. To quote Prince — in whose honor Walz renamed a stretch of Minnesota highway last year — “Rock ’n’ roll is alive! (And it lives in Minneapolis).”Sure as the Land of a Thousand Lakes is sometimes made of snow,LindsayListen along while you read.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Barbra Streisand, Spike Lee and Other Stars Endorse Harris

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      Barbra Streisand lent her support to Vice President Kamala Harris on Monday, becoming the latest in a series of high-profile stars and celebrities who have coalesced around her candidacy since President Biden endorsed her as his successor.“President Biden and Vice President Harris ushered this nation out of the Trump chaos,” she said in a statement to The New York Times on Monday. “I’m so grateful to President Biden and so excited to support Kamala Harris. She will work to restore women’s reproductive freedom and continue with the accomplishments begun in the Biden-Harris administration.”Ms. Streisand praised Mr. Biden as “an honorable and compassionate leader” and called former President Donald J. Trump “a convicted felon” and a “pathological liar” who had been found liable for sexual assault and who had “incited an insurrection against our democracy.”Endorsements from Hollywood’s most recognizable figures can add cultural cache to candidates, and have traditionally helped campaigns raise money, turn out crowds at rallies and generate excitement on social media. Some campaigns have been leery of appearing too close to celebrities, fearing accusations of elitism. Both parties seek them; at the Republican National Convention last week, Hulk Hogan, Kid Rock and Dana White were among the celebrities supporting Mr. Trump.Since Mr. Biden announced he would not seek re-election, some stars have praised his decision, others have gotten behind Ms. Harris, and a few who made their views known earlier in the cycle have stayed quiet. Here’s a look at where some notable names in Hollywood now stand:George ClooneyMr. Clooney’s essay in The New York Times this month calling on Mr. Biden to not seek re-election rattled the Biden team and dealt a highly visible blow to the campaign at a particularly vulnerable moment, underscoring the power that stars can wield.A spokesman for Mr. Clooney said on Monday that the actor was not commenting on the latest developments in the race.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Billie Eilish, Lorde and More Are Singing Out About Body Image

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      Billie Eilish, Charli XCX and Lorde are among a group of young women who are revealing, in their music, the pressure they have felt to look thin.Taken together, the first two song titles on Billie Eilish’s third album, “Hit Me Hard and Soft,” form a provocative pair: “Skinny” and “Lunch.”“People say I look happy/Just because I got skinny,” Eilish sings on the opener, her melancholic croon accompanied by a single, murky guitar. “But the old me is still me and maybe the real me,” she adds, “and I think she’s pretty.”That lyric is a gut punch. It’s also indicative of a subtle shift among the current generation of female pop stars, who have recently been acknowledging — often in stark, striking and possibly triggering language — the pressure they have felt to look thin.Taylor Swift, who first opened up about her past struggles with disordered eating in a powerful sequence in her 2020 documentary, “Miss Americana,” sings about it on her 2022 track “You’re on Your Own, Kid,” a compassionate ode to her younger self: “I hosted parties and starved my body, like I’d be saved by the perfect kiss.” Last month, in a guest appearance on the remix of Charli XCX’s “Girl, So Confusing,” Lorde confessed that fluctuations in her weight had led her to stay out of the public eye. “For the last couple years, I’ve been at war in my body,” she sings, heartbreakingly. “I tried to starve myself thinner, and then I gained all the weight back.”For several years, conversations about weight in mainstream pop have centered around an artist bold enough to speak up about it and absorb the stinging backlash: Lizzo. In her lyrics, on social media, and in her shapewear line, the singer and rapper has played up self-love, becoming a face of the body positivity movement. Earlier this year, however, she told The New York Times that she had “evolved into body neutrality.” “I’m not going to lie and say I love my body every day,” she said.Part of the vitriol Lizzo has faced is rooted in racism, and it is impossible to divorce a dialogue about body image from race, and the different ways Black, brown and white bodies are dissected, denigrated and idolized. Latto recently spoke out about how online criticism led her to have plastic surgery at 21 to enhance her buttocks. Last year the rapper, who is biracial, said, “When I didn’t have my surgery, they’re like, ‘Oh, she shaped like her white side.’” SZA, speaking to Elle about her own, similar, procedure (which she sang about on her hit 2022 album, “SOS”), said, “I didn’t succumb to industry pressure. I succumbed to my own eyes in the mirror.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Lizzo Says She Is Not Leaving Music Industry After ‘I Quit’ Post

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      Lizzo clarified that she was not quitting music after writing on Instagram last week that she was “starting to feel like the world doesn’t want me in it.”Lizzo, the Grammy Award-winning singer, clarified on Tuesday that she was not quitting the music industry, days after her social media post saying “I QUIT” led some fans to speculate that she was ending her music career.In a video posted on social media, Lizzo said she was not leaving the music business and instead was quitting “giving any negative energy attention.”“What I’m not going to quit is the joy of my life, which is making music, which is connecting to people, cause I know I’m not alone,” she said in the video. “In no way shape or form am I the only person who is experiencing that negative voice that seems to be louder than the positive.”She continued: “If I can just give one person the inspiration or motivation to stand up for themselves, and say they quit letting negative people win, negative comments win, then I’ve done even more than I could’ve hoped for.”Speculation that Lizzo was leaving the industry arose after she posted a message on Instagram on March 30 that ended with the words: “I QUIT.”“I’m getting tired of putting up with being dragged by everyone in my life and on the internet,” she wrote in the initial post. “All I want is to make music and make people happy and help the world be a little better than how I found it. But I’m starting to feel like the world doesn’t want me in it.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Lizzo Embraces ‘Body Neutrality’ With New Yitty Swimwear Line

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      The singer Lizzo, who just released a new swim line, has moved on from “body positivity.”On the surface, Lizzo’s new shapewear-influenced swimwear line seems all about control.“These suits have a power to hold,” Lizzo, the Grammy-Award-winning singer and fashion entrepreneur, said in a video interview. “Let me tell you something: I have broken into a sweat trying to get some of these on.”That Lizzo, a trailblazer of fat acceptance, has had to squeeze into bathing suits she developed for her brand Yitty was a striking confession. But she has tailored the concept of body positivity — that popular movement that urges self-love no matter your shape or size — to fit the times.“The idea of body positivity, it’s moved away from the antiquated mainstream conception,” she said. “It’s evolved into body neutrality.”Yet to hear her tell it, she is anything but neutral. “I’m not going to lie and say I love my body every day,” Lizzo, 35, said. “The bottom line is, the way you feel about your body changes every single day.”She continued, “There are some days I adore my body, and others when I don’t feel completely positive.”“The idea of body positivity,” Lizzo said, has “evolved into body neutrality.” YittyWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Designer Files New Lawsuit Against Lizzo and Her Wardrobe Manager

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      The singer, who already faces one lawsuit alleging a hostile work environment, has repeatedly denied wrongdoing.A former wardrobe designer who worked briefly on Lizzo’s 2023 tour before being dismissed filed a lawsuit on Thursday alleging that the tour’s wardrobe manager had created a hostile work environment that tour management and Lizzo failed to address.In the complaint the plaintiff, Asha Daniels, who worked on the tour for less than a month, names Lizzo as a defendant, but does not accuse her directly of harassing behavior. In a news release accompanying the lawsuit, Ron Zambrano, her lawyer, said, “Lizzo is the boss so the buck stops with her.”The filing comes more than a month after three of Lizzo’s former dancers, who are also represented by Zambrano, sued the singer and her production company, accusing them of creating a hostile work environment. Lizzo has denied the allegations, and her lawyer has said she plans to countersue. On Thursday, a spokesman for Lizzo called the latest suit an “absurd publicity stunt” and noted that the singer had never met the plaintiff.In the court papers submitted on Thursday in Los Angeles Superior Court, Daniels said she was asked to join the tour in early 2023 by the wardrobe manager, Amanda Nomura. The lawsuit alleges that throughout Daniels’s employment, Nomura had made “racist and fatphobic” comments and mocked both Lizzo and Lizzo’s background dancers “by doing an offensive stereotypical impression of a Black woman.”The lawsuit also alleged that a backstage manager on the tour sent a photo “graphically depicting male genitalia” to a group text message that included the plaintiff, tour management and other crew members; the lawsuit said the singer’s management failed to properly address the message, responding to it with humor in a way that encouraged an “unsafe, sexually charged workplace culture.”The plaintiff also said she was subjected to long hours and frequently denied breaks, alleging that Nomura required her to be on her feet all day despite an ankle injury.Attempts to reach Nomura on Thursday were not immediately successful.In response to the lawsuit, a spokesman for Lizzo, Stefan Friedman, said that Daniels never had any contact with the pop star during her time with the tour.“As Lizzo receives a humanitarian award tonight from the Black Music Action Coalition for the incredible charitable work she has done to lift up all people, an ambulance-chasing lawyer tries to sully this honor by recruiting someone to file a bogus, absurd publicity-stunt lawsuit,” Friedman said.He went on, “We will pay this as much attention as it deserves. None.” More

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      Popcast (Deluxe): Lizzo, Travis Scott and the Limits of Persona

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      Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicThis week’s episode of Popcast (Deluxe), the weekly culture roundup show on YouTube hosted by Jon Caramanica and Joe Coscarelli, includes segments on:How a star’s public persona, varnished or unvarnished, can dictate what they can get away with in the eye of their followers. Lizzo, who for years has emphasized personal kindness as her brand, has seen her career derailed by allegations that she mistreated her backup dancers. Cardi B threw a microphone at an audience member in reaction to getting splashed with water, but has emerged unscathedTravis Scott’s No. 1 album “Utopia,” its many guest appearances and its oxygen-swallowing hugenessThe resilience of Playboi Carti, who has built a growing cultlike career while releasing no new musicRemembering the life and work of Sinead O’Connor and Angus CloudNew songs from Cowgirl Clue and B-Lovee featuring Luh TylerSnack of the weekConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      Lizzo Denies Allegations in Former Dancers’ Lawsuit

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      Three dancers have accused the Grammy-winning singer of creating a hostile work environment, claims that she said were “as unbelievable as they sound.”Lizzo on Thursday denied allegations made against her this week by three former dancers who said she created a hostile work environment while performing concerts during the Grammy-winning singer’s Special Tour this year.The three dancers said they had been “exposed to an overtly sexual atmosphere that permeated their workplace,” in a lawsuit filed on Tuesday in Los Angeles Superior Court. The lawsuit described several episodes that lawyers for the dancers said amounted to sexual harassment and weight shaming.“Usually I choose not to respond to false allegations but these are as unbelievable as they sound and too outrageous to not be addressed,” Lizzo said in a statement posted on social media. “These sensationalized stories are coming from former employees who have already publicly admitted that they were told their behavior on tour was inappropriate and unprofessional.”Two of the plaintiffs, Arianna Davis and Crystal Williams, became dancers for Lizzo after competing on her reality television show on Amazon Prime, “Watch Out for the Big Grrrls,” in 2021. The lawsuit says Ms. Davis and Ms. Williams were fired in the spring of 2023.The third plaintiff, Noelle Rodriguez, was hired in May 2021 to perform in Lizzo’s “Rumors” music video and joined her dance team. Ms. Rodriguez resigned shortly after Ms. Davis and Ms. Williams were fired, the lawsuit says.Ms. Davis, who was diagnosed with a binge eating disorder, said in the lawsuit that some of Lizzo’s statements to dancers gave her the impression that she had to “explain her weight gain and disclose intimate personal details about her life in order to keep her job.”The lawsuit also describes an episode at a nightclub in Amsterdam where Lizzo began inviting employees to touch nude performers and handle dildos and bananas used in their performances.A dancer, fearing retaliation, “acquiesced” to touching the breast of a nude female performer despite repeatedly expressing no interest in doing so, the suit says.Lizzo said in her statement on Thursday that she took her music and performances seriously. “Sometimes I have to make hard decisions but it’s never my intention to make anyone feel uncomfortable or like they aren’t valued as an important part of the team,” the statement said.She also nodded to the sexual harassment allegations and directly denied the claims that she had weight shamed dancers.“I am very open with my sexuality and expressing myself but I cannot accept or allow people to use that openness to make me out to be something I am not,” the statement said. “There is nothing I take more seriously than the respect we deserve as women in the world. I know what it feels like to be body shamed on a daily basis and would absolutely never criticize or terminate an employee because of their weight.”The defendants in the lawsuit include Lizzo, using her full name, Melissa Jefferson, instead of her stage name; her production company, Big Grrrl Big Touring Inc.; and Shirlene Quigley, the tour’s dance captain. Lizzo did not address the allegations made against Ms. Quigley, who was accused of making sexually explicit comments to the dancers and of engaging in religious harassment. More

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      Dancers Accuse Lizzo of Harassment and Hostile Work Environment in Lawsuit

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      In a lawsuit filed Tuesday, three dancers claim that touring with the Grammy winner meant working in an “overtly sexual atmosphere” that subjected them to harassment.Three of Lizzo’s former dancers filed a lawsuit against her on Tuesday in Los Angeles Superior Court, accusing the Grammy-winning singer and the captain of her dance team of creating a hostile work environment while performing concerts on her Special Tour this year.The lawsuit, a copy of which was provided to The New York Times by the plaintiffs’ law firm, said the dancers had been “exposed to an overtly sexual atmosphere that permeated their workplace,” which included “outings where nudity and sexuality were a focal point,” it said. The suit was first reported by NBC.The defendants include Lizzo, using her full name Melissa Jefferson instead of her stage name; her production company, Big Grrrl Big Touring Inc.; and Shirlene Quigley, the tour’s dance captain. It does not specify whether the singer was aware of the plaintiffs’ allegations linked to Ms. Quigley.The suit alleges that Lizzo and Ms. Quigley were involved in several episodes that lawyers for the three dancers said amounted to sexual and religious harassment and weight shaming, among other allegations.The suit alleges that Ms. Quigley “made it her mission to preach” Christianity to the dancers, and fixated on virginity, while Lizzo sexually harassed them.On one occasion while at a nightclub in Amsterdam, the lawsuit says, Lizzo began inviting employees to touch nude performers and handle dildos and bananas used in their performances.Out of fear of retaliation, a dancer eventually “acquiesced” to touching the breast of a nude female performer despite repeatedly expressing no interest in doing so, the suit says.Representatives for Lizzo and her production company did not immediately respond to requests for comment on Tuesday.Dancers on Lizzo’s “Watch Out for the Big Grrrls” reality show last year. Arianna Davis, bottom right, is one of the plaintiffs in the lawsuit.Michelle Groskopf for The New York TimesTwo of the plaintiffs, Arianna Davis and Crystal Williams, began performing with Lizzo after competing on her reality television show on Amazon Prime, “Watch Out for the Big Grrrls,” in 2021. The show was an opportunity to give plus-size dancers representation, Lizzo said at the time. Ms. Davis and Ms. Williams were fired in the spring of 2023, the lawsuit says.Separately, a third plaintiff, Noelle Rodriguez, was hired in May 2021 to perform in Lizzo’s “Rumors” music video and remained on as part of her dance team. According to the lawsuit, Ms. Rodriguez resigned shortly after Ms. Davis and Ms. Williams had been fired.Some of the allegations seemed to take aim at Lizzo’s reputation for championing body positivity and inclusivity.“The stunning nature of how Lizzo and her management team treated their performers seems to go against everything Lizzo stands for publicly,” a lawyer for the plaintiffs, Ron Zambrano, said in a statement on Monday. Privately, he said, Lizzo “weight-shames her dancers and demeans them in ways that are not only illegal but absolutely demoralizing.”Some of Lizzo’s statements to the dancers gave Ms. Davis, who was diagnosed with a binge eating disorder, the impression that she had to “explain her weight gain and disclose intimate personal details about her life in order to keep her job,” the suit says.Since her breakout hit “Truth Hurts” dominated charts in 2019, Lizzo has popularized “feel-good music” and self-love and has celebrated diversity in all forms by churning out empowerment anthems, introducing a size-inclusive shapewear line and racking up millions of views on social media.She won this year’s Grammy for record of the year for “About Damn Time.”Diana Reddy, an assistant professor at the School of Law at the University of California, Berkeley, said that allegations that fall outside legally protected categories could undermine Lizzo’s body-positive message and “could certainly encourage a settlement.”Proving a hostile work environment in the unconventional entertainment industry is difficult, she said, so the plaintiffs’ lawyers could be hoping for a settlement. “Employment discrimination plaintiffs don’t fare particularly well in court,” Ms. Reddy said. More