Mirren, Helen

Subterms

    Latest story

    113 Shares99 Views

    ‘White Bird’ Review: After ‘Wonder,’ a Bully Moves On

    by

    A boy starts a new school and gets a history lesson from his grandmother, played by Helen Mirren.The world of children’s literature is more complicated than many of us might be aware of. The 2012 novel “Wonder,” by R.J. Palacio, for instance, has spawned several sequels or spinoffs to date. “Wonder” itself, about Auggie, a young boy living with Treacher Collins syndrome, and the unfortunate concomitant bullying by his peers, was made into a pretty decent picture in 2017. “White Bird,” a possibly unexpected origin story, is adapted from a 2019 graphic novel of the same name about the family of one of Auggie’s antagonists in “Wonder.”Yes, you read that correctly. “White Bird” opens with Julian, a newcomer, in the cafeteria of an elite school, torn between the urge to be kind to an outcast student and the desire to sit with the snooty “cool” kids. Julian is here because he was expelled from his last school, for having bullied Auggie. On returning from his first day, he finds his parents are not home. His grandmother (Helen Mirren) from Paris, however, is visiting, and she sits him down for a story.Of her girlhood in France during the Nazi occupation, how she was hidden by a kindly boy named Julien, and their eventual fates. The director, Marc Forster, sets the period action in Movie France, a France whose language is English — English that is spoken by some actors with a French accent, and by others in a British accent. Period detail is conveyed by way of smoothed-out production design and cinematography.One could argue that Forster and company calibrate their anodyne effects to make a Holocaust narrative that’s palatable for younger viewers. But what mostly resonates is a particularly lachrymose brand of show-business hedging.White BirdRated PG-13 for some strong violence and language. Running time: 2 hours. In theaters. More

    More stories

    • 113 Shares199 Views

      in Movies

      ‘Caligula: The Ultimate Cut’ Review: The Emperor’s New Clothes

      by

      With the belief that a masterpiece lurks within the mangled original 1980 release, Thomas Negovan has patched together a new version (with less skin) from the Penthouse archive.Based on conventional metrics like, say, tastefulness or storytelling integrity, the 1980 movie “Caligula” is not good. It is, however, completely nuts. And that has turned out to be more than enough to fuel an obsessive cult over the decades.Part of what drives the enduring interest in “Caligula” is its over-the-top combination of outré aesthetics, exploitation-film tropes, a Gore Vidal screenplay, and a cast including Malcolm McDowell, Helen Mirren and Peter O’Toole.Even more crucial is the belief that a masterpiece lurks within the mangled original release. Now attempting to prove that theory is “Caligula: The Ultimate Cut,” the latest iteration of a film that has gone through an unfathomable number of edits over the decades. This is the rare re-edited version of a movie that features less graphic sex and violence than the original. What kind of world are we living in?Long story short: After production on “Caligula” ended, the producer (and Penthouse publisher) Bob Guccione decided to enliven the rise and fall of the infamous Roman emperor (an impressively committed McDowell) by splicing in pornographic segments.Now Thomas Negovan has patched together a cut that he claims is more faithful to Vidal’s intentions, using nearly 100 hours of footage unearthed in the Penthouse archive. The problem is that the original shoot, directed by Tinto Brass, was so fraught from the start that there seems to have been little agreement on the intentions and tone.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 75 Shares149 Views

      in Movies

      ‘Golda’ Review: Chain-Smoking Through the Guilt

      by

      Helen Mirren, under heavy prosthetics, channels the Israeli prime minister Golda Meir in this wartime biopic.“Golda” — as in Golda Meir, the Israeli prime minister who resigned in 1974 over her administration’s handling of the Yom Kippur War — films its title character in confrontational close-ups of her red-rimmed eyes, nicotine-stained fingers and swollen ankles. Somewhere under the prosthetics is Helen Mirren, formidably shouldering Meir’s suppressed anguish over the war’s death toll.Extreme costuming often feels gimmicky, but here, it humanizes the director Guy Nattiv’s terse accounting of guilt. As one imagines the burden of wearing Meir’s artificial skin, you can practically hear Nattiv hiss: Now imagine putting yourself in the actual woman’s orthopedic shoes. Or as Mirren’s Meir cracks to Henry Kissinger (Liev Schreiber), “Things could be worse. You could have my feet.”Israel has been surprise-attacked by Egypt and Syria, and Kissinger is concerned with keeping the Soviets calm and oil prices low. The script, by Nicholas Martin, doesn’t argue the righteousness of the conflict. Instead, it frets over the body count — and though we’re with Meir and her fractious advisers as they clap for the massacre of Egyptian soldiers, the camera reacts by going all woozy like it’s nauseous.Niv Adiri’s dense sound design and Dascha Dauenhauer’s impactful score turn war into a living nightmare. For good measure, we also go inside Meir’s bad dreams. Awake, however, the polarizing leader is the kind of stoic who chain-smokes through her lymphoma treatments. The film is structured by her cigarettes. Edits cut from one puff to another; the minister of defense, Moshe Dayan (Rami Heuberger), uses packs and lighters to stand-in for military units; ashtrays fill and fill again. We’re left with the sense that the stress of those thousands of lives cut short may have killed her, too.GoldaRated PG-13 for pervasive smoking. Running time: 1 hour 40 minutes. In theaters. More

    • 163 Shares159 Views

      in Movies

      Helen Mirren, Lucy Liu and the Joy of Playing Villainous Goddesses in ‘Shazam’

      by

      The “Shazam!” actresses say they signed on for their first superhero movie because the roles are a leap forward for women.If superheroes have one thing in common, it’s not so much capes or extraordinary abilities but memorable foes. As its spoilery title reveals, the new movie “Shazam! Fury of the Gods” (a sequel to 2019’s “Shazam!”) has supersized its antagonist factor by going for immortal divinities, plural.Which is how Billy Batson (Zachary Levi), whose nom de superhero is Shazam, and his pals find themselves battling the daughters of Atlas as they do the kind of things power-mad mythological beings are wont to do: unleash oversized beasties, flatten entire cities and point menacingly into the distance.“A good thing about being about magic and gods was that they didn’t have to be in a similar age or anything like that,” the director David F. Sandberg said by phone. “We could just cast the best people we could get.” That turned out to be Helen Mirren as the bossy eldest sister, Hespera, and Lucy Liu as the steely Kalypso. (Rachel Zegler, from “West Side Story,” plays younger sibling Anthea, whose relationship to humans is more ambiguous.)Sandberg quickly realized that Mirren, 77, had not come to play — or maybe she had. “We had to talk her out of doing certain stunts that she wanted to do,” he said.In a video interview, Liu, 54, and Mirren displayed an easygoing rapport, along with a few differences in temperament and approach. Calling from Los Angeles, Mirren dispensed lighthearted jokes and pretended to be a quasi-gadfly at this whole acting thing, while Liu, who was in New York, brought up the ins and outs of portraying an antagonist. These are edited excerpts from the conversation.Hespera and Kalypso are introduced as gods rather than goddesses. Is it an important distinction?LUCY LIU We’ve been talking about this, trust me. It’s “Fury of the Gods,” and I was like, “Shouldn’t it be goddesses?” We thought, “We’re already in that realm, as long as it’s not human, we’re fine.”HELEN MIRREN See, I love being an actress. It feels very Belle Époque, very sort of 19th century. Certainly if I’m a god, I would think of myself as a goddess, I have to say.LIU During press, we generally say that we are goddesses. [They both laugh.] This will be the only time I could say that.“It’s ‘Fury of the Gods,’ and I was like, ‘Shouldn’t it be goddesses?’ We thought, ‘We’re already in that realm, as long as it’s not human, we’re fine,’” Lucy Liu said.Warner Bros. PicturesWhat drew you to sign on for your first superhero movie?MIRREN We’re above the superheroes. [Laughs] I don’t go see a lot of superhero films, quite honestly, but I had seen the first “Shazam” and been utterly charmed. So when “Shazam 2” came along, I thought, “Well, if I was going to do a superhero-type movie, that is the one I’d like to be involved in,” because of the wit.LIU To have that experience with one another — outside of working on the blue screen and not really knowing exactly what was going on — was really special. I don’t immediately think about the characters as much as the relationship that was built from that time. We were all learning what we were supposed to be doing, and isolated. We were luckily in the same Covid pod with one another.Were you surprised to see that your outfits would be so gladiator-like?MIRREN I now have a lot of sympathy and respect for any man playing a gladiator because they are carrying one hell of a load on their shoulders, as I found out. The costumes are heavier than they look. And we were wobbling around on enormous platform shoes — gladiators never had to contend with huge, great high heels.LIU And the cape! We would ask oftentimes if we could un-cape ourselves because it was so heavy. It would just pull everything down our shoulders and pull the armor back against our necks. I had them cut mine shorter. Helen’s was longer and heavier than mine.MIRREN With me it’s all about the look. If it looks good, I’m going to suffer it. Also it covered up my bum.Is playing a god different from playing a regular antagonist?MIRREN It’s a different psychology because you don’t have to deal with normal human psychology, which is great. We didn’t have to consider “Why is this villain doing this? Was she abandoned by her mother at a young age?” My stand-in did some of a scene when we walk through a marketplace and I was telling her how to do it like a goddess: “You have to walk as if you’re walking through honey or cream or butter or whatever. You have to absolutely own the space.”LIU I do think there is a delight in having a mission, and having that intention helps you have a straight line that you’re following regardless of what’s happening around you. We worked with the sibling rivalry, the level of experience that each of us had. In the beginning I’m guessing that everyone thought, “Kalypso is going to be so strong and powerful,” but then Hespera grabs her head and pulls her back. That’s the dynamic and those are the nuances that we have engaged in because, as Helen said, we own who we are — we’ve been given this, we were born into it, and so the struggle is the disagreements between each other and our opinions, essentially.For a long time female baddies used sexuality as a weapon, which is not the case here. Do you feel this reflects the ways we now conceive of women’s power onscreen?LIU Yes, it’s not a femme fatale. I think back in the day they would not have made “Wakanda Forever” with a female lead — they probably would have replaced Chadwick Boseman or had another male lead take over. I still think there’s a long way to go. And I do think that there’s sometimes a little bit of a stereotype or stigma where if a woman plays what the audience perceives as the antagonist, she automatically falls into a group or some sort of prescription of what was in the past, as opposed to creating something new and dynamic.MIRREN You did “Charlie’s Angels” and for someone of my generation, it was a huge sea change: full force, fearsome women action. But controlled by a man, so even though it was a massive step forward, there was still that anchor holding it back, in a way. Now that anchor has been let go, thank God. We move forward in a different way, hopefully.“The costumes are heavier than they look,” Helen Mirren said. “And we were wobbling around on enormous platform shoes — gladiators never had to contend with huge, great high heels.”Warner Bros. PicturesLIU If you can believe it, that movie was made 23 years ago. When it was first out on television, it was, “Here’s the sexy one and here’s the one that’s smart.” You always had to categorize it in order to make it sellable: Which audience member prefers which kind of girl? Now it’s very different. It’s moving in the right direction.Who are some of your favorite movie villains?LIU One that happens to be in a superhero movie is the Joker, somebody who has mental illness or is different and becomes ostracized, then assumes a position of power. Cinema doesn’t always portray them as people that are just born evil — that’s not as interesting as somebody who has become something to survive. That fight or flight becomes their way to journey through the world. Unfortunately, often it’s just with destruction or pain against others.MIRREN I would say, Ian McKellen playing Richard III is one of the greatest supervillains of all time. “Now is the winter of our discontent/Made glorious summer by this sun of York.” He declares his evil intentions in that very first monologue: “I hate you all and I’m going to [expletive] you up. You just watch me.”It feels that doing Shakespeare would be great prep for a supervillain’s grandstanding rhetorics. A lot of that style goes way back.MIRREN I was just thinking the other day that those great ancient verbal poems people learned by heart are superhero stories: They are about guys who have super strength and can go in and kill a whole army. There’s big descriptions of the way their swords cut through everybody. They’re totally superhero stories. I was wondering why superhero movies seem to be eternally successful and I thought, “Well, of course, for thousands of years these are the stories that human beings have been telling to entertain each other and excite each other and frighten each other.”Do Hespera and Kalypso have action figures?LIU We have these Funko Pops with our exact outfits.MIRREN We do? Oh, good, I want one.LIU Rachel sent a picture of the three of us and said, “It’s like we’re hanging out,” and I was like, “Yeah, during Covid because we’re all in boxes.” Somebody brought it up to me to sign, so now I know it’s real, the project has now been franchised.Lucy, has your son seen the film?LIU He’s 7, and I told him, “I think there’s too many scary things in the movie.” He said, “I’ll just wait until I’m 10.” He’s obsessed with Helen, and when he was 5 he said he was going to marry her. She’s magical for all ages. More

    • 163 Shares169 Views

      in Movies

      Olivia Colman and Claire Foy on Playing Queen Elizabeth II on ‘The Crown’

      by

      Queen Elizabeth II was for most people unknowable, but there was one place where the curious could feel close to her: onscreen.And whether it was Helen Mirren in “The Queen,” a movie about the monarch’s life in the days after Princess Diana’s death, or Claire Foy and Olivia Colman in Netflix’s “The Crown,” the actors all took different approaches to try to get under the skin of such an enigmatic figure.Ms. Mirren told The New York Times in 2006 that she had not just relied on a gray wig and upper-crust accent but also had steeped herself in every aspect of Elizabeth’s life, reading biographies and watching old film clips to try to get a sense of the monarch’s character and even mannerisms, both on and off duty.Ms. Foy, who portrayed the young queen as she ascended the throne in the first two series of “The Crown,” said that she hadn’t been able to do much research because there were no accounts of what the monarch had really thought in those moments.“I just had to imagine what it was like, being a girl who wanted to live in the countryside with her husband and children and dogs and horses,” Ms. Foy said at a 2016 media event, according to the magazine Variety. “She was a shy, retiring type, very close to her lovely sister, and suddenly she’s given the top job, and she’s the most unlikely person to have it.”Ms. Foy portrayed the queen as distant from her children, but she said that Elizabeth shouldn’t be criticized for that. “She had a job to do, and if she was a man, no one would have questioned it,” the actress said in an interview in The Guardian in 2017.Ms. Colman seems to be the actor most affected by playing the monarch. “I’ve fallen in love with the queen,” she said in a 2019 interview with The Radio Times, a British magazine.Elizabeth was “the ultimate feminist,” she added, noting that the monarch was the family’s breadwinner at a time when few women were in Britain, and that in 1998, the queen drove King Abdullah of Saudi Arabia around her Balmoral estate in Scotland at a time when women were barred from driving in his country.“She’s extraordinary,” Ms. Colman said. “She’s changed my views on everything.” More

    • 63 Shares169 Views

      in Movies

      ‘The Duke’ Review: Suspect’s 61

      by

      This film from the director Roger Michell has a compelling art-thief protagonist, but is weighed down by soggy family drama.A Robin Hood figure polarizes England in “The Duke,” an ambling, sentimental account of the 1961 heist of Francisco de Goya’s portrait of the Duke of Wellington from the National Gallery in London. The police assume that the thief is a criminal mastermind. The public imagines the villain from Dr. No (1963), who displayed the purloined painting in his lair. But the man standing trial is a more unusual suspect: a 61-year-old cabdriver, Kempton Bunton (Jim Broadbent), who claims that he swiped the art over frustration that the British government would rather spend money lionizing the dead than lifting up its working class. His ransom notes demand a charitable donation. (The real painting was returned in 1965; Bunton turned himself in.)An anti-establishment autodidact with a quick stride and a fast mouth — “I feel about 23,” he says, and for a moment Broadbent’s gleaming eyes make you believe it — Bunton is a rabble-rouser and a compelling hero for this film by the director Roger Michell, who died in September after a career of humanist charmers including “Notting Hill” and “Venus.” It is a pity that Richard Bean and Clive Coleman’s script mires Bunton in a soggy family drama about an unresolved death; an elder son (Jack Bandeira) who flirts with crime; and a wife, Dorothy (Helen Mirren, so sheepish as to be near invisible), who is humiliated that her husband prefers prison to a stable home. These rather generic subplots diffuse the movie’s vibrant blue-collar crusade, which gets a boost from a tizzy jazz score. Thankfully, a barrister Jeremy Hutchinson (Matthew Goode) steps in to reward Bunton’s principles with a rousing defense. Though the climatic court battle feels a tad too inspirational, even Goya might admit that’s just what a flattering portrait does.The DukeRated R for swearing and a brief sexual scene. Running time: 1 hour 26 minutes. In theaters. More

    • 63 Shares169 Views

      in Movies

      Wait, Who’s Fast, Who’s Furious?

      by

      A guide to the characters and the melodramas in the sprawling, surprisingly complicated “Fast & Furious” franchise.At one point, rather a long time ago now, the “Fast & Furious” movies were about street racing. They do still involve cars moving at breakneck speeds, but only as one component in a blockbuster machine that also routinely includes high-stakes espionage, military-grade shootouts, multimillion-dollar bank heists and villainous schemes for global annihilation. They lately have more in common with James Bond or “Mission: Impossible” than with “Gone in 60 Seconds.”As the movies have gotten bigger and more spectacular, so too has their ensemble swelled and broadened, and with the latest installment, “F9,” the list of marquee names makes “Game of Thrones” look like “Waiting for Godot.” This is made more complicated by the franchise’s tendency to shuffle characters in and out of the troupe without warning or explanation — actors are frequently being written out and then written back in, or killed off, then suddenly resuscitated. It can be very, very hard to keep track of who’s who and what their deal is.With “F9” nitrous-boosting its way into theaters this weekend, here’s a handy cast explainer to get you up to speed.Vin Diesel in “Fast Five.”Jaimie Trueblood/Universal PicturesDominic Toretto (Vin Diesel)The heart of the series, Dom’s a world-weary, Corona-drinking street racer and car hijacker with an obsessive devotion to his family and a fraught relationship to the law. He first appeared in “The Fast and the Furious” (2001, the movie that started it all) as a small-time Los Angeles crook with a heart of gold, and has gradually evolved to become a sort of freelance secret agent and globe-trotting supercop. In “The Fate of the Furious” (2017), it was revealed that he had an infant son.Paul Walker in “Fast & Furious 6.”Giles Keyte/Universal PicturesBrian O’Conner (Paul Walker)The original series hero, Brian was a cop going undercover as a street racer to bust Dom and his crew of hijackers. When it came time to make the arrest, Brian chose to let Dom get away, and the two have been like brothers ever since. Paul Walker died in an automobile accident in 2013, but rather than kill him off, the films wrote Brian into peaceful retirement. He was last seen in the closing moments of “Furious 7” (2015) literally riding off into the sunset.Michelle Rodriguez in “Fast & Furious 6.”Giles Keyte/Universal PicturesLetty Ortiz (Michelle Rodriguez)Dom’s wife and partner in crime, Letty was killed at the beginning of the fourth film, “Fast & Furious” (2009), after she ran afoul of a master criminal. In “Fast & Furious 6” (2013), however, she was revealed to have survived the murder attempt after all — though with a serious case of mind-wiping amnesia, which caused her, temporarily, to team up with the bad guys. She saw the error of her ways at the end of that movie, and she’s been back with Dom and company ever since.Tyrese Gibson in “Fast & Furious 6.”Giles Keyte/Universal PicturesRoman Pearce (Tyrese Gibson)One of Brian’s childhood friends, Roman was introduced in “2 Fast 2 Furious” (2003, the first sequel) as a silver-tongued Lothario who is sensational behind the wheel. Since being called upon for help with a bank heist in “Fast Five” (2011), he’s been a mainstay of Dom’s crew, usually serving as the comic relief.Ludacris in “Fast & Furious 6.”Giles Keyte/Universal PicturesTej Parker (Ludacris)Like Roman, Tej first appeared in “2 Fast 2 Furious” and has been a series regular since “Fast Five.” He’s the crew’s gifted computer hacker, handling comms, tech and surveillance, although when necessary, he’s willing to drive or fight. Tej and Roman have a friendly rivalry and tease each other constantly.Dwayne Johnson in “Furious 7.”Scott Garfield/Universal picturesLuke Hobbs (Dwayne Johnson)Dwayne Johnson made his debut in “Fast Five” as the brawny Diplomatic Security Service agent Luke Hobbs, the antagonist striving to foil Dom and his crew’s heist plans. Eventually, Dom and friends won him over to their side, and since “Fast & Furious 6” he’s been their frequent teammate and friend. He most recently appeared in the series spinoff “Fast & Furious Presents: Hobbs & Shaw” (2019).Jordana Brewster in “Fast Five.”Jaimie Trueblood/Universal PicturesMia Toretto (Jordana Brewster)Dom’s sister, Mia, was Brian’s love interest in “The Fast and the Furious,” and she has continued to accompany him on his adventures. After she gave birth to her first child, in “Furious 7,” she and Brian have been in retirement, and is back for “F9” after being sidelined in “The Fate of the Furious.”Sung Kang in “Fast & Furious 6.”Giles Keyte/Universal PicturesHan Lue (Sung Kang)Han, a Korean street racer living in Japan, co-starred in the third film in the series, “The Fast and the Furious: Tokyo Drift” (2006), and was killed in a car crash during the finale. He appeared alive and well in the next three sequels, however, because they evidently took place before the third film chronologically. To add to the confusion, his accidental death was rewritten as a murder in “Furious 7,” using a mix of archival and new footage. And now he is back, alive again, in “F9,” for reasons that are as yet unclear.Gal Gadot in “Fast Five.”Jaimie Trueblood/Universal PicturesGisele Yashar (Gal Gadot)A femme fatale in “Fast & Furious,” Gisele was inducted into the crew in “Fast Five,” when she started a romantic relationship with Han. She died in “Fast & Furious 6,” sacrificing herself to save Han during the action-packed climax. She has not been brought back to life — yet.Nathalie Emmanuel in “F9.”Giles Keyte/Universal PicturesMegan Ramsey (Nathalie Emmanuel)A world-renowned super-hacker rescued by Dom and his crew from kidnapping in the middle of “Furious 7,” Ramsey has since become a series regular who helps the team with computer-related problems. Tej and Roman have been steadily competing to win her affections.Lucas Black in “The Fast and the Furious: Tokyo Drift.”John Johnson/Universal PicturesSean Boswell (Lucas Black)The hero of “Tokyo Drift,” Sean is a ne’er-do-well young street racer who hopes to avoid a stint in juvenile detention by shipping out to live with his father in Japan. Other than a brief cameo in “Furious 7,” he hadn’t appeared in a “Fast” movie since, but surprisingly enough, he’s back for “F9.”Kurt Russell in “The Fate of the Furious.”Matt Kennedy/Universal PicturesMr. Nobody (Kurt Russell)A top-secret government agent with seemingly limitless resources, Mr. Nobody hired Dom and his crew to help save the world in “Furious 7” and again in “Fate of the Furious.” Think of him as the M to Dom’s James Bond.2017 FATE OF THE FURIOUSUniversal PicturesDeckard Shaw (Jason Statham)Another villain turned hero, Shaw tried to wipe out Dom’s crew in “Furious 7” before teaming up with them in “The Fate of the Furious.” He last co-starred in the series spinoff “Hobbs & Shaw” and only has a small cameo in “F9.”Helen Mirren in “F9.”Giles Keyte/Universal PicturesMagdalene Shaw (Helen Mirren)Deckard’s cockney-accented mother, Magdalene, turned up in “The Fate of the Furious” to lend a hand to Dom. She was last seen in “Hobbs & Shaw,” serving time in prison.Luke Evans in “Fast & Furious 6.”Universal PicturesOwen Shaw (Luke Evans)Deckard’s brother, Owen, meanwhile, was the villain terrorizing the crew in “Fast & Furious 6,” hounding them across London before being thrown out of an airplane in mid-takeoff. He survived that fall and came to Deckard’s (and Dom’s) aid in “The Fate of the Furious.”Charlize Theron in “F9.”Giles Keyte/Universal PicturesCipher (Charlize Theron)Cipher is reputedly the world’s most gifted and terrifying hacker, so much so that even the notorious Anonymous collective is afraid to mess with her. She tries to bring about nuclear war in “The Fate of the Furious,” holding Dom’s baby son hostage and killing the baby’s mother in the process. She returns — apparently as a villain again — in “F9.”John Cena in “F9.”Giles Keyte/Universal PicturesJakob Toretto (John Cena)A newcomer to the saga. Jakob is Dom’s never-before-mentioned brother, and of course the primary antagonist of “F9.”Elsa Pataky in “Fast & Furious 6.”Giles Keyte/Universal PicturesElena Neves (Elsa Pataky)Dom’s love interest when Letty was presumed dead, Elena was a cop in Rio tapped by Hobbs for assistance in “Fast Five.” She had Dom’s baby, unbeknown to him, and was killed by Cipher shortly after revealing the news to him in “The Fate of the Furious.”Tego Calderon and Don Omar in “Fast Five.”Jaimie Trueblood/Universal PicturesTego and Rico (Tego Calderon and Don Omar)Perennial comic sidekicks Tego and Rico have tagged along on several of Dom’s jobs, and usually turn up once or twice per movie for some pratfalls. More

    • 150 Shares179 Views

      in Movies

      Honk if Helen Mirren and Vin Diesel Should Have Kissed in ‘F9’

      by

      The Oscar winner’s cameo involves a car chase and some crackling chemistry. But could things turn romantic? We put the question to Mirren herself.Fire up the petitions. Notify the lobbyists. When the 10th “Fast and Furious” film is made, I have a suggestion that is really more of a demand: Vin Diesel and Helen Mirren must kiss.This was my primary takeaway from watching the latest installment, “F9,” in which the 75-year-old Mirren and 53-year-old Diesel share a car chase and display more crackling chemistry than any other duo in the movie. She flirts with him, he beams at her, and Diesel’s evident delight in having the Oscar-winning Mirren as a scene partner is just delicious. By the end of the sequence, as her Queenie drove Diesel’s Dom Toretto through the streets of London, I couldn’t help but hope that she would lean over and snog our hero.And why not? In the previous “Fast” film, Diesel kissed another Oscar winner, Charlize Theron. Imagine the smooch streak that could be engineered if even more best-actress winners were persuaded to join the franchise: After Mirren, maybe we’d get Diesel in a romantic clinch with Frances McDormand! (Surely Diesel’s series flame, Michelle Rodriguez, would issue a hall pass for that.)Charlize Theron with Diesel in the previous “Fast” film, “The Fate of the Furious.”Universal PicturesSometimes you have to be the change you want to see in the world, which is why I set up a video chat with Mirren this month to pitch this character coupling directly to her. Here are edited excerpts from our conversation.Your scene with Vin is the best one in the movie, and it’s clear that he adores you. Still, I have a note: There should have been a kiss, don’t you think?A very chaste kiss would be nice, yes.Listen, I’d settle for that. Maybe part of the thrill of this pairing is that it’s so rare to see Vin Diesel riding in someone else’s passenger seat.This is true. What an honor to find myself driving him, and also very intimidating. Vin doesn’t make it intimidating — he was so easy and lovely — but the technology of this kind of filming is very complex, and it’s a world I’m not that familiar with at all. So it was a great help to have a good friend sitting next to me, for sure. And just to hear that voice!Tell me about it.I mean, Vin has the most unbelievable voice. I go a bit gooey when I hear it. That velvety brown rumble in your ear is so fabulous to experience for a whole day or two. It is like hearing the most incredibly well-oiled engine.You’ve always had good screen chemistry with bald action stars — Vin, Jason Statham (notably in “Hobbs & Shaw”), Bruce Willis (“Red” and other movies). Is there something about you that just plays well off that stoic action hero type?There might be! First of all, I come into these things with a great respect for these guys because what they do is quite different from everything that I’ve done in my career. Their commitment and depth of knowledge of how these movies work is very impressive. I always feel I can learn from them. Maybe it’s the fact that I really bring a lot of respect that makes the whole thing work, but I think they’re great. More