Martindale, Margo

Subterms

    Latest story

    113 Shares149 Views

    ‘The Sticky’ Is a Taut and Tasty Heist Thriller

    by

    Starring Margo Martindale, the six-episode Amazon series, based loosely on a true story, tells a gonzo tale of a maple syrup heist.“The Sticky,” available Friday on Amazon Prime Video, is the latest quirky crime dramedy to begin with a title card disavowing its veracity: “This is absolutely not the true story of the great Canadian maple syrup heist.” Indeed, “The Sticky” is inspired only loosely by the actual heist of 2011-12, in which thieves in Quebec stole $18 million worth of syrup over the course of several months. The clearer inspiration for the show is all the other shows it resembles, all the far-flung cousins at the “Fargo” family reunion.This is to the show’s advantage. “The Sticky” has learned from its predecessors’ mistakes, and like maple syrup itself has been reduced down into its most concentrated and tasty form: six half-hour episodes. There is one timeline, and the screws tighten precisely and constantly. Things move from “ … should we?” to “ack!” with a winning urgency. This tidiness, though, can sometimes feel like oversimplification, with lines that land as childish and pat. “Look at you and look at me,” the villain says to our hero. “What makes you possibly think you can win?” One yearns for the musical number that would follow this in a Disney movie.Margo Martindale stars as Ruth, a woman who has run afoul of the local syrup licensing rules but is desperate for money because her husband is in a coma. She teams up with an in-over-his-head mob underling (Chris Diamantopoulos) and the security guard at a syrup warehouse (Guillaume Cyr), and they form an imperfect but endearing trio. Hot on their tails are the warm local cop and the icy big-city cop.Martindale is the draw here, and she more than delivers, but Cyr is the highlight. His Remy is doofy, aggrieved, awkward, but more sweet than menacing — often underestimated, but also often vulnerable. Even the other characters call him “the Oaf.” The scenes between Cyr and Martindale are when the show feels fullest, like its best self.Central to the show are syrup taps and barrels, and the story itself overflows its container a bit: Some of the big twists and important developments happen in the codas, after the first moments of end credits. And few shows in living memory have set up their second seasons with such juicy dun dun dunnns, so much so that it feels like taunting the cancellation gods. More

    More stories

    • 100 Shares159 Views

      in Television

      Margo Martindale Pours It On in ‘The Sticky’

      by

      The esteemed character actress has spent decades enlivening films and series in just a few scenes or episodes. In this new Amazon heist comedy, she is first on the call sheet.Let’s say you need a woman who can slit someone’s throat, who can poison someone’s whiskey, who can smash her son’s fingers with a hammer, who can commit armed robbery with precision and glee. Perhaps you are responsible for “The Sticky,” a new Amazon heist comedy, premiering on Dec. 6, and you require an actress who can reliably crash most of a maple tree through the glass doors of a provincial office building.Then you should absolutely call the three-time Emmy winner Margo Martindale.So it was a mild shock, one morning in mid November, to find Martindale — just back from Toronto, where she is shooting a Richard LaGravenese series — tucked away at a tasteful Manhattan brunch spot. A further surprise: Martindale, 73, has lived nearby since 1978. She arrived for breakfast looking elegant in a black-and-white caftan, the picture of an Upper West Side matron, a matron without a sizable body count.“I am a wimp,” Martindale confessed as she pushed some eggs around her plate. “I’m scared of my own shadow. I’m afraid of the dark.” Those dangerous women? That’s acting.An esteemed character actress — in the Netflix animated comedy “Bojack Horseman,” in which she voiced a felonious version of herself, she was typically introduced as “Esteemed Character Actress Margo Martindale” — she has spent the last two decades playing a deluxe assortment of baddies, women with steel wool and spite where their hearts should be. She’ll often show up for only a few scenes in a movie or a handful of episodes on a show, just long enough to make the extremes of human behavior seem wholly plausible.In “The Sticky,” Martindale plays a farmer seeking revenge on the bureaucrats trying to take her farm.Jan Thijs/Amazon StudiosBut in “The Sticky,” she is the star of the series, first on the call sheet. Martindale plays Ruth Landry, a reluctant maple syrup farmer who plots to steal millions of dollars of syrup from the bureaucrats who are trying to seize her farm. (Landry is an invented character, but the series is based — very loosely — on actual events.) To hear her tell it, Martindale approached this lead the same as she would any of her character parts — all acting should be character work, she said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 100 Shares99 Views

      in Movies

      ‘Cocaine Bear’ Review: She Never Forgets Her Lines

      by

      The greatest joke of this blood-spattered horror-comedy from Elizabeth Banks is that it exists.When you were in high school or college, did you know someone who would stay up late, get stoned and wonder what would happen if you got a pet high? That person went to Hollywood. How else to explain “Cocaine Bear,” a chaotic, blood-splattered major studio horror-comedy whose greatest joke is that it exists.The title, which has drawn comparisons to the equally functional “Snakes on a Plane,” says it all. The year is 1985. After a pratfall in a plane leads a smuggler to drop a ton of drugs on the mountains of Georgia, a bear discovers it, snorts it up and turns into a mix of Tony Montana and Jason Voorhees.Directed by Elizabeth Banks from a script by Jimmy Warden, this movie arrives in theaters with considerable anticipation, based on the title and its terrific trailer. For an audience desperately looking for a good time, they’ll find it. More discerning fans of junk might see an opportunity missed.The Grisly Tale of ‘Cocaine Bear’The blood-spattered horror-comedy directed by Elizabeth Banks is based loosely — very loosely — on real events.Review: “For an audience desperately looking for a good time, they’ll find it,” our critic writes. “More discerning fans of junk might see an opportunity missed.”An Apex Predator Star: The film is inspired by a real story, but Banks and the screenwriter, Jimmy Warden, gave their furry lead a different ending.The Back Story: In 1985, a 175-pound black bear found and ingested cocaine in a Georgia forest. Here’s the true story behind the movie.A Taste for Human Goods: The strange but true tale that inspired the film is the result of an unusual confluence of events. But wild animals consume just about everything.At its best, “Cocaine Bear” has the feel of an inside joke. It consistently invites you to laugh at it. The producers are clearly aiming to capture the lightning in a bottle that “M3gan” pulled off earlier this year, another Universal horror-comedy whose slick special effects elevated its B-movie conceit. Whereas “M3gan” steered clear of too much onscreen violence, angling for a PG-13 rating, “Cocaine Bear” wallows in it. Viewers with a taste for tastefulness (those weirdos) will balk. But gorehounds, myself among them, appreciate a studio playing around in the muck. Inspired by the slasher films of the 1980s, not to mention great horror-comedies from that era like the “Evil Dead” films, Banks grasps the comic potential of the gross-out.In the blunt spirit of the title, let me get right to the point: Two severed legs, two fingers shot off, a decapitation, some splattered brains, a grotesquely contorted wrist and all kinds of guts and blood and human innards. Banks doesn’t always dole out the viscera artfully (better to follow a leg with an arm, not another leg) but she commits to the too-muchness necessary for comedy.While it beats out “M3gan” in levels of gruesomeness, “Cocaine Bear” doesn’t have that film’s mean streak or moments of acid weirdness. Or its steadily building momentum. In fact, “Cocaine Bear” too often feels like a one-joke movie, stretched thin. Gifted dramatic actors are tasked with thankless roles, including Keri Russell as a protective mom, Isiah Whitlock Jr. as an irritated cop with a bland side plot involving a pet; and by far the best, Margo Martindale as a love-hungry park ranger, who takes more punishment than anyone. The plot twists can seem irrelevant, including a betrayal that has the impact of a soft sneeze. And the script becomes dutifully sentimental at the end with characters forced to say things like “You’re more than a drug dealer. You’re my friend, my best friend.”Nothing comes close to upstaging the bear, an animal perfect for this genre-blurring role, because it moves so seamlessly in the public consciousness between cute (teddy, Yogi) and terrifying (“The Revenant”). At one point, Cocaine Bear sniffs a hint of white powder and emerges with renewed strength. A gutsier movie might have drawn this out and given us an ursine Popeye, with cocaine as spinach.As fun as this movie can be — one chase scene in an ambulance makes up for a few rote jump scares — there are frequently hints of a better one inside it. The best version is a raucous, transgressive comedy, the kind they supposedly don’t make anymore. Banks does seem to get away with some giddy, dangerous moments, like a scene in which two preteens try to do cocaine. It gets a few laughs, but leaves plenty more on the table.The actor who does not is a snarling, gun-toting Ray Liotta (in one of his final roles) as a desperate man trying to regain cocaine for his cartel bosses. But making the drug dealer the one truly villainous character gives “Cocaine Bear” the morality of an after-school special. Early in the movie there’s a clip of the old “This is your brain on drugs” ad, a reminder that the story takes place against the backdrop of the drug war of the 1980s, a catastrophic policy failure with severe human ramifications that we are still living with. That “Cocaine Bear” is cautious about touching on this theme is understandable, maybe even preferable. But it’s also symptomatic of a studio sensibility that seems only willing to risk so much.Cocaine BearRated R for brains on drugs and brains on floor. Running time: 1 hour 35 minutes. In theaters. More

    • 125 Shares169 Views

      in Movies

      'Family Squares' Takes on the Pandemic, Zoom and Human Nature

      by

      Secrets erupt and tensions are bared when the bereaved Worth family gathers on Zoom.“I just want to say, I am so happy that Mom did not die of Covid,” says Bobby Worth (Henry Winkler) in “Family Squares,” a film told through FaceTime, Zoom and phone calls immediately before and after the death of the Worth family matriarch, Mabel (June Squibb).That a dying loved one evaded the virus may be little consolation to the grief-stricken, but it’s precisely this plot point that allows Stephanie Laing, the writer and director, to poke gentle fun at our shared pandemic predicament. Her film is a lighthearted and touching look at the feuds, resentments and secrets that can surface when someone dies.The film underlines the idea that it’s never too late to tell the truth or repair tattered bonds. Mabel, on videos played after her death, urges her descendants to heal their broken relationships.The star-studded cast is introduced in a hectic grid: The faces include Mabel’s son, Bobby; daughter, Diane (Margo Martindale); late-in-life partner, Judith (Ann Dowd); and numerous grandchildren and great-grandchildren.After less than a minute of virtual overtalk, Chad (Scott MacArthur), a whistle blower grandson hiding out in Russia, suggests they raise their hands when they want to speak; the others respond with mocking middle fingers.The inherent clumsiness of Zoom interactions gives rise to other funny moments, such as a decision by Cassie (Elsie Fisher) to sit with Mabel’s body “until the free session runs out.” When she’s still there a while later, her father asks incredulously, “How has it not expired yet?” (She has upgraded to a premium account, using his credit card.)Laing’s writing is sharp, drawing vivid characters and exposing family tensions through acerbic dialogue. For example, one granddaughter, Dorsey (Judy Greer), in a dig at her sister, Katie (Casey Wilson), comments, “Your kitchen looks really nice. How much did Grandma spend on that remodel?”Filmed during quarantine in 2020, “Family Squares” uses the communication tools of the pandemic era to deliver a film with the intimacy of a home movie, while still exploring the chaos and limitations of technology.Family SquaresRated R for language. Running time: 1 hour 39 minutes. In theaters and available to rent or buy on Amazon, Vudu and other streaming platforms and pay TV operators. More