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      Barbara O. Jones, Actress Who Brought Black Cinema to Life, Dies at 82

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      Her arresting roles in movies like “Bush Mama” and “Daughters of the Dust” helped shape a generation of independent filmmakers.Barbara O. Jones, an actress whose captivating work in films like “Bush Mama” and “Daughters of the Dust” helped define the cerebral, experimental and highly influential Black cinema movement that emerged in Los Angeles in the 1970s, died on April 8 at her home in Dayton, Ohio. She was 82.Her brother Marlon Minor confirmed the death but said the cause had not been determined.Starting in the early 1970s just a few miles from Hollywood, a generation of students at the University of California, Los Angeles, began making films that pushed hard against many of the tropes of commercial moviemaking.Budding filmmakers like Charles Burnett, Julie Dash and Haile Gerima eschewed polished scripts and linear narratives in search of an authentic Black cinematic language. They relied on actors like Mrs. Jones, drawn from far outside the mainstream, to bring their work to life.Mrs. Jones was in some ways the typical Los Angeles transplant, having moved from the Midwest in search of a film career. She took acting classes, but, rather than gravitating toward Hollywood, she fell in with the politically charged, aesthetically adventurous scene around the U.C.L.A. film school, a movement that the film scholar Clyde Taylor called the L.A. Rebellion.She appeared in several short student films, including Mr. Gerima’s “Child of Resistance” (1973), in which she played an imprisoned activist loosely based on Angela Davis, and Ms. Dash’s “Diary of an African Nun” (1977), adapted from a short story by Alice Walker.Mrs. Jones in Ms. Dash’s short film “Diary of an African Nun” (1977), adapted from a story by Alice Walker.Julie DashWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jerry Seinfeld Can No Longer Be About Nothing

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      The comedian, long beloved for his apolitical riffs, has been wrestling with what it means to be Jewish amid the Israel-Hamas war. Not everyone is pleased.Jerry Seinfeld became a mic-cradling, cereal-eating, “did-you-ever-notice”-ing avatar of American Jewish life with a brazenly shrugging persona: a merry indifference to weighty material as a comedian and in his megahit TV show about nothing, as petty and apolitical as he seemed to be.Now — off-camera, at least — Mr. Seinfeld appears to have reached his post-nothing period.Since the attacks of Oct. 7 in Israel, and through their bloody and volatile aftermath in Gaza, Mr. Seinfeld, 70, has emerged as a strikingly public voice against antisemitism and in support of Jews in Israel and the United States, edging warily toward a more forward-facing advocacy role than he ever seemed to seek across his decades of fame.He has shared reflections about life on a kibbutz in his teens, and in December traveled to Tel Aviv to meet with hostages’ families, soberly recounting afterward the missile attack that greeted him during the trip.He has participated, to a point, in the kind of celebrity activism with which few associate him — letter-signing campaigns, earnest messages on social media — answering simply recently when asked about the motivation for his visit to Israel: “I’m Jewish.”And as some American cities and college campuses simmer with conflict over the Middle East crisis and Israel’s military response, Mr. Seinfeld has faced a measure of public scorn that he has rarely courted as a breakfast-obsessed comedian, intensified by the more vocal advocacy of his wife, Jessica, a cookbook author.This week, as the couple and their children appeared together at the premiere of Mr. Seinfeld’s new movie (“Unfrosted,” about Pop-Tarts), Ms. Seinfeld attracted attention for another reason: She promoted on Instagram, and said she had helped bankroll, a counterprotest at the University of California, Los Angeles, where clashes with pro-Palestinian demonstrators have turned violent.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Britney Spears and Her Father Settle Legal Dispute Over Conservatorship

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      Terms were not disclosed. The parties had been arguing over the payment of legal fees and James P. Spears’s financial oversight as his daughter’s conservator.More than two years after a judge ended the conservatorship that had given James P. Spears control of his pop star daughter’s life, Britney Spears and her father have settled their outstanding legal dispute over the payment of his legal fees and his management of her finances.The terms of the settlement were not disclosed in court filings made by both parties in Los Angeles Superior Court on Thursday. But the two sides had been at odds over the size of Mr. Spears’s legal fees and questions about his oversight of her money as conservator.Ms. Spears’s 13-year-long conservatorship, which began in 2008 after a series of public breakdowns, was terminated in 2021. Her father, who served as one of her conservators for its duration, had been seeking court approval for more than $2 million in fees to multiple law firms he had hired in that capacity. He had also sought payment of his current lawyer’s ongoing legal bill.Ms. Spears’s lawyer, Mathew S. Rosengart, had objected to the fees.Mr. Rosengart argued that, in particular, his client should not have to pay her father’s current legal bills, asserting in court papers that Mr. Spears had paid himself $6 million, improperly surveilled his daughter and engaged in financial misconduct during his tenure.Mr. Spears has denied any wrongdoing. He held control over both Ms. Spears’s financial and personal affairs until September 2019, when he resigned as her personal conservator citing health issues, and was replaced by Jodi Montgomery, a professional in the field. A lawyer, Andrew M. Wallet, served as a co-conservator of her estate until he resigned in 2019.Alex M. Weingarten, a lawyer for Mr. Spears, said he could not discuss the terms of the settlement because they are confidential but he agreed that the parties had resolved all outstanding issues. One of the filings stated that his client “is fully and finally discharged as Former Conservator of the Estate.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Man Hailed as Cindy Birdsong’s Rescuer Is Accused of Exploiting Her

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      The son of the former Supreme says in court papers that the man who sought to help his mother after she became incapacitated also took advantage of her financially.Just last year, Brad Herman, a longtime behind-the-scenes aide to celebrities, drew praise from the family of Cindy Birdsong, an ailing former member of the Supremes. He was credited with helping to rescue her from what they described as a friend’s undue influence over her care and finances.But now, Mr. Herman has been named in a petition brought by Ms. Birdsong’s son, who is accusing him in court papers of financial elder abuse and misappropriation of her money.The son, Charles Hewlett, who has been appointed the conservator of his mother’s affairs, is seeking damages and the return of what his petition describes as missing funds.The allegations follow months of court proceedings over who should control a conservatorship overseeing the finances and medical decisions of Ms. Birdsong, 84, who was once part of a Motown group that became music royalty.Today, Ms. Birdsong is not able to communicate and is on a feeding tube after a series of strokes. She has lived at nursing facilities and hospitals since 2021 and a judge ultimately put Mr. Hewlett in charge of her affairs late last year.“Mr. Herman used his position of trust and confidence to take advantage of Ms. Birdsong’s dependency and exercised care, custody and control over Ms. Birdsong’s property,” argues the petition filed in Los Angeles Superior Court this month by Susan Geffen, a lawyer for Mr. Hewlett.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Before He Was Infamous, O.J. Simpson’s Acting Helped Make Him Famous

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      Simpson began acting while still a football star, appearing in titles as varied as “Roots,” “The Towering Inferno” and the “Naked Gun” films.Before O.J. Simpson became synonymous with the sensational murder trial that riveted the nation in the mid-1990s, he was a football star turned Hollywood fixture who played roles as varied as an astronaut, a comic detective and a fake priest.His acting career began while he was still a star running back. As Simpson, who died on Wednesday, told it, he was waiting out the best deal he could get in the N.F.L. when producers reached out to him asking if he could act. “Sure, I can try to act,” he replied.He scored bit parts in a medical series and a western, but the allure of an onscreen career didn’t grab him until his first major film, “The Klansman” (1974), in which he appeared alongside Richard Burton and Lee Marvin, playing a man seeking to avenge his friend’s death at the hands of the Ku Klux Klan.Simpson told Johnny Carson in an interview in 1979 on “The Tonight Show” that during the production, the actors were casually chatting about food when Elizabeth Taylor said the best chili she’d had was at a restaurant called Chasen’s in West Hollywood.Simpson with Richard Burton in “The Klansman.”Moviestore Collection Ltd, via Alamy“Somebody made a call, and in an hour and a half they had a private jet bring a pot of chili from Chasen’s to Oroville, Calif.,” Simpson said in the interview. “Two hours later we’re eating chili and I’m saying, ‘I like this life.’”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Academy Museum to Highlight Hollywood’s Jewish History After All

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      The museum was criticized earlier for failing to acknowledge the contributions of the Jewish pioneers who helped establish the American film studio system.Having initially drawn criticism for failing to acknowledge the formative role that Jewish immigrants like Samuel Goldwyn and Louis B. Mayer played in creating Hollywood and the film industry, the Academy Museum of Motion Pictures on Thursday announced the details of a new permanent exhibition that will spotlight their contributions.The show, called “Hollywoodland,” is scheduled to open May 19, the museum said in its news release, and will spotlight “the impact of the predominately Jewish filmmakers whose establishment of the American film studio system transformed Los Angeles into a global epicenter of cinema.”When the museum opened in 2021, it made a point of highlighting the contributions of women, artists of color and people from other backgrounds, but there was barely a mention of the Jewish immigrants who were central to founding the Hollywood studio system — titans like Harry and Jack Warner, Adolph Zukor, Goldwyn and Mayer.The omission, coming at a time of growing concerns about antisemitism, drew complaints from Jewish leaders and concern from the museum’s supporters, many of whom saw it as example of Hollywood’s strained relationship with its Jewish history. Striving to assimilate, Hollywood’s founders feared being identified as Jews.The museum’s permanent exhibition about Jewish contributions is called “Hollywoodland.” via Margaret Herrick Library, Academy of Motion Picture Arts and SciencesVarious publications called out the affront, like The Forward, which ran a piece headlined “Jews built Hollywood. So why is their history erased from the Academy’s new museum?”The museum said then that it had always intended to open a temporary exhibit devoted to the subject, but in response to the backlash it decided to make a permanent gallery, and it consulted rabbis and Jewish scholars on what should be included.“We learned,” Bill Kramer, the chief executive of the Academy of Motion Picture Arts and Sciences who was then the museum’s director, said in an interview. “We took a lot of the information from the conversations that we’ve had and grew from that.“The show will be organized in three distinct parts: “Studio Origins,” which explores the founding of Hollywood’s original eight major film studios and their studio heads; “Los Angeles: From Film Frontier to Industry Town, 1902-1929,” which traces how the city evolved alongside the movie industry; and “From the Shtetl to the Studio: The Jewish Story of Hollywood,” a short-form documentary — narrated by Ben Mankiewicz, the TCM host and author — that looks at the Jewish immigrants and first-generation Jewish Americans who built the Hollywood studio system.The exhibition was organized by Dara Jaffe, an associate curator, with help from Gary Dauphin, a former associate curator of digital presentations, and Josue L. Lopez, a research assistant. Neal Gabler, the author and film critic who wrote “An Empire of Their Own: How the Jews Invented Hollywood,” served as an adviser.“They were the ones who established this system,” Jaffe said of the pioneering Jewish filmmakers. “They were drawn to this industry because they were restricted from so many others.” More

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      Downtown Los Angeles Places Another Big Bet on the Arts

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      The pandemic was tough on city centers and cultural institutions. What does that mean for Los Angeles, whose downtown depends on the arts?For decades the effort to revitalize downtown Los Angeles has been tied to arts projects, from the construction of the midcentury modern Music Center in 1964 to the addition of Frank Gehry’s soaring stainless steel Walt Disney Concert Hall in 2003.But the pandemic was tough on downtowns and cultural institutions around the country, and Los Angeles has been no exception.Its downtown office vacancy rates climbed above 25 percent. Storefronts are empty. Homelessness and crime remain concerns. Many arts organizations have yet to recover their prepandemic audiences. And there have been vivid displays of the area’s thwarted ambitions: Graffiti artists covered three abandoned skyscrapers just before the Grammy Awards were held across the street at the Crypto.com Arena, and some lights on the acclaimed new Sixth Street Viaduct were doused after thieves stole the copper wire.So it was a major vote of confidence in the area’s continuing promise when the Broad, the popular contemporary art museum that opened across the street from Disney Hall in 2015, announced last month that it was about to begin a $100 million expansion.A rendering of the expansion announced by the Broad, a contemporary art museum, in March, which it said would cost $100 million.Diller Scofidio + Renfro, via The BroadAnd it was very much a continuation of the vision of its founder, Eli Broad, the businessman and philanthropist who played a key role in the effort to create a center of gravity in a famously spread-out city by transforming Grand Avenue into a cultural hub. Broad, who died in 2021, helped to establish the Museum of Contemporary Art and get Disney Hall built before opening the Broad to house his own art collection.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Why Is Sean Combs the Subject of a Homeland Security Investigation?

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      The department has a division that often directs inquiries into sex trafficking allegations, like those cited in recent lawsuits against Mr. Combs.The raids of Sean Combs’s homes in Los Angeles and the Miami area this week raised a barrage of questions about the nature of the inquiry, which a federal official said was at least in part a human trafficking investigation.The government has said little about the basis for the search warrants, but the raids came after five civil lawsuits were filed against Mr. Combs in recent months that accused him of violating sex trafficking laws. In four of the suits women accused him of rape, and in one a man accused him of unwanted sexual contact. Mr. Combs, a hip-hop impresario known as Puff Daddy and Diddy who has been a high-profile figure in the music industry since the 1990s, has vehemently denied all of the allegations, calling them “sickening.” Officials have not publicly named him as a target of any prosecution.As the civil suits against Mr. Combs illustrate, the term human or sex trafficking has a broader meaning in the law than perhaps the more popularly understood image of organized crime and forced prostitution rings.“Traditionally you think of trafficking as a pimp who has a stable of victims and then is trafficking them in the traditional sense of the word, for money,” said Jim Cole, a former supervisory special agent with Homeland Security Investigations who oversaw human trafficking cases, “but there are lots of forms of trafficking.”The breadth of trafficking investigations has grown with the recent uptick in sexual abuse claims and the use of the internet by traffickers. Homeland Security Investigations often leads such criminal investigations, although the department is most commonly associated with immigration and transnational issues.In the current inquiry, federal investigators in New York have been interviewing potential witnesses about sexual misconduct allegations against Mr. Combs for several months, according to a person familiar with the interviews. Some of the questions involved the solicitation and transportation of prostitutes, as well as any payments or promises associated with sex acts, the person said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More