Movies

Subterms

    More stories

    • 75 Shares149 Views

      in Movies

      ‘The Locksmith’ Review: A Botched Job

      by

      Ryan Phillippe plays a lock picker trying to escape his past in this clunky, clichéd crime thriller.In the world of crime capers and thrillers, the “one last job” narrative framework has been used enough that it’s less of a trope than its very own genre — films of all stripes can play in the fun house, so long as they find a way to keep it fresh or winsome. Nicolas Harvard’s directorial debut “The Locksmith,” though, mostly takes stock characters and narrative turns and throws them into its basket, unable to fill the rest in with much color or nuance.The film’s only hope for a defining quality is an awkwardly forced one: the lock-picking abilities of its protagonist, Miller (Ryan Phillippe), serving as an avatar for the past he can’t outrun. After a break-in goes awry and leads to a corrupt cop killing his friend, Miller is framed for the murder and sent to prison for a decade. He comes out ready to make things right with his ex-girlfriend, Beth (Kate Bosworth) — who happens to work on the force alongside the corrupt cop — and his young daughter. But, soon enough, an old friend — naturally, the former lover of Miller’s dead comrade — pulls him into one more scheme that only entangles him in a larger web of crime.Most of the movie is told with big, rudimentary handwriting and slathered in clichés. Its actors, including Ving Rhames — typecast as a gruff mentor but nevertheless an easy comfort — and a nostalgic pair of early-aughts stars in Phillippe and Bosworth, can’t do much with what they’ve been given. Bosworth is perhaps the only one who finds room for some subtlety in what amounts to a stilted, botched job.The LocksmithNot rated. Running time: 1 hour 31 minutes. In theaters and available to rent or buy on Apple TV, Google Play and other streaming platforms and pay TV operators. More

    • 163 Shares159 Views

      in Movies

      ‘Love in the Time of Fentanyl’ Review: Heartbreak, Death and Hope in Vancouver

      by

      To combat the overdose crisis, a group that includes former and current users open a safe consumption site where shooting up does not have to mean death.In 2016, in response to record high overdose deaths in Vancouver, a group of artists, activists, and current and former drug users in the Downtown Eastside neighborhood came together to form the Overdose Prevention Society, a renegade safe consumption site where drug users could safely consume drugs. The O.P.S. staff tests the drugs for fentanyl, provides clean needles and has Narcan on hand in case of an overdose. “Love in the Time of Fentanyl,” directed by Colin Askey, tenderly documents this community’s lifesaving efforts.The film follows Ronnie, a frontline worker struggling with burnout; Sarah, an activist who opened the site and works to raise awareness about the crisis; Trey, a graffiti artist who memorializes lost community members on the center’s surrounding walls; Norma, an Indigenous elder and former drug user who cooks meals for the staff; and Dana, who is struggling with active addiction while working at the center.Despite the harrowing overdose scenes, Askey manages to infuse “Love in the Time of Fentanyl” with scenes of joy, creativity and friendship — whether it’s staff members dancing after hours, a guitarist singing an original song about O.P.S. (“O.D., O.D., O.D., Overdose Prevention Society”) or drug users chatting as they prepare their injections. A veteran talks about the trauma he endured during deployment. Another man says that he began using drugs after his girlfriend was killed by a drunken driver. All speak plainly about the challenges of quitting and the dangers of stigmatization. Though at times the film’s narrative momentum and focus on its subjects is lacking, it shows that drug users, to whom the drug crisis is more than an abstract idea, are perhaps the most capable of creating solutions to the overdose epidemic.Love in the Time of FentanylNot rated. Running time: 1 hour 25 minutes. In theaters now and airing on PBS Independent Lens Feb. 13. More

    • 163 Shares199 Views

      in Movies

      ‘The Amazing Maurice’ Review: A Cool Cat and His Band of Merry Rodents

      by

      Hugh Laurie voices a quippy, self-referential cat in this animated adaptation of a popular Terry Pratchett book.“You know, in many ways, I don’t think the plot of this adventure has been properly structured,” observes the droll Malicia Grim (voiced by Emilia Clarke) during a brief lull in the middle of “The Amazing Maurice.”An animated comedy based on Terry Pratchett’s semi-parodic children’s novel “The Amazing Maurice and His Educated Rodents,” the film abounds with this style of flamboyant, self-congratulatory humor, as Malicia and the talking feline hero Maurice (voiced by Hugh Laurie) routinely break the fourth wall with satirical commentary and glib meta wisecracking.The effect is a kind of self-important distance, as if the director Toby Genkel and his co-creators considered the material beneath them. What should be a cute story about a mischievous orange tabby cat instead becomes an ironic, even vaguely smug movie in the vein of something like “Deadpool.”The foundation of the story derives from the legend of the Pied Piper of Hamelin — in particular the version made famous by the Brothers Grimm: Maurice and his band of friendly, intelligent rats (among them the voices of David Tennant and Gemma Arterton) travel from town to town feigning an infestation, then providing the helpful services of an ersatz pied piper, Keith (Himesh Patel), to clear it up.The modern, coolly sarcastic big-kid riff on a familiar fairy tale has been done before, most notably in “Shrek.” And while it might still have seemed somewhat fresh when Pratchett’s book was first published, in 2001, it now feels like a poor imitation — doubly so when one considers that the script for “The Amazing Maurice” was penned by the “Shrek” screenwriter Terry Rossio, who, with his constant gags about fairy tale clichés, does little to elevate the copy above the original.The Amazing MauriceRated PG. Running time: 1 hour 33 minutes. In theaters. More

    • 113 Shares99 Views

      in Movies

      ‘True Spirit’ Review: Around the World in 210 Days

      by

      Nothing rocks the boat for long in this can-do drama based on the true story of Jessica Watson, an Australian teenager who sailed the globe.The soft-rock bard Christopher Cross once sang, “Sailing takes me away.” For one gutsy Aussie, Jessica Watson, “away” meant circling the globe at age 16. “True Spirit” streamlines and sanitizes her impressive real-life feat, which began in October 2009, into pure inspo fuel, recounting Watson’s maritime journey without ever turning grim for long.A sunny Teagan Croft (“Titans”) plays Watson, backed by Cliff Curtis as the coach and Anna Paquin as the iron-willed mom in a loving family, alongside a softie dad (Josh Lawson) and three cute siblings. Watson’s trial run ends in a collision, triggering a media frenzy, but she sets out eastward as planned on a pink sailboat covered in decals.The cleanly shot movie cruises through storm-tossed seas and dead air alike, buoyed by a soundtrack of teen anthems, as well as flashbacks to Watson as a tween. Her solitude isn’t absolute, thanks to phone and internet access (she vlogs), and she celebrates Christmas virtually with the family, who packed gifts for her. (On the actual journey, her parents also did flyovers in a small plane.)It all goes by fast — is that the Indian Ocean already? — and nothing rocks the boat for long, though a final-boss storm plays as a cliffhanger (albeit a brisk one). The message of manifesting your goals reigns supreme, which is great, but it’s worth mentioning that Watson’s willpower benefits from the privileges of financial security, family support and a curmudgeonly-turned-selfless coach. Without all that backing, seven months alone on a sailboat might be a non-starter (though many of us, myself included, would be in no rush).True SpiritNot rated. Running time: 1 hour 49 minutes. Watch on Netflix. More

    • 100 Shares119 Views

      in Movies

      ‘Pathaan’ Review: Fighting the Good (and Long) Fight

      by

      Filled to the brim with action set pieces, “Pathaan” stars Shah Rukh Khan as a secret agent saving India from havoc unleashed by a vengeful former operative.The all-out action movie of the sort honed by Hollywood is not as prevalent in Bollywood. But “Pathaan,” a record-setting addition to a series of spy adventures, rolls out a flaming dessert cart of chugging guns, midair melees and ceaseless showdowns.Shah Rukh Khan stars as an affable Indian government agent, Pathaan, who’s pursuing a vengeful former agent named — somewhat less than diabolically — Jim (John Abraham). Jim’s been hired by a rogue Pakistani general to sow havoc in India because of a dispute over Kashmir. He turned smirkingly nihilistic after India once refused to pay ransom for him and his (now dead) pregnant wife.Plotting or politics is an afterthought in this delivery system for action on planes, trains and automobiles, in Dubai, Moscow, Paris, the Spanish coast and apparently the Italian Dolomites. The director, Siddharth Anand (“War”), opens big with Pathaan’s breakout from detainment, swiveling the camera to follow kicks and sending a helicopter aloft indoors.Other setups have the same top-this sense of fun. Anand’s crew boasts the stunt coordinator of “Top Gun: Maverick,” Casey O’Neill, and the “Mad Max: Fury Road” stunt performer Craig Macrae. But the director doesn’t have the greatest feel for tempo, or a consistent flair for staging. A monotonous fight on a train is only redeemed by a Looney Tunes escape from derailment.Lending welcome panache is Deepika Padukone as another deadly operative, Rubina, who may prove helpful to Pathaan. The sweet rapport between Padukone and Khan loosens up the film’s endless fracas, and it’s the spark for, yes, a song. When Pathaan spots Rubina poolside in Spain, she launches a joyful crowded bump-and-grind number. (“The moment I feel a wave of modesty, I throw it to the wind!”)As a villain, Jim’s a bit of a cold bath, and not just because he starts video-calling in threats of biological warfare. “Pathaan” is in some ways a save-the-world superhero movie without suits, and while less self-serious, the hefty length can lag. More is not always better — though the gusto of Padukone speedskating to the rescue at one point goes a long way.PathaanNot rated. In Hindi, with subtitles. Running time: 2 hours 26 minutes. In theaters. More

    • 113 Shares159 Views

      in Movies

      ‘A Lot of Nothing’ Review: The Cop Next Door

      by

      Mo McRae’s feature debut, about a well-off Black couple and their white neighbor, is more of a trauma drama than a satirical thriller.In “A Lot of Nothing,” James and Vanessa, a Black couple, are watching television on the couch in their well-appointed Los Angeles home when a news flash alerts them to “another officer-involved shooting.” James (Y’lan Noel), a corporate lawyer, and Vanessa (Cleopatra Coleman), who works in finance, are rattled and furious. Then they learn that the cop is their white neighbor, Brian (Justin Hartley), with whom Vanessa has already had words — following his contemptuous use of “you people.”After a little fury-as-foreplay sex and a tense day at their respective offices, they spin into action, but their confrontation with Brian on his doorstep spins out of control. Things become thornier still when James’s brother, Jamal (Shamier Anderson), and Candy (Lex Scott Davis), Jamal’s “baby mama” — as Vanessa says derisively — arrive for dinner.In his feature debut, the director Mo McRae displays a nice way with actors and a gift for visual tension, but in aiming for absurdist humor, he lands on something more vexing. It’s the script — by McRae and Sarah Kelly Kaplan — that’s the problem. “A Lot of Nothing” touches on microaggressions, colorism, class, gentrification, fertility, veganism and the sexual fantasies of a biracial Black woman who is this movie’s update on the tragic mulatto trope.More of a trauma drama than a satirical thriller, it never lets up on the buttons it’s pushing or the characters it’s manipulating. Viewers are whiplashed away from empathy and insight, and toward a feeling of superiority to everyone and everything onscreen. Given the film’s precipitating news bulletin and the recent events in Memphis, superiority would seem to be just about the last thing we’ve earned.A Lot of NothingNot rated. Running time: 1 hour 44 minutes. In theaters and available to rent or buy on Apple TV, Vudu and other streaming platforms and pay TV operators. More

    • 88 Shares159 Views

      in Movies

      ‘80 for Brady’ Review: Remember These Titans

      by

      This stubbornly charming romp starring Lily Tomlin, Jane Fonda, Sally Field and Rita Moreno is inspired by the story of a real group of female friends with a love for Tom Brady and the New England Patriots.Tom Brady, the oldest starting quarterback in N.F.L. history, has said he is retiring “for good” at the age of 45. But at a combined age of 335, Lily Tomlin, Jane Fonda, Sally Field and Rita Moreno muscle “80 for Brady,” a comedy about a fan club’s frenetic Super Bowl weekend, over the goal line. The setup is that Lou (Tomlin), who is living with cancer, is adamant that she and her besties will attend a Super Bowl before she returns an urgent message from her oncologist. Betty (Field), a math professor, calculates that they have a .0013% chance of winning a call-in contest to see the 2017 showdown between Brady’s New England Patriots and the Atlanta Falcons. But wish fulfillment is in their favor, as is the director Kyle Marvin’s choice to treat obstacles like breakaway paper banners to be torn through by its winning team.This stubbornly charming romp is, quite literally, fan fiction inspired by a group of female friends from North Attleborough, Mass., one of whom had a grandson with the Hollywood connections to pitch their story to Tom Brady’s film production company. Brady serves as one of the movie’s producers, as well as its motivational mascot. In times of need, he pops up as a talking bobblehead who whispers advice, while flashbacks to the game itself hail that year’s victory as one of football’s most memorable comebacks.Predictability doesn’t scare the screenwriters Sarah Haskins and Emily Halpern, who collaborated previously as writers of “Booksmart.” Their script is a barrage of quirky one-liners that punch up familiar set pieces like an accidental drug bender, a hot wings-eating contest, and a high-stakes card game. It gambles, correctly, that the veteran cast can convince the audience to play along with outlandish contrivances — including an assurance that four seniors in loudly bedazzled jerseys can, when needed, sneak around like ninjas.The benefit of leads with decades of personal chemistry, plus the classic studio ingénue training to hoof it through corny material, is that Marvin is freed up to lavish attention on his bit players. Even brief parts like a book store clerk or an underpaid worker at a carnival game earn solid snickers from just a sentence or two of dialogue. The only thankless role goes to Sara Gilbert as the daughter tasked to nag Tomlin’s character about her health; Gilbert’s stuck in reality while everyone else is doing jazz hands with Gugu (Billy Porter), the halftime choreographer.Instead, the more absurd the gag, the better it works. As Trish, a lovelorn author of Rob Gronkowski erotica (sample title: “Between a Gronk and a Hard Place”), Fonda finds herself selecting the perfect Barbarella blonde wig for a romance with a debonair jock played by Harry Hamlin. Moreno’s Maura, a widow with a flair for bold jackets, stumbles into a room steeling herself for an orgy only to find a poker table of Guy Fieri clones, a mesmerizing image destined to be painted on velvet and mounted over a plate of nachos. We’re so pleasantly pummeled by silliness that the film comes to feel like a massage. As soon as I roused myself to wonder if the friends would wind up on a Jumbotron, there they were, grinning for the camera. I grinned back.80 for BradyRated PG-13 for drug use and suggestive references to Rob Gronkowski. Running time: 1 hour 38 minutes. In theaters. More

    • 113 Shares149 Views

      in Movies

      Kerry Condon on Her ‘Banshees of Inisherin’ Oscar Nomination

      by

      Kerry Condon had hoped to be among her horses when last week’s Oscar nominations were announced. If she kept busy tending her farm in Seattle, she figured that no matter the outcome of the early morning announcement, the work required to care for those two animals would help ground her in normalcy. After all, what do they know about Oscar odds?“If I’d hugged them at 5 a.m., they would have been like, ‘It’s almost feed time, where’s our hay?’” she said. “They would have been having none of it!”It didn’t quite go down that way, since work conspired to keep her in Los Angeles, where the Irish actress has lived for the last decade. Still, Condon is hardly complaining: On that fateful Tuesday morning, she received her first Oscar nomination, for Martin McDonagh’s “The Banshees of Inisherin,” in which she plays the feisty but lonely Siobhan, who counsels her brother, Padraic (Colin Farrell), through a feud with his best friend (Brendan Gleeson), fends off an enamored suitor, the oddball Dominic (Barry Keoghan), and wonders if there’s more to life than what can be experienced on the cloistered island where she grew up.It’s a breakthrough role for the 40-year-old Condon, who met me for lunch in Los Angeles just days after her nomination to discuss a career full of ups and downs. “I don’t think anything has ever come easy to me, so I have the opposite of a sense of entitlement,” she said.Though Condon grew up in the country town of Tipperary, she was always keen to make her mark in Hollywood: When she was just 10, she even wrote an unanswered letter to the well-known agent Mike Ovitz, asking him to represent her. (It didn’t work, but you’ve got to admire the chutzpah.) After graduating from the equivalent of high school, Condon worked in theater and could be seen in supporting parts on dramas like “Rome,” “Luck” and “Better Caul Saul,” but the major screen role that would kick her career into a higher gear had been hard to come by until now.“I think she’s probably been better than a lot of the directors and material she’s had to work with,” said McDonagh, who cast Condon in many of his plays and conceived “Banshees” with her in mind. “I always wanted to try and write something for her that would capture how brilliant she is onstage, but in a movie.”The “Banshees” filmmaker Martin McDonagh said the actress has “probably been better than a lot of the directors and material she’s had to work with.”Ariel Fisher for The New York TimesWith her Irish accent and impish sense of humor, Condon has been a welcome presence in every awards ballroom, though all that glad-handing can take its toll, she said: “I’m extremely introverted and I live alone, so when I come back from those things, I need to be hooked up to a drip!” Still, she’s thrilled to have the recognition, excited to be nominated alongside her three castmates, and ready for whatever happens to her screen career.“If it doesn’t change, and I still have my little peaks and valleys, at least I’ll be more equipped,” Condon said. “And I’ll also know that passes as quick as the good fortune passes.”Here are edited excerpts from our conversation.How did you feel the day before the Oscar nominations were announced?Interviews With the Oscar NomineesMichelle Yeoh: The “Everything Everywhere All at Once” star, nominated for best actress, said she was “bursting with joy” but “a little sad” that previous Asian actresses hadn’t been recognized.Angela Bassett: The actress nearly missed the announcement because of troubles with her TV. She tuned in just in time to find out that she was nominated for her supporting role in “Black Panther: Wakanda Forever.”Andrea Riseborough: The star of “To Leslie” received her first Oscar nomination thanks to a campaign by some famous friends that has since attracted controversy and scrutiny. Here is what the actress said about being nominated.Ke Huy Quan: A former childhood star, the “Everything Everywhere All at Once” actor said that the news of his best supporting actor nomination was surreal.Austin Butler: In discussing his best actor nomination, the “Elvis” star said that he wished Lisa Marie Presley, who died on Jan. 12, had been able to celebrate the moment with him.I was busy in my house and I felt occupied, but as the day went on, my body was feeling really nervous and I was like, “Damn that subconscious! It’s obviously on my mind.” But I did go on a beautiful hike by myself and I clocked the moment, thinking, “I’m actually really happy right now. So just remember that if it doesn’t work out tomorrow, I was happy today and I didn’t have it.”Did you sleep well that night?I did but I could sleep through a nuclear bomb. I’m telling you, they should study me. I was going to turn off my cellphone and have my manager give the news to me like a regular business day — I was trying to be all cool so if I didn’t get it, I could take that moment privately and get myself together. But Colin called me and was like, “Do you want to watch it together?” Then I had to debate that for three hours because I was like, “What if one of us gets it and the other one doesn’t? Do I want to experience this massive moment with other people?” At the last minute, I said, “I’ll go to your house and watch it.”And on West Coast time, that means getting up before dawn.It was the weirdest thing getting up in the dark and scurrying out the door. Honest to God, it felt like we were doing something illegal! It’s just so surreal to be at anyone’s house at 5 in the morning, sober and in your pajamas, but I’m really glad I shared it with other people because it felt nice to get hugs in that moment. Whereas if I’d have been on my own, it would have been amazing, but it also would have been like, “God, Kerry, you’re such a loner!”In a statement released that morning, you described the nomination as “a dream come true.”I don’t think there’s anything wrong with admitting that you’re ambitious. It’s not like I’m Lady Macbeth and I’m stabbing the competition. I watched the Oscars when I was a kid and it’s always been on my radar. At the same time, was my happiness dependent on this? No, I’m not that much of a superficial person.You’ve worked with Martin McDonagh several times on plays. What took him so long to write a great film role for you?I don’t know, but I never got on his case about it. I was just really happy that we had been friends for so long. If I’d say, “Oh, I’m up for this job, I’m down to the last two,” and then I wouldn’t get it — which was the story of my life for a few years — Martin was one of the very few people in my life who’d say, “You’re great, and that guy’s a terrible director.” He always kept me going with things like that, and that was enough. I remember Martin got me a lovely bracelet saying, “It’s the journey that matters in the end,” and I still have it.Condon with Colin Farrell in a scene from “Banshees.” Playing his lonely sister in the film did take its toll: “That line to Siobhan of, ‘No wonder no one likes you,’ that was starting to ring in my ears.”Searchlight PicturesHow did you feel when he offered you “Banshees”?I can’t remember because my dog died just before Covid, and the lead-up to my dog dying was a whole thing. I was very distracted, and on the horizon was this possible “Banshees” thing, but I couldn’t think beyond my dog. I paused everything. I said to my agent a year before that, “I’m not doing any jobs, I have to see this through. I don’t care what I’m missing, I have to be with her.” It was hard because I lived alone with her, and when you don’t have children, she was just everything to me.That death had such a profound effect on me that it made me go, “Why aren’t people crying all the time? Why aren’t people talking about the fact that we all just disappear?” I remember thinking it was like when you lose your virginity: You hear about sex and you’re like, “What is that?” And then you have it, and the world cracks open, and there’s no going back. That’s how it felt with grief: I was like, “Oh, this is something I am going to have to deal with throughout my life.”Is that something you were able to bring to Siobhan, who has been taking care of her brother since their parents passed away?That was my starting point. I felt that Siobhan was stuck in that grief and not able to grow and be her own person because she had to fill the mother shoes with Padraic. Grief is a lonely journey. After a while, you can’t keep going on about it, because people are like, “I don’t know what you want me to say.” It is something you have to go through alone, but Martin had to control me in that because I think it was getting too sad sometimes. He was like, “She has to see that there’s a possibility of a change and that there’s more to life. There has to be an element of hope.” So I felt like it really came at the perfect time in my life.It’s ironic that Siobhan is so hostile to her brother’s donkey, since you’re such an animal lover in real life.That was really hard for me! I was always saying to Martin, “I feel like Siobhan would be happier if she would just let the animals in the house, and if she liked animals as much as I do.” And he was like, “I don’t know if that would be enough to fulfill her life.” But I’m different. I feel like animals are enough to fulfill my life.People have really responded to the scene where Dominic confesses his crush to Siobhan. That clip has trended on Twitter several times, and you and Barry are both terrific in it.I think he’s manipulating the internet — I’m like, “Somebody’s behind this, and I bet you any money, it’s Barry!” That was the last day of the shoot and the last scene I did. I had always imagined that Dominic had done things to Siobhan over the years that really unnerved her, like maybe stolen some of her clothes off the washing line. But at the same time, she was evolved enough to be kind to him in that moment, which made her even more beautiful a character.“My goal has always been to be an actress, never to get married and have children,” Condon said. “I don’t think it’s something I should do just because I’m a woman. I’ve never followed conventions, and I’m hardly going to start now.”Ariel Fisher for The New York TimesWhy do you think Siobhan gets so angry when Dominic asks why she never married?Oh, that’s a good one, because it’s hitting a nerve. I talked about that with Martin: “Are we saying that she’s a virgin?” We both came to the decision that she hadn’t had sex with anyone, because it’s Catholic Ireland and that would have been unheard-of, but maybe somebody came from the mainland one time and there were the very startings of a romance. But she couldn’t leave with this person because she was stuck on this island, so it was shut down very quickly. So when she’s asked, “Were you never married, and were you never wild?” I think it really irked her that she never had the opportunity.Have you ever felt a loneliness like Siobhan’s?Because I was never married, does that ever bother me? No. I could be monogamous, but I don’t really care about marriage, and I don’t really know why everyone cares about it.I’m kind of ambivalent about it myself, although I’m the first person to cry at weddings.I get emotional at weddings, too, which is so stupid. Sometimes I’m like, “There she goes, my friend’s gone. Her loyalty’s to her husband now, and there goes our years.” But my goal has always been to be an actress, never to get married and have children. I don’t think it’s something I should do just because I’m a woman. I’ve never followed conventions, and I’m hardly going to start now.How did you feel when you wrapped the film?Funnily enough, I was a little bit glad because by the end of it, it was starting to take its toll. That line to Siobhan of, “No wonder no one likes you,” that was starting to ring in my ears a little bit. And I know for Colin it was taking its toll too, with all the rejection and thinking, “Am I stupid?” If you have to stay in those spaces long enough, you can’t help but have them in your thinking. I found myself coming home some evenings after a great day, and all of a sudden, I’d just be bawling for five minutes. I didn’t even know why I was crying. I just knew there was a heaviness to it, and I was ready to let it go.How did it feel once the movie returned to your life in such a grand fashion, from a Venice Film Festival premiere on to awards season?Looking back, it has been an absolute whirlwind since Venice. Everything has happened super, super fast — so fast that I’m getting nervous for the Oscars coming, since it’s going to be all over then.At least you’ve got a few weeks to savor things until it happens.But still, things end. And isn’t that sad? More