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    Did You Find These Easter Eggs in ‘The Bear’ Season 3?

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    Subtle, and not so subtle, culinary references are sprinkled throughout the show’s third season.In its third season, “The Bear,” a television show known for its dedicated hyperrealism, did not disappoint fans looking for real-world culinary references. As Carmy (Jeremy Allen White), Sydney (Ayo Edebiri) and their team of former sandwich professionals hustled for a Michelin star or two at their newly opened fine-dining spot, Easter eggs dotted the show. We’ve compiled a short list, with help from restaurant industry professionals, of the most true-to-life nods and hidden surprises:In certain corners of Reddit, it is rumored that the entire show is loosely based on the life of the chef Curtis Duffy, an owner of Ever restaurant in Chicago. But, while the creators have dined at his restaurant, “If they were studying me, I didn’t know it,” he said.The photos of the restaurant critics posted in the Bear office are of actual people, including the New Yorker writer Naomi Fry, the “How Long Gone” podcaster Chris Black and Sue Chan, who runs the culinary events and marketing agency Care by Chan. On the show, Marcus, the pastry chef played by Lionel Boyce, makes a “caviar sundae.” A similar dish was served at the renowned, now-closed restaurant 108 in Copenhagen, a culinary hotbed to which “The Bear” has referred numerous times.In flashbacks to Carmy’s time at the French Laundry, Thomas Keller’s restaurant in the Napa Valley, a sign beneath the clock reads, “Sense of Urgency.” “That sign sits under every clock in every restaurant Thomas Keller has,” said Nick Fitch, a co-owner of Alston Hospitality Group who spent 12 years working the dining room at the French Laundry and Per Se.The Pilot G2 Gel Roller Pen, with a .07-millimeter tip that Carmy uses to furiously scribble throughout the season (and to write his list of “non-negotiables”) caught the eye of Greg Ryan, a co-owner of Bell’s in Los Alamos, Calif. who worked in the dining rooms at Per Se and the French Laundry for more than five years. “When I was an expediter, those were just the pens you had,” he said. “They work well on receipt paper, don’t smudge, have a fine tip and write super-smoothly.”Much has been made of Mr. Keller’s chicken-trussing demonstration — “If you ask him his favorite dish, he’ll say roast chicken,” said Mr. Fitch — but a photo of his handprint cast in concrete also makes an appearance in the season’s first episode. According to Mr. Fitch, the handprint was initially in the kitchen at the French Laundry but was extracted during an extensive renovation and moved outside, along with handprints from Corey Lee, a former French Laundry chef de cuisine, and Claire Clark, a former pastry chef at the restaurant.Joel McHale, who plays Chef David, said on “Late Night With Seth Meyers” that he was “portraying” Mr. Keller. “I don’t think he’s as awful as I was, but he does whisper at his employees,” Mr. McHale said. Others have speculated that the character is based on Daniel Humm, the chef at Eleven Madison Park. Will Guidara, a producer on “The Bear,” was a business partner of Mr. Humm’s until the two had a tense public split. Mr. McHale said in a GQ interview this week that “David is apparently based on Thomas Keller and Daniel Humm,” and added, “There wasn’t any material. I’ve never met them.”In Episode 2, Carmy calls a dish of sea bass topped with potato chips a “Boulud nod,” as in Daniel Boulud, the renowned chef who created crisp paupiettes of sea bass in Barolo sauce. That dish uses thinly sliced potatoes as a crust for a skinless fillet, and Mr. Boulud has in turn credited a mullet dish made by Paul Bocuse as his inspiration.The tip-versus-service-charge conversation among the Bear’s staff touches on a hot-button issue that’s playing out all over the country. Many restaurateurs, most famously Danny Meyer, have tried to create a better system, with mixed results. In California, a recently passed law seemed to make restaurant service charges illegal (as part of a bid to reduce hidden fees), but then a second bill was passed, allowing restaurants to keep those fees if they are presented clearly.In Episode 7, Chef Marcus asks Carmy about a photo of Mr. Keller with Mr. Boulud and the chef Nobu Matsuhisa as much younger men. All three went on to become world-renowned chefs. Mr. Matsuhisa has opened restaurants on five continents, and popularized the now-famous dish of miso black cod at Nobu, his restaurant in TriBeCa.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Office Race’ Review: Slow and Not So Steady

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      Beck Bennett stars in this funny, familiar Comedy Central sports movie, but Joel McHale steals the show.“Office Race,” a ribald comedy from Jared Lapidus about an inveterate deadbeat reluctantly training for a marathon, understands one of the great unspoken truths about running: that it is a miserable, arduous, soul-destroying pastime, and also deeply, profoundly rewarding.Beck Bennett stars as Pat, a lazy, quasi-oafish sales rep at an investment app start-up. His idea of a marathon is watching all of the “Fast and Furious” movies in succession, but in a bid to woo a client who is zealously athletic, Pat claims a love of long-distance running — a lie that doesn’t land him the deal, but does commit him to participating in a marathon in three months’ time with the client’s enthusiastic running club. Thus Pat aches, sweats, groans and generally hates his life. In other words, he learns to run.Bennett makes for an adequate schlub, and his journey from the couch to 26.2 miles is satisfying if a bit too familiar — we get the usual sports movie beats, from training montages to motivational speeches. The supporting cast, though, is uniformly great, including the always-wonderful J.B. Smoove as a champion racewalker who advises Pat to partake of dipping tobacco to fortify his lungs, as well as Kelsey Grammer, in a small but funny part as a wise former coach turned owner of a sports store. But the “Office Race” M.V.P. is Joel McHale as Pat’s maniacal, pun-loving boss and race rival, Spencer, who chugs energy drinks, has sex with Pat’s girlfriend and goes insane in obsessive pursuit of marathon glory — a minor comic master class whose only fault is that Spencer doesn’t appear in every scene.Office RaceNot rated. Running time: 1 hour 22 minutes. Watch on Comedy Central platforms. More

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      ‘The Seven Faces of Jane’ Review: One Movie, Eight Directors

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      Gillian Jacobs’s blank slate protagonist floats through a series of encounters in this feature-length movie made up of short films.A director’s career is often measured by the quality and quantity of their feature films. But short films can offer a chance to experiment with styles and subjects that might not be suited for a wider commercial release. “The Seven Faces of Jane” combines these two modes of production to create an omnibus film; it’s a feature-length movie comprising short films made by emerging directors.At the center of each short story is Jane (played by Gillian Jacobs, who also directs the first of the movie’s shorts), a single mother who opens the movie by dropping off her daughter at summer camp in Malibu. The film’s episodic story follows Jane as she floats through a series of encounters during her week of solitude in Southern California. She begins with a surreal trip to a roadside diner, but her journeys take her to the desert, the beach and the mountains. She connects with strangers, as well as lovers, including a former flame played by Joel McHale, who starred on the TV series “Community” with Jacobs.Jane is a bit of a blank slate as a protagonist, and her flatness feels jarring when she encounters other characters with more depth. One episode introduces Tayo (Chido Nwokocha), an ex of Jane’s who describes feeling alienated from his Blackness and sense of self during their relationship. Another sequence finds Jane teaching the steps of a waltz to a teenager dreading the dances at her quinceañera. Jane acts as a sounding board when these characters describe their feelings about their specific cultures. Yet in her responses, she remains as two-dimensional as a sketch on white paper.The directors — Jacobs, Gia Coppola, Boma Iluma, Ryan Heffington, Xan Cassavetes, Julian J. Acosta, Ken Jeong (another of Jacobs’s “Community” castmates) and Alex Takacs — come from a wide range of creative and personal backgrounds. But the shorts blend together without significant variation. The transitions eschew title cards, subtly eliding shifts by returning to images of Jane in her car.There is continuity in this makeshift road picture‌ — Jane’s costumes and makeup remain cohesive across the shorts, and the film’s segments keep the same cool color palette. But the consistency limits the ability of the directors to lean into their own style, leading to a movie that feels narratively scattered and stylistically inhibited.The Seven Faces of JaneNot rated. Running time: 1 hour 33 minutes. In theaters and available to rent or buy on Amazon, Google Play and other streaming platforms and pay TV operators. More

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      ‘Queenpins’ Review: Suburban Scammers

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      Two cash-strapped neighbors devise a multimillion-dollar coupon swindle in this mildly entertaining comedy.“Queenpins” might have been a snappy little comedy had it lost 20 minutes and found a point beyond glorifying grand larceny. Erasing the lead character’s smug-perky narration wouldn’t have hurt, either.Set mainly in suburban Phoenix, Ariz. — with pit stops in other dehydrated locations — the movie smiles on Connie (Kristen Bell), a cash-strapped coupon cutter whose bland good cheer masks a desperate longing for a child.“You’re trying to replace a baby with coupons,” her husband (Joel McHale), a withdrawn I.R.S. agent, accurately observes before largely disappearing from the story. Connie’s true partner, though, is JoJo (Kirby Howell-Baptiste), a bubbly neighbor and vlogger looking for a break. Together, they hatch a scheme to steal coupons from a printing facility in Mexico and sell them on YouTube. What could possibly go wrong?Written and directed by the husband-and-wife team of Aron Gaudet and Gita Pullapilly, “Queenpins,” inspired by actual events, can’t decide if its pink-collar criminals are fools or geniuses. Neither can the two men on their trail: a businesslike postal inspector (Vince Vaughn, starved for decent lines) and the movie’s true hero, Ken Miller (an excellent Paul Walter Hauser), an officious loss-prevention officer for a supermarket chain. Ken’s longing for respect makes him a ridiculous, even pathetic figure; but he has a dogged, shabby sense of honor that the film views as a joke and repeatedly undermines.Making no secret of where its sympathies lie, “Queenpins” scampers toward its ludicrous conclusion with less concern for logic than for ensuring that everyone gets what he or she wants. With the possible exception of the audience.QueenpinsRated R for iffy language and icky behavior. Running time: 1 hour 50 minutes. In theaters and on Paramount+. More

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      ‘Happily’ Review: Does Long-Lived Love Mean You Need Treatment?

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      In this keeps-you-guessing comedy, Joel McHale and Kelly Bishé play a couple married for 14 years whose mutual passion is undimmed, to the annoyance of their friends.After 14 years of marriage, what kind of couple has sex at least once a day? Probably, in the real world, a jobless one, but never mind that. In “Happily,” Tom (Joel McHale) writes at home and Janet (Kelly Bishé) works at an office, but yes, they (vigorously!) enjoy intimate relations with unusual frequency in this feature debut by the writer-director BenDavid Grabinski. When a bathroom is occupied for an unusual amount of time during a party, the hosts know exactly who’s hogging the private space and why. Consequently, Tom and Janet’s friends, and especially those party hosts (played by Paul Scheer and Natalie Zea), hate them.Two events rattle Tom and Janet’s bliss. First, a home visit from a mysterious stranger played by Stephen Root. Acting as a kind of cosmic overseer, he informs the couple that they’re biological/metaphysical anomalies and demands they submit to his cure. This visit ends badly for him. Then the pair bounces from being disinvited and reinvited to a weekend getaway hosted by another couple of hater friends, and attended by distinctly discontented duos.For a while it’s fun to be kept off-balance, wondering whether the movie is some kind of allegory or, as seems more likely, that the cosmic overseer visit was a prank engineered by one of those friends. Either way, since the visit, Tom and Janet are troubled — by guilt, by dreams, by temptations never experienced before.Grabinski has both wit and energy, and these qualities, along with a game cast, help keep “Happily” afloat for far longer than most made-in-L.A. dark domestic comedies. But the movie wants to do too many things, and grows diffuse. This is a not uncommon glitch with first features; one hopes and expects Grabinski will deliver something more focused next time.HappilyRated R for themes, language, excessive marital bliss. Running time: 1 hour 36 minutes. In theaters and available to rent or buy on Vudu, FandangoNow and other streaming platforms and pay TV operators. Please consult the guidelines outlined by the Centers for Disease Control and Prevention before watching movies inside theaters. More