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    ‘Yakuza Princess’ Review: Crime, Amnesia and Ancient Swords

    This mayhem-filled film from Brazil has no higher function beyond its beheadings.You know this movie isn’t kidding around from its opening scene. Set in Osaka “20 years ago,” the blue-tinted sequence depicts a solemn ceremony broken up by bloody gun assassinations, culminating with a young boy taking a bullet in the back of his neck. So when I say “isn’t kidding around,” what I mean is “wants to impress you with the crass opportunism of its violence.”Based on a graphic novel, “Yakuza Princess” is not a Japanese film; it’s a Brazilian one. The director is Vicente Amorim and the graphic novel, called “Samurai Shiro,” is by Danilo Beyruth. Much of the action takes place in São Paulo, which has one of the largest Japanese expatriate communities in the world. The Japanese pop musician Masumi (who never appears at all comfortable in her role) plays Akemi, who is newly 21 in that Brazilian city and living an ordinary life.At the same time, in Osaka, the Yakuza soldier Takeshi (Tsuyoshi Ihara) is on a hunt that involves him blowing people’s brains out. Back in São Paulo, a hospitalized amnesiac white man breaks out of his medical situation, taking a very shiny (and noisy) ancient sword with him. (The character is played by Jonathan Rhys Meyers, his face scarred up like Karloff’s version of Frankenstein’s monster.)It seems inevitable that this group must somehow form a family. OK, not that, but yes, their paths intersect because — of course — Akemi was the sole survivor of that opening massacre. And Takeshi was somehow related and … well, it’s all pretty complicated and not terribly relevant, because fraught chases, frantic fights and various beheadings are really what the movie is all about.The cynical pro forma luridness “Yakuza Princess” grinds out suggests that sensationalist cinema, or at least its most ostensibly mainstream iteration, is currently depleted of resources.Yakuza PrincessRated R for oodles and oodles of violence. Running time: 1 hour 51 minutes. In theaters and available to rent or buy on Apple TV, Google Play and other streaming platforms and pay TV operators. More

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    ‘Edge of the World’ Review: The Man Who Agreed to be King

    Jonathan Rhys Meyers plays the unlikely ruler of a jungle kingdom in this corny tale.To play the British adventurer Sir James Brooke in “Edge of the World,” Jonathan Rhys Meyers sets his jaw and fixes his gaze on the middle distance. The performance — stiff, remote, magnificently arrogant — is odd; but, given the howlers of dialogue Rhys Meyers is forced to utter, it also kind of works.“Here I am a stranger, even to myself,” Brooke intones in voice-over shortly after landing on a Borneo beach in 1839. (The hushed Herzogian narration is a regular irritant.) Having fled a military career and messy personal life in Victorian England, Brooke is disenchanted with colonialism, presenting himself as an observer for the Royal Geographical Society. He will spend the next few years fighting pirates, soothing rival princes and quelling a tribal rebellion. Simply observing, apparently, was not the thrill he expected.Yet Brooke’s determination to wean the locals from slavery and headhunting is given an assist when a grateful Sultan appoints him the region’s ruler.“We don’t belong here!” his friend Arthur (Dominic Monaghan) warns. (A fact that, to be fair, has rarely bothered the British.) But Brooke — whose likely homosexuality is teased, then roundly rejected — is too busy wooing a bride and enjoying his elevated status to entertain Arthur’s concerns.Earnestly directed by Michael Haussman from Rob Allyn’s awed script, “Edge of the World” plugs its narrative gaps with corn and cliché. (There’s a possibility both men overdosed on “Apocalypse Now.”) In the most believable scene, a steamship captain (Ralph Ineson) scoffs at Brooke’s pleas for pirate-fighting help while tucking into a full English. The captain wants the country’s riches for the Crown, and, unlike Brooke, he knows it’s only a matter of time.Edge of the WorldNot rated. In English, Malay, Dayak, Cantonese and Arabic, with subtitles. Running time: 1 hour 44 minutes. Available to rent or buy on Google Play, FandangoNow and other streaming platforms and pay TV operators. More