Movies

Subterms

    More stories

    • 125 Shares159 Views

      in Movies

      ‘Look Both Ways’ Review: To Be and Not to Be

      by

      This Netflix drama stages a delusion of young womanhood by tracking its heroine down forking paths: one in which she gets pregnant, and one in which she pursues a career.Natalie (Lili Reinhart) is an ambitious college senior with her future mapped out. But after a one-night stand leads to vomiting, she decides to take a pregnancy test.“Look Both Ways,” a deluded Netflix drama, stages this moment as a crossroads. It envisions divergent futures for our heroine: one in which her test is negative and another in which it is positive.Mimicking the thought experiment conducted in “Sliding Doors,” the movie intercuts scenes from these two fates. The first finds Natalie on a road trip to Los Angeles with her bestie, Cara (Aisha Dee), where she pursues a job in animation. At the same time, a parallel Natalie grimly resigns herself to motherhood and moves home to raise the baby alongside her chagrined parents (Andrea Savage and Luke Wilson).In a handy cinematic shorthand, the director, Wanuri Kahiu, distinguishes between the two realms through color, applying reds to the set design of Natalie’s exhilarating Hollywood adventures and blues to that of her lonelier mommy time in Texas.That an accessible third course of action — an abortion — goes essentially ignored by both Natalie and the screenwriter, April Prosser, is a mind-boggling factor in this otherwise predictable movie. It’s jarring to see Natalie’s unplanned pregnancy introduced as a cool dose of reality rather than decision to be made, and the movie’s post-Roe release only adds insult to injury.Never mind that “Look Both Ways” seems to posit that, for women, child rearing and a career are in relative opposition — when Natalie comes to a fork in the road, the movie hardly lets her look both ways. It bulldozes her down one path, and then the other.Look Both WaysNot rated. Running time: 1 hour 50 minutes. Watch on Netflix. More

    • 125 Shares179 Views

      in Movies

      Wolfgang Petersen, Director of ‘Das Boot,’ Is Dead at 81

      by

      He made it big in Hollywood with box-office hits, but he’s best remembered for a harrowing, Oscar-nominated German film set inside a U-boat in World War II.Wolfgang Petersen, one of a handful of foreign directors to make it big in Hollywood, whose harrowing 1981 war film, “Das Boot,” was nominated for six Academy Awards and became one of Germany’s top-grossing films, died on Friday at his home in the Brentwood section of Los Angeles. He was 81.The cause was pancreatic cancer, according to Michelle Bega, a publicist at the agency Rogers & Cowan PMK in Los Angeles. His death was announced on Tuesday.Mr. Petersen was the most commercially successful member of a generation of filmmakers active in West Germany from the 1960s to the ’80s, whose leading lights included Rainer Werner Fassbinder, Wim Wenders and Werner Herzog. But he was equally known in Hollywood.Over five decades Mr. Petersen toggled between his native Germany and the United States, directing 29 films, many of them box-office hits like the 1990s political thrillers “In the Line of Fire,” with Clint Eastwood, and “Air Force One,” with Harrison Ford.With a knack for genre filmmaking — action films were another strong suit — he also made forays into fantasy “(The NeverEnding Story”), sword-and-sandal epic (“Troy’) and science fiction — all while attracting marquee names to star in them, like Dustin Hoffman in “Outbreak,” Brad Pitt in “Troy” and George Clooney in “The Perfect Storm.”Jürgen Prochnow, right, played a U-boat captain in “Das Boot.” It’s considered among the finest antiwar films ever made.Columbia PicturesFor all his success in Hollywood, however, “Das Boot,” a tense drama about sailors on a German U-boat during World War II, is the work for which Mr. Petersen will mostly likely be remembered. In the English-speaking world, that frequently mispronounced title alone (“Boot” is spoken exactly like the English “boat”) has attained a kind of pop-cultural status, thanks to references on “The Simpsons” and other TV shows.“‘Das Boot’ isn’t just a German film about World War II; it’s a German naval adventure epic that has already been a hit in West Germany,” Janet Maslin wrote in her review in The New York Times when the film opened in the U.S. in early 1982.The movie won high praise for its historical accuracy and the clammy, claustrophobic effect achieved by the cinematographer Jost Vacano, who shot most of the interior scenes with a small hand-held Arriflex camera. Although the critical response in Germany was divided, with some accusing the film of glorifying war, it encountered a more uniformly positive response abroad. Nowadays it is considered among the finest antiwar films ever made.“Das Boot” (also titled “The Boat” in English-speaking countries) grossed over $80 million worldwide, and though it did not win an Academy Award, its six Oscar nominations — including two for Mr. Petersen, for direction and screenplay, and one for Mr. Vacano, for cinematography — remain a record for a German film production. (It was not nominated in the best-foreign-language-film category; West Germany’s submission that year was Mr. Herzog’s “Fitzcarraldo,” which did not make the Academy’s short list for the Oscar).Mr. Petersen in 1997 with the director’s cut of “Das Boot.”Michael Ochs Archives/Getty ImagesMr. Petersen prepared various versions of “Das Boot” over the next decade and a half. In 1985, German TV broadcast a 300-minute version (twice as long as the theatrical release), which Mr. Petersen claimed was closer to his original vision but commercially unfeasible at the time.After “Das Boot,” he teamed up with the producer Bernd Eichinger, whose fledgling studio, Constantin Film, co-produced the English-language “The NeverEnding Story,” an adaptation of a 1979 fantasy novel by the best-selling German children’s author Michael Ende.Released in 1984, “The NeverEnding Story,” about a bullied boy who enters into an enchanted book, was another-box office hit in Germany and abroad — although it, too, received its share of negative reviews, including from The Times’s film critic Vincent Canby, who called it “graceless” and “humorless.”Despite a tepid U.S. box-office return, which Mr. Petersen chalked up to the film’s being “too European,” “The NeverEnding Story” became a cult favorite over the decades, for its trippy production design, scrappy special effects and synth-heavy theme song, written by Giorgio Moroder and sung by the British pop singer Limahl.The film was mostly shot at Bavaria Film Studio, near Munich, where present-day visitors can ride Falcor, the “luck dragon” that Mr. Canby compared to “an impractical bath mat.” (The studio’s theme park, Bavaria FilmStadt, also offers tours of the submarine from “Das Boot.”)Mr. Petersen with Clint Eastwood on the set of “In the Line of Fire,” in which Mr. Eastwood played a Secret Service agent trying to prevent a presidential assassination. Bruce McBroom/Sygma via Getty ImagesWolfgang Petersen was born on March 14, 1941, in Emden, in Northern Germany. His father was a naval lieutenant in World War II who later worked for a shipping company in Hamburg.Growing up in the immediate postwar period, the young Mr. Petersen idolized America and American movies. On Sundays he would go to matinee screenings for children at the local cinema to see westerns directed by Howard Hawks and John Ford and starring Gary Cooper and John Wayne.“I got to know the medium of film when I was 8 years old, and I was immediately enthusiastic about it,” he told Elfriede Jelinek, a future Nobel Prize winner for literature, in a 1985 interview for German Playboy. “When I was 11, I decided I wanted to become a film director.”In 1950, his family moved to Hamburg, and when Wolfgang was 14, his father gave him an eight-millimeter film camera for Christmas.After graduating from high school, Mr. Petersen was exempted from compulsive military service because of a spine curvature. In the early 1960s, he worked as an assistant director at the Junges Theater (now the Ernst Deutsch Theater) in Hamburg. He then studied theater in Hamburg and Berlin for several semesters before enrolling at the German Film and Television Academy Berlin, West Germany’s first film school, which opened in 1966.In 1970, his graduation film, “I Will Kill You, Wolf,” was picked up by West German television, and this led to a directing offer for the long-running German crime series “Tatort.”Mr. Petersen, right, on the set of “Poseidon,” a 2006 remake of the 1972 movie “The Poseidon Adventure.” Claudette Barius/Warner Brothers PicturesOver the next decade, Mr. Petersen worked at a feverish pace, directing for both television and the big screen, starting in 1974 with the psychological thriller “One or the Other of Us.”From the beginning, audience approval was of central importance to him. “I crouched in the cinema to see how the audience would react” to one particular film, he recalled in the Playboy interview. “And what happened? People walked out of the film. I was devastated. Because I’m obsessed with making films for everyone.”He often succeeded, with popular early-career thrillers that tackled thorny political and social issues. “Smog” (1972) dealt with the effects of pollution in the Ruhr, the industrial region in Northwest Germany. “The Consequence” (1977) was controversial for its frank depiction of homosexuality, a taboo topic at the time.He was married to the German actress Ursula Sieg from 1970 to 1978. He later married Maria-Antoinette Borgel, whom he had met on the set of “Smog,” where she worked as a script supervisor.He is survived by his wife as well as a son from his first marriage, Daniel, a filmmaker, and two grandchildren.Mr. Petersen had nearly 20 films to his credit by the time he made “Das Boot.” A triumph that few, if any, could have predicted, the movie established his international reputation and opened the door to Hollywood.Mr. Petersen with the cast of “Troy” at the Cannes International Film Festival in 2004. With him, from left, were Eric Bana; Saffron Burrows; Sean Bean; Mr. Petersen’s wife, Maria-Antoinette Petersen; Brad Pitt; Jennifer Aniston, who was Mr. Pitt’s wife at the time (and not in the film); Orlando Bloom; and Diane Kruger.Pascal Guyot/AFP via Getty ImagesIn his autobiography, “I Love Big Stories” (1997, written with Ulrich Greiwe), Mr. Petersen recalled the first American test screening of “Das Boot” in Los Angeles. At the beginning, the audience of 1,500 applauded when the screen flashed with the statistic that 30,000 Germans onboard U-boats were killed during the war. “I thought: This is going to be a catastrophe!” Mr. Petersen wrote. Two and a half hours later, the film received a thunderous ovation.After “The NeverEnding Story,” Mr. Petersen made “Enemy Mine” (1985), a science fiction film starring Dennis Quaid about a fighter pilot forced to cooperate with a reptilian enemy after they both land on a hostile alien planet. Ms. Maslin called it “a costly, awful-looking science-fiction epic with one of the weirdest story lines ever to hit the screen.”A year later, Mr. Petersen moved to Los Angeles, where he would remain for two decades, working with big stars in a string of mainstream successes that included the political dramas “In the Line of Fire” (1993), about a Secret Service agent’s efforts to prevent a presidential assassination, and “Air Force One” (1997), about the hijacking of the presidential jetliner. There were also the disaster films “Outbreak” (1995), about a deadly virus, “The Perfect Storm” (2000), about commercial New England fishermen caught in a terrifying tempest, and “Poseidon” (2006), a remake of “The Poseidon Adventure,” the 1972 blockbuster about a capsized luxury liner.Mr. Petersen accepted applause during a 25th anniversary celebration of “Das Boot” in Berlin in early 2007. Sean Gallup/Getty ImagesEven at their most commercial, Mr. Petersen’s films often had undercurrents of political commentary. Discussing the “Iliad”-inspired “Troy” (2004), Mr. Petersen drew parallels between Homer’s epic and the reign of George W. Bush. “Power-hungry Agamemnons who want to create a new world order — that is absolutely current,” he told the German newspaper Süddeutsche Zeitung.His film career seemed to come full circle in 2016 with “Vier gegen die Bank,” a remake of his 1976 comedy-heist film based on an American novel, “The Nixon Recession Caper,” by Ralph Maloney. It was Mr. Petersen’s first German-language film since “Das Boot” a quarter-century earlier.Throughout his career, he seemed unconcerned by critics who called his artistic merit into question.“If someone asked me whether I felt like an artist, I would have a strange feeling, because I don’t really know,” he once said. “What is an artist? Maybe it’s someone who produces something much more intimate than film, more like a composer or writer or painter.”“My passion,” he added, “is telling a story.” More

    • 138 Shares199 Views

      in Movies

      An Oscars Apology for Sacheen Littlefeather, 50 Years After Brando Protest

      by

      The Apache activist and actress was booed onstage in 1973 after she refused the best actor award on Marlon Brando’s behalf and criticized Hollywood for its depictions of Native Americans.The Academy of Motion Picture Arts and Sciences has apologized to Sacheen Littlefeather, an Apache and Yaqui actress and activist who was booed onstage at the Oscars in 1973 after she refused the best actor award on behalf of Marlon Brando.The Academy said in a statement on Monday that it had apologized to Ms. Littlefeather, 75, in June, nearly 50 years after Ms. Littlefeather pierced through the Academy Awards facade of shiny statues and bright lights in 1973 and injected the ceremony with criticism about Native American stereotypes in media.Her appearance at the ceremony, the first time a Native American woman stood onstage at the Academy Awards, is perhaps one of the best-known disruptive moments in the history of the award ceremony.When Ms. Littlefeather, then 26, spoke, some of the audience cheered her and others jeered. One actor, John Wayne, was so unsettled that a show producer, Marty Pasetta, said security guards had to restrain him so that he would not storm the stage.Ms. Littlefeather said she was “stunned” by the apology in an interview with The Hollywood Reporter. “I never thought I’d live to see the day I would be hearing this, experiencing this,” she said.“When I was at the podium in 1973, I stood there alone,” she added.Ms. Littlefeather also brought attention to the federal government’s standoff at Wounded Knee with Native Americans in the 1973 speech, which she came up with shortly before being called onstage on behalf of Mr. Brando, who was to receive the best actor award for his performance as Vito Corleone in “The Godfather.”Ms. Littlefeather said in an interview with the Academy, which was published on Monday, that she had been planning to watch the 45th Academy Awards on television like everyone else when she received a call the night before the ceremony from Mr. Brando. The two had become friends through her neighbor, the director Francis Ford Coppola. Mr. Brando asked her to refuse the award on his behalf if he won.Ms. Littlefeather arrived at the ceremony with only about 15 minutes left of the official program, wearing a glimmering buckskin dress, moccasins and hair ties. Ms. Littlefeather said she had little information about how the night would work, but Mr. Brando had given her a speech to read if he won.That plan evaporated when a producer for the Oscars saw the pages in her hand and told he she would be arrested if her comments lasted more than 60 seconds, she said.She introduced herself, then explained that Mr. Brando would not be accepting the award because of his concerns about the image of Native American people in film and television and by the government. She paused when a mix of boos and cheers erupted from the audience.“And I focused in on the mouths and the jaws that were dropping open in the audience, and there were quite a few,” she told the Academy. “But it was like looking into a sea of Clorox, you know, there were very few people of color in the audience.”The crowd quieted, and Ms. Littlefeather mentioned the Wounded Knee standoff and then left the stage without touching the golden Oscars statue. She said some audience members did the so-called “tomahawk chop” at her and that when she went to Mr. Brando’s house later, people shot at the doorway where she was standing.“When I went back to Marlon’s house, there was an incident with people shooting at me,” she said. “And there were two bullet holes that came through the doorway of where I was standing, and I was on the other side of it.”Ms. Littlefeather, who was not available for an interview on Tuesday, told the Academy that speaking about these events in 2022 “felt like a big cleanse.”“It feels like the sacred circle is completing itself before I go in this life,” said Ms. Littlefeather, who told The Guardian in June 2021 that she had terminal breast cancer.The former president of the Academy, David Rubin, wrote in the apology to Ms. Littlefeather that the abuse she faced because of the speech was “unwarranted and unjustified.”“For too long the courage you showed has been unacknowledged,” Mr. Rubin wrote. “For this, we offer both our deepest apologies and our sincere admiration.”Mr. Rubin’s letter will be read next month at a program at the Academy Museum of Motion Pictures, “An Evening with Sacheen Littlefeather.”The Academy described it as an event of “conversation, reflection, healing and celebration.” Ms. Littlefeather said in a statement that she was looking forward to the Native American performers and speakers at the event, including Calina Lawrence, a Suquamish singer, and Bird Runningwater, the co-chair of the Academy’s Indigenous Alliance, who is Cheyenne and Mescalero Apache.“It is profoundly heartening to see how much has changed since I did not accept the Academy Award 50 years ago,” she said. “I am so proud of each and every person who will appear onstage.” More

    • 125 Shares199 Views

      in Movies

      Nicholas Evans, Author of ‘The Horse Whisperer,’ Dies at 72

      by

      He was a first-time novelist whose tale of a manly vocation and family trauma broke publishing and then movie rights records when Robert Redford bought them.Nicholas Evans, the British journalist turned author whose novel-turned-film, “The Horse Whisperer,” broke publishing and movie records, along with the hearts of readers who made the book a best seller in 20 countries, died on Aug. 9 at his home in London. He was 72.The cause was a heart attack, said his longtime agent, Caradoc King.In 1993, Mr. Evans, at 43, was broke and adrift. He had been working as a journalist and documentary filmmaker, and had spent two years on a film project that ultimately collapsed, when he began casting about for an idea for a novel. It was perhaps not the most winning formula for worldly success, as he noted in retrospect on his website: “Why would a debut novel from an unknown author have any more chance of getting off the ground than a movie?”Yet he had found an intriguing subject: the mystical, manly art of horse whispering. His source was a farrier, and Mr. Evans soon learned that the vocation of calming horses had a long history stretching back centuries.In England, however, horse-y matters have too much class baggage, as he put it, so he looked to the American West for his story. He came up trumps when he met Tom Dorrance, a terse cowboy then in his 80s, and watched him soothe a frenzied mare in California. He then found two other cowboys who practiced the same compelling magic, and began to craft a character inspired by these three men.Mr. Evans sat down and wrote some 150 pages of what would become “The Horse Whisperer,” a soapy drama about a young girl and her horse who are hit by a truck, and what happens when her hard-driving East Coast magazine editor mother finds a horse whisperer in Montana to heal their trauma.The healing that ensues involved more than the horse. Mr. Evans showed his draft to Mr. King, who sent the partial manuscript to a number of publishers on their way to the Frankfurt book fair that year. Suddenly, Mr. Evans was in the middle of a bidding maelstrom, juggling offers from Hollywood as well as from book publishers on both sides of the Atlantic.When Bob Bookman, the agent at the Creative Artists Agency negotiating the sale of the film rights, asked Mr. Evans what he wanted, Mr. Evans proposed a modest $50,000. “I think we can get $3 million,” said Mr. Bookman, as Sarah Lyall of The New York Times reported. And they did. Hollywood Pictures and Robert Redford’s film studio, Wildwood Pictures, won the bid, at the time the largest amount ever paid for the rights to a first novel (almost $6 million in today’s money). Mr. Evans’s North American book advance, of $3.15 million from Dell Publishing, set another record.Mr. Evans had only written 150 pages of his novel when publishers began bidding for it. His advance, of $3 million, was a record for a first time novelist. no creditThen Mr. Evans had to finish the book. He told Ms. Lyall he had become morbidly superstitious: He stopped riding his bicycle, and took the slow lane when driving. What he did not disclose, not even to his agent, was that he had been diagnosed with melanoma. Nonetheless, he survived, and thrived. The book, which was published in 1995, was a global best seller that was translated into 40 languages, though critics slammed it for its melodrama. Michiko Kakutani, writing in The New York Times, called it “a sappy romance novel, gussied up with some sentimental claptrap about the emotional life of animals and lots of Walleresque hooey about men and women.”“About the only thing missing,” she added, “is a picture of Fabio on the cover.”The movie, which came out in 1998, was more favorably reviewed and a modest box office success, thanks to Mr. Redford’s star power and firm hand as director. He delivered a more restrained version of Mr. Evans’s tale, playing Tom Brooker, the horse whisperer. Kristin Scott Thomas was Annie MacLean, the mother, and Scarlett Johansson played Grace, the daughter. Sam Neill was Annie’s cuckolded husband. Mr. Redford’s version ended rather ambiguously; Mr. Evans had chosen a more confrontational route, and he was initially upset by the change.Robert Redford as the star in the film “The Horse Whisperer (1998), which he also directed.TouchstoneFor better or worse, Mr. Evans had unknowingly introduced the word “whisperer” into the popular lexicon as a catchall term for experts who can tame complicated creatures, like babies.“It was an extraordinary event,” said Mr. King, remembering the frenzy surrounding Mr. Evans’s novel. “It was just the magic of the story. That was the thing.”Nicholas Evans was born on July 26, 1950, in Worcestershire, in England’s West Midlands. He studied law at Oxford University, graduating with a First, the highest honors. He worked as a journalist for newspapers and television and produced a weekly current affairs show. In the 1980s, he made documentary films about the artists David Hockney and Francis Bacon, the writer Patricia Highsmith and the filmmaker David Lean, among others.He followed “The Horse Whisperer” with three more novels, all best sellers. “The Divide” (2005), explores what led to the death of a young woman whose body is found in a frozen mountain creek. The story was inspired, he told The Associated Press, by his own interrogations into what causes rifts in a marriage — a marriage come asunder is the book’s back story. His own 25-year marriage had recently ended, he said.Like his characters, Mr. Evans was an avid outdoorsman, a charming Bill Nighy look-alike who skied and hiked. And in August of 2008 he seemed to fall into the plot of one of his own stories, a family idyll turned into a near tragedy.He and his second wife, Charlotte Gordon Cumming, a singer-songwriter, were staying with her brother, Alastair Gordon Cumming, and his wife, Lady Louisa, in the Scottish Highlands. They had picked and enjoyed a meal of wild mushrooms, which turned out to be poisonous. All four became sick, and their kidneys soon failed. Mr. Evans, Ms. Gordon Cumming and her brother required years of dialysis — and new kidneys. Mr. Evans’s daughter Lauren donated one of hers. Ms. Gordon Cumming was offered the kidney of her son’s best friend’s mother, and Mr. Cumming’s came from a patient who had died. Mr. Evans became a patron of a kidney donation charity. Ms. Gordon Cumming made a documentary film about her experience.Mr. Evans’s survivors include his wife and four children, Finlay, Lauren, Max and Harry.His reviews grew more positive with every book. Nonetheless, he tended to avoid reading them.“The book business is such a strange one — and the very definition of literary versus commercial fiction has always seemed to me to be bizarre,” Mr. Evans told The Guardian in 2011. “One is defined by how many it sells, and the other by its ideas and so-called literary merit. And there are all kinds of assumptions brought to bear on this. So for example, if you sell tons of books you can’t possibly have any interesting ideas or themes or things to say. And on the other hand, if nobody buys the book, it’s considered a mark of its esteem because nobody is bright enough to understand it.” More

    • 138 Shares99 Views

      in Movies

      Anne Heche, Actress Known for ’90s Film Roles, Dies at 53

      by

      Ms. Heche, who won a Daytime Emmy early in her career and whose films included “Donnie Brasco” and “Wag the Dog,” had been critically injured in a car crash.Anne Heche, an actress who was as well known for her roles in films like “Six Days, Seven Nights” and “Donnie Brasco” as for her personal life, which included a three-year romance with the comedian Ellen DeGeneres, died on Sunday in Los Angeles, nine days after she was in a devastating car accident there. She was 53.Her death was announced by a representative, Holly Baird, who said late Sunday in an email that Ms. Heche had been “peacefully taken off life support.”Ms. Heche was critically injured on Aug. 5 when a Mini Cooper she was driving crashed into a two-story home in the Mar Vista neighborhood of Los Angeles, causing a fire that took firefighters more than an hour to extinguish. Ms. Heche, who was alone in the car, sustained burns and a severe anoxic brain injury, caused by a lack of oxygen to the brain.A spokesman for the Los Angeles Police said the department was continuing to investigate whether drug use contributed to the accident.A statement released by her publicist on behalf of her family on Thursday night said Ms. Heche had remained in a coma at the Grossman Burn Center at West Hills Hospital in Los Angeles.“It has long been her choice to donate her organs, and she is being kept on life support to determine if any are viable,” the statement said.On Friday, a representative said Ms. Heche had been declared brain-dead on Thursday night.Ms. Heche was a soap opera star before she became known to movie audiences. In the late 1980s, soon after she graduated from high school, she joined the cast of the daytime drama “Another World,” where she played the good and evil twins Vicky Hudson and Marley Love. She won a Daytime Emmy Award in 1991 for outstanding younger actress in a drama series.By the mid-1990s, she was a rising star in Hollywood. She played Catherine Keener’s best friend in “Walking and Talking” (1996); Johnny Depp’s wife in “Donnie Brasco” (1997); a presidential aide in the political satire “Wag the Dog” (1997), with Dustin Hoffman and Robert De Niro; and a fashion magazine editor who crash-lands on a South Seas island in an airplane piloted by Harrison Ford in “Six Days, Seven Nights” (1998).Ms. Heche with Dustin Hoffman, left, and Robert De Niro in a scene from the movie “Wag the Dog” (1997).P. Caruso/New Line Cinema“Romantic comedies don’t get more formulaic than this bouncing-screwball valentine, but they don’t get much more delightful, either,” Rita Kempley wrote in her review of “Six Days, Seven Nights” in The Washington Post. “The same goes for Heche and Ford as squabbling opposites drawn together during this tropical adventure.”Ms. Heche began a relationship with Ms. DeGeneres in 1997, at a time when same-sex relationships in Hollywood were not fully accepted. The relationship became widely known in April of that year when they appeared, hand in hand, at the annual White House Correspondents’ Dinner in Washington. A few days later, Ms. DeGeneres’s character on her sitcom, “Ellen,” came out as gay.Ms. Heche’s decision to reveal that she was in a lesbian relationship, The New York Times wrote, “confronted Hollywood with a highly delicate problem: how to deal with a gay actress whose career has been built on playing heterosexual roles.”After that relationship ended, Ms. Heche married and later divorced a man, Coleman Laffoon, with whom she had a son, Homer. She also had a son, Atlas Heche Tupper, from her relationship with the actor James Tupper.Remembering Anne Heche (1969-2022)The actress, who appeared in several popular Hollywood films and TV shows, died on Aug. 14, after being critically injured in a car accident.Obituary: Anne Heche started her career as a soap opera star on “Another World.” In the 1990s, she dated Ellen Degeneres, becoming one half of one of Hollywood’s most scrutinized couples.‘Donnie Brasco’: Heche starred in the 1997 gangster film as the wife of an F.B.I. agent who infiltrates a crime family. Read our review of the film.On Stage: The actress made her Broadway debut in 2002, in David Auburn’s Tony Award and Pulitzer Prize-winning play “Proof,” stepping into a coveted female role.Playing It Normal: In 2009, she spoke with The Times about her journey to success, facing professional downturns and making new starts.Complete information on her survivors was not immediately available.Ms. Heche told The New York Post in 2021 that she had been “blacklisted” in Hollywood because of her relationship with Ms. DeGeneres.“I didn’t do a studio picture for 10 years,” she was quoted as saying. “I was fired from a $10 million picture deal and did not see the light of day in a studio picture.”After she starred in “Six Days, Seven Nights” and in Gus Van Sant’s 1998 remake of Alfred Hitchcock’s “Psycho” as Marion Crane, the role originally played by Janet Leigh, leading roles in movies largely gave way to guest appearances on television shows like “Ally McBeal” and “Nip/Tuck.”She also starred in the short-lived sitcom “Men in Trees,” had recurring roles on “Everwood” and “Chicago P.D.” and landed a featured part on the HBO series “Hung,” which starred Thomas Jane as a male prostitute.Ms. Heche, right, with Ellen DeGeneres at a fund-raising dinner for the Human Rights Campaign in 1997. They began seeing each other at a time when same-sex relationships in Hollywood were not fully accepted.Win McNamee/ReutersShe appeared on Broadway in the play “Proof” from 2002 until it closed in 2003, then in the 2004 revival of “Twentieth Century,” the 1932 comedy about a Broadway producer (Alec Baldwin) who, as a passenger on the Twentieth Century Limited train, meets a former discovery, Lily Garland (Ms. Heche), who has become a Hollywood star. The role earned Ms. Heche a Tony Award nomination for best performance by a leading actress in a play.In his review in The Times, Ben Brantley wrote, “Her posture melting between serpentine seductiveness and a street fighter’s aggressiveness, her voice shifting between supper-club velvet and dime-store vinyl, Ms. Heche summons an entire gallery of studio-made sirens from the Depression era: Jean Harlow, the pre-mummified Joan Crawford and, yes, Carole Lombard, who famously portrayed Lily in Howard Hawks’s screen version of ‘Twentieth Century.’”In 2004, Ms. Heche was nominated for a Primetime Emmy for outstanding supporting actress in a mini-series or movie, for her performance in “Gracie’s Choice,” a TV film about a teenager faced with raising her half siblings after their drug-addicted mother is sent to prison.She appeared most recently in the films “The Vanished” (2020), a psychological thriller, and “13 Minutes” (2021), which centers on a tornado, as well as several episodes of the courtroom drama “All Rise.” Ms. Heche with Johnny Depp in “Donnie Brasco” (1997).PhotofestAnne Celeste Heche was born on May 25, 1969, in Aurora, Ohio, to Nancy and Donald Heche. Her father was an evangelical Christian and, it turned out, a closeted gay man. Her first acting role was in a New Jersey dinner theater production of “The Music Man,” which paid her $100 a week.In 1983, after her father died of AIDS, her mother became a Christian therapist and lectured on behalf of James Dobson’s organization Focus on the Family about “overcoming” homosexuality.Ms. Heche wrote in her 2001 memoir, “Call Me Crazy,” about being sexually abused by her father, and about her mother’s denial of that abuse. She said that when she called her mother after years of therapy to confront her about it, her mother ended the conversation by saying, “Jesus loves you, Anne,” before hanging up.Ms. Heche was critically injured on Aug. 5 when the car she was driving crashed into a two-story house in Los Angeles.Chris Delmas/AFP via Getty Images“People wonder why I am so forthcoming with the truths that have happened in my life,” Ms. Heche said in an interview with The Times in 2009. “And it’s because the lies that I have been surrounded with and the denial that I was raised in, for better or worse, bore a child of truth and love.”In 2018, she said she had been fired from a job at Miramax when she refused to give oral sex to Harvey Weinstein, the disgraced film magnate who founded the company with his brother, Bob, and who was accused of sexual assault by dozens of women. He was convicted of two felony sex crimes in 2020 and is serving a 23-year prison sentence.“If I wasn’t sexually abused as a child, I don’t know if I would have had the strength to stand up to Harvey — and many others, by the way,” she told the podcast “Allegedly … With Theo Von & Matthew Cole Weiss.” “It was not just Harvey, and I will say that.”Vimal Patel More

    • 163 Shares169 Views

      in Television

      What’s on TV This Week: ‘House of the Dragon’ and U.S. Gymnastic Championships

      by

      HBO airs the “Game of Thrones” spinoff. Olympians Jade Carey and Jordan Chiles compete in the women’s gymnastic field.Between network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, Aug. 15-21. Details and times are subject to change.MondayBETTER CALL SAUL 9 p.m. on AMC. The sixth and final season of this “Breaking Bad” prequel spinoff is finishing up its 13-episode arc on Monday, which came after a two-year break and an on-set health scare for Bob Odenkirk, who plays Saul Goodman. This episode will tie up lots of loose ends from an unexpected turn of events. The New York Times reporter David Segal wrote in last week’s episode recap that “the show has ditched the idea that this is a narrative about love. The show will culminate, it seems, by posing questions about fairness and justice and maybe mercy.”TuesdayAidan Turner in “Leonardo.”Lux Vide/CWLEONARDO 8 p.m. on the CW. After a successful first season run of this show in Europe and Canada, it is coming to the U.S. via the CW. The series stars Aidan Turner as a young Leonardo da Vinci in a fictional version of the real painter’s life. The first episode centers on Leonardo being arrested for poisoning Caterina de Cremona (which, for the record, did not happen in real life). The series also stars Matilda De Angelis and Freddie Highmore.DARK SIDE OF COMEDY 9 p.m. on VICE. This original series from VICE is addressing how the unexpected fame, societal pressures and internal battles that come along with being a notable comedian can have an impact on addiction or depression. Each episode will feature a comedian who has battled with mental health struggles or died of suicide. The first episode features Chris Farley, the “Saturday Night Live” comedian who died at 33 from an overdose of cocaine and morphine in 1997. Other episodes in this 10-episode series will feature Andrew Dice Clay, Roseanne Barr and Artie Lange.WednesdayTHE OLD MAN AND THE SEA (1958) 6:30 p.m. on TCM. This film, based on the Ernest Hemingway novel of the same name, is about a Cuban fisherman (Spencer Tracy), his 14-year-old friend Manolin (Felipe Pazos Jr.) and the fisherman’s three-day battle with a huge marlin fish. “It is an impressive ordeal, as ordeals in catching fish go, and Mr. Tracy represents it in an admirably rugged, stubborn way,” the New York Times critic Bosley Crowther wrote in his 1958 review of the film. “He looks convincingly ancient, with lank white hair and stubbly beard, and he performs with the creaky, painful movements of a weary, stiff-jointed old man.”ThursdayJeremy Renner and Rachel Weisz in “The Bourne Legacy.”Mary Cybulski/Universal PicturesTHE BOURNE LEGACY (2012) 6:42 p.m. on STARZ. This movie is the fourth in the franchise — with “The Bourne Identity” (2002), “The Bourne Supremacy” (2004) and “The Bourne Ultimatum” (2007) coming before. This movie does not actually feature the titular C.I.A. agent Jason Bourne because Matt Damon, who plays him, did not sign on. Instead, Jeremy Renner stars as the rogue spy Aaron Cross, who, having survived an assassination attempt, is on the run after Jason Bourne exposed black-ops programs to the public.FridayNEW YORK TIMES PRESENTS: SUPERSPREADER 10 p.m. on FX. This documentary series from FX in collaboration with The Times, which has included “Controlling Britney Spears” and “The Killing on Breonna Taylor,” is back with a new episode on Friday. This new episode takes a look at Dr. Joseph Mercola, an osteopathic physician in Florida, who has faced scrutiny and government regulatory action after spreading false information about the Covid-19 vaccine and instead recommending unproved and dangerous alternative treatments which benefits him financially. The episode will simultaneously air on FX and be available to stream on Hulu.Nathan Fielder in “The Rehearsal.”HBOTHE REHEARSAL 11 p.m. on HBO. With a six-episode arc, Nathan Fielder’s new show is wrapping up its first season. In this show, his follow-up to “Nathan For You,” Fielder directs rehearsals of staged scenarios featuring ordinary people to prepare them for the future events. “The show has a philosophical core: Is it ever possible to truly understand another person?” The Times’s television critic James Poniewozik wrote in his review of the show. “And there’s a tender, even beautiful side to its surreal moments.”SaturdayGASLIGHT (1944) 9 p.m., on PBS (check local listings). This spooky film noir, directed by George Cukor, stars Ingrid Bergman as Paula, a young woman who returns to her deceased aunt’s home in London with her new husband, Gregory Anton (Charles Boyer). Strange, unexplainable things happen in the house, but Gregory, who is not who he says he is, tries to convince Paula that it is all in her imagination and that she is hysterical. The verb “to gaslight” — to psychologically manipulate a person into questioning her own sanity — derives from this movie, J. Hoberman explained in his 2019 article in The Times.SundayU.S. GYMNASTIC CHAMPIONSHIPS 7 p.m. on NBC. The 2022 U.S. Gymnastics Championships are happening this week at the Amalie Arena in Tampa, Fl., and Sunday is the last day to watch the competition live. Olympians Jade Carey and Jordan Chiles will likely lead the women’s field and Yul Moldauer and Shane Wiskus will compete against Brody Malone as he tries to defend his 2021 title. With the 2024 Paris Olympics less than two years away, this championship acts as a preview for that competition. The gymnasts will participate in the all-around and apparatus competitions.HOUSE OF THE DRAGON 9 p.m. on HBO. Though “Game of Thrones” has been off the air for three years, this prequel spinoff, based on George R.R. Martin’s novel “Fire & Blood,” is set 200 years before. “Dragon” also features a new cast as warring factions of the Targaryen family: Matt Smith as Prince Daemon, Paddy Considine as King Viserys and Emma D’Arcy as Princess Rhaenyra. “The trick here is, you don’t want to just remake the original show,” Casey Bloys, the HBO chief content officer, said in a recent interview with The Times. “You want to make a show that feels related and honors the original, but also feels like its own.” More

    • 113 Shares99 Views

      in Movies

      Anne Heche Onscreen: Wily and Funny but Also Unnerving

      by

      Hollywood tried to slot her into cookie-cutter blockbusters, sometimes successfully. She was at her best playing competent women in extreme situations.Long before the car crash that led to the actress Anne Heche being declared brain-dead at the age of 53, her work onscreen was always on the verge of being overshadowed by tabloid interest in her life.In 1997, she became best known as the girlfriend of the comedian Ellen DeGeneres, appearing with her on red carpets at a time when open same-sex relationships were still rare in Hollywood. Her name was the butt of countless jokes after a “20/20” interview with Barbara Walters in 2001 in which she revealed that she had concocted a separate world for herself called a “fourth dimension” and a personality named “Celestia.” Never mind the fact that she also told Walters about the horrific sexual abuse she had endured at the hands of her father. She was faced with mockery that followed her for the rest of her career.But to filmgoers, Heche was an idiosyncratic presence who never quite seemed to fit into cookie-cutter blockbusters. Instead, she was brilliantly unnerving and frequently very funny, her angular face a disarming mix of intelligence and wiliness that made her the perfect choice to play competent women in extreme situations.In some ways, she operated in the most mainstream arenas of the entertainment industry. She got her start as a soap opera star on “Another World” and did stints on network dramas like “Ally McBeal” and sitcoms like “Save Me” and “The Michael J. Fox Show.” And yet there was a subversiveness to Heche that threaded through her best performances, as well as an ability to laugh at herself that undermined her reputation in the culture at large.Early in her career, the director Nicole Holofcener identified Heche’s capacity for honesty in the 1996 “Walking and Talking” (available to rent on Prime Video). Heche plays Laura, a therapist-in-training and the longtime best friend of Catherine Keener’s Amelia. Laura is, theoretically, the more together of the two. While Amelia flounders, Laura is on a direct path, engaged to be married to her sweet jewelry-designer boyfriend (Todd Field).But as Amelia becomes jealous of the certainty in Laura’s life, doubt creeps into Laura’s psyche. In Heche, you can see Laura bristling at the restraints that come with the comforts of a close friendship and good relationship. As she tries on wedding dresses, Heche’s skin turns flushed amid the layers of tulle. Laura wrestles with the fabric as Amelia lightly paws at it, not helping much, as she describes her date with a man they had both mocked. Laura doesn’t say it, but you can tell she’s thoroughly overwhelmed. She grabs her rear end. “I’m farting,” she says, with resignation. In that little gesture, Heche admits that her body is betraying her before her mind will allow her to say so.In “Walking and Talking,” Heche, opposite Catherine Keener, subtly showed the doubts her character was beginning to experience.Andreas Rentsch/Miramax FilmsHolofcener’s screenplay allows this easy intimacy between women who have known each other for decades, but in Heche’s hands, Laura’s soul-searching becomes something hilariously palpable. When she and Amelia finally have it out, Heche never allows her character’s exasperation to fade into bitterness. Instead she finds all the wonderful nuances of a disagreement with a confidante, love still the dominant emotion.In the following year, Hollywood wrestled with how to fit Heche into its formulas. She appeared in four films in 1997, in roles ranging from the frustrated wife of an undercover cop in “Donnie Brasco,” opposite Johnny Depp, to a presidential aide trying to bury a scandal in “Wag the Dog,” opposite Robert De Niro. In the teen slasher “I Know What You Did Last Summer,” she’s the sister of a murder victim. She is oddly slotted into the goofy thrills of the disaster flick “Volcano,” in which she plays the seismologist who figures out that Los Angeles is about to be overtaken by lava. And yet even in the silliest of blockbusters, spouting ludicrous exposition about just how this geological event is taking place in a major American city, she brings an easy truth to the circumstances that most performers would struggle to achieve. (“Donnie Brasco” is available on Netflix; “I Know What You Did” is on HBO Max; and “Wag” and “Volcano” are on most major platforms.)With Tommy Lee Jones in “Volcano,” in which she played a seismologist who somehow detects a lava flow headed for Los Angeles.20th Century Fox, via Getty ImagesShe never stopped working, but the Anne Heche offscreen soon started to overshadow the Anne Heche on. Still, there were artists, like Jonathan Glazer, who recognized what she could bring to a project. He tapped her for a pivotal role in his surreal 2004 film, “Birth” (HBO Max), in which Nicole Kidman plays an Upper East Side bride-to-be visited by a young boy who claims to be her dead husband reincarnated. During one of the opening scenes, Heche is disconcertingly on edge, balking before entering a party and instead going to bury her gift in the woods, then rushing to a store to replace what she hid, eyes flooded with guilt. Her character hovers around the action like a threat, until she snaps into focus, the true purpose of her existence floating into her intense gaze.“Birth” is an otherworldly piece, and it’s almost as if Glazer uses Heche to further unsettle the audience, a task she takes on with vigor. More than 10 years later, Onur Tukel tapped into Heche’s rage in “Catfight” (Netflix), a comedy that cast her as an artist who gets into a vicious punching match with a college friend (Sandra Oh) over resentment and class conflict.There was a chance that Heche was on the verge of yet another career revival. She had finished a role in the forthcoming HBO series “The Idol,” created by the musician the Weeknd, Sam Levinson of “Euphoria” and Reza Fahim. For all the questions about what opportunities she may not have gotten — because of homophobia or ridicule or mental health stigmas — in an interview with Los Angeles magazine around the time of the release of “Birth” she explained, “It’s funny, it’s not necessarily the career I had before, but it’s the life I want.”It would be easy to let the circumstances of her crash cloud the memory of her artistry, but it’s just as easy to picture her as Laura in “Walking and Talking,” hair full of flowers and heart full of nerves, heading to her wedding with her best friend. More

    • 100 Shares99 Views

      in Television

      Anne Heche Is Brain-Dead After Crash, Representative Says

      by

      The actress, 53, was being kept on life support while it was being determined if her organs could be donated, the representative said.The actress Anne Heche, who had been in a coma since a car crash last week, has been declared brain-dead and is being kept on life-support to see if her organs are viable for donation, one of her representatives said Friday.Ms. Heche, 53, was critically injured on Aug. 5 when she crashed the Mini Cooper she was driving into a home in the Mar Vista neighborhood of Los Angeles, the authorities said. She sustained a severe anoxic brain injury and was being treated at the Grossman Burn Center at West Hills Hospital, according to a statement released on behalf of her family and friends Thursday night.“It has long been her choice to donate her organs and she is being kept on life support to determine if any are viable,” the statement said.The declaration of brain death had come Thursday night but “her heart is still beating” on life support, the representative, Holly Baird, said Friday. The search for possible organ recipients could take a few days, even as Ms. Heche’s family and friends put out statements of grief.“Today we lost a bright light, a kind and most joyful soul, a loving mother, and a loyal friend,” her friends and family said in a statement released by Ms. Baird. “Anne will be deeply missed but she lives on through her beautiful sons, her iconic body of work, and her passionate advocacy.”The crash started a fire that took 59 firefighters more than an hour to extinguish, the Los Angeles Fire Department said. Ms. Heche was the only person in the car, the authorities said.Jeff Lee, a public information officer with the Los Angeles Police, said an initial blood sample drawn from Ms. Heche at the hospital had revealed “the presence of drugs” but did not say what kind. He said a second test was needed to rule out any substances administered by hospital staff but those results could take “weeks.”In 1991, Ms. Heche won a Daytime Emmy Award for outstanding younger actress in a drama series, for playing good and evil twins on the NBC soap opera “Another World.”She starred in several popular Hollywood films in the late 1990s, including “Donnie Brasco,” “Wag the Dog” and “Six Days Seven Nights.” She continued to have television roles, including on “Men in Trees” in 2006 and “Hung” in 2009, and performed on Broadway, starring in “Proof” in 2002 and “Twentieth Century” in 2004, for which she received a Tony nomination.In his review of “Twentieth Century,” Ben Brantley of The Times wrote of Ms. Heche’s portrayal of Lily Garland, “Her posture melting between serpentine seductiveness and a street fighter’s aggressiveness, her voice shifting between supper-club velvet and dime store vinyl, Ms. Heche summons an entire gallery of studio-made sirens from the Depression era: Jean Harlow, the pre-mummified Joan Crawford and, yes, Carole Lombard, who famously portrayed Lily in Howard Hawks’s screen version of ‘Twentieth Century.’”She has several projects that are in postproduction, according to IMDb, including “Supercell,” a movie with Alec Baldwin, and the HBO show “The Idol.” She had recently finished filming on “Girl in Room 13,” a Lifetime movie that is scheduled to premiere in September, Variety reported.Vimal Patel More