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    ‘Hysteria!,’ ‘Stranger Things’ and the Satanic Panic That Never Goes Away

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    Five years ago, the television writer Matthew Scott Kane sold “Hysteria!,” a scripted drama that takes place in the late 1980s. The series was inspired in part by the tumult of misinformation he found online and in the media of the late 2010s. Shows like these take time to make, and Kane worried the idea would pass its best-by date.“I kept thinking, man, I don’t know if this is going to feel relevant,” he said in a recent interview.“Hysteria!” which premiered on Peacock on Oct. 18, is set in a small Michigan town in the grip of the so-called satanic panic of the 1980s and early 1990s, an episode of mass hysteria which imagined that a cross-country network of satanic cults was engaged in ritual abuse, animal sacrifice and infanticide. In the pilot, a high school football star is discovered dead. Suspicion turns to several of his classmates, members of a heavy metal band that exploits satanic imagery.The aesthetics of “Hysteria!” — the wallpaper, the jeans, the popular music — are distinctly ’80s. But the impulse to displace social anxieties onto perceived groups of outsiders is as American as apple pie. (Are those apples poisoned? Do they have razor blades inside?) And in a culture of heightened political rhetoric and pervasive misinformation, as apparent now as it was five years ago, the distance between the satanic panic and current conspiracy theories — QAnon, say, or the supposed grooming of children by queer people — is a short one, barely the length of a suburban lawn.Recent works of fiction — “Hysteria!”; the novel “Rainbow Black”; the fourth season of “Stranger Things”; the film “Late Night With the Devil” — all treat the satanic panic as a discrete historical event. But they also suggest how the panic’s concerns resonate in the present. As it turns out, Americans are still panicking. We may always be panicking.“Hysteria!,” a new Peacock show set during the satanic panic, features an attempted exorcism. Mark Hill/PeacockWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Four Tops Singer Sues Hospital Over Being Put in Restraints

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      The lawsuit by Alexander Morris, who joined the group six years ago, said the staff thought he was “delusional” when he told them he was in the Motown band.A singer who joined the storied Motown group the Four Tops in 2018 sued a Michigan hospital on Monday, accusing its staff of placing him in restraints and ordering a psychological evaluation because they did not believe he was part of the band.The singer, Alexander Morris, who is Black, filed a lawsuit accusing Ascension Macomb-Oakland Hospital of racial discrimination and two employees of negligence for an incident in April 2023, when he was taken there by ambulance with chest pain and difficulty breathing.When Mr. Morris, 53, told hospital staff that he was a member of the Four Tops — which helped define the Motown Sound in the 1960s with hits such as “I Can’t Help Myself (Sugar Pie, Honey Bunch)” and “Reach Out I’ll Be There” — the staff “wrongfully assumed he was mentally ill” and a security guard was instructed to put him in restraints, the lawsuit alleges.When Mr. Morris offered to show his identification card, the lawsuit said, the security guard, who is white, told him to “sit his Black ass down.”“None of the nursing staff intervened to stop the racial discrimination and mistreatment,” said the lawsuit, which accused the staff of taking Mr. Morris, who had a history of heart problems, off oxygen while they pursued a psychiatric evaluation.The nonprofit health system that oversees the hospital, Ascension, released a statement in which it declined to comment on the pending litigation but said, “We do not condone racial discrimination of any kind.”The Four Tops has seen a rotation of replacement singers since its heyday. Its only surviving original member, Abdul Fakir, invited Mr. Morris to join the group in 2018 and he has been performing with them since 2019. At the time of Mr. Morris’s hospital visit last year, the lawsuit said, the Four Tops had been touring with another Motown jewel, the Temptations, and the group had recently performed at a Grammys charity event honoring Berry Gordy, Motown’s founder.Seeking to convince the hospital that he was not “delusional,” Mr. Morris’s lawsuit said, he showed a nurse a video of him performing at the Grammys event. Then the staff canceled the psychiatric evaluation, removed the restraints — which the suit said had been in place for about 90 minutes — and placed him back on oxygen.The lawsuit, which was filed in the U.S. District Court for the Eastern District of Michigan, said that after the ordeal, Mr. Morris was offered a $25 gift card to a supermarket, which he said he refused to accept.“The hospital denied my identity and my basic human dignity and then offered me a gift card,” Mr. Morris said in a statement provided by his lawyers. More

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      John Sinclair, 82, Dies; Counterculture Activist Who Led a ‘Guitar Army’

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      His imprisonment for a minor marijuana offense became a cause célèbre. He was released after John Lennon and Yoko Ono sang about him at a protest rally.John Sinclair, a counterculture activist whose nearly 10-year prison sentence for sharing joints with an undercover police officer was cut short after John Lennon and Yoko Ono sang about his plight at a protest rally, died on Tuesday in Detroit. He was 82.His publicist, Matt Lee, said the cause of his death, in a hospital, was congestive heart failure.As the leader of the White Panther Party in the late 1960s, Mr. Sinclair spoke of assembling a “guitar army” to wage “total assault” on racists, capitalism and the criminalization of marijuana. “We are a whole new people with a whole new vision of the world,” he wrote in his book “Guitar Army” (1972), “a vision which is diametrically opposed to the blind greed and control which have driven our immediate predecessors in Euro-Amerika to try to gobble up the whole planet and turn it into one big supermarket.”He also managed the incendiary Detroit rock band the MC5. Their lyrics — “I’m sick and tired of paying these dues/And I’m finally getting hip to the American ruse” — were a kind of ballad for the cause.Mr. Sinclair, right, with members of the MC5, the rock group he managed, and friends in 1967.Leni Sinclair/Michael Ochs, Archive, via Getty ImagesMr. Sinclair’s command of this “raggedy horde of holy barbarians,” as he described them in his book, was upended in 1969 when Judge Robert J. Colombo of Detroit Recorder’s Court sentenced him to nine and a half to 10 years in prison for giving two joints to an undercover police officer.During the hearing, Mr. Sinclair argued that he had been framed.“Everyone who is taking part in this is guilty of violating the United States Constitution and violating my rights and everyone else that’s concerned,” he said. He added, “There is nothing just about this, there is nothing just about these courts, nothing just about these vultures over here.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Carol Duvall, a TV Queen of Crafting, Dies at 97

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      On Michigan television and then on national shows, she showed viewers how to make all sorts of decorative and practical items. The responses she got could be moving.Carol Duvall looked at the plastic foam trays that meat or vegetables come packaged in and saw picture frames. To her, “rock, paper, scissors” wasn’t a children’s game; it was a list of what you needed to make a personalized gift for someone to place on the mantel or in the garden.Ms. Duvall encouraged countless television viewers to make their own picture frames, greeting cards, place mats, jewelry, Christmas decorations and more, first in Michigan and then nationally through programs on ABC and HGTV.Newspapers called her the queen, or sometimes the empress, of crafting. Some of her fans called her a savior of sorts, the person who showed them a skill that they turned into a business, or who gave them something constructive to do while going through chemotherapy or recovering from surgery.Ms. Duvall, host of “The Carol Duvall Show,” which ran on HGTV for more than a decade, died on July 31 in Traverse City, Mich. She was 97.Rita Ann Doerr, who had been married to her son Michael and accompanied her to many public appearances, confirmed her death, at an assisted living complex that had been Ms. Duvall’s home for several years.Ms. Duvall was on television from the medium’s earliest days. She told The Detroit Free Press in 1997 that in 1951, living in Grand Rapids, Mich., she turned up at a tryout for WOOD-TV, Michigan’s first television station outside of Detroit, and won a spot on a show for children called “Jiffy Carnival.” She said that her father was surprised when she showed him her first paycheck, for $5 — he had thought that she would have to pay the station to be on television.The company that owned the station also owned a radio station, and Ms. Duvall was soon a frequent presence on both. In 1962 she moved to WWJ-TV of Detroit, where she hosted “Living,” a morning show. Two years later the station asked her to fill a five-minute gap between a travel show and the evening news, but didn’t give her much guidance.“I did anything I could possibly think of” to fill the time, she told the Knight Ridder News Service in 1999. She would talk about books she’d read or movies she’d seen. And occasionally, she would try to demonstrate some crafty thing she remembered from childhood, like making a yarn doll.“Every time I did something like that, I just got tremendous response,” she said. “So I started making stuff. I didn’t know what I was doing.”“I’m not a crafter who got on television,” she added. “I’m a television person who got into crafting.”She did those bits for 14 years, then retired, or so she thought. In 1988, when ABC was starting a daytime show called “Home,” a producer remembered her and persuaded her to do crafting segments on the new show, which aired until 1993.In 1994 she joined the new HGTV network with “The Carol Duvall Show,” which lasted more than 1,000 episodes, winding down in 2005. She was also featured regularly on the Lifetime Network shows “Our Home” and “Handmade by Design.”The crafts she demonstrated were things anyone could do. She began a picture frame project by cutting the bottom from a plastic foam tray and covering it in colorful fabric. A homemade greeting card was livened up with a butterfly design complete with bits of wire for antenna. Her 2007 book, “Paper Crafting With Carol Duvall,” includes a “Rock, Paper, Scissors” chapter: Find a smooth stone, cut up some colorful paper or family pictures with scissors, and glue them on the rock.Her show often featured guest crafters with a particular expertise — in stenciling, for instance, or coffee can creations.“Her interview skills brought out the very best in every guest artist and designer that appeared on the show,” Cherryl Greene, her assistant and producer on many shows, said in a written tribute.In the days before Etsy, Ms. Duvall’s HGTV show helped spread the gospel of crafting.“What she’s done is bring crafting into the realm of the mainstream,” Don Meyer, a spokesman for the Hobby Industry Association, told The Stuart News of Florida in 2003 on the occasion of her HGTV show’s 1,000th episode.In interviews over the years, Ms. Duvall told of fans who said they had built businesses that enabled them to feed their families based on craft-making they had learned from her show. She was especially moved, she said, by fans who told her that her shows had helped them while recovering from illness or surgery, or had simply given them the confidence that they could do something creative.Ms. Duvall’s appeal was that viewers could identify with her, Ms. Doerr said, especially when she bungled something on the air and cracked her and her guest up.“She was so approachable and natural,” Ms. Doerr said in a phone interview. “She would laugh at herself.”Carol-Jean Reihmer was born on Jan. 10, 1926, in Milwaukee to Leo and Alice (Davies) Reihmer. When she was 11, the family moved to Grand Rapids.She studied theater for a time at Michigan State University and remained interested in it; a 1953 article in The Lansing State Journal mentioned that she was appearing in a summer theater production of “The Glass Menagerie” in Grand Rapids.By then she was already on local television. The new medium was something of a mystery back then, even in her own home.“I was on the air a whole year before we even had a television set in our house,” she told The Free Press in the 1997 interview. “Nobody even knew what I did when I left the house.”In 1972 she published her first book, “Wanna Make Something Out of It?”Ms. Duvall’s marriage to Carl Duvall, in 1945, ended in divorce. Her son Michael died in 2011. She is survived by another son, Jack; two grandchildren; and two great-grandchildren.Though Ms. Duvall attracted fans whenever she made public appearances, on one occasion, at least, she was surprised by her own celebrity. In the summer of 1997 she was at a TV critics convention in Pasadena, Calif., when the actor Dennis Franz of “NYPD Blue,” then one of ABC’s top shows, came up and shook her hand. She thought he’d mistaken her for someone else and told him who she was.“Oh, Carol, you don’t have to introduce yourself to me,” Mr. Franz said. “You’re in my kitchen every morning.” More

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      Gordon Lightfoot’s ‘Wreck of the Edmund Fitzgerald’ Was An Unlikely Hit

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      Gordon Lightfoot’s 1976 folk ballad told the true story of a shipwreck on Lake Superior. One of his old friends called it “a documentarian’s song.”Gordon Lightfoot, the Canadian folk singer who died on Monday at 84, had one hit in particular that famously defied Top 40 logic.“The Wreck of the Edmund Fitzgerald,” his 1976 folk ballad, was unusual partly because, at more than six minutes long, it was about twice as long as most pop hits. It also retold a real-life tragedy — the 1975 sinking on Lake Superior of a freighter with 29 crewmen aboard — with meticulous attention to detail.“It’s a documentarian’s song, when you think about it,” said Eric Greenberg, a longtime friend of the singer who interviewed Mr. Lightfoot as a student journalist in the late 1970s and later co-wrote a song with him.The plotline of a typical Top 40 hit usually consists of “boy meets girl, boy breaks up with girl, or come back, or you left me, or whatever,” Mr. Greenberg said, speaking by phone from New York City. “Not a five-, six-, seven-minute story — a factual story, in Gordon’s case, painstakingly checked to make sure that all the facts are right.”Here’s the true story that inspired “The Wreck of the Edmund Fitzgerald,” and a look at the song that kept its memory alive.A disappearing shipThe Edmund Fitzgerald was a 729-foot ore carrier and one of the largest freighters on the Great Lakes when it left Superior, Wis., on Nov. 9, 1975, carrying iron pellets bound for Detroit.The next day, the ship was caught in a storm with winds that averaged 60 to 65 miles an hour. Its captain reported 20- to 25-foot waves washing over the decks and water pouring in below deck through two broken air vents.That night, the Edmund Fitzgerald sank near the coasts of Ontario and Michigan, in water that was only about 50 degrees. A nearby ship reported seeing its lights disappear in the driving snow.The Coast Guard later found lifeboats, life rings and other debris from the ship. But the lifeboats were self-inflatable, so their discovery did not necessarily indicate that they had been used. None of the 29 crew members survived.An unlikely successThe morning after the Fitzgerald went down, the rector of Mariners’ Church of Detroit tolled its bell 29 times, once for each man lost. An Associated Press reporter knocked on the church’s door, interviewed the rector and filed an account that was published in newspapers.Mr. Lightfoot read the article. Soon afterward, he started singing a song about the wreck during a previously scheduled recording session. His band joined in, and the first version of the song that they recorded was later released, according to “Gordon Lightfoot: If You Could Read My Mind,” a 2020 documentary.There was no expectation that the song would become a hit single, because its length made it too long for airplay on the radio. But it would spend 21 weeks on the Billboard charts and peak at No. 2, one notch behind Mr. Lightfoot’s only No. 1 hit, “Sundown.” It also turned the tale of the sinking into a modern legend.Yet unlike songs that use a real-life story as the basis for embellishment, Mr. Lightfoot’s ballad hewed precisely to the real-life details. The weight of the ore, for example — “26,000 tons more than the Edmund Fitzgerald weighed empty” — was accurate. So was the number of times that the church bell chimed in Detroit.Decades later, Mr. Lightfoot changed the lyrics slightly after investigations into the accident revealed that waves, not crew error, had led to the shipwreck. In the new lyrics, he sang that it got dark at 7 that November night on Lake Superior — not that a main hatchway caved in.“That’s the kind of meticulous, looking-for-the-truth kind of guy that he was,” Mr. Greenberg said.An enduring legacy“The Wreck of the Edmund Fitzgerald,” like its creator, endured as a Canadian classic long after slipping off the Top 40 charts. The bluegrass guitarist Tony Rice (who also released an entire album of Lightfoot cover songs) and the rock bands Rheostatics and the Dandy Warhols were among those who sang covers over the years.“The melodies are so powerful and he’s such a good storyteller and such a beautiful lyricist,” the Canadian singer-songwriter Sarah McLachlan said in the 2020 documentary. “And the combination of those things just really makes for a great song.”Mr. Lightfoot remained proud of it for decades, and he kept newspaper clippings and items given to him by the crew members’ surviving families in his home, Mr. Greenberg said.The song’s success had one downside: It turned the wreck, which lies in Canadian territory at a depth of about 500 feet, into a trophy for divers, upsetting the lost sailors’ families. In 2006, the government of Ontario adopted a law protecting the site. More

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      I Found Myself at Band Camp

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      A concert in the morning, then a rehearsal in the afternoon. Bringing your violin outside to practice under the trees, and studying scores before bed.

      Summer is a time of exploration and self-discovery for all kinds of young people. But for budding musicians, band and orchestra camp can be especially transformative.

      It’s their first full immersion in their instrument; an opportunity to meet others who love Beethoven, Barber and bowing technique as much as they do; and a taste of what life as a player might actually be like.

      Here is a glimpse of the 11- to 15-year-old campers this summer in the intermediate division at Interlochen Center for the Arts in Northern Michigan, learning about Mozart and themselves.

      Their schedule includes both regular camp activities (like capture the flag and cleaning the bunk) and, well, less regular ones, like chatting with fellow eighth graders about phrasing in a Mendelssohn quartet.

      This is Anika Patel’s sixth summer at Interlochen. “People are really, really serious about their music here, which I really like.”

      “Living with the people you play with is a different experience,” Trinity Williamson, who plays violin, said.

      “There’s a lot of playful competitiveness.”

      Anthony McGill, the principal clarinetist of the New York Philharmonic, credits Interlochen with showing him what being a musician could be like. “This was the first time I had that level of performances every week, that whole sense of what a regular schedule would be,” he recalled.

      “I was like a professional musician, but I was 11.”

      Román Berris is from Venezuela and took up the oboe when he was 5. “The instrument was really big for me.”

      He was playing first oboe in a recent concert when the conductor told him to stand up after a solo. “All my friends were in the audience, and the ones playing with me, they were clapping for me,” he said.

      “I just met them like five days before, and we were so close.”

      As the intermediate orchestra’s concertmaster, Tai Caputo got to conduct the Interlochen theme song, played after every concert. After being isolated for a year and a half it was even more special.

      “Everyone knew that our time with each other to make music is just really precious.”

      Diamond Ramos played trombone in an ensemble. After six hours of class each day, she also enjoyed making s’mores and going boating.

      Chloe Wyruch is a third-generation camper. “If you’re in your school band, some people’s parents might be making them do it,” she said. “But at Interlochen, everybody is super excited and into it.”

      Looking back, McGill from the New York Philharmonic said, camp “was the first time I was away from home, and it was eight weeks, so I was homesick, but I was able to make serious lifelong friends.”

      Liszt’s “Les Préludes” always closes out the summer. And by then, he said, “everyone is crying.” More

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      Another Possible Aretha Franklin Will Surfaces in Estate Dispute

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      AdvertisementContinue reading the main storySupported byContinue reading the main storyAnother Possible Aretha Franklin Will Surfaces in Estate DisputeLawyers for two of the singer’s sons say the document was in the files of a law firm she had engaged to help her with estate planning.Aretha Franklin was initially thought to have died without a will, but now still another document that may  represent her last wishes has been found.Credit…Paul Natkin/Getty ImagesMarch 11, 2021Updated 6:08 p.m. ETThe estate of Aretha Franklin just got a bit more complicated.When the legendary singer died at 76 in 2018, her family assumed she had no will. Then, nine months later, a few handwritten documents, which may represent two or even three wills, were found in Franklin’s home, leading to a dispute among her four sons over how her estate should be run and its assets divided.Now, a detailed document has emerged that lawyers for two of Franklin’s sons say is a draft of yet another will, from Ms. Franklin’s final years. The papers, filed in a Michigan court this week, include an eight-page document, titled “The Will of Aretha Franklin” and apparently drawn up in 2018, along with another 23 pages that lay out the terms of a trust.Both are stamped “draft,” and neither document has her signature.According to the lawyers in their filing, Ms. Franklin had retained a Detroit lawyer, Henry M. Grix, to help with her estate planning. The filing includes correspondence from Mr. Grix, dated December 2017, in which he summarizes an estate plan for Ms. Franklin, asks her some questions and refers to earlier discussions between them. The filing includes further handwritten notes, said to be from Ms. Franklin, in which she lists family members and other lawyers, along with her properties.The filing, by lawyers for her sons Ted White Jr. and Clarence Franklin, says the documents show that Ms. Franklin had been in discussions with Mr. Grix “for over two years,” and that the correspondence included her initials. After Ms. Franklin “fell very ill,” they said, another lawyer informed Mr. Grix that she was unable to sign.It is not clear how the document would affect ongoing negotiations over the estate, which has an estimated worth of as much as $80 million. The discovery of the handwritten wills upset the peace among Ms. Franklin’s sons and led to the resignation of her niece, Sabrina Owens, as executor.The new draft will would establish a trust to benefit Clarence, who has a mental illness, and would otherwise largely split Ms. Franklin’s assets among her three other sons, Mr. White and Kecalf and Edward Franklin, along with specific bequests to other relatives. That would not differ much from the likely outcome in the event Ms. Franklin had no will at all; in that case, under Michigan law, her estate would simply be divided among her four children.But the new draft will does call into question the handwritten documents found previously. The latest of those, dated 2014, would give a greater share to Kecalf, Ms. Franklin’s youngest son, and less to Clarence. A trial to determine whether any of the handwritten documents should be formally declared a will, and thus govern the estate, is set for August.The filing this week says little about how the draft documents were found. But in response to questions from The New York Times, Joseph P. Buttiglieri, a lawyer who represents the guardian for Clarence Franklin, said the documents had been turned over late last year in response to a subpoena.The filing actually says the documents were discovered in 2019, but Mr. Buttiglieri said that was a mistake.“The file was received by my office in response to a subpoena on or about Dec. 18, 2020,” Mr. Buttiglieri added. He declined to elaborate further.Mr. Grix declined to comment.Although the document was not signed by Ms. Franklin, under Michigan law it could be accepted as a valid will, said David P. Lucas, a lawyer in Battle Creek, Mich., who is the chair of the probate and estate planning section of the State Bar of Michigan, and is not involved with Ms. Franklin’s case.“If the person who wants this to be Aretha Franklin’s will can prove in court by clear and convincing evidence that Ms. Franklin wanted this to be her will,” Mr. Lucas said, “then yes, the court may decide that this is her will.”AdvertisementContinue reading the main story More