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    ‘My Happy Ending’ Review: When Life Goes Off Script

    Andie MacDowell plays a screen and stage star facing a cancer diagnosis in this film directed by Tal Granit and Sharon Maymon.“My Happy Ending,” about an actress starting chemotherapy, is based on a play by the Israeli writer Anat Gov, who died in 2012. The stage version was understood as a reflection of Gov’s own feelings about approaching death and a frank effort to confront audiences with the realities of cancer. But the labored screen adaptation shows regrettably few signs of personal fire, and many signs of a work that has been sapped of the intimacy of live theater.Directed by Tal Granit and Sharon Maymon, this Israeli-British coproduction is set in Britain, where Julia Roth (Andie MacDowell), a fading American film star who has just flopped in the West End, furtively turns up at a public hospital to undergo treatment for colon cancer. She hasn’t told her family of her diagnosis and is intent on keeping it secret, although Nancy (Tamsin Greig), her officious manager and friend, wants her to go public with it.Because the hospital doesn’t do private rooms, Julia soon meets three other patients: a relentless optimist (Sally Phillips), a Holocaust survivor (Miriam Margolyes) and a mother in her 20s (Rakhee Thakrar). They explain aspects of chemo that the pampered Julia has tuned out from her doctors. They also invite her to join their group role-plays, in which they imagine getaways to forget the pain.But at least onscreen, the fantasy sequences fall flat, allowing viewers too unrestricted an escape. It may also be that MacDowell lacks the range necessary to make sense of the script’s notions of Julia, who does not share the others’ perspective.My Happy EndingRated R. Language and marijuana use. Running time: 1 hour 29 minutes. In theaters. More

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    ‘Along for the Ride’ Review: Becoming a Kid Again

    A Netflix adaptation turns a best-selling novel by Sarah Dessen about a perfectionist teenage girl into a slick and breezy, Instagram-friendly story.Teenage girls have been gobbling up Sarah Dessen’s books for years, so fans are no doubt breathlessly awaiting a Netflix adaptation of “Along for the Ride,” her best-selling 2009 novel. Unfortunately for them, the movie is lacking much of Dessen’s trademark depth.The story follows Auden West (Emma Pasarow), a studious introvert whose divorced, academic parents (played by Dermot Mulroney and Andie MacDowell) raised her like a small adult, scorning childhood frivolity.As she spends the summer before college with her father, stepmother (Kate Bosworth) and newborn half sister, some unexpected new friends teach Auden the value of fun. Chief among them is Eli (Belmont Cameli), a boy who works at the local bike shop and, like Auden, has a troubled past and a penchant for staying up all night.This film, written and directed by the “To All the Boys I’ve Loved Before” screenwriter Sofia Alvarez, has the same basic plot as Dessen’s book, plus some injections of teenage indie appeal like Luca Del Puppo’s warmly lit cinematography, several Vans product placements and music by Beach House. But such a breezy, Instagram-friendly adaptation feels like a betrayal to Dessen’s original, neurotic protagonist, who has a more difficult journey from self-induced solitude to romance. Where book-Auden avoided friendship, femininity and emotion with frustrating frequency because of her restrictive upbringing, movie-Auden is basically a chill girl with a smidgen of baggage.The other characters — especially Auden’s parents — are similarly underwritten, so the film is left grasping for conflict or clear stakes. Dessen’s novel offered a main character paralyzed by perfectionism. This film makes her ironically, boringly, perfect.Along for the RideNot rated. Running time: 1 hour 46 minutes. Watch on Netflix. More