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    How the Shooting on the Alec Baldwin Set Happened

    A reconstruction of the events leading up to the fatal shooting of the cinematographer of “Rust,” the Alec Baldwin western, reveals a troubled production and a series of errors.SANTA FE, N.M — Alec Baldwin was on the set of his latest film, a low-budget western called “Rust,” working on a scene in which his character, a grizzled outlaw named Harland Rust, finds himself in a small wooden church, cornered by a sheriff and a U.S. Marshal, and decides to shoot his way out.Members of the small crew — including the director, cinematographer, cameraman and script supervisor — clustered around Mr. Baldwin inside the cramped, spartan set. The location is on a sprawling ranch outside Santa Fe, where Hollywood has been sending some of its biggest actors to don Stetsons and leather holsters to film westerns since 1955, when Jimmy Stewart made “The Man From Laramie” there.As light poured through the church’s windows, casting slanted rays in the dust that swirled over the pews, a shadow fell, and the crew had to adjust the camera angle.Then it was time for Mr. Baldwin, 63, who was seated on a pew, to practice his scene: a close-up of his hand as he slowly reached across his chest, drew a .45 Long Colt revolver from a shoulder holster and moved it toward the lens of the camera. The crew had been assured the gun was “cold,” meaning it held no live ammunition, according to court papers. In fact, investigators said, it was loaded with a live round. The error would prove fatal.Suddenly there was a loud noise that the director, Joel Souza, later told a detective “sounded like a whip and then loud pop” as the gun went off.The film’s cinematographer, Halyna Hutchins, 42, who was standing just feet away from Mr. Baldwin, to the left of the camera, grabbed her midsection and began to stumble backward, fatally struck in the chest by a lead bullet that investigators say passed through her and then wounded the film’s director, Mr. Souza, 48.The small church set where the scene was being filmed.Jae C. Hong/Associated PressThe questions of why there was any live ammunition on a movie set, where it is usually forbidden, and how a revolver loaded with a lethal round was placed in the hands of an actor, have started a complicated inquiry as law enforcement officials in New Mexico try to determine whether negligence on the set of “Rust” rose to the level of a crime. It has raised questions about firearm safety on sets, and whether proper procedures were followed on “Rust,” a troubled production where some members of the crew had quit before the shooting. Those core questions about the gun and ammunition remain unanswered. But a reconstruction of the events based on court papers and interviews with members of the production, crew and law enforcement officials makes it clear that a cascading series of mistakes led to the fatal moment just before 1:48 p.m. on Oct. 21.The fatal shooting has drawn intense news coverage. Journalists gathered Wednesday for a news conference at the Santa Fe County sheriff’s office.Nick Layman/Agence France-Presse — Getty ImagesA Delayed Start, After Trouble on the SetThe “Rust” crew started work before dawn, at about 6:30 a.m., and the crew gathered for breakfast at Bonanza Creek Ranch, where the movie was being filmed.But a major problem had emerged the night before: Six members of the camera crew had sent in resignation letters, citing issues including a lack of hotel accommodations and late paychecks.The tensions on the set came amid a broader national labor battle over working conditions in the industry. As “Rust” went into its second week of work on location in mid-October, the union that represents members of film crews was negotiating a new contract with production studios. The union, the International Alliance of Theatrical Stage Employees, voted this month to authorize a nationwide strike if talks failed.Mr. Baldwin had arrived on the set about a week after filming had started in early October, and had spent time working on his horseback riding, rehearsing scenes and practicing with guns, including trying to simulate the recoil that is missing when live rounds are not used.Mr. Baldwin was not only the star of the film, which was expected to cost about $6.5 million to make, but one of its producers, along with Ryan Winterstern, Matt DelPiano, Anjul Nigam, Ryan Donnell Smith and Nathan Klingher.After the union’s leaders reached a tentative agreement with the studios, Mr. Baldwin posted an Instagram video — filmed from Santa Fe — in which he urged the rank-and-file members to strike if they were unhappy with the deal. Tensions on the set of “Rust” were building, though. And just days before the fatal shooting, at least two accidental gun discharges on set had put crew members on edge.At a vigil for Halyna Hutchins, the cinematographer who was killed, a sign alluded to the recent union negotiations over workplace safety.Kevin Mohatt/ReutersOne former member of the “Rust” crew said in an interview that he had been alarmed by the safety conditions on the production. “It was the most unorganized set I’ve ever seen,” said the crew member, who was granted anonymity because he feared that speaking out would harm his future work prospects.He said there had been concern about the limited experience of the film’s armorer, who was in charge of the weaponry on the set: Hannah Gutierrez-Reed, who was 24 years old and just starting her career as a head armorer.Ms. Gutierrez-Reed’s lawyers, Jason Bowles and Robert Gorence, said in a statement Friday that Ms. Gutierrez-Reed was working two different jobs on the film, “which made it extremely difficult to focus on her job as an armorer.’’ (The production did not immediately respond to a request for comment on the statement.)The lawyers charged that “the whole production set became unsafe due to various factors, including lack of safety meetings,” and suggested that others had been responsible for previous accidental discharges on the set: “The first one on this set was the prop master, and the second was a stunt man after Hannah informed him his gun was hot with blanks.”.css-1xzcza9{list-style-type:disc;padding-inline-start:1em;}.css-3btd0c{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:1rem;line-height:1.375rem;color:#333;margin-bottom:0.78125rem;}@media (min-width:740px){.css-3btd0c{font-size:1.0625rem;line-height:1.5rem;margin-bottom:0.9375rem;}}.css-3btd0c strong{font-weight:600;}.css-3btd0c em{font-style:italic;}.css-1kpebx{margin:0 auto;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:700;font-size:1.375rem;line-height:1.625rem;}@media (min-width:740px){#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-size:1.6875rem;line-height:1.875rem;}}@media (min-width:740px){.css-1kpebx{font-size:1.25rem;line-height:1.4375rem;}}.css-1gtxqqv{margin-bottom:0;}.css-16ed7iq{width:100%;display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-box-pack:center;-webkit-justify-content:center;-ms-flex-pack:center;justify-content:center;padding:10px 0;background-color:white;}.css-pmm6ed{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;}.css-pmm6ed > :not(:first-child){margin-left:5px;}.css-5gimkt{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:0.8125rem;font-weight:700;-webkit-letter-spacing:0.03em;-moz-letter-spacing:0.03em;-ms-letter-spacing:0.03em;letter-spacing:0.03em;text-transform:uppercase;color:#333;}.css-5gimkt:after{content:’Collapse’;}.css-rdoyk0{-webkit-transition:all 0.5s ease;transition:all 0.5s ease;-webkit-transform:rotate(180deg);-ms-transform:rotate(180deg);transform:rotate(180deg);}.css-eb027h{max-height:5000px;-webkit-transition:max-height 0.5s ease;transition:max-height 0.5s ease;}.css-6mllg9{-webkit-transition:all 0.5s ease;transition:all 0.5s ease;position:relative;opacity:0;}.css-6mllg9:before{content:”;background-image:linear-gradient(180deg,transparent,#ffffff);background-image:-webkit-linear-gradient(270deg,rgba(255,255,255,0),#ffffff);height:80px;width:100%;position:absolute;bottom:0px;pointer-events:none;}.css-19zsuqr{display:block;margin-bottom:0.9375rem;}.css-m80ywj header{margin-bottom:5px;}.css-m80ywj header h4{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:500;font-size:1.25rem;line-height:1.5625rem;margin-bottom:0;}@media (min-width:740px){.css-m80ywj header h4{font-size:1.5625rem;line-height:1.875rem;}}.css-12vbvwq{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;}@media (min-width:740px){.css-12vbvwq{padding:20px;width:100%;}}.css-12vbvwq:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-12vbvwq{border:none;padding:10px 0 0;border-top:2px solid #121212;}.css-12vbvwq[data-truncated] .css-rdoyk0{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-12vbvwq[data-truncated] .css-eb027h{max-height:300px;overflow:hidden;-webkit-transition:none;transition:none;}.css-12vbvwq[data-truncated] .css-5gimkt:after{content:’See more’;}.css-12vbvwq[data-truncated] .css-6mllg9{opacity:1;}.css-qjk116{margin:0 auto;overflow:hidden;}.css-qjk116 strong{font-weight:700;}.css-qjk116 em{font-style:italic;}.css-qjk116 a{color:#326891;-webkit-text-decoration:underline;text-decoration:underline;text-underline-offset:1px;-webkit-text-decoration-thickness:1px;text-decoration-thickness:1px;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:visited{color:#326891;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:hover{-webkit-text-decoration:none;text-decoration:none;}Even as the tensions brewed, one former “Rust” crew member said, Ms. Hutchins, the cinematographer, bonded with members of the crew, taking some out for sushi after a long day of work.“She was very passionate about what we were all doing,” he recalled.Ms. Hutchins told a friend, Dan Frenkel, over the phone that there were labor tensions but that she thought they could work through them.They could not. Most of the film’s camera crew resigned over issues that were not dissimilar to those that union leaders had been discussing at the bargaining table.Bonanza Creek Ranch, the site of filming, has been a location for movie westerns since the 1950s.Patrick T. Fallon/Agence France-Presse — Getty ImagesA Live Round Goes Undetected in Safety CheckThe production had been delayed, but replacement crew members were found, and the crew got back to work.They were working on the church scene when, at about 12:30 p.m., it was time for lunch. Production workers were shuttled in vans to a nearby catering tent. The guns and some ammunition were kept locked in a safe kept inside a white truck, but some ammunition remained unsecured on a cart outside.After lunch, the film’s prop master, Sarah Zachry, entered the combination to the safe and handed the guns to Ms. Gutierrez-Reed, who set them up on a gray cart outside the church.Both Ms. Gutierrez-Reed and Dave Halls, the first assistant director, were supposed to check the guns before handing them to actors.The protocol, Mr. Halls told a detective, was for Ms. Gutierrez-Reed to show him the gun so he could check its barrel for obstructions, and for her to then open the revolver and spin it so he could see the contents of its chambers. Then he would call out “cold gun,” signaling to the crew that the gun did not contain live rounds.When the cast and crew got back from lunch that day, Ms. Gutierrez-Reed showed Mr. Halls the .45 Colt revolver that Mr. Baldwin would handle. Mr. Halls told a detective that he recalled seeing three rounds inside but could not recall whether Ms. Gutierrez-Reed had spun the drum so he could check every chamber and every round.“He advised he should have checked all of them, but didn’t,” Detective Alexandria Hancock wrote.Both Ms. Gutierrez-Reed and Mr. Halls have been the subjects of complaints on previous productions.In 2019 Mr. Halls was fired from a movie, “Freedom’s Path,” after a gun discharged unexpectedly on set, causing a minor injury to a crew member, its production company said. Neither Mr. Halls nor his lawyers responded to requests for comment.Ms. Gutierrez-Reed, who had been learning how to be an armorer from her father, Thell Reed, a Hollywood weapons expert, was just getting started as a head armorer herself. In a recent podcast, she noted that she had just finished filming her first movie as head armorer, a western called “The Old Way” starring Nicolas Cage, and confided that “I almost didn’t take the job because I wasn’t sure if I was ready.”Stu Brumbaugh, a key grip on “The Old Way,” said in an interview that he had recommended Ms. Gutierrez-Reed be fired after he witnessed two unannounced discharges of weapons she was holding, startling others and in one case prompting an angry reaction from Mr. Cage. She was kept on, he said, which he saw as evidence of a broader problem in which producers try to cut costs by hiring less experienced crews. The incident was reported earlier by CNN.Lawyers for Ms. Gutierrez-Reed said that she had “never had an accidental discharge” during her career; they did not respond to follow-up questions about the incident on “The Old Way.”“Ultimately this set would never have been compromised if live ammo were not introduced,” her lawyers said of the “Rust” set. “Hannah has no idea where the live rounds came from.”A “Cold Gun” That Was Anything But“Cold gun!” Mr. Halls called out after lunch as he handed the revolver to Mr. Baldwin. Then, as Mr. Baldwin practiced his draw, the gun went off.Ms. Hutchins stumbled backward and was helped to the ground. Mr. Souza saw blood on her — and then noticed that he was bleeding, too. Ms. Hutchins said she could not feel her legs.Ms. Hutchins, a talented cinematographer who left a husband and son behind, was recalled at a candlelight vigil in Burbank, Calif. David Mcnew/Agence France-Presse — Getty ImagesMamie Mitchell, the movie’s script supervisor, ran out of the church, cellphone in hand, and dialed 911.“We’ve had two people accidentally shot on a movie set by a prop gun,” Ms. Mitchell told the dispatcher. “We need help immediately.”At 1:48 p.m., the sheriff’s department was dispatched to the ranch.Back on the set, Mr. Halls picked up the revolver from a church pew and handed it to Ms. Gutierrez-Reed, who opened it up to see what was inside. Mr. Halls told a detective that he saw at least four rounds with a hole in the side, which sometimes indicate that a round is a dummy. (Dummy rounds contain no gunpowder and are used to resemble bullets on camera.)But there was another round in the gun, he told a detective, one with just a casing, no cap, and which did not have the pierced hole.Real sheriff’s deputies, from Santa Fe County, rushed to the church set, with the first arriving at 2 p.m. Ms. Hutchins was flown by helicopter to a hospital in Albuquerque, where she was pronounced dead. Mr. Souza was taken to a closer hospital.Mr. Baldwin’s western costume was turned over for evidence, because it appeared to be stained with blood.A few days later, Sheriff Adan Mendoza of Santa Fe County would announce what had become increasingly clear: The gun had fired a live round, a lead bullet.The bullet was recovered from the director’s shoulder. Now the investigation is focused on how it got into the revolver.Simon Romero reported from Santa Fe, Julia Jacobs from New York and Graham Bowley from Toronto. Nicole Sperling contributed reporting. More

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    Criminal Charges Possible in Shooting on Alec Baldwin Set, D.A. Says

    An inquiry into how a cinematographer was killed with a gun the actor was rehearsing with, which was not supposed to have live rounds in it, could take weeks.SANTA FE, N.M. — The Santa Fe County district attorney said on Tuesday that she was not ruling out criminal charges in last week’s fatal shooting on a film set. The actor Alec Baldwin was rehearsing with a gun that he had been told did not contain live ammunition when it went off, killing the film’s cinematographer and wounding its director.“We haven’t ruled out anything,” the district attorney, Mary Carmack-Altwies, said in a telephone interview. “Everything at this point, including criminal charges, is on the table.”Ms. Carmack-Altwies said that the investigation was focusing on ballistics in an effort to determine what kind of round was in the gun that killed Halyna Hutchins, the cinematographer — and who had placed the ammunition in the gun.“There were an enormous amount of bullets on this set, and we need to find out what kinds they were,” Ms. Carmack-Altwies said. Detectives said that they recovered three revolvers, spent casings and ammunition — in boxes, loose and in a fanny pack — while executing a search warrant on the set, according to an inventory of the items released on Monday. The inventory did not specify what kind of ammunition was found on the set.Ms. Carmack-Altwies took issue with descriptions of the firearm used in the incident as “prop-gun,” saying that the terminology, which is used in some of the court documents related to the case, could give the misleading impression that it was not a real gun.“It was a legit gun,” she said, without naming specifically what kind of firearm was used. “It was an antique-era appropriate gun.”Detectives from the Santa Fe County Sheriff’s Office are proceeding carefully with the investigation, she said, citing the large number of witnesses and the need to methodically collect ballistics and forensics evidence..css-1xzcza9{list-style-type:disc;padding-inline-start:1em;}.css-3btd0c{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:1rem;line-height:1.375rem;color:#333;margin-bottom:0.78125rem;}@media (min-width:740px){.css-3btd0c{font-size:1.0625rem;line-height:1.5rem;margin-bottom:0.9375rem;}}.css-3btd0c strong{font-weight:600;}.css-3btd0c em{font-style:italic;}.css-1kpebx{margin:0 auto;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:700;font-size:1.375rem;line-height:1.625rem;}@media (min-width:740px){#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-size:1.6875rem;line-height:1.875rem;}}@media (min-width:740px){.css-1kpebx{font-size:1.25rem;line-height:1.4375rem;}}.css-1gtxqqv{margin-bottom:0;}.css-16ed7iq{width:100%;display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-box-pack:center;-webkit-justify-content:center;-ms-flex-pack:center;justify-content:center;padding:10px 0;background-color:white;}.css-pmm6ed{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;}.css-pmm6ed > :not(:first-child){margin-left:5px;}.css-5gimkt{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:0.8125rem;font-weight:700;-webkit-letter-spacing:0.03em;-moz-letter-spacing:0.03em;-ms-letter-spacing:0.03em;letter-spacing:0.03em;text-transform:uppercase;color:#333;}.css-5gimkt:after{content:’Collapse’;}.css-rdoyk0{-webkit-transition:all 0.5s ease;transition:all 0.5s ease;-webkit-transform:rotate(180deg);-ms-transform:rotate(180deg);transform:rotate(180deg);}.css-eb027h{max-height:5000px;-webkit-transition:max-height 0.5s ease;transition:max-height 0.5s ease;}.css-6mllg9{-webkit-transition:all 0.5s ease;transition:all 0.5s ease;position:relative;opacity:0;}.css-6mllg9:before{content:”;background-image:linear-gradient(180deg,transparent,#ffffff);background-image:-webkit-linear-gradient(270deg,rgba(255,255,255,0),#ffffff);height:80px;width:100%;position:absolute;bottom:0px;pointer-events:none;}.css-19zsuqr{display:block;margin-bottom:0.9375rem;}.css-m80ywj header{margin-bottom:5px;}.css-m80ywj header h4{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:500;font-size:1.25rem;line-height:1.5625rem;margin-bottom:0;}@media (min-width:740px){.css-m80ywj header h4{font-size:1.5625rem;line-height:1.875rem;}}.css-12vbvwq{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;}@media (min-width:740px){.css-12vbvwq{padding:20px;width:100%;}}.css-12vbvwq:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-12vbvwq{border:none;padding:10px 0 0;border-top:2px solid #121212;}.css-12vbvwq[data-truncated] .css-rdoyk0{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-12vbvwq[data-truncated] .css-eb027h{max-height:300px;overflow:hidden;-webkit-transition:none;transition:none;}.css-12vbvwq[data-truncated] .css-5gimkt:after{content:’See more’;}.css-12vbvwq[data-truncated] .css-6mllg9{opacity:1;}.css-qjk116{margin:0 auto;overflow:hidden;}.css-qjk116 strong{font-weight:700;}.css-qjk116 em{font-style:italic;}.css-qjk116 a{color:#326891;-webkit-text-decoration:underline;text-decoration:underline;text-underline-offset:1px;-webkit-text-decoration-thickness:1px;text-decoration-thickness:1px;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:visited{color:#326891;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:hover{-webkit-text-decoration:none;text-decoration:none;}The shooting occurred on Thursday on the set of a church where Mr. Baldwin was rehearsing a scene for “Rust,” a Western where he plays an outlaw. According to affidavits included in applications for search warrants, Dave Halls, an assistant director on the set, had gone outside the church and taken the gun off a cart, where it had been placed by the film’s armorer, Hannah Gutierrez-Reed. Mr. Halls handed the gun to Mr. Baldwin, who was rehearsing inside the church, according to the affidavit, and said it was a “cold gun,” indicating that it contained no live rounds and was safe for Mr. Baldwin to handle.Mr. Baldwin then rehearsed a scene that involved “cross drawing” a revolver and pointing it toward the camera lens, according to the affidavit, when the gun fired — striking Ms. Hutchins in the chest and killing her, and hitting the director of the film, Joel Souza, in the shoulder, wounding him.Detectives are still interviewing people who were on the set, Ms. Carmack-Altwies said. “It’s probably weeks, if not months, of follow-up investigation that we’re going to need to get to the point of charging.”Ms. Carmack-Altwies said that she was aware of news reports suggesting that crew members had used guns with live ammunition for target practice hours before the fatal shooting, but said that the reports were “unconfirmed.”Mamie Mitchell, the script supervisor who called 911 after the shooting, has hired Gloria Allred as her lawyer, according to a statement from Ms. Allred. The statement said they would be conducting their own investigation into the incident “because there are many unanswered questions.”Ms. Carmack-Altwies, who is expected to speak with reporters on Wednesday morning at a news conference along with Sheriff Adan Mendoza, of Santa Fe County, said that this incident figured among the most challenging cases in Santa Fe County in recent memory.“We have complex cases all the time,” she said. “But this kind of complex case, with these kinds of prominent people, no.” More

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    ‘The Phantom’ Review: The Death Penalty for a Doppelgänger

    This documentary examines the circumstances of a 1983 killing in Texas, for which it contends the wrong man was convicted and executed.“The Phantom,” a documentary from Patrick Forbes, examines a case that in recent years has been cited as an example of a likely wrongful conviction that ended in the death penalty. Carlos DeLuna was executed in Texas in 1989 for the murder of a Corpus Christi gas station convenience store clerk. At his trial, he implicated another man, Carlos Hernandez. The prosecution dismissed Hernandez as a phantom.But the movie, based on an account by a Columbia law school professor, James Liebman, and his researchers, amasses evidence that Hernandez, who died in 1999, was no apparition. It indicates that he had a history of violence and that the investigation was hasty. The film’s most damning suggestion is that the conviction didn’t simply involve mistaken identity — two men named Carlos, who knew and resembled each other and were both in the area of the crime, getting mixed up — but, in the film’s argument, required an almost willful insistence on turning a blind eye to what was known.Adapting research that is, by now, hardly breaking news, Forbes has some solid strategies for making the material cinematic. Shooting in glossy wide-screen, he uses an effective blend of reconstructions and interviewees to take viewers through the night of the killing. Earlier in the film, he has people involved in the original trial, like a witness, Kevan Baker, and a prosecutor, Steve Schiwetz, discuss details of the case in a courtroom, and even playact versions of their words from the proceedings (the dialogue isn’t verbatim, judging from the trial transcript). A bow-tied, suspendered, haunted-looking medical examiner contributes to the ghostly ambience.The PhantomNot rated. Running time: 1 hour 22 minutes. In theaters. More

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    Shows Like ‘Cops’ Fell Out of Favor. Now Texas May Ban Them.

    Lawmakers passed a bill named for Javier Ambler II, who died in 2019 after officers arrested him in front of a “Live PD” television crew. If the governor signs it, this would mean the end of police cooperation with reality TV shows.Two years ago, a television crew gathered in the small city of Hawkins, Texas, to film the life and work of Manfred Gilow, the chief of police there.Cameras followed Chief Gilow as he and his officers responded to calls, snapped handcuffs onto wrists and searched vehicles for drugs. The program was not available on Texas televisions; Chief Gilow is from Germany, and that is where “Der Germinator” (a portmanteau of “German” and “The Terminator”) was broadcast.Last year, after the nationally broadcast policing shows “Cops” and “Live PD” were canceled, “Der Germinator” filmed a second season. But prospects for a third may have dimmed last week, when the Texas Legislature passed a bill that would make it illegal for law enforcement agencies to authorize reality television crews to film officers on duty.“Policing is not entertainment,” said James Talarico, the Democratic state representative who introduced the legislation. The office of Gov. Greg Abbott, a Republican, did not respond to requests for comment this week about whether he would sign the legislation.Reality law enforcement shows, Mr. Talarico said, “rely on violent encounters between citizens and the police to boost their own ratings.” He cited an investigation by The Austin American-Statesman, which reported last year that law enforcement officers in Williamson County, Texas, were more violent when the “Live PD” cameras were rolling.The bill, which the Legislature passed with bipartisan support on May 13, is named after Javier Ambler II, a 40-year-old father of two who died in 2019 after Williamson County officers forcibly arrested him in front of a “Live PD” camera crew.Mr. Ambler’s sister, Kimberly Ambler-Jones, 39, said she believed that her brother would still be alive if the television crews had not been filming. “Because they had ‘Live PD’ there, it had to be hyped up,” she said. “It had to be drama.”That show was taken off the air in June. So was “Cops,” which had beamed arrests, confrontations and car chases to televisions across the United States for decades.The cancellations came amid nationwide protests over the police killing of George Floyd in Minneapolis. They also followed years of campaigning by the racial justice organization Color of Change, which had been pushing networks to drop “Cops” since at least 2013.Arisha Hatch, the organization’s vice president and chief of campaigns, said the shows were one-sided and served as propaganda for law enforcement.“They violate the civil liberties of people who are forced to become the stars of the show,” she said. “They operate to make a joke about how Black communities and poor communities are overpoliced.”Ms. Hatch welcomed the Texas bill, noting that the state-level legislative approach appeared to be without precedent.But with two flagship policing programs already canceled, it is unclear whether the law would have any immediate effect if approved by Governor Abbott.A reality series set in Texas called “Lone Star Law,” on Animal Planet, could most likely continue filming as long as it keeps its focus on wildlife and game wardens, Mr. Talarico said.“Der Germinator,” on the other hand, could be at risk.Chief Gilow argued that the program should be allowed to continue, characterizing it as more of a documentary than a reality show. He said it offered German viewers a glimpse of life in the United States, as well as a cautionary tale about the consequences of crime.“I think it is positive,” Chief Gilow said. “But you will have some people just hating it because they hate the police.” He added that the show did not violate anyone’s rights and blurred the faces of people who did not consent to be filmed.Police body cameras captured the 2019 arrest of Javier Ambler II. Crews from “Live PD” were also filming, but their footage was never broadcast.Austin Police Department, via Associated PressMs. Ambler-Jones said she hoped that Mr. Abbott would sign the bill — and that similar legislation would spread beyond Texas.“I know people feel like this is just entertainment,” she said of reality policing programs. “But you don’t understand what the person on the other side of that camera is dealing with.”For months after Mr. Ambler’s death, his family did not know what had happened to him — only that he had died in law enforcement custody. The details became public last year, after The Austin American-Statesman and the news outlet KVUE obtained body camera footage.Mr. Ambler was driving in the Austin area on March 28, 2019, when Williamson County deputies tried to stop him because he did not dim his headlights to traffic, officials said. After deputies tried to pull Mr. Ambler over, the authorities said, he kept driving for more than 20 minutes before crashing his vehicle.The body camera footage showed that the officers restrained Mr. Ambler and used a Taser on him multiple times. “I have congestive heart failure,” Mr. Ambler could be heard saying. “I can’t breathe.”Mr. Ambler was taken to a hospital, where he was pronounced dead. “Live PD” footage of the arrest was never broadcast on television.Since then, Williamson County officials have faced several lawsuits related to reality television footage. Two deputies were indicted on second-degree manslaughter charges in Mr. Ambler’s death, and the former county sheriff, who lost his seat after a November election, was indicted on charges of evidence tampering. All have pleaded not guilty.A spokeswoman for Williamson County declined to comment because of pending litigation. Big Fish Entertainment, the production company behind “Live PD,” did not immediately respond to emailed questions.Mr. Talarico said he hoped the legislation, if signed into law by the governor, would keep “Cops” and “Live PD” out of Texas for good. “Without the force of law, there’s nothing preventing these shows from coming back,” he said, “except for their own conscience.” More

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    ‘After the Murder of Albert Lima’ Review: Justice His Own Way

    In this true crime documentary, a man ventures with two bounty hunters into Honduras to avenge the killing of his father. But the film struggles to fit the crime.How far would you go for justice? For the Florida native Paul Lima, the answer is to Honduras and back.In February 2000, Lima’s father, the lawyer and businessman Albert Lima, traveled to the tiny Honduran island Roatán to settle a debt. He never returned. A decade prior, Albert had given a loan of $84,000 to Martin Coleman, the father of his friend, for the family’s bakery. But when Coleman’s father died and his brothers began managing the bakery, regular loan payments stopped being made. When Albert went to the island to take control of the business, two of Martin’s brothers — Byron and Oral — savagely beat, then shot him. In the subsequent years, one of Albert’s killers has remained free, prompting his son to action.Paul decides to travel to Roatán with two bounty hunters: Art Torres and Zora Korhonen — to apprehend Oral. But their mission is far from easy. Directed by Aengus James and streaming on Crackle, “After the Murder of Albert Lima” is a darkly comedic true-crime documentary where the most exciting elements wane under it’s main subject’s overzealousness for drama.Paul’s plan to apprehend Oral is hilariously inept. Paul wants the bounty hunters to drug and kidnap Oral while armed guards surround the bar he frequents. They arrive for the mission without weapons, handcuffs, or even duct tape. For five days they use inconspicuous camera pens while James employs guerrilla filmmaking to not only gather evidence but also capture the action. But Paul’s compulsive desire often pushes him to put himself and his bounty hunters at risk.When the director matches Adam Sanborne’s propulsive score to the trio’s peril, he attaches an artificiality to their real efforts. It makes Paul’s arduous journey for closure not nearly as fulfilling as the film’s cathartic ending. And in its quest for entertainment value, this documentary loses sight of the actual grief and hurt a devastated son would feel.After the Murder of Albert LimaNot rated. Running time: 1 hour 37 minutes. Watch on Crackle. More

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    Phil Spector, Famed Music Producer and Convicted Murderer, Dies at 81

    #masthead-section-label, #masthead-bar-one { display: none }The Coronavirus OutbreakliveLatest UpdatesMaps and CasesVaccine InformationF.A.Q.TimelineAdvertisementContinue reading the main storySupported byContinue reading the main storyPhil Spector, Famed Music Producer and Convicted Murderer, Dies at 81Known for creating the ‘Wall of Sound,’ he scored hits with the Crystals, the Ronettes and the Righteous Brothers and was one of the most influential figures in popular music.Since 2009, Phil Spector had been serving a prison sentence for the murder of Lana Clarkson, a nightclub hostess he took home after a night of drinking in 2003.Credit…Pool Photo Al Seib/Getty ImagesPublished More

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    ‘Finding Yingying’ Review: Vanishing Point

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best MoviesBest TV ShowsBest BooksBest TheaterBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main story‘Finding Yingying’ Review: Vanishing PointThis documentary about the search for a missing student in Illinois takes a compassionate approach to grim material.A march to promote the finding of Yingying Zhang.Credit…MTV Documentary FilmsDec. 10, 2020, 12:00 p.m. ETFinding YingyingDirected by Jiayan ‘Jenny’ ShiDocumentaryNot RatedFind TicketsWhen you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.The chilling documentary “Finding Yingying” watches a family grapple with an unfathomable horror: the disappearance and probable death of a loved one who was living far away. Yingying Zhang, a visiting scholar from China at the University of Illinois at Urbana-Champaign, went missing in June 2017. What happened with the investigation and in court can be found online, but most of the film deals with the dread-filled uncertainty before those outcomes, and with the continuing search for Zhang’s body.The director, Jiayan “Jenny” Shi, reads Zhang’s diary entries in voice-over and ponders her similarities with the missing woman. Both attended the same university in China, and shortly after arriving in the United States, Shi herself got into a car with a stranger, as Zhang is shown doing in security footage. (Zhang, in one of her most foreboding diary entries, had written of another circumstance in which she was walking in heavy rain and yearned to be inside a passing car.)Cultural expectations become a huge part of the story. Zhang’s family and boyfriend grow frustrated with the justice system in the United States (the pace is slow and there’s no way to make a suspect talk). Shi films Zhang’s family members in China as they consider their lives without her. (“Americans won’t give up on my daughter, right?” her mother asks.) The film captures their ordeal with compassion and a measure of self-reflexivity, which is as much as this unavoidably grim material could ask for.Finding YingyingNot rated. In English and Mandarin, with subtitles. Running time: 1 hour 38 minutes. Watch through virtual cinemas.AdvertisementContinue reading the main story More