Murders, Attempted Murders and Homicides

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      in Music

      Security Guard Injured in Shooting Outside Drake’s Home in Toronto

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      The police said that they did not know whether the shooting was related to the recent exchange of increasingly personal diss tracks traded between Drake and Kendrick Lamar.A man identified as a security guard for Drake was wounded in a shooting outside of the rapper’s Toronto mansion around 2 a.m. on Tuesday, the police said.The man was taken to a hospital with a gunshot wound, Inspector Paul Krawczyk, a member of the gun and gang task force, said at a news conference at the scene on Tuesday morning. The suspects fled in a vehicle and remain at large; the police did not offer a description but said the shooting had been captured on video.The shooting occurred outside the gates in front of Drake’s 50,000-square-foot mansion on Park Lane Circle in the North York neighborhood known as Bridle Path in Toronto, but did not involve the rapper, the authorities said. Drake was previously permitted to build fences twice as high as allowed by city law, citing a need for increased security.The shooting followed a weekend of increasingly personal diss tracks traded between Drake and the Compton, Calif., rapper Kendrick Lamar, whose long-simmering musical rivalry resulted in the release of six songs in 72 hours, including detailed attacks involving family members and claims of abuse against women on both sides.“I cannot speak to a motive at this time, because it’s so early, but as we get information we will share it with you,” Inspector Krawczyk said at the news conference. He said that he could not confirm whether Drake was home at the time of the shooting, but that authorities had been in contact with the rapper’s team, which was cooperating.The police said the victim, who was not identified, remained at the hospital in serious condition.A representative for Drake declined to comment.Lamar’s “Not Like Us,” which was released on Saturday and taunts Drake and his associates as “certified pedophiles,” features an aerial shot of Drake’s home on a map as its cover art. The track is currently topping the charts globally and in the United States on streaming services including Spotify and Apple Music. The cover is edited to portray the home as dotted with markers meant to represent the presence of registered sex offenders.Kendrick Lamar’s single “Not Like Us,” which was released on Saturday and taunts Drake, features an aerial shot of Drake’s home on a map as its cover art.Drake has previously referred to the location of his home, which he calls the Embassy, on tracks like “7AM on Bridle Path.”Representatives for Lamar did not immediately respond to a request for comment.Olivia Chow, the mayor of Toronto, said she had been briefed by the police but declined to offer any details.“Any shooting is not welcome in this city and I hope the police will find the people that are violating the law and catch them,” she told reporters.Ian Austen More

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      in Television

      What to Watch This Weekend: ‘The Jinx’ Is Back

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      HBO’s “The Jinx — Part Two” offers six more episodes detailing the stranger-than-fiction saga of Robert Durst.Robert Durst, as seen in prison footage in “The Jinx — Part Two.”HBOWhen “The Jinx” premiered in 2015, it was one of the pillars of the new true-crime wave — high-end but sufficiently lurid, with soap-opera twists but also documentary legitimacy. In the absence of criminal justice, maybe entertainment justice could suffice.Now the director Andrew Jarecki is back with “The Jinx — Part Two,” six more episodes detailing the stranger-than-fiction saga of the real estate scion and convicted murderer Robert Durst. (Only the first four episodes were made available for review. Hmm!) This “Jinx” isn’t just about Durst, though; it’s a “Jinx” about “The Jinx,” folding the story back in on itself yet again, additional layers of narratives and truths and maybe-truths, all getting rolled out together as delicious, buttery true-crime dough.The first episode, which airs Sunday at 10 p.m. on HBO, includes footage of dozens of people connected to the case all gathering to watch the original finale together. That was indeed a shocking episode of television, with Durst’s hot-mic bathroom confession as its astounding yet fitting conclusion. (The filmmakers later faced criticism for significantly editing Durst’s remarks, but maintained that the edits were representative of what he said.) The reaction scene plays out not with churning pathos but instead like TikToks of people watching Ned Stark meet his surprising fate or videos of fans in a sports bar groaning in unison. Even subjects of “The Jinx” experience it as a show, as fandom of one’s own life.Over and over, this “Jinx” includes people discussing original “Jinx.” Some describe it directly to Jarecki in interviews, or they mention it in recorded phone calls Durst made from prison, or they say on the witness stand that they watched the show, that they learned details of the case from TV. Actual courthouse footage blends together with hazy re-creation images, and we hear real audio but over fake visuals. And as the show turns its attention to Durst’s long-delayed trial, “The Jinx” takes on a behind-the-scenes quality as much as a true-crime one.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      The O.J. Simpson White Bronco Is Now a Museum Piece. In Tennessee.

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      The vehicle that Simpson fled in as 95 million Americans watched on television is on display at the Alcatraz East Crime Museum in Pigeon Forge, Tenn.Tyler Starrett was on vacation with his family in Pigeon Forge, about 35 miles from Knoxville in eastern Tennessee, when they learned on Thursday that O.J. Simpson had died.So they changed plans. They had heard that one of the key artifacts of the Simpson case happened to be on display nearby at the Alcatraz East Crime Museum: the 1993 white Ford Bronco that Simpson fled from the police in, just days after the murders of Nicole Brown Simpson, his former wife, and Ronald L. Goldman. They could not resist.“If the Bronco is here in Pigeon Forge, why don’t we go see it?” Starrett, 23, said.Starrett is too young to have been among the 95 million television viewers who watched the low-speed chase unfold on June 17, 1994, when a swarm of police cars followed the white Bronco over some 60 miles of Southern California freeways, with Simpson holding a gun to his head in the back seat. But he was among those who visited the museum to see the vehicle in person on Thursday, as a three-minute clip of the police chase played on loop in the background.Pigeon Forge, best known for Dollywood, Dolly Parton’s theme park, is at first glance not an obvious home for such a relic. But in recent years, this town has increasingly become a place for attractions and museums dedicated to the offbeat and believe-it-or-not interests of an American tourist — including the Alcatraz East Crime Museum, which is housed in a prisonlike building designed to be a cross between the Tennessee State Prison just outside Nashville and the original Alcatraz, in San Francisco Bay.Inside the museum, the white Bronco is one of several notorious vehicles.It sits alongside the 1968 Volkswagen Beetle that was owned by the serial killer Ted Bundy, the 1933 Essex-Terraplane used by the bank robber John Dillinger and the so-called death car from the 1967 movie “Bonnie and Clyde,” riddled with bullet holes. (A Pigeon Forge snow globe featuring the museum, the Bronco and the Beetle can be purchased for $10.99 in the gift shop.)“There are events in history that will always stick in people’s minds, and I think the O.J. chase is one of those for a large number of people,” said Ally Pennington, the artifacts and projects manager for the museum.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Before He Was Infamous, O.J. Simpson’s Acting Helped Make Him Famous

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      Simpson began acting while still a football star, appearing in titles as varied as “Roots,” “The Towering Inferno” and the “Naked Gun” films.Before O.J. Simpson became synonymous with the sensational murder trial that riveted the nation in the mid-1990s, he was a football star turned Hollywood fixture who played roles as varied as an astronaut, a comic detective and a fake priest.His acting career began while he was still a star running back. As Simpson, who died on Wednesday, told it, he was waiting out the best deal he could get in the N.F.L. when producers reached out to him asking if he could act. “Sure, I can try to act,” he replied.He scored bit parts in a medical series and a western, but the allure of an onscreen career didn’t grab him until his first major film, “The Klansman” (1974), in which he appeared alongside Richard Burton and Lee Marvin, playing a man seeking to avenge his friend’s death at the hands of the Ku Klux Klan.Simpson told Johnny Carson in an interview in 1979 on “The Tonight Show” that during the production, the actors were casually chatting about food when Elizabeth Taylor said the best chili she’d had was at a restaurant called Chasen’s in West Hollywood.Simpson with Richard Burton in “The Klansman.”Moviestore Collection Ltd, via Alamy“Somebody made a call, and in an hour and a half they had a private jet bring a pot of chili from Chasen’s to Oroville, Calif.,” Simpson said in the interview. “Two hours later we’re eating chili and I’m saying, ‘I like this life.’”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      Overlooked No More: Miriam Solovieff, Lauded Violinist Who Suffered Tragedy

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      She led a successful career despite coping with a horrific event that she witnessed at 18: the killing of her mother and sister at the hands of her father.This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.On Feb. 23, 1940, Miriam Solovieff gave a recital at Town Hall in Manhattan. She was 18 and widely known as a violin prodigy, having toured much of the United States, Canada and Europe. It was no surprise, then, that the recital, presenting work by Mozart, Vivaldi and Alexander Glazunov, would receive positive reviews.What was surprising was the concert’s timing. Just six weeks earlier, Solovieff’s mother and younger sister — her entire family — were murdered by their estranged father.Solovieff had kept vigil by her mother as she lay dying from gunshot wounds in a hospital bed. And she ultimately heeded her mother’s urging that she not cancel the recital (it would be postponed a mere two weeks).The shootings became a tragedy so unspeakable that after the initial news reports, it was discussed only in hushed circles. For Solovieff, it opened a chasm between childhood promise, spent in the company of her cherished mother and sister, and an extraordinary adulthood, albeit one that bore tremendous emotional repercussions.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      Appeals Court Overturns Vybz Kartel’s Murder Conviction

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      A judge ruled that the dancehall artist’s 2014 trial had proceeded improperly after a claim of juror misconduct.The murder conviction of the dancehall artist Vybz Kartel and three co-defendants was overturned on Thursday by the highest court of appeal for Jamaica and other Commonwealth countries.Vybz Kartel, born Adidja Palmer, had previously been convicted and given a life sentence for the 2011 murder of Clive Williams, known as Lizard. The sentence was later reduced to 32 and a half years.On Thursday, the Judicial Committee of the Privy Council in London overturned the conviction because of allegations of jury misconduct in the 2014 trial. A juror, described in court documents as “Juror X,” was allowed to remain seated after a claim that the person had attempted to bribe other members of the jury. Jurors ultimately convicted Mr. Palmer, Shawn Campbell, Kahira Jones and André St. John of murder.“Allowing Juror X to remain on the jury is fatal to the safety of the convictions which followed,” the court ruled. “It was an infringement of the appellants’ fundamental right to a fair hearing under the Jamaican Constitution.”Another appeals court will now decide whether Mr. Palmer should be retried. Lawyers for Mr. Palmer and for the prosecution did not immediately respond to requests for comment.After a string of successful singles in his native Jamaica, Mr. Palmer reached U.S. charts in 2009 with “Romping Shop,” which also featured Spice, and collaborated with Rihanna, Jay-Z and other artists. He also starred in the reality TV show “Teacha’s Pet,” which aired on Jamaican TV in 2011. While imprisoned, Mr. Palmer continued to release new songs, including the 2016 single “Fever,” which went gold.During the trial, prosecutors alleged that Mr. Williams and another man had been given two unlicensed firearms belonging to Mr. Palmer. When the pair did not return the weapons on time, they were summoned to Mr. Palmer’s house, where Mr. Williams was killed, according to prosecutors, who relied on evidence from Mr. Palmer’s cellphone to advance their case. Mr. Williams’s body was never found.All four defendants had pleaded not guilty. More

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      in Movies

      Manslaughter Trial Begins of ‘Rust’ Armorer in Alec Baldwin Shooting

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      Prosecutors said the armorer, Hannah Gutierrez-Reed, was responsible for the presence of live ammunition on the set and for failing to check the gun; the defense said she was a scapegoat.The involuntary manslaughter trial of the armorer who loaded the gun Alec Baldwin was rehearsing with on the set of “Rust” when it fired, killing the movie’s cinematographer, began on Thursday with prosecutors accusing her of performing “sloppy and incomplete” safety checks of the weapon and of being responsible for the presence of live rounds on the set.During opening arguments one of the prosecutors told the jury that the armorer, Hannah Gutierrez-Reed, had treated gun safety protocols on the film set “as if they were optional,” leading her to miss the fact that she had loaded a live round into an old-fashioned revolver she was preparing for Mr. Baldwin.The gun went off as he practiced drawing it at a blocking rehearsal, killing the film’s cinematographer, Halyna Hutchins.“We believe that it was the negligent acts and failures of the defendant, Ms. Gutierrez, that resulted in both the acts that contributed to Ms. Hutchins’s death and to the live rounds being brought onto the set,” the prosecutor, Jason J. Lewis, said in the First Judicial District Courthouse in Santa Fe, N.M., as the trial began.Mr. Baldwin is being tried separately on an involuntary manslaughter charge. He has pleaded not guilty.On the day of the fatal shooting — Oct. 21, 2021 — the crew was setting up a tight frame of Mr. Baldwin drawing a revolver ahead of a gunfight when the weapon fired a live round, striking Ms. Hutchins and then hitting the movie’s director, Joel Souza, who survived.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Armorer Who Loaded Gun in Alec Baldwin Shooting Faces Trial: What to Know

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      The armorer, Hannah Gutierrez-Reed, is charged with involuntary manslaughter in the fatal shooting of a cinematographer on the set of the film “Rust.” She has pleaded not guilty.The armorer who loaded the gun that Alec Baldwin was rehearsing with on a film set in 2021 when it fired a live round and killed the movie’s cinematographer is heading to trial in New Mexico this week on a charge of involuntary manslaughter.The trial of the armorer, Hannah Gutierrez-Reed, will mark the first time a trial jury will weigh in on the Oct. 21, 2021, shooting on the set of the film “Rust,” which claimed the life of its cinematographer, Halyna Hutchins. A grand jury indicted Mr. Baldwin last month on a charge of involuntary manslaughter in the shooting; he has pleaded not guilty and will be tried separately later.The trial, which will begin with jury selection on Wednesday at the First Judicial District Courthouse in Santa Fe, N.M., is expected to last about two weeks.Ms. Gutierrez-Reed, 26, has been accused of criminal negligence in her handling of guns on the set of the western. Prosecutors say she failed to properly check that the rounds she loaded into the .45-caliber revolver were all dummy rounds, which are inert cartridges used to resemble live rounds on camera but which cannot be fired.“Her primary function as an armorer on the ‘Rust’ movie set was to ensure gun safety,” the lead prosecutor on the case, Kari T. Morrissey, wrote in a court filing. “Her reckless failure resulted in the senseless death of another human being.”Ms. Gutierrez-Reed has pleaded not guilty, and her lawyers have argued that she has been made the “scapegoat” of a tragic accident. They blamed someone else for the appearance of live rounds on set and charged that the production cut corners on safety in an effort to reduce costs, including by overburdening Ms. Gutierrez-Reed with two jobs that prevented her from being able to focus fully on her weapons and ammunition duties.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More