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      Three New Books Make the Case for Music as Medicine

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      Three new books make the case for music as medicine. In “The Schubert Treatment,” the most lyrical of the trio, a cellist takes us bedside with the sick and the dying.My colleague Dwight Garner is a great connoisseur of the quotation. I find myself stumbling around this week in the dark corners of the misquotation. Music may indeed have charms to “soothe the savage beast,” as is oft-declared, but the line actually ends “a savage breast,” and is attributable not to William Shakespeare, but to William Congreve, from his 1697 play “The Mourning Bride.”Now you know.Music’s soothing and stimulating effect — its use as a kind of medicine — is the subject of at least three books published this year. This is not a new therapy, but a blooming hot spot of research.I’ve been poking around there for a while, curious to figure out why my mother, a retired professional violist and pianist with advancing dementia, retains so much of her memory (including the ability to sight-read) in this particular realm. She still plays weekly string quartets and piano duos and sings in perfect harmony with Alexa’s somewhat middlebrow choices, though an old game of name-the-composer has faded.THE SCHUBERT TREATMENT: A Story of Music and Healing (Greystone, $24.95), by the cellist and art therapist Claire Oppert, is a slim but shimmery account of performing on her “forever instrument” for a series of patients with varied afflictions, including the inevitable final one.Oppert’s father was a beloved company doctor for several theaters in Paris, who himself played the piano, and she has worked with Howard Buten, a professional clown, novelist and psychologist specializing in autism. (This field teems with polymaths.) Though she tangles dutifully with charts, data and analytics, her philosophy is holistic: “trust and gratitude before the splendor of all things: This is life’s foundation, its bedrock.”Or, more bluntly: “Ten minutes of Schubert is the equivalent of five milligrams of oxy,” the chief of the palliative care unit at a Paris hospital tells her. (Maybe this is why Donald J. Trump played “Ave Maria” at that recent rally-turned-swayfest.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Lil Durk Is Accused of Conspiring to Kill a Rival. What We Know About the Case.

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      The rapper Lil Durk was arrested at the airport in Miami this week after he had been booked on flights to three international destinations, federal prosecutors said.The Grammy-winning rapper Lil Durk was arrested on a federal charge near Miami International Airport on Thursday over accusations that he conspired to kill a rap rival, resulting in the fatal shooting of another person.Lil Durk put out a bounty on the life of another rapper, identified only as T.B. by prosecutors, as retaliation for the 2020 killing of the rapper King Von, a member of the hip-hop collective Only the Family, which Lil Durk founded, according to the federal criminal complaint filed in the U.S. District Court for the Central District of California.An F.B.I. affidavit also says that Lil Durk had been booked on at least three international flights that were leaving on Thursday — to Italy, Switzerland and the United Arab Emirates — in an attempt to flee the United States.Lil Durk, 32, whose legal name is Durk Banks, appeared in the U.S. District Court for the Southern District of Florida on Friday. He remained in federal custody and was expected to be arraigned in Los Angeles in the coming weeks, according to prosecutors. He was charged with conspiracy to use interstate facilities to commit murder for hire resulting in death.The news of his arrest comes weeks before the scheduled release of his new album, “Deep Thoughts,” on Nov. 22. Earlier this year, he won a Grammy Award for Best Melodic Rap Performance for his song “All My Life,” featuring J. Cole.Representatives for Lil Durk had not responded to a request for comment.Here’s what we know about the case so far:Lil Durk is alleged to have co-conspirators.Lil Durk’s arrest comes on the heels of a recently unveiled federal indictment in Los Angeles charging five other men affiliated with Only the Family, or O.T.F., with the murder-for-hire plot, alleging that they conspired to “track, stalk, and attempt to kill” a rapper identified as T.B. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Phil Lesh’s Life in Pictures

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      Phil Lesh, the bassist and a charter member of the Grateful Dead who was 84 when he died on Friday, will be remembered as a versatile musician and a pioneer for his instrument of choice.Lesh co-wrote songs and was an occasional lead vocalist across his 30-year career with the rock band. But his skill at soaring improvisation and his chemistry with the band’s lead guitarist, Jerry Garcia, ensured that Lesh would also be seen as a main character.Here are some snapshots from Lesh’s life and career.Paul Ryan/Michael Ochs Archives, via Getty ImagesPhil Lesh, Bob Weir and Jerry Garcia in 1965 as the Warlocks before they became the Grateful Dead.Ron Rakow/Retro Photo ArchiveLesh on Ashbury Street in 1968.Associated PressThe Grateful Dead with reporters in San Francisco in 1967.Don Paulsen/Michael Ochs Archives, via Getty ImagesFrom left, Bill Kreutzmann on drums, Lesh and Weir at the Cafe Au Go Go in New York in 1967.Leni Sinclair/Getty ImagesFrom left, Garcia, Lesh and Weir in Ann Arbor, Mich., in 1967.Malcolm Lubliner/Michael Ochs Archives, via Getty ImagesSan Francisco, 1968.Chris Walter/WireImage, via Getty ImagesThe Dead in 1970, clockwise from top left: Weir, Lesh, Bill Kreutzmann, Ron McKernan, Mickey Hart and Garcia.Robert Altman/Michael Ochs Archives, via Getty ImagesSan Francisco, 1970.Bettman/Getty ImagesThe Dead in the late ’60s.Ed Perlstein/Redferns, via Getty ImagesFrom left, Garcia, Weir and Lesh in Golden Gate Park, San Francisco, 1975.Ron Rakow/Retro Photo ArchiveLesh at Hollywood Bowl, 1974.Mark Sullivan/Getty ImagesLesh, at right, with David Crosby, left, and Ned Lagin, who both played briefly with the Dead.Ed Perlstein/Redferns, via Getty ImagesSan Francisco, 1978Roger Ressmeyer/Corbis and VCG, via Getty ImagesWeir and Lesh.Roger Ressmeyer/Corbis and VCG, via Getty ImagesWeir and Lesh at a recording studio in San Rafael, Calif.Roger Ressmeyer/Corbis and VCG, via Getty ImagesThe Dead in 1982, from left: Brent Mydland, Lesh, Kruetzmann, Weir, Garcia and Hart.Tim Mosenfelder/Getty ImagesRed Rocks Amphitheatre in Colorado in 1987.Thearon W. Henderson/Getty ImagesHart, Wier and Lesh with the mascot of the San Francisco Giants in 2011.Jason Henry for The New York TimesLesh at Terrapin Crossroads in San Rafael, Calif.Associated PressThe Dead at Soldier Field in Chicago in 2015.Jason Henry for The New York TimesLesh at Terrapin Crossroads in 2015.Astrida Valigorsky/Getty ImagesAt the Great South Bay Music Festival in Patchogue, N.Y., last year. More

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      Paul Di’Anno, Early Iron Maiden Frontman, Dies at 66

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      The English singer played with the band in its early years. He later worked with other bands and pursued a solo career.Paul Di’Anno, an English singer who was an early frontman for the popular heavy metal band Iron Maiden in the 1970s and ’80s, has died at his home in Salisbury, England. He was 66.Conquest Music, a label that represented Mr. Di’Anno, announced his death in a statement on social media on Monday. No additional details were given.Mr. Di’Anno, whose legal name was Paul Andrews, gained popularity on the heavy metal scene in the late 1970s after he joined Iron Maiden as the band’s lead singer. He performed with the band from 1978 through 1981.While Mr. Di’Anno was with Iron Maiden, the band released two albums — the eponymous “Iron Maiden” in 1980 and “Killers,” which came out in February 1981.From left, Clive Burr, Dave Murray, Steve Harris, Dennis Stratton and Paul Di’Anno in a park in the United Kingdom in 1980.Virginia Turbett/Redferns, via Getty ImagesAfter leaving Iron Maiden, Mr. Di’Anno performed with other bands such as Battlezone and Killers and also played solo. He released his first career retrospective album, “The Book of the Beast,” in September.Mr. Di’Anno said in a recent interview with Metal Hammer magazine that he didn’t blame the band for replacing him with Bruce Dickinson, who would go on to lead Iron Maiden during its most successful years.“In the end I couldn’t give 100 percent to Maiden anymore and it wasn’t fair to the band, the fans or to myself,” he said.In his autobiography, “The Beast,” which was published in 2010, Mr. Di’Anno wrote that he also thought his band members had grown worried about his partying habits, a topic he wrote openly about.“That was just the way I was,” he wrote. “I’d let off a bit of steam, have a few drinks and generally act as if I was taking part in a 24-hour party, which I honestly felt I was.”Mr. Di’Anno suffered from health issues in the past few years, but he continued to perform shows in a wheelchair. He played more than 100 shows since 2023, according to his label.Paul Andrews was born in Chingford, East London, on May 17, 1958. In “The Beast,” he wrote that he had an interest in music since he was young. He remembered skipping school once to see the band AC/DC, which he described as “just on the verge of becoming really big then.”A list of survivors was not immediately available.The first time he saw Iron Maiden play was at a venue in East London. The band’s performance, he wrote in his book, was unremarkable.“It was a very early incarnation of the band, but Christ almighty, they bloody stank to high heaven,” he wrote.Mr. Di’Anno later met the band, and soon they began writing songs together and rehearsing. After that, as he wrote in his book, he “really began to think the band had the potential to be something a bit special.” More

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      A New Venue Celebrates the Sound of the Bronx

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      The Bronx Music Hall is the first new independent music venue in the borough in more than 50 years.Good morning. It’s Friday. Today we’ll get a look at the Bronx Music Hall, the first brand-new music performance space to open in that borough in more than 50 years.David Dee Delgado for The New York TimesThe 250-seat music performance space that is opening tonight in the Melrose section of the Bronx began with a cassette recording that was played at a staff meeting of a nonprofit organization. This was in the early 2000s, when cassette tapes were still a thing.The tape was a sampling of the musical legacy of the Bronx — music that had been written or performed there.“Everyone’s eyes lit up,” recalled Nancy Biberman, who at the time was the president of the nonprofit, the Women’s Housing and Economic Development Corporation.She remembers telling herself after the meeting that “maybe we are thinking too narrowly about what community development could mean — it’s not just bricks and mortar.” That realization morphed into thinking about what tenants would want besides basic needs like food, health care and education. What would make them happy?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Lin-Manuel Miranda Releases ‘Warriors’ Album With Eisa Davis

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      He collaborated with Eisa Davis to make a concept album inspired by the 1979 movie. One big change: the main gang is made up of women.“The Warriors,” a 1979 film about a group of gang members fighting their way home to Brooklyn from the Bronx, isn’t the most brutal movie ever made, but it’s not exactly Sesame Street either — when it was first released, it was blamed (on pretty flimsy evidence) for inciting violence. And yet, somehow, Lin-Manuel Miranda found himself watching the movie when he was 4, thanks to a friend’s older brother.Sure, the experience was a little scary. But the film also stuck with him. Miranda, like any number of New Yorkers raised in the ’80s, treasures the sights and sounds of a bygone city preserved in the film, as well as its empathy for its characters. (If some of the gang members seem heroic, well, the story, from a novel by Sol Yurick, is based on an ancient Greek military narrative by Xenophon, “Anabasis.”)Now, after a pivot to television and film, the “Hamilton” creator has spent the last two-plus years working with the playwright and performer Eisa Davis to create a “Warriors” concept album.“You write the things that won’t leave you alone, and this won’t leave me alone,” Miranda said in a joint interview with Davis, conducted at the New York Public Library for the Performing Arts.The album was released on Friday by Atlantic Records. You can listen here.What is ‘The Warriors’ about?Miranda offers a succinct plot summary: “All the gangs of New York are meeting in the South Bronx for this unprecedented peace summit. Cyrus, the charismatic leader who has called the summit, is assassinated. The assassin blames the Warriors, and the Warriors have to fight their way home to Coney [Island], while every other gang in the city is trying to kill them.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Mitzi Gaynor, Leading Lady of Movie Musicals, Is Dead at 93

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      She was best known for starring in the 1958 screen version of “South Pacific.” But her Hollywood career was brief, and she soon shifted her focus to Las Vegas and TV.Mitzi Gaynor, the bubbly actress, singer and dancer who landed one of the most coveted movie roles of the mid-20th century, the female lead in “South Pacific,” but who abandoned film as the era of movie musicals came to an end, died on Thursday at her home in Los Angeles. She was 93. Her managers, Rene Reyes and Shane Rosamonda, confirmed the death.The role of Nellie Forbush, a World War II Navy nurse and (in the words of a song lyric) a “cockeyed optimist” in Rodgers and Hammerstein’s hit 1949 Broadway musical, had been originated and defined by Mary Martin. But when it came time to cast the 1958 movie of “South Pacific,” some considered Ms. Martin too old (she was in her 40s) and perhaps too strong-voiced for any actor who might be cast opposite her. (Ezio Pinza, her Broadway co-star, had died.)Doris Day was considered. Mike Todd wanted his wife, Elizabeth Taylor, to play the role. Ms. Gaynor was the only candidate to agree to do a screen test, she recalled decades later, although she was an established actress, with a dozen films, seven of them musicals, to her credit.In fact, she was shooting “The Joker Is Wild” (1957), a musical drama with Frank Sinatra, when Oscar Hammerstein II came to town and asked to hear her sing. (Ms. Gaynor always credited Sinatra with making her best-known role possible, because he asked for a change in the shooting schedule that would give her a day off to audition.)Ms. Gaynor in 1962. A year later, she would make her last movie, but she became a star in Las Vegas.Don Brinn/Associated Press“South Pacific” was a box-office smash, and Ms. Gaynor’s performance, opposite Rossano Brazzi, was well received. (She turned out to be the only one of the film’s stars to do her own singing.) But she made only three more films, all comedies without music; the last of them, “For Love or Money” with Kirk Douglas, was released in 1963. She turned instead to Las Vegas, where she headlined shows at major resorts for more than a decade, and to television.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More