Los Angeles (Calif)

Subterms

    More stories

    • 138 Shares199 Views

      in Music

      Dancers Accuse Lizzo of Harassment and Hostile Work Environment in Lawsuit

      by

      In a lawsuit filed Tuesday, three dancers claim that touring with the Grammy winner meant working in an “overtly sexual atmosphere” that subjected them to harassment.Three of Lizzo’s former dancers filed a lawsuit against her on Tuesday in Los Angeles Superior Court, accusing the Grammy-winning singer and the captain of her dance team of creating a hostile work environment while performing concerts on her Special Tour this year.The lawsuit, a copy of which was provided to The New York Times by the plaintiffs’ law firm, said the dancers had been “exposed to an overtly sexual atmosphere that permeated their workplace,” which included “outings where nudity and sexuality were a focal point,” it said. The suit was first reported by NBC.The defendants include Lizzo, using her full name Melissa Jefferson instead of her stage name; her production company, Big Grrrl Big Touring Inc.; and Shirlene Quigley, the tour’s dance captain. It does not specify whether the singer was aware of the plaintiffs’ allegations linked to Ms. Quigley.The suit alleges that Lizzo and Ms. Quigley were involved in several episodes that lawyers for the three dancers said amounted to sexual and religious harassment and weight shaming, among other allegations.The suit alleges that Ms. Quigley “made it her mission to preach” Christianity to the dancers, and fixated on virginity, while Lizzo sexually harassed them.On one occasion while at a nightclub in Amsterdam, the lawsuit says, Lizzo began inviting employees to touch nude performers and handle dildos and bananas used in their performances.Out of fear of retaliation, a dancer eventually “acquiesced” to touching the breast of a nude female performer despite repeatedly expressing no interest in doing so, the suit says.Representatives for Lizzo and her production company did not immediately respond to requests for comment on Tuesday.Dancers on Lizzo’s “Watch Out for the Big Grrrls” reality show last year. Arianna Davis, bottom right, is one of the plaintiffs in the lawsuit.Michelle Groskopf for The New York TimesTwo of the plaintiffs, Arianna Davis and Crystal Williams, began performing with Lizzo after competing on her reality television show on Amazon Prime, “Watch Out for the Big Grrrls,” in 2021. The show was an opportunity to give plus-size dancers representation, Lizzo said at the time. Ms. Davis and Ms. Williams were fired in the spring of 2023, the lawsuit says.Separately, a third plaintiff, Noelle Rodriguez, was hired in May 2021 to perform in Lizzo’s “Rumors” music video and remained on as part of her dance team. According to the lawsuit, Ms. Rodriguez resigned shortly after Ms. Davis and Ms. Williams had been fired.Some of the allegations seemed to take aim at Lizzo’s reputation for championing body positivity and inclusivity.“The stunning nature of how Lizzo and her management team treated their performers seems to go against everything Lizzo stands for publicly,” a lawyer for the plaintiffs, Ron Zambrano, said in a statement on Monday. Privately, he said, Lizzo “weight-shames her dancers and demeans them in ways that are not only illegal but absolutely demoralizing.”Some of Lizzo’s statements to the dancers gave Ms. Davis, who was diagnosed with a binge eating disorder, the impression that she had to “explain her weight gain and disclose intimate personal details about her life in order to keep her job,” the suit says.Since her breakout hit “Truth Hurts” dominated charts in 2019, Lizzo has popularized “feel-good music” and self-love and has celebrated diversity in all forms by churning out empowerment anthems, introducing a size-inclusive shapewear line and racking up millions of views on social media.She won this year’s Grammy for record of the year for “About Damn Time.”Diana Reddy, an assistant professor at the School of Law at the University of California, Berkeley, said that allegations that fall outside legally protected categories could undermine Lizzo’s body-positive message and “could certainly encourage a settlement.”Proving a hostile work environment in the unconventional entertainment industry is difficult, she said, so the plaintiffs’ lawyers could be hoping for a settlement. “Employment discrimination plaintiffs don’t fare particularly well in court,” Ms. Reddy said. More

    • 125 Shares119 Views

      in Music

      Randy Meisner, Founding Member of the Eagles, Dies at 77

      by

      The group’s original bass player, he was with the band from 1971 to 1977 but was uncomfortable with fame.Randy Meisner, a founding member of the Eagles whose broad vocal range on songs like “Take It to the Limit” helped catapult the rock band to international fame, died on Wednesday at a hospital in Los Angeles. He was 77.The cause was complications of chronic obstructive pulmonary disease, the band said on its website.“Randy was an integral part of the Eagles and instrumental in the early success of the band,” the group said.Mr. Meisner, the band’s original bass player, helped form the Eagles in 1971 along with Glenn Frey, Don Henley and Bernie Leadon. He was with the band when they recorded the albums “Eagles,” “Desperado,” “On the Border,” “One of These Nights” and “Hotel California.”“Hotel California,” with its mysterious, allegorical lyrics, became among the band’s best-known recordings. It topped the Billboard Hot 100 in 1977 and won a Grammy Award for record of the year in 1978.But Mr. Meisner was uncomfortable with fame.“I was always kind of shy,” he said in a 2013 interview with Rolling Stone, noting that his bandmates had wanted him to stand center stage to sing “Take It to the Limit,” but that he preferred to be “out of the spotlight.” Then, one night in Knoxville, he said, he caught the flu. “We did two or three encores, and Glenn wanted another one,” he said, referring to his bandmate, the singer-songwriter who died in 2016.“I told them I couldn’t do it, and we got into a spat,” Mr. Meisner told the magazine. “That was the end.”He left the band in September 1977 but was inducted with the Eagles into the Rock & Roll Hall of Fame in 1998. An essay by Parke Puterbaugh, published by the Hall of Fame for the event, described the band as “wide-eyed innocents with a country-rock pedigree” who later became “purveyors of grandiose, dark-themed albums chronicling a world of excess and seduction that had begun spinning seriously out of control.”The Eagles sold more records than any other band in the 1970s and had four consecutive No. 1 albums and five No. 1 singles, according to the Hall of Fame. Its “Greatest Hits 1971-1975” album alone sold upward of 26 million copies.Before joining the Eagles, Mr. Meisner was briefly the bassist for Poco, another Los Angeles country-rock band, formed in 1968. He left that band shortly afterward and joined Rick Nelson’s Stone Canyon Band.A list of survivors was not immediately available. His wife, Lana Meisner, was killed in an accidental shooting in 2016.Randall Herman Meisner was born in Scottsbluff, Neb., on March 8, 1946, and started practicing music at a young age.He got his first acoustic guitar when he was around 12 or 13 and, shortly after, formed a high school band, according to a 2016 interview with Rock Cellar magazine. “We did pretty good, but we didn’t win anything,” he said.He was still a teenager when he joined another band and moved to Los Angeles in 1964 or 1965, he told Rock Cellar.“We couldn’t find any work because there were a million bands out here,” he said.Years later, Mr. Meisner would find plenty of work with the Eagles.“From Day One,” he told Rock Cellar, “I just had a feeling that the band was good and would make it.”A full obituary will appear shortly. More

    • 125 Shares199 Views

      in Movies

      Pete Davidson Plans F.D.N.Y. Community Service to Resolve Crash Case

      by

      The former “Saturday Night Live” cast member faced a reckless driving charge in California. His father, a New York City firefighter, was killed responding to the Sept. 11, 2001, attacks.Pete Davidson, the comedian, actor and former “Saturday Night Live” cast member, has reached an agreement that allows him to resolve a reckless driving charge in California by doing community service with the New York Fire Department, officials said on Monday.Mr. Davidson is a Staten Island native whose father, Scott, was a New York City firefighter who died while responding to the World Trade Center attacks on Sept. 11, 2001 — an experience that helped inform Mr. Davidson’s 2020 film, “The King of Staten Island.”The reckless driving charge, a misdemeanor, was filed against Mr. Davidson last month by the Los Angeles County District Attorney’s Office. It said he crashed a Mercedes-Benz into a house near Rodeo Drive in Beverly Hills in March, The Los Angeles Times reported. No one was injured, The Times reported.On July 19, a judge placed Mr. Davidson into an 18-month diversion program, according to a statement from the district attorney’s office on Monday. He must pay restitution, attend 12 hours of traffic school, visit a morgue to learn about what happens to victims of reckless driving, and perform 50 hours of community service.Mr. Davidson’s lawyer has indicated that the community service “is likely to be completed at” the New York Fire Department, the statement said. Details of the diversion program were reported earlier by TMZ.A lawyer for Mr. Davidson did not respond to a request for comment.Amanda Farinacci, a Fire Department spokeswoman, called Mr. Davidson “the son of a 9/11 hero” and, without offering details, said the department “would be happy to provide” him a chance to complete his service. (Mr. Davidson can also complete the diversion program’s other terms in New York, the district attorney’s office said.)A stand-up comic before joining the “Saturday Night Live” cast in fall 2014, Mr. Davidson left the NBC show after the season finale last year. His most recent project is the streaming series “Bupkis.”Doing his community service in New York could allow Mr. Davidson to check up on another project tied to his Staten Island roots: a decommissioned ferry that he and Colin Jost, a fellow “Saturday Night Live” cast member — and fellow Staten Islander — bought last year with other investors for $280,000.One vision for the aging vessel involved turning it into what one of the investors called an “arts and entertainment venue.” But Mr. Davidson sounded uncertain about the ferry’s future in an interview with “Entertainment Tonight” last month.“I have no idea what’s going on with that thing,” he said. “Me and Colin were very stoned a year ago and bought a ferry. And we’re figuring it out.” More

    • 138 Shares189 Views

      in Movies

      Striking Actors Join Writers on Picket Lines in LA and NYC

      by

      In Los Angeles and New York, actors and screenwriters braved the heat to admonish the major studios and demand a new deal.It was 10 a.m., adoring union members had already more or less mobbed their president, Fran Drescher, and the crowd was growing by the minute.Outside Netflix offices in Hollywood, a festive, buoyant mood had taken over the intersection of Sunset Boulevard and Van Ness Avenue. It was a workers’ strike, to be sure. But as smiling protesters eagerly joined in chants and high-fived their picket signs, it felt a little like a summer Friday street party. One with a few famous guests.“We’re told that we should just be so grateful to get to do what we love to do — but not being compensated, not being protected while they are profiting off of our work,” said Amanda Crew from HBO’s “Silicon Valley,” who walked the picket line with Dustin Milligan from “Schitt’s Creek.”“That’s the myth of the actor: You’re doing art so you should just be so grateful because you’re living your dream. Why? Do we do that to doctors? We bring so much joy to people by entertaining them,” Crew added.It was the first of what could be many days of marching for actors, who picketed at locations across the country. They chanted, “Actors and writers unite!” as they marched along a short block in Times Square where Paramount conducts business; they passed out bottles of cold water and cans of La Croix outside 30 Rockefeller Plaza in Midtown Manhattan; and they bounced their picket signs to the sounds of Jay-Z’s “Dirt Off Your Shoulder” as it blared from a speaker in Hollywood.A day earlier, the Hollywood actors’ union, known as SAG-AFTRA, approved a strike for the first time in 43 years, joining forces with writers, who walked out in May.“There’s a renewed sense of excitement and solidarity,” said Alicia Carroll, a strike captain for the Writers Guild of America. “Writers have been out here for upwards of 70 days. It’s been a while and it’s hot. People are tired. So this is a confidence boost that we’re not alone in the industry in terms of issues.”The actors Bill Irwin and Susan Sarandon picketed in New York on Friday.Andres Kudacki for The New York TimesThe actors and writers have been unable to agree to new contracts with the Alliance of Motion Picture and Television Producers, which represents major studios and streamers. Pay is a central issue, but the negotiations around compensation have been complicated by the emergence of streaming services and the rise of artificial intelligence.Actors, including Ms. Drescher, the president of their union, have cast the moment as an inflection point, arguing that the entire business model for the $134 billion American movie and television business has changed. They say their new contract needs to account for those changes with various guardrails and protections, including increased residual payments (a type of royalty) from streaming services. They are also worried about how A.I. could be used to replicate their work: scripts in the case of writers and digital replicas of their likenesses for actors.Hollywood companies have insisted that they worked in good faith to reach a reasonable deal at what has also been a difficult time for an industry that has been upended by streaming and is still dealing with the lingering effects of the pandemic.“The union has regrettably chosen a path that will lead to financial hardship for countless thousands of people who depend on the industry,” the studio alliance said in a statement after SAG-AFTRA announced the strike.On Friday, writers said they were heartened to be joined on the picket lines by actors, many of whom have been marching with them for months in the black-and-yellow T-shirts that have become something of a uniform. It is the first time since 1960 that actors and screenwriters have been on strike at the same time.WGA leaders have shared picket line advice: Bring plenty of sunscreen and set a timer to reapply, watch out for traffic. But some actors were already veterans.The actor Greg Germann being interviewed at Netflix’s office in Los Angeles on Friday.Jenna Schoenefeld for The New York Times“I have not been to a picket without SAG-AFTRA members there. Sometimes they have even outnumbered us here in the east,” said Lisa Takeuchi Cullen, a vice president of the Writers Guild of America, East. “They have been our stalwart supporters and comrades, and we intend to reciprocate.”“Suddenly,” she added, “the sleeping giant has awakened.”Indeed, some of the union’s most prominent members took to the streets Friday and drew notice as the afternoon wore on. Jason Sudeikis showed up at 30 Rock; Susan Sarandon went to the Flatiron neighborhood, where picketers targeted Warner Bros. Discovery; and Sean Astin marched outside the Netflix offices in Los Angeles.“Our careers have been turned into gig work,” Mr. Astin said over a chorus of frenetic honks of support from passing cars. “It’s not just that we’re not going to take it anymore — we actually can’t take it anymore.”An animated Ms. Drescher had arrived at the same location earlier in the day and was met with an exuberant crowd that wrapped itself around her.“This strike and this negotiation is going to impact everybody, and if we don’t take control of this situation from these greedy megalomaniacs, we are all going to be in threat of losing our livelihoods,” Ms. Drescher said.“I’m not really here for me as much as the 99.9 percent of the membership who are working people who are just trying to make a living to put food on the table, pay rent and get their kids off to school,” she added. “They are the ones that are being squeezed out of their livelihood, and it’s just pathetic.”Shara Ashley Zeiger, an actor, brought her 2-year-old, Lily, to the picket in front of NBC’s offices in New York. A sign protruded from her daughter’s stroller. Lily played with her food — and a tambourine.“The effects of this deal directly affect my daughter and my family,” Ms. Zeiger said.She added: “I had had a role on a project that was on a streamer, and their deal was they didn’t have to pay me residuals for two years. And it was in the middle of the pandemic.”Thousands of miles west in Los Angeles, Evan Shafran, an actor who had taken it upon himself to put together an hourslong playlist for the strike, wondered whether he might eventually need to apply for Medi-Cal, the state’s medical assistance program. He was able to string together enough work to pay for health insurance this year, but he could not be sure how things would pan out in the future.And last week, Mr. Shafran said, his car was stolen. But he took an Uber from his home in the San Fernando Valley to the Netflix offices anyway.“I spent $100 to come protest today even though I’m out of work,” he said. “I need to be out here.” More

    • 113 Shares119 Views

      in Television

      Why Are Hollywood Actors Striking? Here’s What to Know

      by

      Here’s why Hollywood is facing its first industrywide shutdown in more than 60 years, and what it could mean for your favorite shows.The union representing more than 150,000 television and movie actors announced Thursday that it would go on strike at midnight, joining screenwriters who walked out in May and creating Hollywood’s first industrywide shutdown in 63 years.Here is what you need to know.Why are the actors and writers striking?Pay is often at the center of work stoppages, and that is the case here. But the rise of streaming and the challenges created by the pandemic have stressed the studios, many of which are facing financial challenges, as well as actors and writers, who are seeking better pay and new protections in a rapidly changing workplace.Both actors and screenwriters have demanded increased residual payments (a type of royalty) from streaming services. Streaming series typically have far fewer episodes than television series typically did. And it used to be that if a television series was a hit, actors and writers could count on a long stream of regular residual checks; streaming has changed the system in a way that they say has hurt them. Both groups also want aggressive guardrails around the use of artificial intelligence to preserve jobs.A-list actors last month signed a letter to guild leadership saying they were ready to strike and calling this moment “an unprecedented inflection point in our industry.”What is the position of the Hollywood studios?The Alliance of Motion Picture and Television Producers, which represents major studios and streamers, has said it offered “historic pay and residual increases” as well as higher caps on pension and health contributions. They also say their offer includes audition protections, a “groundbreaking” proposal on artificial intelligence and other benefits that address the union’s concerns.The Hollywood studios have also stressed that all the industry upheaval has not been easy for them, either. As moviegoers have been slow to return to cinemas and home viewers have moved from cable and network television to streaming entertainment, many studios have watched their share prices plummet and their profit margins shrink. Some companies have resorted to layoffs or pulled the plug on projects — or both.What will happen to my TV shows and movies?It will take a while for filmgoers to notice a change, since most of the movies scheduled for release this year have already been shot. But TV viewers are already seeing the strike’s effects, and if it drags on, popular shows could see their next seasons delayed.Late-night shows are already airing reruns because of the writers’ strike, and the vast majority of TV and film productions have already shut down or paused production. Big name shows like “Yellowjackets,” “Severance” and “Stranger Things” halted work after the writers’ strike began; it is not yet clear if their upcoming seasons will be delayed.Disney announced several changes to its theatrical release calendar in June, amid the writers’ strike.Now, the actors’ strike will add even greater upheaval.During the first two weeks of July, no scripted TV permits were issued in Los Angeles County, according to FilmLA, which tracks production activity. Film and TV shows that have completed shooting and are already in postproduction can likely stay on schedule, because the work remaining does not typically involve writers or actors.Participating in either film or television production with any of the studios is now off the table, with few exceptions. And that means that within a few months — beginning with the fall lineup — viewers will begin to notice broader changes to their TV diet.The ABC fall schedule, for instance, will debut with nightly lineups that include “Celebrity Wheel of Fortune,” “Dancing With the Stars” and “Judge Steve Harvey” as well as repeats of “Abbott Elementary. The Fox broadcast network’s fall lineup includes unscripted series like “Celebrity Name That Tune,” “The Masked Singer” and “Kitchen Nightmares.”How long could this all drag on?If only we knew.Writers have been walking the picket lines now for more than 70 days, and their union, the Writers Guild of America, has yet to return to bargaining with the studios.The last time the writers and actors went on strike at the same time was in 1960, when Ronald Reagan was president of the Screen Actors Guild.Screenwriters have walked out several times, sometimes for long periods: Their 2007 strike lasted 100 days. The actors last staged a major walkout in 1980; it lasted more than three months.What about the promotion of current shows and films?In the near term, officials have said there will be no promotion of current projects, either online or in person. Do not expect to hear Ryan Gosling touting “Barbie” again anytime soon. A ban on promotion could be very bad news for San Diego’s Comic-Con, upcoming film festivals in places like Venice and Toronto, and scheduled movie premieres like the “Oppenheimer” premiere planned for Monday in New York.The 75th Emmy Awards, which announced its nominations yesterday, may now be in peril. Organizers have already had discussions about postponing the Sept. 18 ceremony, likely by months.Nicole Sperling More

    • 163 Shares119 Views

      in Theater

      L.A.’s Center Theater Group Lays Off Staff and Halts Work on One Stage

      by

      With box office revenues, subscriptions and donations all down since the pandemic, the theater said it would pause production on one of its three stages, the Mark Taper Forum.In the face of what is described as a “crisis unlike any other in our 56-year history,” the Center Theater Group, a flagship of the Los Angeles theater world, announced a series of sharp cutbacks Thursday to deal with drops in revenue and attendance and said that it would suspend productions at one of its three stages, the Mark Taper Forum.The theater said it would lay off 10 percent of its 200-person work force.In a note to patrons, the theater said it “continues to feel the aftereffects of the pandemic and has been struggling to balance ever-increasing production costs with significantly reduced ticket revenue and donations that remain behind 2019 levels.” Theater officials said the organization posted an $8 million shortfall for the 2022-23 fiscal year and a $7 million shortfall the year before, much of which had been covered by federal pandemic assistance that is now ending.The 736-seat Taper, a semicircular amphitheater that has been a showpiece for innovative productions — “Slave Play” recently enjoyed a mostly sold-out run here — will suspend productions beginning this July and at least through the 2023-2024 season.And the theater is postponing a world premiere that had been set to open there this August, “Fake It Until You Make It” by Larissa FastHorse. As a result, the final production at the Taper for this season will be “A Transparent Musical,” a world premiere based on the television show “Transparent,” about the patriarch of a Los Angeles family coming out as transgender.The Los Angeles organization becomes the latest arts organization in the country — from regional theaters to symphony orchestras to opera houses — to grapple with a drop-off in attendance in the wake of the coronavirus pandemic.The center, which has a long record of championing new and innovative work, has been struggling to redefine its mission and regain its financial footing since reopening after the pandemic. The group is made up of three theaters: the Taper, the Ahmanson, and the Kirk Douglas Theater. The Ahmanson and the Taper are part of the Music Center complex in downtown Los Angeles; the Kirk Douglas is in Culver City.Season subscriptions at the Taper are 35 percent below what they were before the pandemic shutdown began; subscriptions at the group’s main theater, the Ahmanson, are down 42 percent. Its longtime artistic director, Michael Ritchie, stepped down in December 2021, six months before the expiration of his contract. He was replaced by Snehal Desai, the producing artistic director of East West Players, who will step into his new role this summer. He will take the helm at a reduced institution.“We didn’t think that it would happen this fast or this dramatically — before he got in the door,” said Brett Webster, a spokesman for the center. “He did go in knowing this was a possibility.”The Taper is particularly admired here because of its relatively intimate feel and its willingness to take on new productions, sometimes to acclaim, and sometimes not.“Pausing season programming at the Taper is a difficult but necessary decision that will impact artists and audiences; and is particularly painful for the talented and committed CTG staff who have dedicated so much to bringing great theater to L.A.,” the theater said.The Center Theater Group has a long and distinguished history here, the site of such pathbreaking productions as “Angels in America” and “Twilight: Los Angeles, 1992,” the Anna Deavere Smith play. More

    • 163 Shares139 Views

      in Music

      Horace Tapscott, a Force in L.A. Jazz, Is Celebrated in a New Set

      by

      “60 Years,” a compilation marking the 60th anniversary of his Pan Afrikan Peoples Arkestra, spotlights the pianist and community organizer, who died in 1999.There’s a name engraved in the sidewalk along Degnan Boulevard in Los Angeles’ Leimert Park neighborhood: Horace Tapscott, the local pianist and organizer whose ensemble, the Pan Afrikan Peoples Arkestra, gave many musicians their first gigs and helped heal a community impacted by racism.“He saved Los Angeles when it comes to progressive music,” said the vocalist Dwight Trible, a performer with the Arkestra since 1987, in a telephone interview. “Because if you were going to get involved in that, you had to come through Horace Tapscott.”Tapscott started the group in 1961 and maintained it until his death in 1999, at 64. Yet his name has never rung as loudly outside of L.A. He didn’t tour much and his albums of vigorous Afrocentric jazz weren’t released on mainstream record labels. A new compilation titled “60 Years,” out Friday, may change that.The double LP set collects unreleased songs from every decade of the Arkestra’s existence, up to its present-day iteration with the drummer Mekala Session at the helm. Through a mix of home and live recordings, along with written track-by-track breakdowns from past and present members in the album’s liner notes, “60 Years” offers perspective on a group that’s largely flown under the radar.Featuring Bill Madison on drums; David Bryant on bass; Lester Robertson on trombone; and Arthur Blythe, Jimmy Woods and Guido Sinclair on saxophone; the Arkestra started in Tapscott’s garage and grew dramatically over the following 17 years.Tapscott founded the band and the Union of God’s Musicians and Artists Ascension, an artists’ collective, to provide more gigs for progressive jazz musicians living in L.A., and to get local children involved in the arts. His own journey in music began when he was young; his mother, Mary Lou Malone, was a stride pianist and tuba player and as a teen he played trombone locally before entering the Air Force.After a tour of the South with the vibraphonist Lionel Hampton’s band, he wasn’t enamored with life on the road. During a stop in L.A., where Tapscott had lived since he was 9, he hopped off Hampton’s tour bus for good. “No one discovered I was gone until they got to Arizona,” he said in a 1982 interview.“He was way more interested in feeling and sounding like himself with his friends, who were also really unique,” Session said on a video call from Los Angeles. Still, Tapscott’s mission stretched beyond music. During the Watts riots in 1965, he had the band play in the middle of the road on a flatbed truck. (Police responded, with guns drawn.) They group would often perform in churches, community centers, prisons and hospitals for little to no money, and at benefits for Black Panther leaders, drawing attention from the Federal Bureau of Investigation.Though Tapscott released his first album, “The Giant Is Awakened,” with a separate quintet in 1969, his debut LP with the Arkestra didn’t arrive until “The Call,” a mix of bluesy ballads and orchestral arrangements with grand flourishes, in 1978. Along the way, noted musicians and vocalists like Nate Morgan, Kamau Daaood, Adele Sebastian and Phil Ranelin played in the band.Trible came across Tapscott in the late 1980s as a singer in another group who wanted to work with the Arkestra. Two weeks after they performed separately at a festival, Tapscott offered an invitation. “He said, ‘I want you to come to my house tomorrow at 3 o’clock,’ and he hung up the phone,” Trible remembered with a laugh. “And just about every concert that Horace played from that time on, I sang with him in some capacity.”Trible performed a fiery rendition of “Little Africa,” a rapturous gospel song, with the current version of the Arkestra at National Sawdust in Brooklyn earlier this month. The festive night of shouts and praise featured older and younger Arkestra members, and served as a showcase for Session, the band’s leader since 2018; Mekala is the son of the saxophonist Michael Session, who led the band before him.In an interview before the gig, Session recalled joining the band as a teen. “I’m 13 and my first gig with the Ark is with Azar Lawrence,” he exclaimed, referring to the noted saxophonist and sideman to Miles Davis, McCoy Tyner and Freddie Hubbard. “It’s actually a very humbling thing to be a medium, a conduit for the ancestors trying to spread this vibration as far and as hard as possible.”The idea for the compilation arose shortly after the band’s 50th anniversary, which came and went without much fanfare. The collective vowed to not let that happen for its 60th. “We were like, ‘We’re going to make a product that will introduce a bunch of people to this band in a way that’s comprehensive and concise,” Session said. “This is for us, by us. We wanted to present something to the people from the band that can directly pay the band and support the band, and then be turned into other projects. It’s the first time the Ark has been able to do that, really.”Renewed interest in Tapscott and the Arkestra dates back at least seven years, when a new crop of L.A. jazz musicians — including the bassist Thundercat, the saxophonist Kamasi Washington and the producer and multi-instrumentalist Terrace Martin — helped the superstar rapper Kendrick Lamar create his avant jazz-rap opus “To Pimp a Butterfly,” shedding light on the city’s still-fertile jazz scene. Since then, various labels have reissued Tapscott’s work. But the music on “60 Years,” remastered from old cassettes and CDs, hasn’t been heard beyond the Arkestra.Six decades since Tapscott formed the band, Session said the group’s mission hasn’t changed, and he vowed to continue pushing forward. “I want to get weirder. I want to get back to how Horace did shows at prisons and high schools and colleges for free,” he said. “We could sell out Carnegie Hall and then come home and do the same set for 50, 60 cats. I want that balance. It sounds impossible, but we can do it.” More

    • 138 Shares179 Views

      in Television

      Bill Cosby Accused of Sexual Assault in Nevada by Nine Women

      by

      The entertainer, who was released from prison in 2021 after a conviction was overturned, now faces lawsuits in states where the statutes of limitations have changed.Nine women accused Bill Cosby of sexual assault in a Nevada lawsuit on Wednesday, less than two months after the state changed its statute of limitations for civil cases involving that crime.The women said in the lawsuit that the assaults took place in Nevada between 1979 and 1992, some in Mr. Cosby’s hotel suite in Las Vegas. They said that Mr. Cosby, now 85, had drugged or attempted to drug each of them before the assaults.A spokesman for Mr. Cosby, Andrew Wyatt, could not immediately be reached for comment on Wednesday night. He told NBC News that the plaintiffs in the case were motivated by “addiction to massive amounts of media attention and greed.”The lawsuit is the latest of several to accuse the entertainer of being a sexual predator. He was convicted of sexual assault in a Pennsylvania court in 2018 and began serving a three- to 10-year sentence.Mr. Cosby was released in 2021 after the Pennsylvania Supreme Court overturned his conviction on the grounds that prosecutors had violated his rights by reneging on a promise not to charge him. Mr. Wyatt described the court’s reversal at the time as a victory for both Black America and women.But accusations of sexual misconduct have continued to trail Mr. Cosby, who starred for years in “The Cosby Show,” a mainstay of American television in the 1980s and early 1990s. And he now faces several new lawsuits in states where the laws governing statutes of limitations have recently changed.In California last year, a jury sided with Judy Huth, who had accused Mr. Cosby of sexually assaulting her in 1975 at the Playboy Mansion in Los Angeles, when she was 16. She was awarded $500,000.Mr. Cosby was also sued in Los Angeles this month by Victoria Valentino, a former Playboy model who accused him of drugging and sexually assaulting her in that city in 1969, after she and a friend met him for a meal in a restaurant.The California cases were possible because state law has been changed since 2020 to extend, then temporarily lift, the statute of limitations for sexual assault filings in civil courts.A similar process in New Jersey allowed Lili Bernard, an actor and visual artist, to sue Mr. Cosby in 2021, accusing him of drugging and sexually assaulting her at a hotel in Atlantic City in 1990.In Nevada, the state legislature passed a law in May that revised provisions around some civil cases involving sexual assault. The law allows people who were 18 or older when a sexual assault allegedly occurred to file civil lawsuits. Older state laws had already allowed people who were under 18 at the time of an alleged sexual assault to bring such cases.Some of the nine women who filed the lawsuit on Wednesday have been involved in legal action against Mr. Cosby in other states.One is Ms. Bernard, a former guest star on “The Cosby Show.” Another is Janice Dickinson, a model who appeared as a witness during Mr. Cosby’s Pennsylvania trial, testifying that he had drugged and sexually assaulted her in a Lake Tahoe hotel room in 1982. “Every state should follow Nevada’s lead and eliminate the statute of limitations for sexual assault,” said Lisa Bloom, a lawyer who represented Ms. Dickinson in the Pennsylvania case. “I applaud the courage of these women for demanding justice against Bill Cosby.” More