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      in Music

      Drakeo the Ruler Fatally Stabbed at Once Upon a Time in L.A. Festival

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      The rapper, whose real name was Darrell Caldwell, was to perform at a festival on Saturday night when he was fatally stabbed during an altercation, officials said.Drakeo the Ruler, a West Coast rapper known for his offbeat cadence and jerky rhythm, was fatally stabbed on Saturday night during an altercation at a Los Angeles festival where several artists were scheduled to perform. He was 28.A publicist for the rapper, Scott Jawson, confirmed his death on Sunday.Drakeo the Ruler, whose real name was Darrell Caldwell, was to perform at the festival, Once Upon a Time in L.A., at 8:30 p.m. local time.At about 8:40 p.m., paramedics responded to a call about a stabbing near the Banc of California Stadium in Exposition Park, where the festival was being held, according to the Los Angeles Fire Department.The altercation happened in the “roadway backstage,” according to a statement from Once Upon a Time in L.A. Festival organizers ended the show early on Saturday night. Other artists scheduled to perform included 50 Cent and Snoop Dogg.The Los Angeles Police Department is investigating the stabbing. It was unclear on Sunday whether any arrests had been made.In February, Mr. Caldwell, who has garnered more than 1.5 million monthly listeners on Spotify, released his biggest album to date, “The Truth Hurts,” in which he raps in a nervous-sounding delivery about “everything that I have gone through,” including incarceration, he said in a statement promoting the album earlier this year.Born in Los Angeles and raised by a single mother, Mr. Caldwell has said in interviews that he spent much of his youth in correctional facilities. He thought of rap as a way to earn money and help his family.He told The Ringer in 2020 that his long-term aspirations were to be wealthy and “get my mom and everybody that I can take care of out of poverty.”“I’ve got to make sure that they’ll never have to want for nothing again,” he said. “I want to show people that no matter how hard the situation is, my story proves that anything is possible.”Mr. Caldwell pioneered “nervous music,” a subgenre of rap that sounds sinister and contains cryptic lyrics.In 2020, Mr. Caldwell released “Thank You for Using GTL,” an album that refers to GTL, a communications company used in some correctional facilities.The album had verses that Mr. Caldwell recorded over a phone while he was still in jail, awaiting trial in connection with the 2016 killing of a 24-year-old man, Mr. Jawson said. Mr. Caldwell was acquitted of felony murder and attempted murder charges in 2019.Los Angeles County prosecutors tried to retry Mr. Caldwell on conspiracy charges related to the killing, Mr. Jawson said. Mr. Caldwell agreed to a plea deal and was released in November 2020. Mr. Caldwell later insisted that he did not commit a crime related to the case.A month after being released, Mr. Jawson and Mr. Caldwell met for the first time.“He was very proud of doing everything on his own, on his own terms,” Mr. Jawson said. “He was an independent artist and took a lot of pride in his ability.”In the beginning of his career, he financed some of his music videos, uploaded his songs to streaming platforms and organized shows.It culminated in February when he released, “Talk to Me,” featuring a chorus from Drake, the chart-topping rapper and singer. The song has more than 30 million streams on Spotify.Mr. Caldwell told Rolling Stone in March that he wanted people to “take my music seriously and feel everything.”“I might talk a certain way or say certain things, but I’ve been through a lot in my life,” he said. “I want them to feel what I went through.” More

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      in Theater

      Dominique Morisseau Pulls Play From L.A. Theater, Citing ‘Harm’

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      The playwright ended a run of “Paradise Blue” a week after it opened at the Geffen Playhouse. The theater acknowledged “missteps.”The playwright Dominique Morisseau has ended the run of her play “Paradise Blue” just a week after it opened at the Geffen Playhouse in Los Angeles, saying that Black women who worked on the show had been “verbally abused and diminished.”Morisseau did not specifically describe what happened. But in a 1,100-word Facebook post on Wednesday, she said that members of the creative team had been “allowed to behave disrespectfully,” that she had demanded an apology from one member of the team and that “instead of staunchly backing this, the Geffen continued to enable more abuse.”“Harm was allowed to fester,” Morisseau said in the Facebook post.“I gave the theater an ultimatum,” she added. “Respect the Black womxn artists working on my show, or I will pull my play.”In a statement about the cancellation, the Geffen Playhouse said that officials had “apologized to everyone involved” and acknowledged having “fallen short” in its commitment to artists.“An incident between members of the production was brought to our attention and we did not respond decisively in addressing it,” the theater’s statement, released on Wednesday, said. “As a result of these missteps, some members of the production felt unsafe and not fully supported.”“Paradise Blue,” which is set in 1949, is part of Morisseau’s trilogy of Detroit plays, which have been widely produced at theaters around the country. It played Off Broadway in 2018; the Geffen production had opened to strong reviews on Nov. 18, and had been set to run through Dec. 12.“Skeleton Crew,” another play in the trilogy, is scheduled to begin Broadway performances on Dec. 21.The theater declined to comment beyond its written statements. Morisseau did not respond to a request for additional comment.Morisseau’s decision to pull the play over what she described as the mistreatment of Black artists and the dismissal of their complaints comes as theater continues to grapple with how to reform itself and improve its culture.The protests over the police killing of George Floyd in the summer of 2020 ignited a nationwide reckoning over racism and inequality in America that resonated in the theater world. As artists prepared to return from the long pandemic shutdown, some have grown more outspoken about what they say are pervasive problems in the industry.This summer Broadway power brokers signed a pact pledging to strengthen the industry’s diversity practices as theaters were preparing to reopen.In her Facebook post, Morisseau — who earned a Tony Award nomination as the book writer for “Ain’t Too Proud: The Life and Times of the Temptations”— said she had been “gutted” by what had transpired with “Paradise Blue.”She urged the theater industry to “look inward and acknowledge a pervasive culture of anti-blackness, anti-womxness, and anti-black-womxnness.” More

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      in Television

      'General Hospital' Loses Actors Who Opposed Vaccination Mandate

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      Two actors have left one of America’s most popular soap operas after declining to comply with an on-set vaccination mandate.The actors, Steve Burton and Ingo Rademacher, were fixtures of ABC’s “General Hospital,” a long-running daytime drama set in the fictional town of Port Charles, N.Y.About one in five American adults has not received a single dose of a coronavirus vaccine. Mr. Burton and Mr. Rademacher were outspoken opponents of a coronavirus vaccine mandate that applied to a part of the set where actors work unmasked, known in the industry as Zone A. The mandate took effect on Nov. 1.“Unfortunately, ‘General Hospital’ has let me go because of the vaccine mandate,” Mr. Burton, who tested positive for the virus in August and filmed his last episode on Oct. 27, said in an Instagram video on Tuesday.“I did apply for my medical and religious exemptions and both of those were denied — which, you know, hurts,” he added. “But this is also about personal freedom to me. I don’t think anyone should lose their livelihood over this.”Mr. Rademacher’s departure from the show was made public earlier this month. He had also refused to comply with the show’s vaccine mandate. “I will stand with you to fight for medical freedom,” he wrote in an Instagram post.Mr. Rademacher has also been criticized on social media in recent weeks for making comments that his critics perceived to be transphobic, a suggestion he has forcefully denied.Representatives for ABC declined to comment on the record. Publicists for the actors could not be reached for comment late Tuesday.Other Hollywood productions have imposed similar on-set mandates, but there is no universal vaccination requirement for people who work in film and television.“General Hospital” has been on the air since 1963. Its episodes are filmed weeks before they air.Mr. Rademacher played the character Jasper “Jax” Jacks on the show for 25 years. In his last episode, which aired on Monday, the character said — spoiler alert — that he would be returning to Australia.“I’m kind of on the outs with everyone in Port Charles right now,” the character said. Some fans interpreted that as a reference to the actor’s real-life tension with his castmates.In the same episode, Mr. Burton’s character, Jason Morgan, was caught up in a tunnel collapse.Mr. Burton said in his Instagram video on Tuesday that he hoped the show’s vaccine mandate would be lifted so that he could finish his career playing Jason Morgan.“And if not,” he added, “I’m going to take this experience, move forward and be forever grateful.” More

    • 113 Shares139 Views

      in Movies

      Hollywood Crew Union Narrowly Ratifies Its Contracts With Studios

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      Camera operators, prop makers, lighting technicians and other members of the International Alliance of Theatrical Stage Employees ratified new contracts with Hollywood studios on Monday. But the margin was perilously narrow, with many members viewing the pact as toothless in terms of preventing long working hours — the kind of conditions recently endured on the set of “Rust,” the Alec Baldwin movie where the cinematographer was killed and the director wounded.IATSE, as the union is known, uses an Electoral College-type system for contract ratification, in which local shops are assigned different numbers of delegates based on their size and all delegate votes are cast based on the majority vote at each local. IATSE said the combined delegate vote for the two contracts was 56 percent in favor, with 641 total votes from 36 locals.The popular vote, however, revealed deep division: 50.3 percent of members voted yes on both contracts. About 72 percent of 63,209 eligible members cast ballots, according to the union.Only 49.6 percent of members in Los Angeles voted yes. In other areas of the country — except the Northeast, which largely operates under a different set of unexpired contracts — the popular vote stood at 52 percent.“The vigorous debate, high turnout and close election indicates we have an unprecedented movement-building opportunity to educate members on our collective bargaining process and drive more participation in our union,” Matthew Loeb, IATSE’s president, said in a statement.In posts on Twitter, some outraged members demanded recounts and flung insults at Mr. Loeb and other IATSE officials.Under the new, three-year contracts, the studios for the first time agreed to give crews a minimum of 54 hours of rest on weekends when working five-day weeks, on par with actors. The contract includes pay increases of up to 60 percent for some workers who were previously paid near minimum wage in California. Studios also agreed to fund a roughly $400 million deficit in the union’s pension and health plan without imposing premiums or increasing the cost of health coverage.The studios include stalwarts like Disney, NBCUniversal and WarnerMedia and insurgents like Amazon, Apple and Netflix.Last week, a smattering of IATSE members held a news conference in Hollywood to criticize the proposed contract — in particular a provision allowing crews to continue to work 14-hour days. The contracts provide for 10-hour “turnarounds,” or the time between leaving a set at the end of a work period and being required to return.The shooting death last month of Halyna Hutchins, the cinematographer for “Rust,” and the wounding of Joel Souza, the film’s director, thrust concerns about crew rest into the spotlight. Hours before Mr. Baldwin fired a gun being used as a prop — he had been told the firearm was “cold,” meaning that it contained no live ammunition, according to an affidavit — a half dozen camera technicians walked off the set to protest working conditions. Their complaints included marathon work days, long commutes to the set (cutting into turnaround rest time) and delayed paychecks.IATSE and the studios reached a tentative agreement for a new pact on Oct. 16, averting a threatened strike, which would have come at a particularly bad time for Hollywood. Studios have been scrambling to make up for lost production time during the coronavirus pandemic. Another shutdown would have left content cupboards dangerously bare — particularly at streaming services, which have become crucial to the standing of some of the companies on Wall Street. More

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      in Music

      Experts Say It's Unusual to End a Conservatorship Without an Evaluation

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      Several experts said Friday that while they personally supported ending Britney Spears’s conservatorship, they thought it unusual that the Los Angeles probate court did so without requiring the pop star to undergo a psychiatric evaluation.“I’m surprised,” said Robert Dinerstein, a disability rights law professor at American University. He said that persuading judges to overturn a conservatorship in the first place is unusual.But when they do, he said, they typically require a psychological evaluation.“Within the relatively rare number of cases where a conservatorship is terminated, it’s even more unusual to do that without proof they had capacity,” Professor Dinerstein said.Judge Brenda Penny, who terminated the conservatorship, said that further psychological assessments of Ms. Spears were unnecessary, because the conservatorship was technically voluntary.Victoria Haneman, a trusts and estates law professor at Creighton University, said California probate code does not require a mental health evaluation for the conservatorship to be terminated. She said the underlying diagnosis explaining why Ms. Spears was put in conservatorship is unavailable because the record is sealed, making it tough to determine what sort of evaluation might have been required to show that the guardianship was no longer needed.Nevertheless, mental issues seemed to be a part of the reason, and so she had expected that an assessment would have been required to answer whether those problems were now in the past, she said.“I am extremely surprised that this conservatorship is ended without an evaluation,” she said.The experts stressed that they were not commenting on Ms. Spears’s mental health status, of which they are not informed — only on the process as they have experienced it.Typically in deciding whether to end a conservatorship, the experts said, a judge will consider whether the conservatee has regained “capacity,” using a psychological assessment and other factors to determine cognitive ability and decision making.This includes whether they can weigh risks and benefits regarding things like medical care, marriage and contracts. The person’s ability to feed, clothe and shelter themselves may also be examined.The purpose of an assessment is to determine whether the conditions that led to the imposition of the conservatorship in the first place have now stabilized or are in the past.Ms. Spears’s case has been considered extremely unusual because while viewed as unable to care for herself by the court, she continued to work extensively as a performing musician and global celebrity, bringing in millions of dollars.The singer herself had insisted that the arrangement end without her having to undergo an additional mental evaluation, and her lawyer had noted that lawyers for her father had agreed that no mental or psychological evaluation was required under California probate court.Zoe Brennan-Kohn, a disabilities rights lawyer with the American Civil Liberties Union, said though typically some kind of psychological evaluation is part of the process of ending a conservatorship, it “makes sense that there would be no evaluation because everyone agreed.”“If everyone in the picture thinks this person does not need to be in this invasive situation,” she said, “we don’t want courts to be second-guessing that. Everyone said you should end this. I think it’s appropriate that the judge said, ‘Let’s end this.’” More

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      in Music

      Tupac Shakur Touring Exhibition Opens in January

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      The show, spearheaded by Shakur’s estate, will start out in Los Angeles. It’s “a story about race in America using Tupac as a proxy,” one of its producers said.A major touring exhibition centered on Tupac Shakur and spearheaded by his estate will arrive in Los Angeles in January.The exhibition, “Tupac Shakur. Wake Me When I’m Free,” opens on Jan. 21, in a newly built, temporary 20,000-square-foot space in the entertainment complex L.A. Live in downtown Los Angeles.Shakur, a hip-hop artist, poet, actor and activist who released his first album in 1991 and went on to become one of the top-selling rappers in the 1990s, was killed in Las Vegas in 1996, at age 25. The case was never solved. He also acted in films including John Singleton’s “Poetic Justice,” in which he starred opposite Janet Jackson. In the decades since his death, he has inspired dozens of albums, books, movies, theater productions and even a hologram. In 2017, he was inducted into the Rock & Roll Hall of Fame.The exhibition, named after a Shakur poem included on the album “The Rose That Grew From Concrete, Volume 1” in 2000, features artifacts, contemporary art, music and multisensory elements in telling the story of Shakur’s life.“It became evident very quickly that this was way bigger than his music,” Arron Saxe, one of the exhibition’s co-producers, said in a phone interview on Monday. “You can’t talk about Tupac without talking about Afeni, his mother, and you can’t talk about Afeni without talking about her involvement in the Panther Party, and you’re then talking about the connections with the Civil Rights movement.”It’s “a story about race in America using Tupac as a proxy,” he added.Shakur’s estate worked for more than six years and has a number of partners, among them Nwaka Onwusa, the chief curator at the Rock & Roll Hall of Fame, and Jeremy Hodges, the show’s creative director and founder of Project Art Collective. Shakur’s activism and his music will be highlighted, Saxe said. Part of the exhibition’s aim, he said, will be to demystify the legend.“There will be notebooks, song lyrics, poetry and also everyday stuff like shopping lists, and phone numbers on pieces of paper,” Saxe said. Humanizing him is a focus “because he and a lot of these other figures are mythical, larger than life.”After about six months, the exhibition will travel to other cities in the United States and internationally. More

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      in Television

      Ricarlo Flanagan, Comedian Who Contracted Covid, Dies at 41

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      Ricarlo Flanagan, a comedian, actor and rapper best known for his appearances on TV’s “Last Comic Standing” and “Shameless,” died on Saturday in Los Angeles. He was 41.He contracted Covid-19 a few weeks ago, said his representative, Stu Golfman, who could not confirm the disease was the cause of Mr. Flanagan’s death.On Oct. 1, Mr. Flanagan said on Twitter that “this Covid is no joke. I don’t wish this on anybody.”On “Last Comic Standing,” Norm Macdonald, a comedian and a judge on the show who died recently, said Mr. Flanagan was his favorite comic in the competition.“I was stunned,” Mr. Flanagan would later say about the exchange.After his run on “Last Comic Standing,” he appeared on several TV shows, including “Insecure” and “Shameless,” the Showtime series that featured him in a four-episode arc, according to his IMDb page.He discovered his love of stand-up after he took a comedy class that he saw advertised on a flyer in Ann Arbor, Mich., according to a statement from his representative.“After the first class, he was hooked and never stopped getting on stage,” the statement said.He had moved to Michigan after graduating from college in 2007, but his comedic talents soon brought him to Los Angeles, his representative said.Mr. Flanagan also dabbled in rap, tweeting recently that he had almost finished an album. In a song called “Revolution” that he released last year, he lamented police brutality and said, “We got to mobilize.”“I’m tired of seeing my brother on the ground with his face pinned down,” he rapped.Ricarlo Erik Flanagan was born on March 23, 1980, in Cleveland, according to a death announcement. He is survived by his mother, Katrina McLeod, his father, Keith Flanagan, and his grandmother, along with several aunts, uncles and cousins. More

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      in Theater

      Former ‘Hamilton’ Cast Member Files Discrimination Complaint Against Show

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      In the E.E.O.C. filing, the actor, who is nonbinary, describes being retaliated against after requesting a gender-neutral dressing room, among other claims. The show denies the allegations.A former “Hamilton” cast member filed a federal workplace complaint against the show on Wednesday, alleging that the show had retaliated and refused to renew a contract after the actor had requested a gender-neutral dressing room.In the complaint, filed with the U.S. Equal Employment Opportunity Commission, lawyers for the former cast member, Suni Reid (who prefers the pronouns they/them), said they were sidelined and eventually let go in September after requesting a gender-neutral space at the Pantages Theater in Los Angeles where “Hamilton” was playing.In the 28-page complaint, Reid, a Black, nonbinary performer who has performed with the New York, Chicago and Los Angeles productions of “Hamilton” since 2017, outlined several other instances of discrimination and harassment by cast members and management over the years, including episodes in which Reid said they were physically threatened or intentionally and repeatedly misgendered.The complaint said Reid eventually intends to pursue legal claims in federal court. Filing a charge of discrimination and retaliation with the E.E.O.C. is a precursor to filing such a lawsuit.“Publicly, ‘Hamilton’ is a beacon of diversity and appears committed to causes seeking social justice and harmony,” Reid’s lawyers, Lawrence M. Pearson and Lindsay M. Goldbrum, said in a statement. “Behind the curtain, however, the Company’s management will force out a Black, transgender cast member simply because they stood up for themselves and advocated for a more equitable workplace, and therefore called that public image into question.”“We look forward to upholding Reid’s rights and hope this is a wake-up call for the theater industry about the systemic inequities that persist even at its greatest heights,” the statement continued.In its own statement, “Hamilton” said Wednesday that Reid had been “a valued cast member” for years and said the show had “offered them a contract to return to ‘Hamilton’ with terms responsive to their requests.”“We deny the allegations in the Charge,” the show said. “We have not discriminated or retaliated against Suni.” During the shutdown, it added, “we have given Suni direct financial support, paid for their health insurance, and paid for their housing. We wish Suni well in their future endeavors.”Reid has performed in the ensemble as well as in roles such as Aaron Burr, George Washington, Hercules Mulligan/James Madison, and Marquis de Lafayette/Thomas Jefferson, according to the complaint.It comes as Broadway and touring shows are working to find their footing following a lengthy pandemic-related shutdown. Earlier this summer, as several shows like “Hamilton” were preparing to restart, some of the most powerful players on Broadway signed a pact pledging to strengthen the industry’s diversity practices.But Reid’s complaint paints a picture of a toxic workplace environment at “Hamilton” that stretched from coast to coast.Reid was cast in the Broadway production of the show in 2017 and met hostility from the start, according to the complaint. Reid eventually requested a transfer from the Broadway production and started with the Chicago company of “Hamilton” in March 2019, according to the complaint, and came out publicly as transgender and gender-nonconforming. They were constantly misgendered by co-workers, “at times in a pointedly hostile or callous manner,” according to the complaint.By 2020, Reid had begun rehearsals for the Los Angeles company, but never was able to to join the Los Angeles cast in performance because of the shutdown, the complaint said.In May, Reid was presented with a contract renewal for “Hamilton.” Around that time, they asked their agent, Michele Largé, to request a gender-neutral dressing room at Pantages that Reid and others could use. “Hamilton” officials then raised concerns about posts Reid had published on social media describing racial equity issues on the show, according to the complaint.The show would eventually agree to set up gender-neutral dressing spaces in every “Hamilton” theater. But in the fall, after Reid’s lawyers informed the show that they had legal claims of discrimination, the show told Reid’s lawyers that it was “no longer open” to having Reid perform in “Hamilton,” and that “renewal of their contract was no longer an option,” the complaint said. More