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    ‘Love Island USA’ Has a New Villain This Season: The Viewers

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    Audiences have bullied past contestants, but after an islander has become particularly divisive, the series is taking more steps to keep fans from harassing stars and their families.For viewers, the ridiculous games, steamy make-out sessions and potential relationships that appear on “Love Island USA” are as much of a draw as what happens after they air.The reality dating show, on Peacock, brings contestants to a remote villa in Fiji to pair up and risk getting dumped (and booted from the island) or recoupled with a different romantic interest. Through the show’s official app, viewers are encouraged to vote on who should be dumped and even selecting which contestants should go on dates.But one such fan vote, and a floodgate of audience response, this season has reopened scrutiny of “Love Island” and the mental health and welfare of its contestants. In recent weeks, the host Ariana Madix took the rare step of admonishing fans, as some have sent hateful messages or threats to family and friends of the islanders.“Don’t be contacting people’s families,” she said on “Aftersun,” a weekly recap show. “Don’t be going on islanders’ pages and saying rude things.”The rebuke came after viewers were vocal in response to Huda Mustafa, a 24-year-old from North Carolina who audiences voted to split from her partner Jeremiah Brown. Her reaction was dramatic, even by reality TV standards.Mustafa shouted insults and expletives at Brown, and her aggressive behavior toward the woman Brown was recoupled with prompted another contestant, Pepe Garcia, to tell an islander: “I don’t know if we should stay close or not, in case something happens.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Theater

      Diana Oh, Passionate Voice for Queer Liberation in Theater, Dies at 38

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      Mx. Oh’s politically provocative and often playful works, including the Off Broadway production “{my lingerie play},” asserted the right to be oneself while having fun.Diana Oh, a glitter-dusted experimental artist-activist whose theater works intertwined political provocation with profound compassion in rituals of communion with audiences, died on June 17 at their home in Brooklyn. Mx. Oh, who used the pronouns they and them, was 38.The death was confirmed by Mx. Oh’s brother Han Bin Oh, who said the cause was suicide.A playwright, actor, singer-songwriter and musician, Mx. Oh created art that didn’t fit neatly into categories. Mx. Oh was best known for the outraged yet disarmingly gentle Off Broadway show “{my lingerie play},” a music-filled protest against male sexual violence; it was performed in a series of 10 installations around New York City.A concert-like play — with Mx. Oh singing at its center — “{my lingerie play}” percolated with an angry awareness of the ways restrictive gender norms and society’s policing of sexual desire can leave whole groups vulnerable. It was an emphatic and loving assertion of the right to be oneself without worrying about abuse.“I was born a woman, to immigrant parents,” Mx. Oh said in the show. “That’s when my body became political. That’s when I became an artist.”Mx. Oh’s Infinite Love Party, which the Bushwick Starr theater in Brooklyn produced in 2019, was not a show but rather a structured celebration with a sleepover option. It was a handmade experience, including music and aerial silks, designed to welcome queer people, people of color and their allies.Mx. Oh in The Infinite Love Party, which was not a show but rather a structured celebration with music.Nina Westervelt for The New York TimesMx. Oh in 2019 during The Infinite Love Party, which had a sleepover option.Nina Westervelt for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      Brian Wilson, Songwriter and Leader of the Beach Boys, Dies at 82

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      Brian Wilson, who as the leader and chief songwriter of the Beach Boys became rock’s poet laureate of surf-and-sun innocence, but also an embodiment of damaged genius through his struggles with mental illness and drugs, has died. He was 82. His family announced the death on Instagram but did not say where or when he died, or state a cause. In early 2024, after the death of his wife, Melinda Wilson, business representatives for Mr. Wilson were granted a conservatorship by a California state judge, after they asserted that he had “a major neurocognitive disorder” and had been diagnosed with dementia.On mid-1960s hits like “Surfin’ U.S.A.,” “California Girls” and “Fun, Fun, Fun,” the Beach Boys created a musical counterpart to the myth of Southern California as paradise — a soundtrack of cheerful harmonies and a boogie beat to accompany a lifestyle of youthful leisure. Cars, sex and rolling waves were the only cares.That vision, manifested in Mr. Wilson’s crystalline vocal arrangements, helped make the Beach Boys the defining American band of the era. During its clean-cut heyday of 1962 to 1966, the group landed 13 singles in the Billboard Top 10. Three of them went to No. 1: “I Get Around,” “Help Me, Rhonda” and “Good Vibrations.”At the same time, the round-faced, soft-spoken Mr. Wilson — who didn’t surf — became one of pop’s most gifted and idiosyncratic studio auteurs, crafting complex and innovative productions that awed his peers.“That ear,” Bob Dylan once remarked. “I mean, Jesus, he’s got to will that to the Smithsonian.”Mr. Wilson’s masterpiece was the 1966 album “Pet Sounds,” a wistful song cycle that he directed in elaborate recording sessions, blending the sound of a rock band with classical instrumentation and oddities like the Electro-Theremin, whose otherworldly whistle Mr. Wilson would use again on “Good Vibrations.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      ‘Thunderbolts*’ Star Lewis Pullman Has Become Hollywood’s Go-To Bob

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      In “Top Gun: Maverick” and the latest Marvel movie, the actor has played memorable characters by that name. “I should probably take a breather from playing Bobs,” he said.This interview contains spoilers for “Thunderbolts*.”Lewis Pullman still isn’t sure if he’s playing a hero or a villain in the latest Marvel movie, “Thunderbolts*.”“He’s very malleable and easily influenced because he hasn’t had a real, strong, reliable source of love in his life,” the actor said of his character, a dark Superman-like figure known as the Sentry/the Void — although his civilian name, Bob, is how you might remember him best.Think what would happen if Superman were super-depressed. Oh, also, he appears capable of vaporizing people with a flick of his hand.“There’s a contrast between being this all-powerful being and then having your greatest weakness and your main Achilles’ heel be your own self,” Pullman said in video call this week from his apartment in Los Angeles.He had just returned to the city, where he was born and raised, after a Vancouver, B.C., shoot for the Netflix movie “Remarkably Bright Creatures,” based on Shelby Van Pelt’s enormously popular novel. That was followed by a whirlwind press tour that had taken him from London to New York to Los Angeles to Miami and back to Los Angeles, just in time for his brother’s wedding. He looked like he’d rolled in from the beach in a white T-shirt, denim button-up and perfectly windswept hair, and books by authors like the novelist Harry Crews and the playwright Sam Shepard were stacked behind him, with boxes resting atop tables.“I haven’t really had the time to unpack,” he said, apologizing for the mess.Pullman — the son of, yes, Bill Pullman — is the breakout star of the latest Marvel film, which has attracted praise for its candid depiction of mental health.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares119 Views

      in Television

      Alvin F. Poussaint, Pioneering Expert on Black Mental Health, Dies at 90

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      A psychiatrist at Harvard and an adviser to Jesse Jackson and Bill Cosby, he challenged Black Americans to stand up to systemic racism.Alvin F. Poussaint, a psychiatrist who, after providing medical care to the civil rights movement in 1960s Mississippi, went on to play a leading role in debates about Black culture and politics in the 1980s and ’90s through his research on the effects of racism on Black mental health, died on Monday at his home in Chestnut Hill, Mass. He was 90.His wife, Tina Young Poussaint, confirmed the death.Dr. Poussaint, who spent most of his career as a professor and associate dean at Harvard Medical School, first came to public prominence in the late 1970s, as the energy and optimism of the civil rights movement were giving way to white backlash and a skepticism about the possibility of Black progress in a white-dominated society.In books like “Why Blacks Kill Blacks” (1972) and “Black Child Care” (1975), he walked a line between those on the left who blamed persistent racism for the ills confronting Black America and those on the right who said that, after the civil rights era, it was up to Black people to take responsibility for their own lives.In books like “Why Blacks Kill Blacks” (1972) Dr. Poussaint balanced the views of those on the left who blamed persistent racism for the ills confronting Black America and those on the right who believed Black people should take responsibility for their own lives.Emerson Hall PublishersThrough extensive research and jargon-free prose, Dr. Poussaint (pronounced pooh-SAHNT) recognized the continued impact of systemic racism while also calling for Black Americans to embrace personal responsibility and traditional family structures.That position, as well as his polished charisma, made him a force in Black politics and culture. He served as Massachusetts co-chairman for Reverend Jackson’s 1984 presidential campaign and was reportedly the model for Dr. Cliff Huxtable on Mr. Cosby’s sitcom “The Cosby Show.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      Kanye West Announces He Was Diagnosed With Autism

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      The rapper and designer formerly known as Kanye West revealed the diagnosis during a podcast interview where he also discussed his upcoming album.Less than a week after his controversial appearance on the Grammy Awards red carpet, in which his wife stripped down to an entirely sheer dress, Ye, the rapper and designer formerly known as Kanye West, announced in a podcast interview that he had been diagnosed with autism.Over the past few years, Ye has frequently mentioned a diagnosis of bipolar disorder, which he alluded to on the cover of his album “ye” in 2018, with scrawled green text that read “I hate being Bi-Polar its awesome.”On the track “Yikes,” Ye said being bipolar was not a disability but rather a superpower. That same year, in an interview with The New York Times, he said he had been “learning how to not be on meds.”But on an episode of “The Download,” hosted by Justin Laboy, a former professional basketball player turned internet personality, Ye discussed his mental health and said he had been misdiagnosed. In the interview, which was released on Wednesday, he said that his wife, Bianca Censori, had challenged him to get a second opinion, and that he sought out a doctor who he said had previously worked with the singer Justin Bieber.“Come to find out it’s really a case of autism that I have,” Ye said.“Autism takes you to a ‘Rain Man’ thing where you’re like, I’m gonna wear this Trump hat because I just like Trump in general, and then when people tell you to not do it you just get on that one point,” he added, making reference to the 1988 film starring Dustin Hoffman as a man with autism.Messages to a representative for Ye seeking further clarity on the diagnosis were not immediately returned.In 2020, Kim Kardashian, who was then married to Ye, defended the rapper in an Instagram post after a series of erratic social media posts. In it, she attributed at least some of his actions to his diagnosis of bipolar disorder. Two years later, Ye made a series of antisemitic and offensive comments that led Adidas to end its longtime relationship with him and the Creative Artists Agency to drop him as a client.On social media, the reactions to this week’s podcast interview, in which Ye also discussed his upcoming album, “Bully,” and the ongoing feud between the rappers Kendrick Lamar and Drake, were mixed.In comments on the podcast’s Instagram account, some users praised Ye for his openness and chattered excitedly about the new album, which he said will be released later this year. Others continued to criticize him for the barely there dress he designed for Ms. Censori to wear at the Grammys.On the social media platform X, other users voiced concern for Mr. West’s mental health, with many noting that diagnoses of autism and bipolar disorder do not have to be mutually exclusive. More

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      in Movies

      ‘The Interview’: Demi Moore Is Done With the Male Gaze

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      Demi Moore’s new movie, “The Substance,” which opens Sept. 20, is a dark comedy about the horrors of getting older as a woman in Hollywood. But it’s also a literal body-horror film — the basic premise is that Moore’s character, an aging actress-turned-celebrity-fitness-instructor named Elisabeth Sparkle, takes a strange elixir (the substance) that allows her to create a younger, more perfect version of herself. And you see that creation in bloody, visceral detail. The movie kind of grossed me out, to be honest, but I couldn’t stop thinking about it afterward. And it was fascinating to see Moore, who has been open about her own struggles with her body image and has lived most of her life in the public eye, play this role.Listen to the Conversation With Demi MooreThe actress discusses how her relationship to her body and fame has changed after decades in the public eye.Subscribe: Apple Podcasts | Spotify | YouTube | Amazon | iHeart | NYT Audio AppI’ve been mesmerized by Moore for decades, starting in 1985 with “St. Elmo’s Fire,” when her husky voice and bold onscreen persona — in this instance, a kind of wildness that made her seem both alluring and destructive — first broke through. There was a period when it felt as if every movie Moore starred in was an event — “Ghost,” “A Few Good Men,” “G.I. Jane,” “Striptease,” “Indecent Proposal.” She eventually became the highest-paid actress in Hollywood, and also an early advocate for pay equity in the industry, long before the issue was part of the national discourse.But even though Moore was such a visible celebrity of my teenage and early adult years, I never felt I knew much about her until reading her revealing 2019 memoir, “Inside Out,” which opens at the lowest point in her life, with the end of her marriage to Ashton Kutcher and her relapse into alcoholism. Moore’s struggles started early as the child of a mentally ill, alcoholic mother. But much of the book is about the extreme lengths she went to during her prime Hollywood days to control her body through disordered eating and exercise. Now in her 60s and a grandmother, Moore tells me she has finally grown comfortable in her own skin and, with “The Substance” and this stage of her career, is hoping to upend expectations about what it means to be an aging woman in an industry that both embraced and judged her harshly. (And a note: I asked Moore how her former husband Bruce Willis, who’s living with frontotemporal dementia, is doing, and she said he’s stable and OK, all things considered.)Why did you sign on to star in a movie about a woman who’s aging in Hollywood and at war with her own body? It felt very meta watching you do this. Why it was easy for me to step in and do this is because I don’t feel I am her. This is a woman who has no family — she’s dedicated her entire life to her career, and when that’s taken, what does she have? And so, in a way, I had enough separation from her, and at the same time, a deep, internal connection to the pain that she was experiencing, the rejection that she felt. I knew it would be challenging, but potentially a really important exploration of the issue.Tell me what you understand the issue to be. That it’s not about what’s being done to us — it’s what we do to ourselves. It’s the violence we have against ourselves. The lack of love and self-acceptance, and that within the story, we have this male perspective of the idealized woman that I feel we as women have bought into. More

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      in Television

      Matthew Perry’s Death Shines a Harsh Light on Ketamine Treatment

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      Was Mr. Perry, whose struggles with substance abuse were widely known, a good candidate for a drug used to relieve depression? Doctors say his case raises thorny questions.The actor Matthew Perry, who had long struggled with addiction, grew intrigued by ketamine a few years ago during a stay at a rehab facility in Switzerland where he received daily infusions of the powerful anesthetic “to ease pain and help with depression.”“Has my name written all over it — they might as well have called it ‘Matty,’” he later wrote of ketamine, which is known for its dissociative properties, in his 2022 memoir, “Friends, Lovers and the Big Terrible Thing.” It felt, he said, “like a giant exhale.”“As the music played and the K ran through me, it all became about the ego, and the death of the ego,” he wrote. “And I often thought that I was dying during that hour. Oh, I thought, this is what happens when you die.” As much as he was drawn to it, he wrote, he found the hangover unpleasant and ultimately decided that “ketamine was not for me.”But he eventually returned to the drug, getting ketamine treatments from doctors at clinics and then, as he grew addicted to it, buying it from illicit sources and getting multiple injections each day at his Los Angeles home, the authorities have said. On Oct. 28, after he received several shots from his personal assistant, he did die — face down in his hot tub. An autopsy determined that Mr. Perry had died from “the acute effects of ketamine,” with drowning one of several contributing factors.“Matthew Perry sought treatment for depression and anxiety and went to a local clinic where he became addicted to intravenous ketamine,” Anne Milgram, the head of the federal Drug Enforcement Administration, said at a news conference last week. “When clinic doctors refused to increase his dosage, he turned to unscrupulous doctors who saw Perry as a way to make quick money.”Drugs and paraphernalia connected to a person accused of distributing ketamine to Mr. Perry. While ketamine poses a lower addiction risk than opioids, it can produce an out-of-body experience that some people enjoy.U.S. District Court Central District, via Agence France-PresseWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares99 Views

      in Music

      ‘The Interview’: Jelly Roll Cannot Believe How His Life Turned Out

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      We’ve all had the experience of being in a bad emotional place and, in response, putting on a song. We know that song isn’t going to fix the problem, whatever it may be, or even change the feeling. But the music we turn to when we’re struggling can be like a hand on our shoulder. For a legion of Americans today, the music that does that is by Jelly Roll.Listen to the Conversation With Jelly RollFrom jail and addiction to music stardom — the singer tells David Marchese he’s living a “modern American fairy tale.”Subscribe: Apple Podcasts | Spotify | YouTube | Amazon | iHeart | NYT Audio AppJelly’s real name is Jason DeFord, and he’s from Antioch, Tenn. He’s 39-years-old, burly (though he’s trying to lose weight), with a face covered in tattoos. In a sign of the breadth of his audience, he has been able to score on the country, rock and pop charts with hit singles like “Need a Favor” and albums like 2023’s “Whitsitt Chapel.” His southern-rock and hip-hop-inflected country songs are almost all about clawing toward some semblance of stability, which is an experience that informs a lot of his music, because it’s one he knows well. Jelly was in and out of prison starting as a teenager and into his mid-20s. He has dealt with personal loss and substance-abuse issues — both his own and that of his teenage daughter’s mother. He has also dealt with the professional despair of a long run to nowhere as an aspiring rapper. But that’s before he switched to singing and, beginning in 2021, started to hit it big.The musician — one half of a down-home power couple with his wife, Bunnie Xo, who hosts the popular Dumb Blonde podcast — will set off on a cross-country headlining arena tour later this month. He also has a new, highly-anticipated album, “Beautifully Broken,” scheduled for release this fall. He is, by any measure, a star — and still figuring out just what that means.Can you share some of the things that fans come up and tell you? I’ve heard it all, Bubba. I’ve heard everything from “Your music was played at my daughter’s funeral; she had an accidental overdose” to “Your song helped me get through rehab; I listened to ‘Save Me’ on repeat for 30 days straight.” Or “It was our morning song before we did our gratitude list.” Yeah, everything from funerals to hospitals to recovery centers. I’ve heard the good stories, too: “I got sober.” It’s crazy, the range of emotions.Is it ever hard for you to be the recipient of that? Nah, I feel honored that I have a purpose. I spent so much of my life being counterproductive to society that to be in a place where I’m able to help people has completely changed my mentality. More