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      ‘Wingwomen’ Review: A Crew of Femme Fatales

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      A feisty Adèle Exarchopoulos does the heavy lifting in this otherwise uninspired action-comedy set in France.“Wingwomen” is the rare French action movie directed by a woman, Mélanie Laurent, the breakout star of “Inglourious Basterds” turned filmmaker in her native France. Laurent’s seventh feature, a girl-power spectacle, purports to be a naughtier version of “Charlie’s Angels” — its leading three ladies party, smoke and have vigorous libidos — so it’s too bad these spicier elements are muted by the film’s flat tone and derivative style.Laurent also stars as the film’s veteran thief, Carole, a steely, chiseled blonde. Her bestie, and No. 2, is Alex (Adèle Exarchopoulos), an expert sniper and an unabashed flirt whom the older Carole recruited years ago for a diamond heist. Now a seasoned crime team, Carole is the brains, Alex the muscle. The duo eventually gains a third leg with Sam (Manon Bresch), a racecar driver.Among the three gals, Alex does the heavy lifting on all fronts: She performs most of the kills, and she’s also — thanks to a feisty, potty-mouthed Exarchopoulos — the source of the film’s grit, sensuality and humor. In one scene, she bluntly fast-tracks a flirtation into a romp in the sack, which evolves into a moonlit fight scene with a peeping-Tom hit man. Alex gets bruised and bloodied, but so does the meathead baddie. It’s one of the few moments when the film’s feminist beatdowns feel genuinely triumphant: Alex shifts seamlessly from coy playgirl to seasoned killer, and she’s deliciously blasé about her body count, in both senses of the word.Yet “Wingwomen” isn’t just about Alex, which is a problem because Exarchopoulos is the only player whose charisma shines through the plot’s mechanical proceedings. Carole discovers she’s pregnant and wants out of the crime life, triggering the conflict: Godmother, a Sapphic mob boss played by Isabelle Adjani, says she will grant Carole her exit only if the ladies head to Corsica to steal a painting.Competent, unremarkable action scenes — a low-stakes motorcycle chase off the island coastline, a brief shootout in a woodland fortress — come together with ironic comic beats and snippy back-and-forths among the women. (The comedian Philippe Katerine occasionally steps in, too, as the Bosley-like intermediary Abner.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.We are confirming your access to this article, this will take just a moment. However, if you are using Reader mode please log in, subscribe, or exit Reader mode since we are unable to verify access in that state.Confirming article access.If you are a subscriber, please  More

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      Matthew Perry’s Cause of Death Remains Under Investigation

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      Perry was found unresponsive in a hot tub at his house in Los Angeles on Saturday, the police said. It could be weeks or even months before the cause of his death is established, experts said.As the authorities continued to investigate the death of the “Friends” actor Matthew Perry, experts cautioned Monday that it could take weeks or months for the cause to be determined.Perry was found unresponsive in a hot tub at his home in Los Angeles at around 4 p.m. on Saturday, the Los Angeles Police Department said in a statement. The Los Angeles City Fire Department responded to the scene and declared Perry dead, the statement said. He was 54.Because of Perry’s “celebrity status,” detectives from the robbery homicide division conducted a preliminary investigation, the statement said.“Although there were no obvious signs of trauma, the official cause of Perry’s death is pending the coroner’s investigation,” the statement said. The police have said they had seen no indication of foul play.Earlier on Monday, the Los Angeles County Department of Medical Examiner-Coroner said on its website that Perry’s cause of death was “deferred,” which usually means that further investigation was needed. Later on Monday, Perry’s case was not listed on the website at all.The department said in an email on Monday afternoon that it had “not yet concluded its investigation.” It gave no further information.Experts cautioned that it could take weeks or months to conduct a toxicology screening and examine other evidence.Perry had spoken openly about his struggles with addiction, which sometimes led to hospitalizations for a range of ailments. By his own account, Perry had spent more than half of his life in treatment and rehab facilities.In his 2022 memoir, “Friends, Lovers and the Big Terrible Thing,” Perry also described some of the health challenges he faced over the years. In 2018, he faced a series of medical episodes including pneumonia, an exploded colon, a brief stint on life support, two weeks in a coma, nine months with a colostomy bag and more than a half-dozen stomach operations.Dr. Judy Melinek, a forensic pathologist unaffiliated with the investigation, said in a TikTok video about the case that it would be important to determine if Perry’s nose and mouth were below the water line when he was found, indicating that he may have drowned.If he drowned, it would be important to know why, she said. Was heart disease a factor? Or intoxication? Test results can take weeks because of a lack of qualified toxicologists, funding and equipment, Dr. Melinek said.Investigators should also look for home security footage that could shed light on the case, she said, and they should investigate the hot tub itself to make sure it was properly grounded and wasn’t heating the water beyond the temperature indicated. If the water was hot but not scalding, she said, it could lead to heat exhaustion and dehydration, which can cause a person to drown.“It’s appropriate for it to take long,” Dr. Melinek said in an interview on Monday. “Sometimes it takes months to do a proper investigation.”Dr. James Gill, Connecticut’s chief medical examiner, said it would be important to know if a person found unresponsive in a hot tub had intentionally gone underwater, indicating a suicide, or if they were unable to get out of the water.A person who was unable to get out of the water may have had a heart attack, he said, or may have taken alcohol or drugs, causing a loss of consciousness.Medical examiners in such cases will often list the cause of death as “pending,” he said, allowing them to release the body to a funeral home so the family can proceed with a burial or cremation while toxicology tests are being conducted. Those tests, he said, can take weeks to complete.Dr. Kathryn Pinneri, a former president of the National Association of Medical Examiners, noted in an email that the authorities haven’t said if Perry drowned.But she said: “Hot tub drownings are usually associated with an underlying heart or neurologic condition or alcohol and/or medications/drugs. So the cause and manner of death are usually pending until the results of those tests come back.”Perry was 24 when he was cast as the quirky and self-deprecating Chandler Bing on “Friends,” a show that changed his life and firmly planted him in the limelight alongside his co-stars Courteney Cox, Matt LeBlanc, Lisa Kudrow, David Schwimmer and Jennifer Aniston.The sitcom ran from 1994 to 2004. Perry went on to star in television shows and movies, some of which — like “Almost Heroes” (1998), with Chris Farley, and “Three to Tango” (1999) — failed to capture audiences at the box office.Matt Stevens More

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      Matthew Perry’s Most Memorable TV Shows and Movies to Stream Now

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      Perry will always be remembered as Chandler Bing. But he had a long and varied career that included films and many other series.Matthew Perry, who died Saturday at 54, was one of the biggest TV stars of the past three decades thanks to his role on “Friends,” the blockbuster NBC sitcom that continues to be enormously popular in the streaming era.The show looms so large and Perry’s performance as Chandler Bing was so indelible that it can be difficult to think of him in any other context. But Perry had a long and varied career that included films, many other series and the occasional play. Here are some of his most memorable performances and how to watch them.‘Friends’(1994-2004)Raised largely in Canada, Perry moved to Los Angeles as a teen. He found early success as an actor, appearing in some of the 1980s’ most popular sitcoms (“Charles in Charge,” “Silver Spoons,” “Growing Pains”) and dramas (“Highway to Heaven,” “Beverly Hills, 90210”). But his life changed forever when he was cast, at 24, as one-sixth of what would soon be TV’s most famous group of attractive young Manhattanites.As Chandler, Perry was the sharpest, funniest Friend. His instantly memorable quips and cadences were endlessly imitated by fans and sometimes co-stars. (Each of the Friends had a “Could I be any more …” punchline at some point.) Perry’s well-known struggles with addiction are unavoidably linked to his time on the show — for instance, he said he went to rehab right after filming Monica and Chandler’s wedding. But his performance remains mostly hilarious.Stream it on Max.‘Fools Rush In’(1997)The “Friends” stars all tried to make the jump to the big screen, with mixed results. Perry’s first big movie role was as the lead of “Fools Rush In,” a romantic comedy in which he plays a New York developer forced into a shotgun wedding with a photographer played by Salma Hayek. The New York Times called it a “lackluster comedy” but other critics, including Roger Ebert, saw some sweetness beneath the one-liners.Stream it on Amazon; YouTube; and Tubi.Perry with Michael Clarke Duncan in “The Whole Nine Yards.”Pierre Vinet/Warner Bros., via Associated Press‘The Whole Nine Yards’(2000)Perry leans into his nebbishy side in “The Whole Nine Yards,” a crime caper in which he plays a put-upon dentist who becomes entangled with an ex-gangster. The tough guy is played by Bruce Willis, part of a deep cast that also includes Amanda Peet, Rosanna Arquette, Michael Clarke Duncan and Kevin Pollak.Reviews were middling when it was released — The Times called it “underwhelming, amusing only in fits and starts” — but the cast keeps things light and entertaining and the film’s reputation has improved over time. (You can give the sequel, “The Whole Ten Yards,” of course, a pass though.)Rent it on Amazon; Google Play; and YouTube.‘Go On’(2012-13)During and after “Friends,” Perry guest-starred in acclaimed series including “The West Wing,” “Scrubs,” “The Good Wife” and “Cougar Town.” His post-“Friends” starring vehicles were more of a mixed bag, including the Aaron Sorkin misfire “Studio 60 on the Sunset Strip” and “Mr. Sunshine,” which Perry also created.The best was “Go On,” an NBC sitcom starring Perry as a freshly widowed sports-talk host who goes to group grief therapy. Created by the former “Friends” writer and producer Scott Silveri, it’s funnier than it sounds.Buy it on Amazon.Thomas Lennon and Matthew Perry in CBS’s remake of “The Odd Couple.”Sonja Flemming‘The Odd Couple’(2015-17)Perry teamed with Thomas Lennon for a remake of one of the most famous sitcoms in history, which seems like a bad idea until you consider that the original was itself an adaptation of the 1968 film (which was based on the 1965 Neil Simon play).As the rumpled, irritable Oscar Madison, Perry plays yet another sports-talk host, with Lennon as the finicky Felix Unger. A slightly naughtier update of the old formula, it worked well enough to last for three seasons on CBS, making it one of Perry’s longest TV runs after “Friends.”Stream it on Paramount+. More

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      Stream These 10 Movies Before They Leave Netflix in November

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      We rounded up the best titles leaving the streaming service for U.S. subscribers next month. That includes Oscar winners, family favorites and bawdy comedies.Family favorites, Oscar-winning (and nominated) acting, bawdy comedies and insightful documentaries are among the highlights of the titles leaving Netflix in the United States in November. (Dates indicate the final day a title is available.)‘Jerry Seinfeld: Comedian’ (Nov. 6)Stream it here.When Jerry Seinfeld stepped away from his sitcom and retired his venerable stand-up act in 1998, he took a dramatic step back to square one. In this documentary from 2002, the director Christian Charles tracks that journey, following Seinfeld back into the world of stand-up clubs (and their often unforgiving audiences) as he develops an hour of new material from scratch. Seinfeld’s reboot is intercut with the story of Orny Adams, a young stand-up trying to follow the Seinfeld playbook. The counterpoint structure isn’t entirely successful — Adams isn’t nearly as compelling or charismatic as Seinfeld, so his scenes drag a bit — and some of the material hasn’t aged well (particularly Seinfeld’s initially moving climactic encounter with … Bill Cosby). But it’s a fascinating chronicle of the comedy industry, and Seinfeld’s shop talk with fellow comedians (including Robert Klein, Jay Leno, Colin Quinn, Chris Rock and Garry Shandling) is nearly as compelling as his material.‘Loving’ (Nov. 15)Stream it here.The writer and director Jeff Nichols rose through the ranks of indie cinema with deeply felt, richly textured portraits of contemporary life in the heartland, including “Shotgun Stories,” “Mud” and “Take Shelter.” For this, in 2016, his first period piece and first true story, he dramatizes the struggles of Richard and Mildred Loving, the plaintiffs in the 1967 Supreme Court case that, in effect, legalized interracial marriage. It was a monumentally important historical precedent, but Nichols doesn’t paint with the broad strokes of staid historical drama; he keeps his storytelling intimate, focusing on the offhand intimacy and unwavering love of the couple in question, played with grace and sensitivity by Joel Edgerton and an Oscar-nominated Ruth Negga.‘Disappearance at Clifton Hill’ (Nov. 29)Stream it here.A Canadian thriller with touches of buried trauma, conspiracy theory and true-crime podcasting, this 2020 moody effort from the director and co-writer Albert Shin concerns a young woman (Tuppence Middleton) haunted by a long-ago, half-understood encounter during a fishing trip that comes rushing back to her when she’s entrusted with handling a familial real estate transaction. Middleton is a sympathetic protagonist, and Hannah Gross is excellent as her sister, but the real M.V.P. here is the director David Cronenberg, who pops up in a small but memorable supporting turn as a podcaster with his own thoughts on what she saw, and what it meant.‘About Last Night’ (Nov. 30)Stream it here.The chain of ownership here gets a tad convoluted, so stick with me: This romantic comedy from 2014 loosely remakes the yuppie-rom-com from 1986 starring Rob Lowe and Demi Moore, which was itself a loose adaptation of the 1974 play “Sexual Perversity in Chicago” by David Mamet. Tropes about the battle of the sexes are so established, it seems, that a decades-old play can still yield both laughs and moments of truth. But as with the 1986 film, the most entertaining material is provided less by the central couple (here played by the perfectly acceptable Joy Bryant and Michael Ealy) than by their broadly comic B.F.F.s, memorably brought to life by Regina Hall and Kevin Hart.‘Arrival’ (Nov. 30)Stream it here.Before he took on the massive challenge of bringing “Dune” to the big screen, the director Denis Villeneuve took his first crack at science fiction with this thoughtful 2016 exploration of the possibilities of extraterrestrial contact. While most filmmakers seize on the threat of life from beyond, focusing on alien invasions and property damage, Villeneuve’s film (adapted from Ted Chiang’s novella “Story of Your Life”) probes deeper, as a linguist (Amy Adams) works tirelessly to establish communication with the alien life-forms before narrow-minded military types jump to the wrong conclusions. Her struggle is a vivid and dramatic one, and the concluding passages are both narratively ingenious and deeply moving.‘Fences’ (Nov. 30)Stream it here.Denzel Washington crafts one of his finest performances in this 2016 adaptation of the Pulitzer Prize-winning play by August Wilson — and matches the force of his acting with his graceful and nuanced work as the picture’s director. He stars as Troy Maxson, once a rising star in the Negro leagues, now a husband and father who spends his days in a stew of regret, dissatisfaction and deception. His complicated relationships with his best friend (Stephen McKinley Henderson), his wife (Viola Davis) and his son (Jovan Adepo) form the story’s dramatic spine, as the tales Troy has long told others, and himself, about who he is come to a head. It’s a penetrating and powerful drama, and Davis’s subtle work landed her an Oscar for best supporting actress.‘Hook’ (Nov. 30)Stream it here.The setup was so juicy — Steven Spielberg directing Robin Williams as Peter Pan, with Dustin Hoffman as Captain Hook and Julia Roberts as Tinker Bell — that it had to be either a masterpiece or a grave disappointment. It felt like the latter when “Hook” landed in theaters in 1991; critics dismissed it as a mess, and the box office, while respectable, was disappointing. But children of that era (who were, let’s face it, the target audience) fell for it hard, wearing out their VHS tapes and forming lifelong attachments to Spielberg and Williams. Bring it up to Millennials sometime, and watch them start chanting for Rufio.‘Stuart Little’ (Nov. 30)Stream it here.If you’d like a more straightforward family film, it’s hard to top this charming 1999 adaptation of E.B. White’s children’s book (co-written, improbably enough, by the suspense master M. Night Shyamalan). The ostensible stars are Jonathan Lipnicki (“Jerry Maguire”) and, as his parents, Geena Davis and Hugh Laurie — but the comic juice is supplied by the talented voice cast: David Alan Grier, Nathan Lane, Chazz Palminteri and Steve Zahn as streetwise cats; Bruno Kirby and Jennifer Tilly as paternal mice; and Michael J. Fox as the unfailingly upbeat titular mouse.‘Superbad’ (Nov. 30)Stream it here.Seth Rogen expanded his comedy profile from valuable onscreen player to behind-the-scenes mover-and-shaker in 2007 when he parlayed his memorable appearances in the Judd Apatow comedies “The 40-Year-Old Virgin” and “Knocked Up” into this uproarious production of a screenplay he penned with his longtime pal Evan Goldberg. The pair had written it years earlier while teenagers themselves (it’s no coincidence that the protagonists are named “Seth” and “Evan”), and the writing feels smuggled out from the front lines of teenage life, as their onscreen avatars (played with warmth and wit by Jonah Hill and Michael Cera) grapple with hormonal awkwardness, unrequited love and the logistics of access to alcohol while trying to dutifully impress their respective crushes (played with charm and verve by Martha MacIsaac and, in her feature film debut, Emma Stone).‘Up in the Air’ (Nov. 30)Stream it here.Few things are as compelling onscreen as watching a movie star subvert his or her image, and that’s what George Clooney does, quite adroitly, in his Oscar-nominated performance in this crisp comedy-drama from the co-writer and director Jason Reitman. Clooney stars as Ryan Bingham, whose job is to fire people; he flies into town like an assassin-for-hire, dropping in to struggling companies to help their employees with their “career transitions.” Free of genuine attachments and a moral compass, Ryan finds his slick existence threatened by a new colleague (Anna Kendrick, terrific) who thinks their job can be done more efficiently online. Much of the picture’s subject matter is watermarked to its 2009 release date — it’s a product of the 2008 economic crisis — but its themes of professional dissatisfaction and emotional aimlessness have proven timeless. More

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      Studios Said to See Progress in Talks With Striking Actors

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      The entertainment companies are growing optimistic that the work stoppage may end soon, though some issues remain unresolved, people briefed on the matter said.Following several productive days at the negotiating table, Hollywood studios are growing optimistic that they are getting closer to a deal to end the 108-day actors’ strike, according to three people briefed on the matter.These people, who spoke on the condition of anonymity because of the sensitivity of the labor situation, cautioned on Sunday that some issues remain unresolved with the actors, including protections around the use of artificial intelligence technology to create digital replicas of their likenesses without payment or approval. But other knots had started to become untangled, the people said.SAG-AFTRA, as the actors’ union is known, had been asking for an 11 percent raise for minimum pay in the first year of a contract, for instance. Studios had insisted that they could offer no more than 5 percent, the same as had recently been given (and agreed to) by unions for writers and directors. Early last week, however, studios lifted their offer to 7 percent. By Friday, SAG-AFTRA had eased its demand to 9 percent.SAG-AFTRA did not respond to requests for comment. The Alliance of Motion Picture and Television Producers, which negotiates on behalf of the major entertainment companies, declined to comment.In an email to SAG-AFTRA members on Friday night, the union’s negotiating committee said, “We completed a full and productive day.” On Saturday, the union sent a routine reminder about pickets planned the coming week, including one scheduled for Wednesday at Walt Disney Studios. The sides continued to negotiate on Sunday.Last week, studio executives made it known — in conversations with filmmakers, agents, reporters and actors themselves — that a deal must be done (or nearly so) by the end of this week, or else sets were likely to remain dark for another two months.Put another way, unless talks speed up, January could be the soonest that casts (and crews) see paychecks.Brinkmanship? Of course. It’s a standard part of any strike. The companies, however, said they were simply pointing to the calendar. It will take time to reassemble creative teams, a process complicated by the coming holidays. Preproduction (before anyone gathers on a set) for new shows can take up to 12 weeks, with movies taking roughly 16 weeks. Bake in the time for contract ratification by the SAG-AFTRA members.More than 4,000 mostly workaday actors responded on Thursday with an open letter to their union, saying, “We have not come all this way to cave now.” They added, “We cannot and will not accept a contract that fails to address the vital and existential problems that we all need fixed.”At the same time, some stars have pressured union leaders to approach negotiations with greater urgency. Out-of-work crew members have also grown increasingly frustrated with the Hollywood shutdown. The International Alliance of Theatrical Stage Employees, which represents 170,000 crew members in North America, has estimated that its West Coast members alone have lost more than $1.4 billion in wages.For their part, companies are under pressure to salvage their spring television schedules and movie lineups. On Friday, Disney delayed a live-action version of “Snow White,” which had been scheduled for March 26, because it would be impossible to finish in time. Earlier in the week, Paramount pushed back Tom Cruise’s next “Mission: Impossible” movie, along with “A Quiet Place: Day One,” starring Lupita Nyong’o.The entertainment business has been at a standstill for months because of strikes by writers, who walked out in May, and actors, who joined them in July. The writers’ strike was resolved last month, prompting hopes of a speedy resolution between studios and the actors’ union. Instead, the process has been slow.Talks between the sides restarted on Tuesday after breaking down earlier in the month over a union proposal for a per-subscriber fee from streaming services, which Netflix’s co-chief executive Ted Sarandos publicly dismissed as a “levy” and “a bridge too far.” SAG-AFTRA accused studio executives of “bully tactics.”It is unclear how the streaming issue might be resolved. But there is real hope in Hollywood that people may soon be back to work.“At this time, we have no concrete information from any studio,” Michael Akins, an International Alliance of Theatrical Stage Employees official in Georgia, wrote to members on Friday. “But the writing is clearly on the wall that the industry shutdown is in its final days.”John Koblin More

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      A Critic With Monsters on His Mind

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      The scariest part of Erik Piepenburg’s job as a reporter who covers horror movies? Films that fail to frighten him.Times Insider explains who we are and what we do and delivers behind-the-scenes insights into how our journalism comes together.Some 10-year-olds might shield their eyes while watching a horror movie. But at that age, Erik Piepenburg was glued to the screen.Growing up in Cleveland, Mr. Piepenburg developed a love of all things horror. Every Friday night at around 11:30, he and his grandmother would turn on the television, flip to channel 43 and hope to find one of their favorite black-and-white films playing — horror classics like “Dracula,” “The Wolf Man” or “Frankenstein.”A former Theater editor for The New York Times, Mr. Piepenburg now uses his monstrous knowledge of the horror genre to write about it in a column for the Movies section. Every week, he recommends five recent horror movies — of the supernatural, psychological or otherwise terrifying kind — that are worth streaming.He’s not partial to any one subgenre, but he does have one hang-up: “If I see one more movie about people going to a cabin in the woods or moving to a haunted house, I’m going to throw my hands up,” he said in a recent conversation.Here, Mr. Piepenburg shares his thoughts on some of the year’s greatest scares, the current golden age of horror and the unforeseen twists and turns of writing about monsters. This interview has been edited and condensed.Where did you get the idea for your column?My editor, Mekado Murphy, had wanted to start a horror column during the coronavirus pandemic, when so many people were forced to stay home and stream films. I offer readers films I think are worth watching in a sea of horror movies — some of which are awful and others that are terrific. I try to watch — or, at least, get through — two to five horror movies a week to make my deadline. I’m not complaining; I think it’s great that we are having this golden age of horror movies, but I would love for someone to tell me what comedy movies I should watch.What contributed to this golden age?There have been several golden ages of horror. There were the psychological thrillers and exploitation films of the ’60s and the slasher movies of the ’80s. I think what’s happening right now is that we are living in such uncertain times in terms of politics, environmental issues, civil rights issues. Anytime there’s global uncertainty, horror movies respond. They hold up a mirror to society and say, “Look at the monsters we’ve become.”So it should come as no surprise that at a time when the world seems topsy-turvy, horror filmmakers would decide the time is right for them to explore why.On the 50th anniversary of “The Exorcist,” you and other Times critics wrote essays that re-explored the film. What story did you want to tell?Mekado told me that he wanted to do this interactive package for the movie. We had a conversation about ways to cover the film and I jokingly said that I always saw “The Exorcist” as a queer movie, and it stuck. I was glad to have the chance to explore the possession in the film through a queer lens. It’s fun to think about the ways in which “The Exorcist” — and most horror movies — aren’t just about the monsters, but the people who create them and what the monsters represent.In an article from this year, you also described “M3gan” as a gay movie. Do you think gay audiences have a special affinity for horror?Well, I think all horror movies are about one of two things: trauma or gayness. That’s just my queer-theory lens that people can accept or reject. But in horror movies, there’s often this notion of otherness — of the monster existing outside of societal norms. I think queer audiences can align themselves with villains who feel like outsiders, like no one understands their feelings.I also think queer audiences appreciate the outrageous, camp quality of horror. “M3gan” is a perfect example. The villain is a demon that you kind of want to be friends with. I know people in my life who can be monsters, but I love them anyway.What trends are you seeing in the horror genre right now?There’s certainly a lot of Covid-inspired films — movies about being locked up inside and fears about contagions. I would say another trend is the slow-burn horror movie, one that takes time to unfold instead of hitting you over the head with monsters, explosions, ghosts and conventional horror scares. The slow burn delivers tiny moments of unease so that by the film’s end, your entire body has become so tense that it’s hard to shake. Those are some of my favorites.What’s a recent horror movie you wish everyone would watch?There’s a film called “The Hole in the Fence,” which I wrote about in my column. It’s about a group of young boys at a religious camp who undergo a sort of “Lord of the Flies” experience. It’s terrifying and has almost no gore, but it really got under my skin. There was another movie that I saw in January called “LandLocked.” Again, there’s no gore. There’s no monsters. But it is a quietly effective horror film. It made me cry. It’s a treat when I can watch a horror movie that moves me so much that even as my heart is racing, I tear up.Is there a horror-related topic you want to explore next in an article?There have been a couple of experimental horror films that toy with form, structure, sound and visuals, like “The Outwaters” and “Skinamarink.” Sometimes the screen will go black or the audio will be distorted. Experimental horror challenges viewers not only to understand horror through monsters, but through the physical experience of watching the film. I think we’re going to start seeing more of those in the future. More

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      What’s on TV This Week: BravoCon and a Classic Rom-Com

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      Andy Cohen’s annual convention airs on Bravo, and HBO plays “Definitely, Maybe.”Between network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, Oct. 30-Nov. 5. Details and times are subject to change.MondayHALLOWEEN BAKING CHAMPIONSHIP 9 p.m. on Food Network. Though I am not the biggest fan of Halloween, sign me up for anything that involves spooky-looking desserts. On the most recent episode of this competition, hosted by the stand-up comedian John Henson, contestants were judged on their torta della nonnas (an Italian custard tart) with monster tattoos added on top and then a healthy but tasty chocolate orb. It ended in one elimination with three bakers heading into the finale.TuesdayAlexander Karim, left, and Oliver Masucci in “The Swarm.”Fabio Lovino/Beta FilmsTHE SWARM 9 p.m. on the CW. This week, the CW is back to doing what it does best: bringing international shows to a U.S. audience. This show, which originally aired in Germany, is a science fiction story about the fight against swarm intelligence living in the ocean. If you are like me and had no idea what “swarm intelligence” is, it refers to the collective behavior of a natural or artificial self-organized system — a.k.a., some spooky stuff. The first season wraps up this week.WednesdayINK MASTER 9:30 p.m. on MTV. This show about tattoo pros is beginning its 15th season this week. Hosted by the Good Charlotte singer Joel Madden, this competition will have 15 tattoo artists competing against one another. The show was briefly canceled in 2020 but was brought back onto Paramount+ last year. This season, the artists are not just competing for the title of “Ink Master” but also aiming for a $250,000 prize.ThursdayBAD MOMS (2016) 10 p.m. on TNT. Mila Kunis, Kristen Bell and Kathryn Hahn are one of the funniest teams to hit the big screen. In this movie, they play overworked and overtired moms who finally let loose and go a little wild before deciding to face Gwendolyn (Christina Applegate), who, along with an army of other perfect moms, rules the P.T.A. “What makes ‘Bad Moms’ funny (aside from its lineup of gifted performers) isn’t that Amy and her friends go wild; they don’t, not even close,” Manohla Dargis wrote in her review for The New York Times. “It’s the women’s shared, near-orgiastic pleasure in their freedom and friendship.”LOVE ISLAND GAMES 10:30 p.m. on Bravo. With Bravo’s “Winter House,” ABC’s “Bachelor in Paradise” and MTV’s “All Star Shore,” it seems like there is a trend in reality television: Gather up known reality stars and put them all together on a different reality show. That is the gist of this “Love Island” spinoff, with contestants from the British, American and Australian versions of the show, perhaps most notably including the fan favorite Curtis Pritchard (the professional ballroom dancer) from Season 5 of the U.K. edition. This is not all that different from the original version of the show; there are just more couple and group challenges.FridayGroucho Marx in “Duck Soup.”Paramount PicturesDUCK SOUP (1933) 8 p.m. on TCM. The Marx Brothers are one of cinema’s most famous comedy groups, and this movie was really their time to shine. The story follows Rufus T. Firefly (Groucho Marx) as he becomes the president of a tiny bankrupt country. This film isn’t so much about the plot but more about the shenanigans that ensue as the spies Pinky (Harpo) and Chicolini (Chico) are sent from a neighboring country to start a revolution. Don’t worry, Zeppo is there, too — he plays Firefly’s secretary.SaturdayDEFINITELY, MAYBE (2008) 10:45 p.m. on HBO. As a romantic comedy connoisseur, I can wholeheartedly say that this is one of the best movies to watch when you want to have a laugh, shed a few tears and feel your heart grow a couple of sizes. The story follows Will Hayes (Ryan Reynolds), who, amid a separation from his wife, tells his daughter (Abigail Breslin) about the three women who he loved throughout his 20s and 30s as she tries to guess which one of them is her mom. The cast also features Isla Fisher, Rachel Weisz and Elizabeth Banks.SundayFrom left: Shannon Beador, Ramona Singer, Andy Cohen and Dorinda Medley at BravoCon in 2019.Amy Lombard for The New York TimesBRAVOCON LIVE WITH ANDY COHEN: THE BRAVOS 10:15 p.m. on Bravo. Andy Cohen is hosting the event known as BravoCon for the third time but this year. But for those of us who can’t make it to Las Vegas, we get to follow along at home. A slate of Bravo-related events will take place next week during the normal “Watch What Happens Live” time slot, but the festivities are going to kick off on Sunday with the first-ever award show for the network.Eight awards will be handed out, including the “Who Said That?” Award for Colloquial Excellence, the Dorit Kemsley Award for Chicest Bravolebrity, and the Greatest Shade Thrower. Vicki Gunvalson of “The Real Housewives of Orange County” will present the biggest award of the night: the Wifetime Achievement Award. You know there is nothing I love more than a slew of “bravolebrities” in a room together. More

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      Meg Ryan on Her New Rom-Com, ‘What Happens Later’

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      Meg Ryan was hurting.Not metaphorically. The actress and one-time rom-com queen was actively sore, having spent the morning, one of many, unpacking and moving herself into a home she’d long been renovating in Montecito, Calif. Persevering through the painful twinge, making order out of the past — really, finding comfort in the present — are the sneaky subcurrents of Ryan’s new movie, “What Happens Later,” a wily rom-com that she co-wrote, stars in and directed. A two-hander opposite David Duchovny, it distills moviedom conventions and plays with a different emotional palette; Ryan grappling with her own cinematic brand. It is only her second foray behind the camera and the first time she has appeared onscreen in seven years.She hasn’t missed the spotlight. “I feel like I had the ride, the Hollywood ride,” she said over a restorative soup lunch on a foggy day. “I kind of went to the moon already. So I don’t have giant ambitions to be back in that.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.We are confirming your access to this article, this will take just a moment. However, if you are using Reader mode please log in, subscribe, or exit Reader mode since we are unable to verify access in that state.Confirming article access.If you are a subscriber, please More