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    Oscars 2020 Follows Golden Globes' Footsteps in Serving Vegan Food

    The Academy of Motion Picture Arts and Sciences has issued a statement in which the organization declares its commitment to support the planet by reducing carbon footprint.
    Jan 28, 2020
    AceShowbiz – The organisers of the Oscars are following the Golden Globes’ lead and serving the stars plant-based food after the ceremony.
    The Governors Ball will be 70 percent vegan, with chefs also catering to those who just want vegetarian and fish fare.
    Meanwhile, the menu in the lobby at the Dolby Theater before the Academy Awards will be entirely plant-based.
    “The Academy is an organization of storytellers from around the world, and we owe our global membership a commitment to supporting the planet,” a statement from the Academy of Motion Picture Arts & Sciences reads.
    “For the past decade, the Academy has been committed to reducing its carbon footprint. For the past seven years, the Oscars show has had a zero-carbon imprint. We continue to expand our sustainability plan with the ultimate goal of becoming carbon neutral.”
    The 2020 Golden Globes became the first major awards show to go vegan earlier this month (January 2020).

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    '1917' Picks Up Top Honor at 2020 ASC Awards

    Universal Pictures

    Having landed the Directors Guild of America kudo, the epic First World War film by director Sam Mendes brings home award for its cinematographer Roger Deakins.
    Jan 27, 2020
    AceShowbiz – British director Sam Mendes’ “1917” has emerged as an Oscars front-runner after landing both the Directors Guild of America and American Society of Cinematographers top prizes over the weekend.
    Visionary Roger Deakins picked up the top award at the 34th annual ASC Awards, as Mendes collected the Outstanding Directorial Achievement in Feature Film honour for the war epic at the DGA Awards on Saturday, January 25.
    There were also wins at the ASC Awards for TV drama “The Handmaid’s Tale” (Best Episode of a Series for Non-Commercial Television), “The Terror: Infamy” (Best TV Motion Picture, Miniseries, Pilot), and “Honeyland” (Documentary Award).
    Filmmaker Werner Herzog received the ASC’s Board of Governors Award, and dedicated the trophy to the cinematographers with whom he has worked, while Frederick Elmes received the Lifetime Achievement Award, Donald A. Morgan was honoured with the Career Achievement in Television Award, Bruno Delbonnel received the International Award, and Don McCuaig was the recipient of the Presidents Award.
    Here are the winners for the 34th annual ASC Awards:
    Best Theatrical Release: Roger Deakins – “1917” (Universal)
    Best Episode of a Series for Non-Commercial Television: Colin Watkinson “The Handmaid’s Tale”, “Night” (Hulu)
    Spotlight Award: Jarin Blaschke – “The Lighthouse” (A24)
    Best TV Motion Picture, Miniseries, Pilot: John Conroy – “The Terror: Infamy”, “A Sparrow in a Swallow’s Nest” (AMC)
    Best Episode of a Series for Commercial Television: Kim Miles – “Project Blue Book”, “The Flatwoods Monster” (History)
    Documentary Award: Fejmi Daut and Samir Ljuma – “Honeyland”
    Board of Governors Award: Werner Herzog
    Lifetime Achievement Award: Frederick Elmes
    Career Achievement in Television Award: Donald A. Morgan
    International Award: Bruno Delbonnel
    Presidents Award: Don McCuaig
    Bud Stone Award: Kim Snyder, CEO, Panavision
    Honorary ASC Award: Patty Armacost

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    'Bad Boys for Life' Secures Top Spot at Box Office for a Second Weekend

    Columbia Pictures

    Hauling in $34 million, the third installment in the ‘Bad Boys’ film series keeps Sam Mendes’ ‘1917’ off the No. 1 slot in addition to beating out ‘Dr. Dolittle’ and ‘The Gentlemen’.
    Jan 27, 2020
    AceShowbiz – The “Bad Boys” have beaten out Dr. Dolittle and “The Gentlemen” for the top spot at the box office in North America.
    Sony’s “Bad Boys for Life”, starring Will Smith and Martin Lawrence, has hauled in $34 million (£26 million) to score a second weekend at number one, keeping Sam Mendes’ “1917” off the top, while Guy Ritchie’s star-studded new movie, “The Gentlemen”, has debuted at four.
    “Dolittle”, starring Robert Downey Jr., lands at three, and “Jumanji: The Next Level” rounds out the new top five.
    The “Bad Boys” sequel has now picked up $130 million (£99.4 million) in 10 days in North America.
    Top Ten Movies at Weekend Box Office for Jan. 24-26:
    “Bad Boys for Life” – $34.00 million
    “1917” – $15.80 million
    “Dolittle” – $12.50 million
    “The Gentlemen” – $11.03 million
    “Jumanji: The Next Level” – $7.90 million
    “The Turning (2020)” – $7.30 million
    “Star Wars: The Rise of Skywalker” – $5.17 million
    “Little Women (2019)” – $4.70 million
    “Just Mercy” – $4.05 million
    “Knives Out” – $3.65 million

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    'Klaus' Outshines 'Frozen 2' and 'Toy Story 4' at 2020 Annie Awards

    Netflix/Walt Disney Pictures/Pixar Animation

    This Sergio Pablos-directed film, which happens to be Netflix’s first original animated feature, sweeps the annual prizegiving by landing seven wins, including Best Animated Feature.
    Jan 27, 2020
    AceShowbiz – Christmas film “Klaus” was the big winner at the 47th annual Annie Awards on Saturday night (January 25), taking home seven honours, including Best Animated Feature.
    The movie, Netflix’s first original animated feature, beat out “Frozen II”, “Toy Story 4” and “How to Train Your Dragon: The Hidden World” to dominate the ceremony and leave the Oscars’ animation category wide open.
    Director and co-writer Sergio Pablos’ film about a hapless and lazy postal worker, who stumbles upon an idea to give kids gifts at Christmas, also landed awards for direction, editing, storyboarding, production design, character animation and character design.
    There was also a big win for Josh Gad, who won the Voice Performance honour for his role as “Frozen II” snowman Olaf.
    The 2020 ceremony was dedicated to animator Richard Williams, who died in August (2019).
    The full list of 2020 Annie Awards winners is:
    Best Animated Feature: “Klaus”
    Best Animated Feature – Independent: “I Lost My Body”
    Best Animated Special Production: “How to Train Your Dragon Homecoming”
    Best Animated Short Subject: “Uncle Thomas: Accounting for the Days”
    Best Virtual Reality Production: “Bonfire”
    Best Animated Television/Media Commercial: “The Mystical Journey of Jimmy Page’s ’59 Telecaster”
    Best Animated Television/Media Production For Preschool Children: “Ask The Storybots”
    Best Animated Television/Media Production For Children: “Disney Mickey Mouse”
    Best General Audience Animated Television/Media Production: “BoJack Horseman”
    Best Student Film: “The Fox & The Pigeon”
    Best Animated Effects in an Animated Television/Media Production: “Love, Death & Robots”
    Best Animated Effects in an Animated Feature Production: “Frozen II”
    Best Character Animation in an Animated Television/Broadcast Production: “His Dark Materials” – Aulo Licinio (Character: lorek)
    Best Character Animation In An Animated Feature Production: “Klaus” – Sergio Martins (Character: Alva)
    Best Character Animation in a Live Action Production: “Avengers: Endgame”
    Best Character Animation in a Video Game: “Unruly Heroes” – Sebastien Parodi (Characters: Heroes Kid version, Underworld NPC) & Nicolas Leger (Characters: Wukong, Kihong, Sandmonk, Sanzang, Enemies and cinematics)
    Best Character Design in an Animated Television/Media Production: “Carmen Sandiego” (Keiko Murayama)
    Best Character Design in an Animated Feature Production: “Klaus” (Torsten Schrank)
    Best Directing in an Animated Television/Media Production: “Disney Mickey Mouse” – Alonso Ramirez Ramos
    Best Directing in an Animated Feature Production: “Klaus” – Sergio Pablos
    Best Music in an Animated Television/Media Production: “Love, Death & Robots” – Rob Cairns
    Best Music in an Animated Feature Production: “I Lost My Body” – Dan Levy
    Best Production Design in an Animated Television/Media Production: “Love, Death & Robots” – Alberto Mielgo
    Best Production Design In An Animated Feature Production: “Klaus” – Szymon Biernacki, Marcin Jakubowski
    Best Storyboarding in an Animated Television/Media Production: “Carmen Sandiego” – Kenny Park
    Best Storyboarding in an Animated Feature Production: “Klaus” – Sergio Pablos
    Best Voice Acting in an Animated Television/Media Production: “Bob’s Burgers” – H. Jon Benjamin (Character: Bob)
    Best Voice Acting in an Animated Feature Production: “Frozen II” – Josh Gad (Character: Olaf)
    Best Writing in an Animated Television/Media Production:”Tuca & Bertie” – Shauna McGarry
    Best Writing in an Animated Feature Production: “I Lost My Body” – Jeremy Clapin, Guillaume Laurant
    Best Editorial in an Animated Television/Media Production: “Love, Death & Robots” – Bo Juhl, Stacy Auckland, Valerian Zamel
    Best Editorial in an Animated Feature Production: “Klaus” – Pablo Garcia Revert

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    'Pinocchio' Live-Action Remake Gets 'Forrest Gump' Director

    Disney

    Robert Zemeckis has officially been signed on to sit behind the lens for the upcoming Disney movie while his frequent collaborator Tom Hanks is in talks to play Geppetto.
    Jan 27, 2020
    AceShowbiz – Oscar-winning filmmaker Robert Zemeckis has officially signed on to direct Disney’s live-action remake of “Pinocchio”.
    The “Back to the Future” and “Forrest Gump” director will also co-write the latest adaptation of Carlo Collodi’s story about the puppet who becomes a real boy.
    Sam Mendes and Paul King were both previously attached to the project. King stepped down at the beginning of last year 2019.
    Tom Hanks was in talks to portray Pinocchio’s carpenter creator Geppetto in the film, but it is unclear if the project is moving forward with the Oscar-winning star of Zemeckis’ “Forrest Gump”, “Cast Away”, and “The Polar Express”.
    The live-action movie is not the only Pinocchio project in the works – Guillermo del Toro has teamed up with Netflix bosses to make his animated feature film directing debut with a revamped version of the story.

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    Sam Mendes Wins Big at 2020 DGA Awards

    Universal Pictures

    The former James Bond director has taken home the top honor for his movie ‘1917’, beating his rivals Bong Joon-Ho, Quentin Tarantino, and Martin Scorsese.
    Jan 27, 2020
    AceShowbiz – Sam Mendes took home the Outstanding Directorial Achievement in Feature Film prize for his war epic “1917” at the 2020 Directors Guild of America (DGA) Awards on Saturday, January 25, 2020.
    The star beat off fierce competition from Bong Joon-Ho’s Neon’s “Parasite”, Quentin Tarantino’s “Once Upon a Time in Hollywood”, and Martin Scorsese’s “The Irishman” for the award, and thanked his grandfather as he took the stage.
    “My grandfather inspired this film, and he made me when I was 12 sign a contract promising I would write a novel by the age of 18,” he said. “Obviously I’m not a freak, so I didn’t do that, but I did do this.”
    Sam’s victory comes hot off his success at the Producers Guild Awards (PGA) last weekend, leaving the filmmaker a frontrunner for Oscars success next month.
    Meanwhile, Alma Har’el also enjoyed a successful night, winning the Outstanding Directorial Achievement of a First-Time Feature Film Director award for Amazon’s “Honey Boy”, which started as notes from Shia LaBeouf who was doing a writing assignment for his court-ordered rehab.
    Steven Bognar and Julia Reichert were also recognised for their Netflix documentary movie, “American Factory”.
    On the TV side of things, HBO dominated with four of the 11 total categories on offer. Bill Hader took home the Comedy Series prize for “Barry”; Johan Renck was recognised for “Chernobyl” in the TV Movie/Limited Series category; Nicole Kassell won for her episode of “Watchmen” in Dramatic Series; and Amy Schatz won her sixth DGA Award for “Song of Parkland” in the Children’s Program race.
    Don Roy King also won his fifth DGA Award for “Saturday Night Live” ‘s fall finale, which featured returning host Eddie Murphy and musical guest Lizzo.

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    'Bambi' Live-Action Remake in the Works With Marvel Screenwriters

    Disney

    The scribe behind Brie Larson-fronted superhero movie is working with another screenwriter who is developing Marvel’s ‘Silver Sable’ for the upcoming Disney reboot.
    Jan 26, 2020
    AceShowbiz – The screenwriter behind hit blockbuster “Captain Marvel” has been tasked with penning a remake of animated Disney classic “Bambi”.
    Geneva Robertson-Dworet will team up with Lindsey Beer, who wrote Tom Holland’s upcoming film “Chaos Walking” and is developing a script for Marvel movie “Untitled Silver Sable and The Black Cat Project”, to rework the 1942 picture as a live-action project, according to The Hollywood Reporter.
    “Bambi”, which follows a young fawn exploring the forest, is the latest Disney property to be revamped as a live-action picture following the success of 2016’s “The Jungle Book”, and last year’s “Aladdin”, and “The Lion King”.
    “The Little Mermaid”is also being rebooted for the big screen, with singer/actress Halle Bailey set to portray titular Princess Ariel, and “A Dog’s Way Home” actor Jonah Hauer-King cast as Prince Eric.

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    Taraji P. Henson Eyed to Play Whitney Houston in Biopic

    WENN/Avalon

    The ‘Empire’ actress is one of the favorite candidates to portray the late ‘I Have Nothing’ singer in an upcoming true-story movie in the works with Clive Davis.
    Jan 26, 2020
    AceShowbiz – Taraji P. Henson could be set to channel late diva Whitney Houston on the big screen, if the singer’s sister-in-law Pat gets her way.
    Pat is working closely with record executive Clive Davis, who played a key role in the “I Have Nothing” star’s rise to success, on the upcoming project, and told TMZ her hopes for the planned movie.
    While the film is in its early stages, she teased the pair are considering several “options” to play the leading role, before adding, “I love Taraji P. Henson.”
    She added, “Taraji is my girl.”
    Pat was also full of praise for Clive, who she described as a “wonderful person.”
    “Let me just say this… We have a wonderful relationship,” she said, adding, “Anything that we can do for him… it’s done. ”
    Whitney passed away at the age of 48 after she was found unconscious in a bathtub on 11 February, 2012. The Los Angeles County Coroner’s Office listed her death as an “accident” caused by drowning and the “effects of atherosclerotic heart disease and cocaine use,” while toxicology results discovered substances including Benadryl and Xanax in her system.

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