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    ‘Dr. Bird’s Advice for Sad Poets’ Review: Teen Anxiety and Cinematic Frippery

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main story‘Dr. Bird’s Advice for Sad Poets’ Review: Teen Anxiety and Cinematic FripperyThis Yaniv Raz drama, about a Walt Whitman-obsessed teenager with a pigeon as an imaginary therapist, is drunk on its stylistic affectations.Lucas Jade Zumann in “Dr. Bird’s Advice for Sad Poets.”Credit…Eliza Morse/Ketchup EntertainmentJan. 12, 2021, 7:00 a.m. ETDr. Bird’s Advice for Sad PoetsDirected by Yaniv RazDramaRFind TicketsWhen you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.James Whitman (Lucas Jade Zumann), a teenager who favors an everyday wardrobe of button-down shirts and suspenders, is very big on another Whitman: Walt. Upon waking in the morning, he recites: “I am light! I am truth! I am might! I am youth!” — his stab at a “Leaves of Grass”-style song of himself.This is the only actual poetry, such as it is, concocted by its title “sad poet.” (Dr. Bird is an imaginary therapist, taking the form of a pigeon.) For James, figuring out social relationships, particularly with the opposite sex, and negotiating family problems, of which he has plenty, occupy more of his time than writing. And because James has depression and anxiety, these emotional concerns are tougher on him than other adolescents.[embedded content]This sounds familiar, and it is. But “Dr. Bird’s Advice for Sad Poets,” written and directed by Yaniv Raz from a novel by Evan Roskos, aims to lend its commonplace elements distinction via a lot of filmmaking frippery.As he pursues a potential new girlfriend, Sophie (Taylor Russell), and searches for his runaway older sister, we see the way James sees, or would like to see. A girl’s irises are overlaid by images of daisies. The incarnation of Walt Whitman appears in sepia-tinted fantasy sequences. James and Sophie’s dates become a French-style black-and-white romance, or a colorful dance number.The movie gets so drunk on its stylistic affectations (and unfunny attempts at cerebral comedy) that by the time it sobers up to take James’s mental health seriously, it’s too little, too late. And also too bad, as it’s only in the last quarter that the viewer gets to appreciate the range of the movie’s appealing lead players.Dr. Bird’s Advice for Sad PoetsRated R for language, themes, sexuality. Running time: 1 hour 50 minutes. Rent or buy on Amazon, Google Play and other streaming platforms and pay TV operators.AdvertisementContinue reading the main story More

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    The Gotham Awards Honor ‘Nomadland,’ as Best They Can

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyThe ProjectionistThe Gotham Awards Honor ‘Nomadland,’ as Best They CanIn a virtual ceremony, there were glitches and touching moments alike, including a speech from Chadwick Boseman’s widow.Frances McDormand in “Normadland.” The film won the top prize at the Gothams on Monday.Credit…Courtesy Of Searchlight Pictures/Searchlight Pictures, via Associated PressJan. 11, 2021All sorts of challenges arise when holding an awards show during a pandemic, and one of them, as proven by Monday night’s livestream of the 30th annual Gotham Awards, might be the technical difficulty of cueing up remote acceptance speeches.“Am I supposed to talk now?” asked a bewildered Radha Blank, upon winning a Gotham Award for her screenplay for “The 40-Year-Old Version.”The “One Night in Miami” actor Kingsley Ben-Adir looked similarly confused when the Gothams livestream cut to him sitting in a London hotel room, patiently awaiting any sort of direction. “I think I’m supposed to be speaking right now,” Ben-Adir said as he accepted a breakthrough-actor award, “but I hear so many people talking that I can’t really understand what’s going on.”Welcome to awards shows in the era of Zoom — more glitchy than glitzy, but still capable of celebration and the occasional moving moment. Perhaps the “Time” director Garrett Bradley put it best as she accepted her Gotham Award for best documentary: “If this were a real space, there’d be so many people up here with us,” Bradley said. “But we’re living in two dimensions.”The biggest winner of the night was “Nomadland,” a Frances McDormand road drama that many expect to be a top contender for the best-picture Oscar. The film, from the director Chloé Zhao, picked up both the best-feature and audience award; Zhao’s previous film, “The Rider,” triumphed at the Gothams two years ago.Though the Gothams are indie-leaning, their presence on the awards circuit is outsized: As the first significant ceremony of the season, they’ve often been a great barometer of buzz. What films have captured the attention of the East Coast crowd and may earn enough momentum to make it all the way to Oscar? You couldn’t help but overhear all sorts of lobbying whenever you pushed through a sea of formal wear on the way to the bar.The Gothams tried to recapture some of that magic this year with “virtual tables,” where a handful of curated watchers could gossip using video chat, if they so wished. (My table stayed mute.) But there is only so much you can do virtually to recreate a starry moment like last year’s late arrival of Jennifer Lopez and Alex Rodriguez, who swanned to their table well after the show began and brought the proceedings to a near-halt. Or the time when I wished luck to “Can You Ever Forgive Me?” nominee Richard E. Grant and he said, “I read the predictions on IndieWire today. It’s not going to be me.”Still, even a virtual ceremony can produce something that feels gratifyingly real. The winners in the lead-acting categories, Nicole Beharie for “Miss Juneteenth” and Riz Ahmed for “Sound of Metal,” were both gobsmacked, and as Ahmed tried to get his footing, he summed up the moment poetically: “It feels like a very wobbly time,” he said. “But if we can all wobble together, maybe we might find ourselves dancing.”Ahmed took the prize over the late Chadwick Boseman, nominated for “Ma Rainey’s Black Bottom,” but Boseman was still honored with a special posthumous trophy. Accepting the award on his behalf was the actor’s widow, Simone Ledward Boseman.Calling the award “an acknowledgment not only of his profound work, but of his impact on this industry and this world,” his widow looked up, and a tear ran down her cheek. “Chad, thank you,” she said. “I love you, I am so proud of you. Keep shining your light on us.”AdvertisementContinue reading the main story More

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    What’s on TV This Week: ‘Resistance’ and ‘Finding Your Roots’

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyWhat’s on TV This Week: ‘Resistance’ and ‘Finding Your Roots’A historical drama with Jesse Eisenberg airs on Showtime. And House Speaker Nancy Pelosi is a guest on Henry Louis Gates, Jr.’s PBS docu-series.Jesse Eisenberg in “Resistance.”Credit…IFC FilmsJan. 11, 2021, 1:00 a.m. ETBetween network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, Jan. 11-Jan. 17. Details and times are subject to change.MondayALL AMERICAN STORIES 8 p.m. on the CW. The life of the football linebacker Spencer Paysinger was the inspiration for the CW sports drama series “All American.” Paysinger co-hosts this documentary special, which profiles eight athletes who have overcome extraordinary circumstances in their own lives — including the Paralympic sprinter and long jumper Scout Bassett, the Olympic champion shot-putter Michelle Carter and the Paralympic sprinter David Brown. The special is divided into two hourlong parts (the second airs Feb. 1).TuesdayFINDING YOUR ROOTS 8 p.m. on PBS (check local listings). The ancestral roots of the broadcast journalist Norah O’Donnell, the fashion designer Zac Posen and House Speaker Nancy Pelosi will be excavated in the Season 6 finale of Henry Louis Gates, Jr.’s long-running familial history show. Highlights include a sequence in which Pelosi pores over the passenger manifest of a ship that arrived in New York in 1912 carrying her grandfather, her grandmother and their children, including Pelosi’s mother. “I take great pride in the courage that they had to come to America,” Pelosi says, “and to take a chance on America.”WednesdayCALL YOUR MOTHER 9:30 p.m. on ABC. Kyra Sedgwick stars as a mother who shoehorns her way into the lives of her young-adult children in this new sitcom from Kari Lizer (“The New Adventures of Old Christine”). The series has been described by ABC as a “coming of middle-age comedy.”ThursdayEthan Hawke in “First Reformed.”Credit…A24FIRST REFORMED (2017) 7 p.m. on Showtime 2. Paul Schrader’s knack for steady-building dread, once used to fuel his “Taxi Driver” screenplay, is put on potent display in the much more recent “First Reformed,” which Schrader both wrote and directed. Ethan Hawke stars as Rev. Ernst Toller, a worn Protestant minister at a small old church in upstate New York. The movie follows Toller as he becomes increasingly agonized — by his failing health, by a modern megachurch nearby and, eventually, by a tragedy. He also develops a closeness with a younger local, Mary (Amanda Seyfried), who becomes perhaps the least bleak presence in his life (though the bar is low). “It is the portrait of a soul in torment,” A.O. Scott wrote in his review for The New York Times, “all the more powerful for being so rigorously conceived and meticulously executed.”FridayMaria Callas, as seen in “Great Performances: The Magic of Callas.”Credit…PhotofestGREAT PERFORMANCES: THE MAGIC OF CALLAS 10 p.m. on PBS (check local listings). The classic 1953 recording of Puccini’s “Tosca” with Maria Callas was a hit when it was released and has often been spoken of as being among the greatest opera performances ever committed to tape. (The Times’s chief classical music critic, Anthony Tommasini, wrote in 2017 that “it’s hard to think of a recording of any opera that nails a work so stunningly, that seems so definitive.”) So when, a little over a decade after that recording was released, Callas returned to that opera’s title role, she had big shoes to fill: her own. Her career was also in need of a comeback. That period is the focus of this latest entry in PBS’s “Great Performances” series, which focuses on Callas’s late-career 1964 performances of “Tosca” at the Royal Opera House, in London, while also reappraising her life at large.BELLE COLLECTIVE 10 p.m. on OWN. A group of five Black female entrepreneurs in Jackson, Miss., are the subject of this new reality show from the production company behind “Love & Marriage: Huntsville.” The women’s businesses include a radio show and hair care and dentistry practices. Some of the action revolves around efforts to revitalize Jackson’s Farish Street Historic District, which was a hub for Black-owned businesses for much of the 20th century.SaturdayRESISTANCE (2020) 8 p.m. on Showtime. In this biographical drama, set in Nazi-occupied France, Jesse Eisenberg counters Nazi oppression with wit. “Resistance” casts Eisenberg as the French actor and mime Marcel Marceau. It follows Marceau’s efforts to help Jewish orphans survive Nazi-occupied France, and his work for the French resistance. (The story is based on a young Marceau’s real life.) Juggling the work of a jester and a rebel is a challenge for Marceau, and for the film itself. This is a movie that douses its audience “alternately in treacle and ice water,” Jeannette Catsoulis wrote in her review for The Times. “The problem,” she added, “is that Marceau’s whimsical attempts to entertain the children dilute the growing atmosphere of menace on which the story depends.”Viola Davis, left, and Cynthia Erivo in “Widows.”Credit…Merrick Morton/20th Century FoxWIDOWS (2018) 10:30 p.m. on FX. The director Steve McQueen and the actress Viola Davis each released acclaimed projects at the end of 2020: McQueen with his film anthology “Small Axe,” and Davis with her performance as the blues singer Ma Rainey in “Ma Rainey’s Black Bottom.” A couple of years earlier, they worked together on “Widows,” a downbeat heist movie directed by McQueen. Davis stars as Veronica, a woman who works for the Chicago Teachers Union. She’s also the wife of a bank robber (Liam Neeson) who dies during a botched theft. Veronica picks up the mantle from him, with the help of three other women (Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo). The resulting movie, A.O. Scott wrote in his review for The Times, “is a fascinating and sometimes frustrating hybrid, a film that tries both to transcend and to exploit its genre.”SundayMASTERPIECE: MISS SCARLET & THE DUKE 8 p.m. on PBS (check local listings). Kate Phillips and Stuart Martin star as private investigators in this mystery series, which aired on the British channel Alibi in 2020 and makes its stateside debut on PBS on Sunday night. Set in Victorian London (no security footage or D.N.A. samples to help catch criminals here), the series follows Eliza Scarlet (Phillips), a woman determined to prove herself as a detective. That mission requires her to solve mysteries and to convince a sexist society that she’s up to the job. She teams up with William Wellington (Martin), who is both a sleuth and a Lothario.AdvertisementContinue reading the main story More

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    Six Superhero Movies to Stream

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeHoliday TVBest Netflix DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main storyLet Down by ‘Wonder Woman 1984’? Here are 6 Great Superhero MoviesThe Wonder Woman sequel received mixed reviews. But there are plenty of excellent and entertaining alternatives to stream, and many that never received the attention they deserve. Gugu Mbatha-Raw in “Fast Color.”Credit…Jacob Yakob/Codeblack FilmsJan. 9, 2021Last month, Warner Bros. released the coronavirus-delayed “Wonder Woman 1984,” a sequel to the 2017 hit “Wonder Woman.” The action-adventure movie has done relatively well at the box office (in places where theaters are open), even though it’s also available for a limited time on the streaming service HBO Max. But compared with the enthusiastic response to the first “Wonder Woman” movie, the sequel has drawn a mixed reaction, with some critics and comic book fans complaining about the film’s unlikely plot and lengthy running time.So for those who felt let down by “Wonder Woman 1984,” here are six other superhero options to stream — from the widely beloved and popular to films that have never received the big audiences they deserved.‘The Rocketeer’Stream it on Disney+; rent or buy it on Amazon Prime, Apple TV, Google Play, Vudu or YouTube.The moviegoing public was still developing a taste for superheroes back in 1991, when Walt Disney’s Buena Vista Pictures failed to draw crowds for this charmingly old-fashioned pulp exercise. Based on a little-known comic by the illustrator Dave Stevens, “The Rocketeer” is a fast-paced potboiler set in a 1930s Hollywood filled with glamorous swells and optimistic go-getters — including a bombshell actress Jenny (Jennifer Connelly) and her stunt-pilot boyfriend (Billy Campbell). The director Joe Johnston brings light and zip to the film’s Nazi-fighting plot — something he’d do again 20 years later with the mighty “Captain America: The First Avenger.”[Read The New York Times review.]Liam Neeson in “Darkman.”Credit…Universal Pictures Home Entertainment‘Darkman’Rent or buy it on Amazon Prime, Apple TV, Google Play, Vudu or YouTube.A little over a decade before the director Sam Raimi was entrusted with the 2002 blockbuster “Spider-Man,” he made his own twisted, R-rated version of a Marvel Comics movie, about a mad scientist driven by tragedy to become a vigilante, disguised in an artificial skin that dissolves in sunlight. Anchored by a zesty Liam Neeson performance (getting an early start on the “capable hero, out for blood” screen persona he’s mastered in recent years), “Darkman” combines elements of old Universal monster movies, gritty 1970s superhero comics and slapstick comedy. Though it’s rated R and not appropriate for younger viewers, the movie is a true original.[Read The New York Times review.]‘Fast Color’Stream it on Amazon Prime or Hulu; rent or buy it on Apple TV, Google Play, Vudu or YouTube.In some of the most haunting superhero stories, the powerful dwell among us in the ordinary world, devoid of costumes or code names. One of the best-known of these is M. Night Shyamalan’s “Unbreakable.” Film buffs who love that film should definitely catch up with the writer-director Julia Hart’s similarly low-boil “Fast Color,” about a family of women who hide their extraordinary abilities from a government agency that wants to exploit them. Hart and her co-writer/producer Jordan Horowitz add their own spin on this classic genre premise by focusing on human relationships and small moments of wonder.[Read The New York Times review.]Michael Fassbender, left, and James McAvoy in”X-Men: First Class.”Credit…Murray Close/20th Century Fox‘X-Men: First Class’Stream it on HBO Max; rent or buy it on Amazon Prime, Apple TV, Google Play, Vudu or YouTube.The X-Men movie franchise and its Deadpool and Wolverine offshoots have been hugely popular but inconsistent. “X-Men: First Class” is the best of the bunch because it isn’t bogged down by complicated mythology. Instead, the story starts at the beginning, in 1962, as two young mutant chums with different ideologies work together to recruit more of their own kind. The director Matthew Vaughn gives the picture the polish of a James Bond film, while James McAvoy (as Professor Charles Xavier) and Michael Fassbender (as Erik “Magneto” Lehnsherr) lead an ace cast in an adventure filled with international intrigue.[Read The New York Times review.]‘Big Hero 6’Stream it on Disney+; rent or buy it on Amazon Prime, Apple TV, Google Play, Vudu or YouTube.Given that the superhero genre became a phenomenon thanks to the ink-stained medium of comic books, it’s too bad there haven’t been more big-budget animated superhero movies. The Oscar-winning “Big Hero 6” is a fine example of how the exaggerated, cartoony illustrations common to animation lend themselves well to kinetic, fantastical action. The film is also kid-friendly, telling the story of a moody teenage genius who assembles a group of tech-savvy nerds to help him, along with his adorably squishy super-robot Baymax, unravel a conspiracy. At once cute and visually dazzling, “Big Hero 6” is an old-fashioned superhero tale suffused with positivity.[Read The New York Times review.]From left, Rosie Perez, Mary Elizabeth Winstead, Margot Robbie, Ella Jay Basco and Jurnee Smollett-Bell in “Birds of Prey.”Credit…Claudette Barius/Warner Bros. Pictures, via Associated Press‘Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)’Stream it on HBO Max; rent or buy it on Amazon Prime, Apple TV, Google Play, Vudu or YouTube.Comic book connoisseurs disappointed in “Wonder Woman 1984” had an excellent alternative last year for their DC Comics superheroine fix. In the “Suicide Squad” spinoff “Birds of Prey,” Margot Robbie reprises her role as the delightfully daffy Gotham City rogue Harley Quinn, who joins forces with some slightly more virtuous ladies in an explosive standoff with a local mob boss. The director Cathy Yan and screenwriter Christina Hodson load their movie up with foul language, bloody violence and self-referential humor, making the case that while strong female heroes are great, strong female antiheroes may be more fun.[Read The New York Times review.]AdvertisementContinue reading the main story More

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    Michael Apted, Versatile Director Known for ‘Up’ Series, Dies at 79

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyMichael Apted, Versatile Director Known for ‘Up’ Series, Dies at 79His output included “Coal Miner’s Daughter” and a James Bond film. But he was best known for his long-running documentary series about life in Britain.The director Michael Apted with, from left, Jackie Bassett, Lynn Johnson and Susan Davis, three of the subjects of his documentary “28 Up” (1984), the fourth in a series that began with “Seven Up!” in 1964 and followed the lives of a group of British people in roughly seven-year intervals. (Ms. Johnson died in 2013.)Credit…Granada TelevisionJan. 8, 2021, 7:01 p.m. ETMichael Apted, a versatile director whose films were as varied as the James Bond picture “The World Is Not Enough” and the biographical dramas “Gorillas in the Mist” and “Coal Miner’s Daughter,” and who made his most lasting mark with the “Up” documentary series, which followed the lives of a group of British people in seven-year intervals for more than a half century, died on Thursday at his home in Los Angeles. He was 79.His agent in the United States, Roy Ashton, confirmed the death but did not specify a cause.Mr. Apted, who was British, was a researcher at Granada Television in England when he helped pick the 14 children, all of them 7, who became the subjects of “Seven Up!,” the initial documentary in the “Up” series, which was directed by Paul Almond and shown on British television in 1964.The film was intended as a one-off, but Mr. Apted picked up the ball seven years (more or less) later, acting as director of “7 Plus Seven,” broadcast in England in late 1970, in which he interviewed the same children, now at a more developed stage of life.Then came “21 Up” in 1977, “28 Up” in 1984 and so on, with new installments arriving every seven years, all directed by Mr. Apted. “63 Up” was released in 2019.Collectively, the films became a serial portrait of a group of ordinary people advancing through life, from childhood through adulthood, charting their different paths, changing perspectives and various fates (one participant, Lynn Johnson, died in 2013). The New York Times in 2019 called it “the most profound documentary series in the history of cinema.”The intent of the original program in 1964 was to look at different segments of Britain’s class system. Thanks to Mr. Apted’s persistence, “Up” became something more.“I realized for the first time, after 20 years on the project, that I really hadn’t made a political film at all,” he wrote in 2000. “What I had seen as a significant statement about the English class system was in fact a humanistic document about the real issues of life.”Mr. Apted in Los Angeles in 2012. His “Up” series, The New York Times said in 2019, was “the most profound documentary series in the history of cinema.”Credit…Robert Yager for The New York TimesManohla Dargis, summarizing “63 Up” in The Times, wrote, “There’s great pleasure in revisiting this series, seeing who turned out just fine and sometimes better than you might have expected or hoped.”While revisiting “Up” periodically across six decades, Mr. Apted worked in television and commercial film.“Agatha” (1979), a fictional drama about the novelist Agatha Christie, starred Vanessa Redgrave in the title role. Mr. Apted had particular success in the 1980s, beginning in 1980 with “Coal Miner’s Daughter,” about the country singer Loretta Lynn, played by Sissy Spacek, who won the best-actress Oscar.Sissy Spacek as Loretta Lynn in Mr. Apted’s “Coal Miner’s Daughter” (1980). She won an Oscar for her performance.Credit…Universal StudiosThe next year he directed the John Belushi-Blair Brown comedy “Continental Divide”; two years later came the crime drama “Gorky Park,” based on the Martin Cruz Smith novel, starring William Hurt. In 1988 there was “Gorillas in the Mist,” the story of the naturalist Dian Fossey; its five Oscar nominations included one for Sigourney Weaver, who played Ms. Fossey.Mr. Apted’s 1990s films included “Thunderheart” (1992), a thriller with Val Kilmer, and the drama “Nell” (1994), a vehicle for Jodie Foster. Then came his entry in the James Bond franchise — “The World Is Not Enough” (1999), with Pierce Brosnan as agent 007.In a 2010 interview with The Times, Mr. Apted reflected on his one regret about the “Up” series — that his initial choice of children was unbalanced, 10 boys but only 4 girls — and how his choices of mainstream films might have been a way to compensate for that.“The biggest social revolution in my life, growing up in England, has been the change in the role of women in society,” he said. “We didn’t have civil rights and Vietnam in England, but I think that particular social revolution is the biggest thing, and I missed it by not having enough women. And because I didn’t have enough women, I didn’t have enough choice of what options were in front of women who were building careers and having families and all this sort of stuff.”He continued: “Looking at everything from ‘Agatha’ through ‘Coal Miner’s Daughter,’ from ‘Nell’ and “Continental Divide,’ they’re all to do with women’s role in society and what women have to do to have a role in society, or the choices women have to make to stay in society or have a voice in society, in both straightforward and eccentric ways. That’s always interested me. And that, I think, stems from the feeling that I slightly missed out.”Alex Traub contributed reporting.A complete obituary will appear shortly.AdvertisementContinue reading the main story More