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    National Endowment for the Humanities Announces $33.17 Million in Grants

    In New York, the Tenement Museum, Women Make Movies, UnionDocs, LaGuardia Community College and more will receive funding.A book about Motown Productions, the film and television arm of the legendary Motown Records; preservation of the traditional language and lifestyle of Yup’ik and Cup’ik Alaskan Native people; and research on how communities — and insurance companies — in Bermuda understand risk caused by rising sea levels and climate change are among the 245 projects across the country that are receiving new grants from the National Endowment for the Humanities.The grants, which total $33.17 million, support historic collections, exhibitions and documentaries, humanities infrastructure, scholarly research and curriculum projects.Among the 13 categories in which the grants were awarded, the most money — $11 million — went toward 23 infrastructure and capacity building challenge grants, which leverage federal funds to spur nonfederal support for cultural institutions.Included in those were awards to the Bishop Museum in Honolulu, to make collections documenting Hawaiian and Pacific history and culture more accessible, and to the First Peoples Fund in Rapid City, S.D., to create outdoor classroom spaces for education programs about the Lakota cultural traditions at the Pine Ridge Reservation’s Oglala Lakota Artspace.Thirty projects in New York state will receive $4.4 million in total funding, with $3.76 million going to 16 groups and individuals in New York City.In Brooklyn, UnionDocs will get $644,525 for the production of a film about the First Amendment and the balance between free speech principles and other core values. (The project is titled “Speaking Freely: The First Amendment and the Work of Preeminent Attorney Floyd Abrams” and will be directed by Yael Melamede.)In Long Island City, LaGuardia Community College will see $34,991 to create a liberal arts health humanities option with an interdisciplinary curriculum for undergraduates that focuses on the social, cultural and historical contexts of medical ethics, health and medicine.And in Manhattan, the Lower East Side Tenement Museum will receive $400,000 to support guided tours exploring the lives of African Americans and Irish immigrants in 19th-century New York City. Women Make Movies, also in Manhattan, will receive $500,000 toward the production of a film that explores the life and work of the Caribbean writer Jamaica Kincaid. The movie, “Jamaica Kincaid: Liberating the Daffodil,” will be directed by Stephanie Black.This crop of grants is the first round of funding from the agency under Shelly C. Lowe, the first Native American to lead the agency.“N.E.H. is proud to support these exemplary education, media, preservation, research and infrastructure projects,” Lowe said in a statement. “These 245 projects will expand the horizons of our knowledge of culture and history, lift up humanities organizations working to preserve and tell the stories of local and global communities, and bring high-quality public programs and educational resources directly to the American public.” More

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    Wanda Young, Motown Hitmaker With the Marvelettes, Dies at 78

    She was the lead voice on “Don’t Mess With Bill” and other songs written by Smokey Robinson, who said she “had this little voice that was sexy to me.”Wanda Young, one of the lead singers of the Marvelettes, the girl group whose 1961 song “Please Mr. Postman,” recorded when they were teenagers, was Motown’s first No. 1 hit, died on Dec. 15 in Garden City, Mich. She was 78.Her daughter Meta Ventress said the cause was complications of chronic obstructive pulmonary disease.The Marvelettes began recording in 1961, two years after Berry Gordy Jr. founded Motown Records. They signed the same year as the Supremes and a year before Martha and the Vandellas, all-female groups who eventually overshadowed them at Motown.Ms. Young (who was also known as Wanda Rogers) and Gladys Horton shared lead singer duties. “Don’t Mess With Bill,” which rose to No. 7 on the Billboard Hot 100 chart in 1966, was one of several hits written by Smokey Robinson on which Ms. Young sang lead. (Ms. Horton was the lead singer on “Please Mr. Postman,” “Beechwood 4-5789” and other songs.)“Wanda had this little voice that was sexy to me, a little country kind of voice,” Mr. Robinson was quoted as saying in the music writer Fred Bronson’s liner notes to the 1993 Marvelettes compilation, “Deliver: The Singles (1961-1971).” “I knew if I could get a song to her, it would be a smash.”Among the other Robinson songs that featured Ms. Young’s voice were “I’ll Keep Holding On,” a 1965 release that peaked at No. 34 on the Billboard chart; “The Hunter Gets Captured by the Game,” which rose to No. 13 in 1967; and “My Baby Must Be a Magician,” which hit No. 17 in 1968.The Marvelettes, who recorded for Motown’s Tamla label, released more than 20 singles that made the charts.The group, which started with five members and later became a quartet and eventually a trio, disbanded around 1970. That year, Ms. Young recorded an album, produced by Mr. Robinson with backing vocals by the Andantes, a female session group, that, although actually a solo project, was released as “The Return of the Marvelettes” and marketed as a Marvelettes album.Wanda LaFaye Young was born on Aug. 9, 1943, in Eloise, Mich., and grew up in Inkster, about 20 miles west of Detroit. Her father, James, worked for the Ford Motor Company, and her mother, Beatrice (Dawson) Young, was a homemaker.Ms. Young, whose early ambition was to be a pediatric nurse, joined the Marvelettes after one of the original members had to leave.Ms. Horton had formed a quintet in 1960 with three high school classmates, Katherine Anderson, Georgeanna Tillman and Juanita Cowart, and a recent graduate, Georgia Dobbins. The group — then called the Casinyets, a contraction of “can’t sing yet” — competed in a talent show whose top three finishers were to receive an audition with Motown. The quintet didn’t win, but a teacher helped get them an audition anyway. Motown executives were impressed but told the young women that they needed to return with original material.They did: Ms. Dobbins’s friend William Garrett had composed a blues song, which Ms. Dobbins rewrote and recast as a pop song, about a girl pining for mail from her distant boyfriend. “Please Mr. Postman” was a hit, but Ms. Dobbins left the group before it was recorded because her mother was ill and her father had forbade her to be involved in the music business. Ms. Horton recruited Ms. Young.“She wanted to know if I could sing alto, and I said, ‘I think I can sing all of them — soprano, second soprano and alto,’” Ms. Young said in an interview with Blues & Soul magazine in 1990. “So that evening I went over to Georgeanna’s house and instantly became a member of the group.”Ms. Horton sang lead on the song. Three months after its release, it became a No. 1 hit.While Ms. Young fondly recalled the family atmosphere that Mr. Gordy fostered at Motown, she was disappointed when he moved the company to Los Angeles in 1972.“It was all done so quietly that we didn’t know if the gangsters had taken over or what was going on,” she told Blues & Soul. She added: “I felt like I’d been personally left behind. I’d grumble and complain within myself sometimes: Why would they move to California, knowing that this is Berry Gordy’s hometown?”Ms. Young’s 12-year marriage to Bobby Rogers of the Miracles ended in 1975. They had two children, Robert III and Bobbae Rogers, who survive her, along with Ms. Ventress, her daughter from another relationship; seven grandchildren; a great-grandson; four sisters, Adoria Williams, Cynthia Young, Regina Young and Beatrice Wilson; and four brothers, James Jr., Stephen, Paul and Reginald Young. Another daughter, Miracle Rogers, was killed in 2015. Ms. Young lived in Redford, Mich.Ms. Young reunited with Ms. Horton in 1990 for the album “The Marvelettes: Now!” on the producer Ian Levine’s Motorcity Records label. It featured some Marvelettes oldies, including “Don’t Mess With Bill.”Ms. Horton died in 2011.Ms. Ventress said that her mother — who lived off her royalties in the years after the Marvelettes broke up — was sometimes surprised at the longevity of her music.“I told her constantly, ‘All these people love you,’” Ms. Ventress said in an interview. “And she’d say, ‘Wow.’” She added, “She didn’t wake up every day thinking of the Marvelettes, but she never lost that glamour.” More

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    Mary Wilson, Co-Founder of the Supremes, Dies at 76

    AdvertisementContinue reading the main storySupported byContinue reading the main storyMary Wilson, Motown Legend and Co-Founder of the Supremes, Dies at 76Ms. Wilson, with the original members Diana Ross and Florence Ballard, was part of one of the biggest musical acts of the 1960s.Mary Wilson, a founder of the Motown group the Supremes, in 2019.Credit…Rozette Rago for The New York TimesFeb. 9, 2021, 3:02 a.m. ETMary Wilson, a founding member of the Supremes, the trailblazing group from the 1960s that spun up 12 No. 1 singles on the musical charts and was key to Motown’s legendary sound, died on Monday at her home in Henderson, Nev. She was 76. Ms. Wilson’s death was confirmed by her publicist, Jay Schwartz. No cause of death was given.From 1964 to 1965, the Supremes, whose original members included Florence Ballard and Diana Ross as the lead singer, released hit songs such as “Where Did Our Love Go?” “Baby Love,” “Come See About Me” and “Stop.”Berry Gordy, the founder of Motown, called Ms. Wilson a “trailblazer” who will be missed. He said in a statement that the Supremes had opened doors for other Motown acts.“I was always proud of Mary,” Mr. Gordy said in the statement. “She was quite a star in her own right, and over the years continued to work hard to boost the legacy of the Supremes.”Funeral services for Ms. Wilson will be private because of Covid-19 restrictions, Mr. Schwartz said, adding that a celebration of her life will take place later this year.A full obituary will be posted soon.AdvertisementContinue reading the main story More