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      Oscars 2025: There’s Something Weird About the Best Picture Nominees

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      It’s entirely probable that scandal, gossip, politics and a general sense of “never heard of it before” have obscured something obvious and important about this year’s 10 best picture Oscar nominees. They’re weird — every single one. They take weird forms. The people in them do weird stuff. They induce weirdness in you.Demi Moore jabs herself with a goop known as “The Substance,” and out of her split-open back climbs Margaret Qualley, who refuses to obey the goop’s rules and proceeds to ruin their life. I paid to see this movie in a packed theater on a Saturday afternoon, where we laughed, screamed and almost threw up.Believe it or not, that movie’s a fairy tale, a funny one. So’s “Anora.” Here, the would-be princess is a Brooklyn stripper who marries a Russian nitwit whose oligarch father dispatches a goon squad to procure an annulment. If I told you “The Brutalist” ran for more than three hours and pitted a recent Holocaust survivor against his moneybags employer, maybe you’d ask which Oscar lab cooked this thing up. Then I’d have to tell you that the scale of this thing is so strangely intimate, so redolently personal, that it feels as much eavesdropped on as its premise sounds familiarly epic.A sugarless Brazilian dictatorship melodrama (“I’m Still Here”) is up against a sugar-encrusted American dictatorship musical (“Wicked”). “Conclave,” the pick-a-pope nail-biter, relies on so much shanking that it feels like a prison movie and features more cafeteria grandstanding than “Mean Girls.” For a spell, the front-runner had been “Emilia Pérez,” a musical fairy tale whose songs flout rhythm and melody, and whose Mexican cartel overlord mistakes her transness for sainthood. Then its star’s bigoted old tweets and some harsh comments by its mighty French director (about Mexicans and the Spanish they speak) turned the Oscar race into “Conclave.”Stellan Skarsgard plays the vindictive Baron Harkonnen in “Dune: Part Two,” a pretty weird blockbuster.Niko Tavernise/Warner Bros.Then, there’s “Dune: Part Two,” a movie so expensive looking, so smoothly, tastefully, artfully done that it’s easy to remain passive in the face of all that’s weird about it. But look! It’s Stellan Skarsgard, plumped, pursy and a-vape, as a baron whose kink, in part, arises from stadium-size gladiatoring. When this series is complete, many hours will have been spent watching Timothée Chalamet as the Chosen One amid a war over seasoning. It’s “Lawry’s of Arabia,” “Lost in Spice.” The race delivers double-feature Chalamet. In “A Complete Unknown,” he boldly reimagines Bob Dylan as a figure of tremendous petulance. Otherwise, it might be the most conventional thing you could hope to see about a once-in-a-lifetime weirdo; and that counts as kind of weird.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Oscar Nominees Makeup Got Real in 2025: “The Substance,” “Wicked” and More

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      This year’s Oscar nominees for makeup and hairstyling, for movies such as “The Substance,” “Wicked” and “A Different Man,” showcased prosthetics and special effects.Actors may deliver impassioned speeches about achieving their “childhood dreams,” but we don’t often hear about how those sculpting wounds with clay and bubbling skin with latex are fulfilling their lifelong fantasies.“Teenager treats” is how Pierre Olivier Persin, the special effects designer nominated for an Oscar for makeup and hairstyling for “The Substance,” described his work on the film, which involved two full-body prosthetics and countless other pieces and puppets. Mike Marino, the makeup designer for Sebastian Stan in “A Different Man,” nominated in the same category, described his childhood bedroom as a sort of cabinet of curiosities, filled with “jars of experiments and screaming Siamese twins.”It’s a particularly exciting year for makeup and hairstyling nominees: buckets of blood and pus-filled injections in “The Substance”; face tumors sloughing off like jelly in “A Different Man”; green witches and blue horses in “Wicked”; a vampire shriveling away in “Nosferatu”; and a menacing drug lord created with facial prosthetics in “Emilia Pérez.”“She wanted to see her hands. She wanted to get that reaction” from the other cast members, said Frances Hannon, the hair and makeup designer for “Wicked” about Cynthia Erivo, who played the green-skinned witch Elphaba in the film and has been vocal about her preference to be physically painted rather than having the hue added in postproduction.Universal Pictures, via Associated PressWhile in years past the category has sometimes leaned toward honoring the subtle transformations of delicately coifed period hairstyles, these nominees reflect a year that relied heavily on the use of makeup to create practical special effects.Once upon a time, most special effects were achieved with makeup. Think “An American Werewolf in London” (1981), “The Fly” (1986), “Beetlejuice” (1988): All the various monsters, mutations and marvels in these films were largely created with latex, foam and human hands. Then, in the early 2000s, studios became more reliant on computers to digitally generate these effects.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Search Warrant Affidavit in Gene Hackman Death Inquiry

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      other image(s) documented on any media, photography and/or videography
      equipment, photography and/or videography accessories and/or devises apparently
      used to facilitate photography and/or videography.
      7. Clothing belonging or worn by Eugene “Gene” Allen Hackman or Betsy Arakawa.
      8. Photographs of the residence, including the interior and exterior.
      9. Latent and/or visible print(s), including but not limited to fingerprint(s) and
      footwear impression(s).
      10. Material(s) apparently used and/or intended for use in administering aid and/or
      assistance to injured people.
      11. Any weapon(s), tool(s) and/or instrument(s) capable of causing sharp force trauma
      to the human body. Document(s) that establish or tend to establish ownership,
      possession, use, transfer and/or the right to ownership, possession, use and/or
      transfer of the herein-described item(s), to be seized.
      12. Any weapon(s), tool(s) and/or instrument(s) capable of causing blunt force trauma
      to the human body. Document(s) that establish or tend to establish ownership,
      possession, use, transfer and/or the right to ownership, possession, use and/or
      transfer of the herein-described item(s), to be seized.
      13. Any item(s) and/or material(s) that have what appear to be impression(s), mark(s),
      and/or defect(s) on said item(s) and/or material(s).
      14. Any record documented in any media, which appears to be a password, personal
      identification number, item(s) and/or information used to access and/or facilitate
      access of said item(s), to be searched.
      15. Biological fluids, to include DNA, blood, or trace evidence.
      16. Telephones and/or cellular telephones.
      17. In order to ensure that a complete and thorough investigation, investigators may be required
      to examine the entire, above-mentioned premises, including, but not limited to, the
      examination of furniture, walls, plumbing equipment, or gas lines in or around the
      residence.
      AND THAT THE FACTS TENDING TO ESTABLISH THE FOREGOING GROUNDS
      FOR THE ISSUANCE OF A SEARCH WARRANT ARE AS FOLLOWS:
      Affiant, Detective Roy Arndt, is a full-time, certified peace officer in the State of New
      Mexico who has attended the Mexico Law Enforcement Academy. He is currently
      commissioned and salaried by the Santa Fe County Sheriff’s Office, where he serves as a
      Detective in the Criminal Investigations Division. Affiant has conducted numerous
      criminal investigations that led to the arrest and conviction of person(s) and currently has
      over 15 years of law enforcement experience.
      The facts set forth in this affidavit are based upon Affiant’s personal observations,
      training and experience, and information obtained from other law enforcement officers
      and civilian witnesses. This affidavit is made for the sole purpose of demonstrating
      probable cause for the issuance of the requested warrant and does not purport to set forth
      all Affiant’s knowledge of, or investigation into, this matter. All times depicted in this
      writing are approximate.
      STATEMENT OF FACTS KNOWN TO AFFIANT:
      At approximately 1:43 p.m. on Wednesday, February 26th, 2025, Santa Fe Regional Emergency
      Communications Center (RECC) received a call for service regarding a reporting party (RP)
      locating two (2) deceased individuals inside the residence of 1425 Old Sunset Trail, Santa Fe,
      New Mexico 87501.
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      Gene Hackman’s Smile Could Give You Shivers

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      In “Bonnie and Clyde” and “Unforgiven,” the actor used his charm to great disarming effect, flashing a smile before abruptly shifting to a sneer.When Clint Eastwood needed a performer who could persuasively go boot-toe to boot-toe with him in his brutal 1992 western “Unforgiven,” he needed an actor who was his towering equal onscreen. Eastwood needed a performer with strange charisma, one who could at once effortlessly draw the audience to his character and repulse it without skipping a beat. This actor didn’t need the audience’s love, and would never ask for it. He instead needed to go deep and dark, playing a villain of such depravity that he inspired the viewer’s own blood lust. Eastwood needed a legend who could send shivers up spines. He needed Gene Hackman.Hackman, whose death at 95 was announced on Thursday, was one of the defining actors of New Hollywood, that roughly decadelong, feverish period of artistic ferment that began with films like “Bonnie and Clyde,” Arthur Penn’s 1967 gangster drama. The era was famously defined by directors who helped rejuvenate the industry but was also known for male stars who didn’t conform to old studio ideals. With their unfixed noses and rough edges, these were men who once would have been largely confined to character roles. The glamorous-looking Warren Beatty played the male lead in “Bonnie and Clyde,” but it was Hackman’s striking supporting turn as Clyde’s brother, Buck, that heralded something new.Hackman holds your gaze the moment that Buck jumps out of a jalopy in “Bonnie and Clyde” into his brother’s arms; Buck is soon in Clyde’s gang, too. Buck is an outsized character, given to flailing and whooping, and Hackman delivers a suitably full-bodied, demonstrative performance that instantly gives you a sense of the character without once edging into scene stealing. His slight whine thickened with a deep-fried accent, Hackman also smiles a great deal as Buck, which humanizes the character so wholly that it lulls you into brief complacency, leaving you unprepared — almost — for the violence that rapidly engulfs him.Hackman, left, and Warren Beatty as thieving brothers in “Bonnie and Clyde” (1967). Screen Archives/Getty ImagesHackman’s smiles were one of his signature moves, and he used them to great disarming effect, deploying them to put other characters (and you) at ease before he abruptly shifted gears. It’s one reason he was such an effective villain. (His restraint as a surveillance expert in Francis Ford Coppola’s 1974 thriller, “The Conversation,” is one reason the film is so unnerving.) Hackman used smiles to charm and seduce, but also to obfuscate. Some actors let you see the rage boiling in their characters, the throbbing veins of hate. If you made a study of Hackman’s work, you might note that when one of his characters draws you to him with an upward curve of his mouth, something bad might happen soon. You would also divine that, thanks to his superb control, you could never predict when that false front would drop.There’s something sublimely fitting then in the fact that Hackman is dressed as Santa when he appears in his star-making role in William Friedkin’s “The French Connection,” the 1971 thriller that earned him a best actor Oscar. Hackman plays Popeye Doyle, a New York detective helping to bring down a heroin-smuggling outfit. Popeye is undercover in the opener, watching a suspect while ringing Santa’s bell and charming some kids with his patter, a smile peeping out from under his ill-fitting white beard. All of a sudden, Popeye and another cop (Roy Scheider) are chasing the suspect through the city’s derelict, litter-strewn streets. As soon as the detectives tackle the runaway in an empty lot, Popeye begins hitting the guy savagely. “I wanna bust him,” he says repeatedly, blood smeared on his Santa sleeve.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Gene Hackman, Hollywood’s Consummate Everyman, Dies at 95

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      Gene Hackman, who never fit the mold of a Hollywood movie star but became one all the same, playing seemingly ordinary characters with deceptive subtlety, intensity and often charm in some of the most noted films of the 1970s and ’80s, has died, the authorities in New Mexico said on Thursday. He was 95.Mr. Hackman and his wife were found dead on Wednesday afternoon at the home in Santa Fe., N.M., where they had been living, according to a statement from the Santa Fe County Sheriff’s Department. The cause of death was unclear and under investigation. Sheriff’s deputies found the bodies of Mr. Hackman; his wife, Betsy Arakawa; and a dog, according to the statement, which said that foul play was not suspected.Mr. Hackman was nominated for five Academy Awards and won two during a 40-year career in which he appeared in films seen and remembered by millions, among them “Bonnie and Clyde,” “The French Connection,” “The Poseidon Adventure,” “Mississippi Burning,” “Unforgiven,” “Superman,” “Hoosiers” and “The Royal Tenenbaums.”The familiar characterization of Mr. Hackman was that he was Hollywood’s perfect Everyman. But perhaps that was too easy. His characters — convict, sheriff, Klansman, steelworker, spy, minister, war hero, grieving widower, submarine commander, basketball coach, president — defied pigeonholing, as did his shaded portrayals of them.Still, he did not deny that he had a regular-Joe image, nor did he mind it. He once joked that he looked like “your everyday mine worker.” And he did seem to have been born middle-aged: slightly balding, with strong but unremarkable features neither plain nor handsome, a tall man (6-foot-2) more likely to melt into a crowd than stand out in one.It was Mr. Hackman’s gift to be able to peel back the layers from characters who carried the weight of middle age.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Oscars 2025: Print Your Ballot to Make Your Predictions

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      The New York Times
      2025 Oscars Ballot
      Best Picture
      ☐ “Anora”
      “The Brutalist”
      ☐ “A Complete Unknown”
      ☐ “Conclave”
      “Dune: Part Two”
      ☐ “Emilia Pérez❞
      ☐ “I’m Still Here”
      ☐ “Nickel Boys”
      “The Substance”
      ☐ “Wicked”
      Best Director
      ☐ Jacques Audiard,
      “Emilia Pérez❞
      ☐ Sean Baker,
      “Anora”
      ☐ Brady Corbet,
      “The Brutalist”
      ☐ Coralie Fargeat,
      “The Substance”
      ☐ James Mangold,
      “A Complete Unknown”
      Best Actor
      Adrien Brody,
      “The Brutalist”
      Timothée Chalamet,
      “A Complete Unknown”
      ☐ Colman Domingo,
      “Sing Sing”
      ☐ Ralph Fiennes,
      “Conclave”
      ☐ Sebastian Stan,
      “The Apprentice”
      Best Actress
      ☐ Cynthia Erivo,
      “Wicked”
      ☐ Karla Sofía Gascón,
      “Emilia Pérez”
      Mikey Madison,
      “Anora”
      ☐ Demi Moore,
      “The Substance”
      ☐ Fernanda Torres,
      “I’m Still Here”
      Best Supporting Actor
      ☐ Yura Borisov,
      “Anora”
      ☐ Kieran Culkin,
      “A Real Pain”
      ☐ Edward Norton,
      “A Complete Unknown”
      ☐ Guy Pearce,
      “The Brutalist”
      Jeremy Strong,
      “The Apprentice”
      Best Supporting Actress
      ☐ Monica Barbaro,
      “A Complete Unknown”
      ☐ Ariana Grande,
      “Wicked”
      ☐ Felicity Jones,
      “The Brutalist”
      ☐ Isabella Rossellini,
      “Conclave”
      ☐ Zoe Saldaña,
      “Emilia Pérez❞
      Original Screenplay
      ☐ “Anora”
      “The Brutalist”
      ☐ “A Real Pain”
      ☐ “September 5”
      “The Substance”
      Adapted Screenplay
      “Conclave”
      ☐ “A Complete Unknown”
      “Emilia Pérez❞
      “Nickel Boys”
      “Sing Sing”
      Animated Feature
      ☐ “Flow”
      ☐ “Inside Out 2”
      “Memoir of a Snail”
      “Wallace & Gromit:
      Vengeance Most Fowl”
      “The Wild Robot”
      Production Design
      ☐ “The Brutalist”
      ☐ “Conclave”
      ☐ “Dune: Part Two”
      ☐ “Nosferatu”
      “Wicked”
      Costume Design
      ☐ “A Complete Unknown”
      ☐ “Conclave”
      ☐ “Gladiator II”
      “Nosferatu”
      “Wicked”
      Cinematography
      “The Brutalist”
      “Dune: Part Two”
      ☐ “Emilia Pérez❞
      ☐ “Maria”
      ☐ “Nosferatu”
      Editing
      ☐ “Anora”
      “The Brutalist”
      “Conclave”
      “Emilia Pérez”
      “Wicked”
      Makeup and Hairstyling
      “A Different Man”
      “Emilia Pérez”
      “Nosferatu”
      “The Substance”
      ☐ “Wicked”
      Sound
      ☐ “A Complete Unknown”
      “Dune: Part Two”
      “Emilia Pérez❞
      “Wicked”
      ☐ “The Wild Robot”
      Visual Effects
      “Alien: Romulus”
      “Better Man”
      “Dune: Part Two”
      “Kingdom of the
      Planet of the Apes”
      ☐ “Wicked”
      Original Score
      “The Brutalist”
      “Conclave”
      “Emilia Pérez❞
      “Wicked”
      “The Wild Robot”
      Original Song
      ☐ “El Mal”
      (“Emilia Pérez”)
      “The Journey”
      (“The Six Triple Eight”)
      “Like a Bird”
      (“Sing Sing”)
      “Mi Camino”
      (“Emilia Pérez”)
      “Never Too Late”
      (“Elton John: Never Too Late”)
      Documentary Feature
      “Black Box Diaries”
      ☐ “No Other Land”
      “Porcelain War”
      “Soundtrack to a Coup d’Etat”
      “Sugarcane”
      International Feature
      ☐ “I’m Still Here,” Brazil
      ☐ “The Girl With the
      Needle,” Denmark
      ☐ “Emilia Pérez,” France
      ☐ “The Seed of the
      Sacred Fig,” Germany
      ☐ “Flow,” Latvia
      Animated Short
      ☐ “Beautiful Men”
      “In the Shadow of the Cypress”
      “Magic Candies”
      “Wander to Wonder”
      ☐ “Yuck!”
      Documentary Short
      ☐ “Death by Numbers”
      “I Am Ready, Warden”
      “Incident”
      “Instruments of a
      Beating Heart”
      ☐ “The Only Girl in
      the Orchestra”
      Live-Action Short
      “A Lien”
      “Anuja”
      “I’m Not a Robot”
      “The Last Ranger”
      ☐ “The Man Who Could
      Not Remain Silent” More

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      in Television

      ‘Gossip Girl’ and ‘Buffy’ Actors Mourn Michelle Trachtenberg

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      Blake Lively, Sarah Michelle Gellar and other stars remembered Trachtenberg’s work ethic and friendship in social media posts.News of Michelle Trachtenberg’s death at 39 on Wednesday sent shock waves through Hollywood, especially among actors who worked with her on movies like “Harriet the Spy” and the beloved TV shows “Buffy the Vampire Slayer” and “Gossip Girl.”Blake LivelyLively, who played Serena van der Woodsen on “Gossip Girl,” called Trachtenberg “electricity” and shared a photo on Instagram of the first day they met. She also praised the work ethic of Trachtenberg, who played Georgina Sparks in 27 episodes of the show.“Everything she did, she did 200%,” Lively wrote in an Instagram story. “She laughed the fullest at someone’s joke, she faced authority head on when she felt something was wrong, she cared deeply about her work, she was proud to be a part of this community and industry as painful as it could be sometimes.”Sarah Michelle GellarGellar, the star of “Buffy the Vampire Slayer,” shared a stack of eight photos with Trachtenberg, who played Dawn Summers in more than 60 episodes of the show. One photo showed Buffy embracing Dawn in an episode titled “Forever.”“Michelle, listen to me,” Gellar captioned the photos, referring to a famous “Buffy” quote. “Listen. I love you. I will always love you. The hardest thing in this world, is to live in it. I will be brave. I will live… for you.”Chace CrawfordCrawford praised Trachtenberg as one of a kind and recalled her strong presence on the set of “Gossip Girl,” where he played Nate Archibald. “I remember her coming on set for the first time and just absolutely owning it,” he wrote on Instagram. “She was a force of nature and just so, so unapologetically funny and magnetic.”Alyson HanniganHannigan, who played Willow Rosenberg on “Buffy the Vampire Slayer,” said on Instagram that Trachtenberg “brought a loving energy to the set.”J. Smith-CameronSmith-Cameron, who also starred in the 1996 movie “Harriet the Spy,” told People that the young actress was excited to lead her first film at the age of 11. “Her natural ebullient nature was ratcheted up into giddiness as she tried to learn how to handle all that came with that,” she said.Additional TributesTributes also poured in from Melissa Joan Hart, Chris Colfer and Kenan Thompson. Rosie O’Donnell, who worked with Trachtenberg on “Harriet the Spy,” told People that the younger actor had “struggled the last few years” without providing specifics. More

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      Morgan Freeman, Gwyneth Paltrow and Others Mourn Gene Hackman

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      A two-time Academy Award winner and a dogged Everyman in many of his roles, Hackman was remembered by collaborators and co-stars after his death.Tributes for the actor Gene Hackman, who was found dead on Wednesday at the age of 95 at his home in Santa Fe, N.M., with his wife and one of their dogs, streamed in from collaborators and co-stars as the news spread.Hackman, who played flawed Everymen, inflexible patriarchs and inspirational mentors, had decades of notable roles, prompting generations of mourners to remember their time working with the actor.Francis Ford CoppolaCoppola, who directed Hackman in the 1974 neo-noir “The Conversation,” in which the actor played a wiretapping expert enmeshed in paranoia, posted a photo of them on the set together.“The loss of a great artist, always cause for both mourning and celebration: Gene Hackman a great actor, inspiring and magnificent in his work and complexity,” Coppola wrote in the caption. “I mourn his loss, and celebrate his existence and contribution.”Morgan FreemanFreeman, who co-starred with Hackman in the 1992 neo-western “Unforgiven,” which won best picture and best supporting actor for Hackman at the Academy Awards, posted a picture of them from a later collaboration with Monica Bellucci. In the caption, he said working with Hackman on that movie, “Under Suspicion,” from 2000, was “one of the personal highlights of my career.”Gwyneth PaltrowPaltrow, who played the daughter to Hackman’s eccentric patriarch in Wes Anderson’s 2001 dramedy “The Royal Tenenbaums,” posted a cropped image of that movie’s cast that centered her, Luke Wilson and Hackman. She captioned it only with an emoji of a broken heart.Barry SonnenfeldSonnenfeld posted a still from “Get Shorty,” the 1995 gangster comedy he directed in which Hackman played a B-movie director with a large gambling debt who was chased down by a mobbed-up loan shark played by John Travolta.“He was brilliant, hilarious and always real,” Sonnenfeld wrote in the caption. “And always knew his lines. Couldn’t ask for more from an actor.”Nathan LaneLane, one of Hackman’s co-stars in the 1996 queer farce comedy “The Birdcage,” said in a statement that he thought he told Hackman he was his favorite actor every day during filming. He also praised Hackman’s range in both comedy and drama, saying it was a privilege to share the screen with him.“Getting to watch him up close, it was easy to see why he was one of our greatest,” Lane said in the statement, reported by Variety and People magazine. “You could never catch him acting. Simple and true, thoughtful and soulful, with just a hint of danger.”Hank AzariaAzaria, who played the Guatemalan housekeeper and aspiring drag queen Agador Spartacus in “The Birdcage,” posted stills from that movie with him and Hackman, who played an ultraconservative Republican senator meeting the gay parents of his future son-in-law.“It was an honor and an education working with Gene Hackman,” Azaria wrote. “Mike Nichols said of his genius character acting: ‘He always brought just enough of a different part of the real gene to each role he played.’” More