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    ‘Bob’s Burgers’ Actor Sentenced to One Year in Prison for Role in Jan. 6 Riot

    The actor, Jay Johnston, pleaded guilty in July to obstructing police during the riots at the Capitol on Jan. 6, 2021, according to prosecutors.Jay Johnston, a comedian and actor who voiced Jimmy Pesto Sr. on the Fox sitcom “Bob’s Burgers,” was sentenced to a year and a day in prison over his involvement in the attack on the U.S. Capitol on Jan. 6, 2021.Mr. Johnston, 55, pleaded guilty in July to a felony charge of obstruction of law enforcement after reaching a plea agreement that dropped three other charges originally brought against him. The actor was arrested in June 2023 in California with the help of internet sleuths who identified Mr. Johnston after the F.B.I. posted photos of him at the Capitol during the riot. Three other people who know Mr. Johnston also identified him.While Mr. Johnston is best known for his role in “Bob’s Burgers,” he was a regular on the 1990s sketch comedy show, “Mr. Show with Bob and David,” as well as on “The Sarah Silverman Program.” He has mostly starred in comedies on television and in movies.He will be on supervised release for two years after his yearlong prison sentence, according to a news release from the U.S. attorney’s office for the District of Columbia. U.S. District Judge Carl J. Nichols also ordered Mr. Johnston to pay a $2,000 fine.Authorities said that when rioters broke through police barricades, Mr. Johnston continued to get closer to the police line. Security footage showed that he had helped push others up against police officers who were pinned against a door near the tunnel entrance of the Capitol building, prosecutors said.Mr. Johnston also filmed the crowds throughout the day on his phone, according to the news release. A person who knows Mr. Johnston showed investigators a text message that he had sent in which he admitted to having been at the Capitol.“The news has presented it as an attack,” the message stated, according to court documents. “It actually wasn’t. Thought it kind of turned into that. It was a mess. Got maced and tear gassed and I found it quite untastic.”Investigators also found that he had booked flights to arrive in Washington on Jan. 4, 2021, and to return to Los Angeles three days later.Mr. Johnston is one of more than 1,500 people who have been charged with crimes related to the Jan. 6 riots at the Capitol, according to the Justice Department. More

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    California Governor Proposes $750 Million in Annual Film Tax Credits

    Gov. Gavin Newsom wants to more than double the amount the state offers in incentives, which would make its program one of the nation’s most generous.Responding to pleas from California’s film industry, which has struggled to rebound from labor unrest and industry disruption, Gov. Gavin Newsom on Sunday announced a proposal to more than double the size of the state’s film tax incentive program to $750 million annually.If the proposal is approved by the State Legislature, California would offer more money to entice film productions than any state except Georgia, which provides unlimited tax credits. California’s existing program is capped at $330 million annually. The increase would go into effect on July 1, 2025.“California is the entertainment capital of the world, rooted in decades of creativity, innovation and unparalleled talent,” Mr. Newsom said in a statement. “Expanding this program will help keep production here at home, generate thousands of good-paying jobs, and strengthen the vital link between our communities and the state’s iconic film and TV industry.”In recent weeks, state economic development officials and entertainment executives in Los Angeles have publicly expressed concern over the persistent slump in film production, begging officials to do more to keep film shoots in the state.Over the past 20 years, states have aggressively wooed Hollywood, offering movie and television productions more than $25 billion in filming incentives, according to a survey by The New York Times. Thirty-eight states offer some form of incentive, including Georgia, which has extended more than $5 billion in film tax credits since 2015, and New York, which has provided at least $7 billion in credits. More

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    Lil Durk Is Accused of Conspiring to Kill a Rival. What We Know About the Case.

    The rapper Lil Durk was arrested at the airport in Miami this week after he had been booked on flights to three international destinations, federal prosecutors said.The Grammy-winning rapper Lil Durk was arrested on a federal charge near Miami International Airport on Thursday over accusations that he conspired to kill a rap rival, resulting in the fatal shooting of another person.Lil Durk put out a bounty on the life of another rapper, identified only as T.B. by prosecutors, as retaliation for the 2020 killing of the rapper King Von, a member of the hip-hop collective Only the Family, which Lil Durk founded, according to the federal criminal complaint filed in the U.S. District Court for the Central District of California.An F.B.I. affidavit also says that Lil Durk had been booked on at least three international flights that were leaving on Thursday — to Italy, Switzerland and the United Arab Emirates — in an attempt to flee the United States.Lil Durk, 32, whose legal name is Durk Banks, appeared in the U.S. District Court for the Southern District of Florida on Friday. He remained in federal custody and was expected to be arraigned in Los Angeles in the coming weeks, according to prosecutors. He was charged with conspiracy to use interstate facilities to commit murder for hire resulting in death.The news of his arrest comes weeks before the scheduled release of his new album, “Deep Thoughts,” on Nov. 22. Earlier this year, he won a Grammy Award for Best Melodic Rap Performance for his song “All My Life,” featuring J. Cole.Representatives for Lil Durk had not responded to a request for comment.Here’s what we know about the case so far:Lil Durk is alleged to have co-conspirators.Lil Durk’s arrest comes on the heels of a recently unveiled federal indictment in Los Angeles charging five other men affiliated with Only the Family, or O.T.F., with the murder-for-hire plot, alleging that they conspired to “track, stalk, and attempt to kill” a rapper identified as T.B. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Lynda Obst, Producer, Dies at 74; Championed Women in Hollywood

    She helped make films like “Sleepless in Seattle” and “Contact.” She also wrote widely about the industry, for The Times and other publications.Lynda Obst, a New York journalist turned Hollywood producer who promoted women in films like “Sleepless in Seattle” and “Contact” while writing incisive dispatches from Tinseltown for outlets like The Atlantic and The New York Times, died on Tuesday at her home in Los Angeles. She was 74.Her brother Rick Rosen said the cause was chronic obstructive pulmonary disease.Known for her booming, raspy laugh and her startling candor, Ms. Obst was a colorful character even by the standards of a colorful industry.Even more unusual for Hollywood, she was at times an outspoken critic of the movie industry, especially its treatment of women.As a producer, she excelled at both frothy romantic comedies and serious science fiction dramas. She helped shepherd Nora Ephron’s seminal “Sleepless in Seattle” as an executive producer in 1993 and the box-office hit “How to Lose a Guy in 10 Days” as a producer in 2003. But she also produced Robert Zemeckis’s “Contact” in 1997 and Christopher Nolan’s “Interstellar” in 2014.She was an advocate for stories focused on women, and often made by women, at a time when there weren’t many. She pushed, for example, for Jodie Foster to star as an astronomer in “Contact” when it was unusual for a major science fiction movie to have a female lead. An acolyte and admirer of Ms. Ephron, she produced her directorial debut, “This Is My Life” (1992).Ms. Obst excelled at both frothy romantic comedies and serious science fiction dramas. She was an executive producer of the hit Nora Ephron comedy “Sleepless in Seattle” (1993), which starred Meg Ryan and Tom Hanks, seen here with Ross Malinger.TriStar PicturesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Painter Titus Kaphar Wanted a Bigger Canvas, So He Made a Film

    We often scrutinize an artist’s work, searching for autobiographical clues. But in Titus Kaphar’s recent paintings, and in his new film, “Exhibiting Forgiveness,” such close reading is unnecessary. His life experience is laid bare, in all its poignant and — sometimes agonizing — pain.The paintings, now on view at Gagosian in Beverly Hills, Calif., through Nov. 2, figure prominently in the film, which premiered at the 2024 Sundance Film Festival and will have its theatrical release nationally on Oct. 18. The movie, Kaphar’s first feature, tells the story of a young painter reuniting with his estranged father — a recovering addict — even as he also deals with the final days of his ailing mother.This foray into Hollywood — Oprah Winfrey and Serena Williams were among those who attended the Sept. 12 Los Angeles premiere — only cements celebrity status for Kaphar, 48, who, in the last decade, has won a MacArthur “genius award,” helped found the New Haven art incubator and fellowship program NXTHVN, created Time magazine covers about Ferguson protesters and the killing of George Floyd and seen his work collected by the Metropolitan Museum of Art, the Museum of Modern Art and the Whitney. His paintings of sorrowful mothers evoke classical pietas.Kaphar’s painting, “Analogous Colors,” 2020, on the cover of Time Magazine in June 2020. Kaphar cut a shape out of the canvas.Painting by Titus Kaphar for TIMEThe two-hour film — which Kaphar wrote and directed — gave him a way to experiment with another art form, one that can reach well beyond the number of people likely to see his paintings. It also represents a significant filmmaking step from Kaphar’s documentary shorts “Shut Up and Paint” (2022), which was shortlisted for an Oscar and addressed the art market’s stifling of social activism, and “The Jerome Project” (2016), which began to explore the artist’s relationship with his father.But perhaps most importantly, the movie is Kaphar’s message to his two teenage boys. “I was trying to figure out how to help my sons understand how different my life is from their lives and why I’m so protective of them — why I adore them the way that I do, why I insist that I give them a hug and a kiss in the morning,” said Kaphar, wearing a cap and sweatshirt in a recent interview at his New Haven studio. “I still put them into bed, kiss them on their foreheads.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jenna Fischer, ‘The Office’ Star, Reveals Breast Cancer Diagnosis

    “I am now cancer free,’’ the actress announced on Instagram, noting that she was diagnosed with Stage 1 cancer in December and that early detection had played a key role in her successful treatment.Jenna Fischer, the actress best known for her role as Pam Beesly in the popular television series “The Office,” said on Tuesday that she was diagnosed with Stage 1 triple-positive breast cancer in December but that she was now cancer free after successful treatment.“I am now cancer free,’’ Ms. Fischer, 50, of Los Angeles, said in her announcement, imploring her nearly four million Instagram followers to consult with their doctors and schedule annual mammogram appointments.“If I had waited six months longer, things could have been much worse,” Ms. Fischer said. “It could have spread.”She said that she had surgery in January to remove the tumor that doctors had found. That was followed by “12 rounds of weekly chemotherapy” and “three weeks of radiation,” her post said.“I’m happy to say I’m feeling great,” said Ms. Fischer, who is also an author and the co-host of a popular podcast about “The Office” with Angela Kinsey, a former co-star from the show. Ms. Fischer said she was continuing a treatment plan that includes infusions of targeted therapy.A representative for Ms. Fischer declined a request for an additional comment from the actress on Tuesday.In addition to her role in “The Office,” a television show that ran on NBC for eight years and is among the most popular shows in television history, Ms. Fischer has also acted in popular comedic films, including “Blades of Glory” and the movie musical version of “Mean Girls,” playing the main character’s mother.Sprinkled within her post were jokes and references to her character on “The Office.”“‘Take care of your ticking time bags,’” Ms. Fischer wrote, referencing a quote from Michael Scott, the boss of the paper company Dunder Mifflin in Scranton, Pa., where “The Office” takes place.News of Ms. Fischer’s cancer diagnosis shocked fans, who wrote thousands of supportive messages in the comment section of her Instagram post. Ms. Fischer said she wore wigs to hide her hair loss so that she could keep her diagnosis private until she was ready to share the news.Dr. Cesar Santa-Maria, a medical oncologist and associate professor of oncology at Johns Hopkins, reviewed Ms. Fischer’s post and said she had been diagnosed with an “aggressive subtype of breast cancer.”“But because of the treatments we have now,” Dr. Santa-Maria continued, “it’s the most curable. Twenty years ago? Not the case.”Catching the tumor early on, when it was in Stage 1, was critical for her to have a successful treatment, Dr. Santa-Maria said. Women at average risk for breast cancer should talk to their doctors about getting their annual mammograms beginning at age 40, he added.“Again, don’t skip your mammogram,” Ms. Fischer wrote, reminding her followers that October is Breast Cancer Awareness Month. She said that Michael Scott “was right. Get ’em checked ladies.” More

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    5 Halloween Film Festivals Worth Traveling For

    It’s October, and horror movie festivals scratch both the weekend getaway and scare-the-bejesus-out-of-you itch. A guide to some worth checking out.Watching weird indie horror movies at home on Tubi can be a bunch of fun. So can going to the local multiplex to see the latest scary Hollywood blockbuster with other shrieking fans.Horror film festivals offer the best of both worlds, with twists. The programming is heavy on premieres and small-budget indies, and the more ambitious festivals host events like costume contests and offer themed food and drinks to keep the party going. Some of the festivals are very kid-friendly, and others are better suited for blood-and-guts lovers.With Halloween around the corner and fall getaways calling, here’s a look at some of the noteworthy scary (and not-that-scary) film festivals happening this October.The Eerie Horror Fest is held at the Warner Theater, in Erie, Pa., an ornate movie palace that opened in 1931 and seats 2,250.Paul GibbensEerie Horror FestErie, Pa., Oct. 4 and 5Presented by the Film Society of Northwestern Pennsylvania, this festival is known for showing classic and new films along with a hearty roster of panel discussions and events. A highlight takes place on Oct. 5, when the festival presents a screening of the 1995 horror film “Tales From the Hood,” an influential horror anthology and a seminal work in both horror and Black cinema, followed by a Q. and A. with the director, Rusty Cundieff.The frosting on the cake at this festival is its home: The Warner Theater, an ornate Art Deco and French Renaissance space first opened in 1931, with 2,250 seats, a grand proscenium stage and crushed velour and gold leaf accents — the kind of elegance more associated with the likes of Cannes than “Carrie.” This year, the festival has teamed up with two local coffee purveyors — Purrista Cat Café and North Edge Craft Coffee, a roaster — for a special drink menu featuring themed concoctions like the Frankenstein’s Matcha and Killer Klownz, a blueberry cheesecake latte. There will also be displays of adoptable cats — black ones, perhaps — at the theater.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    JD Souther, Who Wrote Hits for the Eagles, Dies at 78

    JD Souther, who crafted many of the biggest hits to come out of the Southern California country-rock scene of the 1970s, including for the Eagles, Linda Ronstadt and James Taylor, and who later played a wizened music industry veteran — in other words, a version of himself — on the hit television show “Nashville,” died on Tuesday at his home in Sandia Park, N.M., in the hills east of Albuquerque. He was 78.His death was announced on his website. A cause was not provided.Beginning in the late 1960s, Mr. Souther was part of a coterie of musicians around Los Angeles who found themselves circling the same sort of peaceful, easy, country-inflected rock sound. They played at the same venues — among them the Troubadour, the famous West Hollywood nightclub — and lived and partied in the same canyons in the Hollywood Hills.Mr. Souther played with or wrote for most of them. Though he was brought up on jazz and classical music, he easily mastered the country-rock vernacular on songs like “Faithless Love” and “White Rhythm and Blues,” for Ms. Ronstadt; “The Heart of the Matter,” which he wrote with Don Henley; and “Her Town Too,” a collaboration with Mr. Taylor that they sang as a duet.He also played a central role in the formation of the Eagles, encouraging Ms. Ronstadt, his girlfriend at the time, to hire his friend Glenn Frey as part of her backup band. After Mr. Henley joined, he and Mr. Frey decided to form their own group, along with two other members of Ms. Ronstadt’s ensemble, Bernie Leadon and Randy Meisner.Mr. Souther, third from left, onstage with the Eagles in San Diego in 1979. With him are, from left, Joe Vitale, Timothy B. Schmit, Glenn Frey, Don Henley, Joe Walsh and Don Felder.George Rose/Getty ImagesMr. Souther was almost the fifth Eagle: He joined the quartet for an afternoon tryout at the Troubadour, but he decided that the band was already perfect, and that he’d rather write for them.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More