More stories

  • in

    ‘Disco’ Review: Devoted to Dancing (and More)

    In the Norwegian drama “Disco,” the second-time feature director Jorunn Myklebust Syversen demonstrates a strong feel for pulsing bass, neon lighting and discomfiting close-ups but a somewhat vaguer sense of character and theme.The movie centers on a teenager named Mirjam (Josefine Frida), a highly competitive championship dancer. She is also seriously committed to her Christianity, or at least grew up thinking she had to be. She listens to audio of English-language sermons. Her stepfather, Per (Nicolai Cleve Broch), is a pastor at a modern church that more obviously resembles an indie coffee bar and attached performance space. Mirjam pitches in and sings devotional pop music.[embedded content]Outwardly hip, Per is controlling at home, manipulating his wife, Vanja (Kjaersti Odden Skjeldal), and Mirjam, and wanting his family to distance themselves from Vanja’s brother, a wealthy televangelist whom Per regards as a fraud. (The brother is shown leading an ostensibly cancer-healing ceremony on TV and participating in a homophobic ritual later on.)The movie’s placid surfaces conceal signs of repression and discord. Mirjam appears to have bulimia, and there’s an unspoken history of sexual abuse within her family. Mirjam goes to an island religious camp where children, on the pretense of expelling demons from their bodies, breathe into bags until they pass out.Still, all of this simmering tension doesn’t develop into much. By the time it is over, “Disco” has crossed the line that separates being productively ambiguous from being simply cryptic.DiscoNot Rated. In Norwegian, with subtitles. Running time: 1 hour 34 minutes. Rent or buy on Amazon and Google Play. More

  • in

    On TikTok, Fans Are Making Their Own ‘Ratatouille’ Musical

    With Broadway and theaters across the country idle because of the coronavirus, some actors, producers and prop designers have found an unlikely outlet for their talents: a musical version of the animated film “Ratatouille” that is playing out in exuberant 60-second increments on TikTok.Starting last month, thousands of TikTok users, including many with Broadway credits, have paid homage to the 2007 Disney Pixar film, about a rat who dreams of becoming a French chef, by creating their own songs, dances, makeup looks, set designs, puppets and Playbill programs.The result is a virtual show unlike any on Broadway. There is no director, no choreographer, no stage crew. It has come together organically on TikTok, where users have only a minute to catch people’s attention.In the film, Remy the rat follows the example of a famous chef who says that “anyone can cook.” It is in that spirt that professionals and amateurs alike have taken up the “Ratatouille” musical challenge, said Brandon Hardy, a puppet designer whose Broadway credits include “Charlie and the Chocolate Factory” and “The Pee-Wee Herman Show.”“He never limited himself on his vision,” Mr. Hardy, 30, said of Remy. He added, “We just fell in love with this, and we don’t want anyone to stop us.”The project began in August, when Emily Jacobsen, 26, a schoolteacher, Disney fanatic and theater lover from Westchester County, N.Y., read about a “Ratatouille” ride that is scheduled to open next year at Walt Disney World in Florida.As she was cleaning her apartment, she started singing a song about Remy. Adopting a high pitch, she recorded what she described as “a love ballad” for the rat — “Remy, the ratatouille / The rat of all my dreams / I praise you, my ratatouille / May the world remember your name” — and posted a video of the tune on TikTok.
    @e_jaccs A love ballad ##remy ##rat ##ratatoille ##disney ##wdw ##disneyworld ##ratlove ##ratlife ##rats ##Alphets ##StanleyCup ##CanYouWorkIt ♬ Ode to Remy – Em Jaccs Daniel Mertzlufft, 27, a New York-based composer, orchestrator and arranger, was tagged in Ms. Jacobsen’s video. Last month, he used a computer program to enhance her original ode to Remy, adding a French horn, trumpets, vocals and strings to create a big Disney-style finale for a “Ratatouille” musical.Mr. Mertzlufft said he had been inspired by the music Alan Menken composed for “The Little Mermaid,” “Beauty and the Beast” and other classic animated Disney films.
    @danieljmertzlufft Remy: The Musical OG Song @e_jaccs add. Vocals @cjaskier #remy #ratatouille #musicaltheatre #broadway #singer #musical #disney #fyp #disneymusicals ♬ original sound – danieljmertzlufft Since Mr. Mertzlufft posted his video in mid-October, thousands of others have shared their own contributions to what has become something of a virtual “Ratatouille” musical. In the last few days, Disney signaled that it had been paying attention, quoting Ms. Jacobsen’s lyrics on Instagram and Twitter. It even made its own TikTok rap at Epcot, where the “Ratatouille” ride is being built.“We love when our fans engage with our stories,” Disney said in a statement, “and we look forward to seeing these super fans experience the attraction when it opens at Walt Disney World next year.”Kevin Chamberlin, whose Broadway acting credits include “The Addams Family” and “Seussical,” revisited the “Ratatouille” movie before recording his own contribution to the musical. It was the Chef Gusteau character, and his observation that “anyone can cook,” that spoke to him, he said.A theme of the movie, Mr. Chamberlin said, is that even the clumsiest among us can find talent deep inside ourselves. Inspired, Mr. Chamberlain sat down to write while his husband rushed out to get him a chef’s hat.Once in costume, he sat at his piano and sang: “Anyone can cook / All you have to do is look inside yourself.”Only the coronavirus pandemic could have brought out a virtual show like this, Mr. Chamberlin said. “What’s really interesting about all this is that, during this pandemic, art is pushing through because we can’t get on stages and in front of audiences.”Other contributors echoed that sentiment, adding that the “Ratatouille” musical project had given them reason to hope during a dark time.“If it can bring joy to people, and it seems like it has, then that’s the best feeling in the world,” said Tristan McIntyre, 22, a Los Angeles actor who helped choreograph a rat dance for the show.
    @tristanmichaelmcintyre cookin’ up some choreo for #ratatouillemusical ���� @rawalton4 @ratatouillemusical #foryoupage #fyp ♬ original sound – danieljmertzlufft RJ Christian, 21, a vocal performance student at New York University, said he had been inspired by the movie’s acerbic food critic, Anton Ego, for the solo he contributed. He said he wanted embody Mr. Ego with “weird chords, spicy harmony and creepy-crawly kind of music.”
    @rjthecomposer Anton Ego’s chilling solo, when he is served the title dish ##ratatouille ##ratatouillemusical ♬ original sound – RJ Christian For Blake Rouse, 17, of Fort Collins, Colo., the “Ratatouille” project gave him an outlet after the pandemic forced the cancellation of his high school’s production of “Newsies.”He contributed several songs based on scenes from the movie, including a tango between two chefs and a duet between Remy and his brother.“This is no longer a niche TikTok theater joke,” he said. “This is kind of a thing that people care about and are starting to keep up with.”
    @mikeyjosemusic Full version on my insta @mikeyjosemusic ##remi ##ratatouille ##musical ##singer ##disney ##theatrekid ##disneymusicals ##fyp ##foryou ♬ original sound – Mikey Jose Music The contributions go beyond performances. Mr. Hardy, the puppeteer, made some masks and small puppets for the virtual show, even using garbage to create some of the elements.“We’ve created something that’s engaging to people at every level,” he said. “People of every age group are fascinated by this and want to contribute to this. As far as I’ve seen, there really hasn’t been a show or musical in history that’s sort of operated that way.”And Christopher Routh, 30, of Chatham, N.J., used boxes to create elaborate miniature set designs for the show, complete with lighting and a Lego robotics set to move the pieces around.“It’s such an incredible trend on how our community can come together like this and create a musical out of nowhere,” he said. “And it all started with one girl.” More

  • in

    Dave Prowse, Man Behind Darth Vader’s Mask, Is Dead at 85

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusClassic Holiday MoviesHoliday TVBest Netflix DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main storyDave Prowse, Man Behind Darth Vader’s Mask, Is Dead at 85Mr. Prowse went from being a weight lifting champion in Britain to helping portray one of the most memorable villains in movie history. But his voice did not make the edit.Dave Prowse, left, alongside probably his most famous character, Darth Vader, at a fan convention in Cusset, France, in 2013.Credit…Thierry Zoccolan/Agence France-Presse — Getty ImagesBy More

  • in

    Some Movies Actually Understand Poverty in America

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusClassic Holiday MoviesHoliday TVBest Netflix DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main storySome Movies Actually Understand Poverty in AmericaThe complex realities of subsistence escape “Hillbilly Elegy.” But as far back as Charlie Chaplin’s “City Lights,” filmmakers have been turning a discerning eye on destitution.Glenn Close as Mamaw, a grandmother subsisting on Meals on Wheels, in “Hillbilly Elegy.”Credit…Lacey Terrell/NetflixBy More

  • in

    ‘Black Beauty’ Review: A Melodrama in Need of Rougher Edges

    Written in 1877, Anna Sewell’s classic children’s novel “Black Beauty” warned against the abuse of horses. The pristine adaptation streaming on Disney+ is a melodrama in need of rougher edges. Directed by Ashley Avis (a former competitive equestrian), the movie is set in the present-day United States and features two female protagonists: the fiery mustang Black Beauty (voiced by Kate Winslet) and the recently orphaned Jo (Mackenzie Foy), now living with her uncle John (Iain Glen), training horses at Birtwick Stables.[embedded content]Angry at the world, Jo softens after meeting Beauty, a kindred spirit without a family, too. On the ranch’s sun-kissed pastures, the girl and horse heal each other, until a fire destroys the stables at Birtwick. Struggling financially, John leases Beauty as a show horse to a wealthy equestrian family, the Winthrops, for their spoiled tween daughter Georgina (Fern Deacon). Jo despises Georgina’s abusiveness toward Beauty — the brat kicks holes into the horse — yet Jo still falls for Georgina’s dreamy older brother, George (Calam Lynch). Ultimately, Birtwick sells Beauty out from under Jo. Beauty, now forced to work for new owners, endures hardships: She performs grueling rescues of lost hikers and later pulls carriages through Central Park.Though Winslet is the marquee name on the cast list, “Black Beauty” materializes not as the horse’s story, but Jo’s. Unfortunately, even that character’s grief is underwritten as she pines for a daydream teen romance and a reunion with her steadfast horse, rather than ever revisiting her parents’ death. Avis loses the novel’s sincerity by watering down Sewell’s animal welfare plea. In this update, the humans are not as villainous. Beauty is not as prominent. And the novel’s mustang spirit diminishes into a ho-hum horse movie.Black BeautyNot rated. Running time: 1 hour and 49 minutes. Watch on Disney+. More