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    Manic Street Preachers Describe Their New Music as 'Great Pop' With 'Miserable Lyrics'

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    The James Dean Bradfield-fronted band have started recording their upcoming fourteenth studio installment which is claimed to sound like ‘The Clash playing ABBA.’

    Apr 26, 2021

    AceShowbiz –
    Manic Street Preachers’ new music is like “The Clash playing ABBA,” according to bassist Nicky Wire. The Welsh indie trio spent two weeks recording its upcoming 14th LP at Rockfield Studios, Wales earlier this year (21), and although lockdown measures meant the process was a bit different, the three are very happy with the record’s “miserable lyrics and great pop.”

    Speaking to Mojo magazine, bassist and songwriter Wire said, “I recorded my entire f**king bass parts with a mask on.

    “But it’s the most rehearsed we’ve ever been for an album. The catchphrase was ‘like The Clash playing ABBA’ – The Clash when you felt they could play in any style.”

    “It’s quite a subtle record. There are, always, guitars, but it’s very restrained for us, and really tasteful. It’s the usual thing, miserable lyrics and great pop.”

    The “Motorcycle Emptiness” hitmakers knew they were going to make a “good record” when it snowed on their first day at the studio.

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    Frontman James Dean Bradfield recalled, “It was snowing. And when the first snowflake came down and you wake up to a beautiful blanket of snow, it was, ‘Yeah, this is going to be a really good record.’ ”

    And the musicians – who are joined in the band by drummer Sean Moore – admitted the coronavirus pandemic really influenced the songs.

    James shared, “I had a very smug idea of how I saw the world, but I’ve realised I’d undervalued absolutely everything in my life.”

    “I think that’s what the album became about. That’s what the music did, it found a way out of lockdown.”

    Nicky added, “There’s a lot of exploring the internal galaxies of the mind on this album, and understanding. It didn’t feel like the right time for spite. It’s more internalised, bathed in a comforting melancholia, rather than a self-defeating one.”

    “I certainly feel like these are some of the best words I’ve ever written.”

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    Young Thug's 'Slime Language 2' Reigns Over Billboard 200 Chart in Debut Week

    Eric Church’s new album ‘Heart’, meanwhile, arrives at No. 5 in this week’s Billboard 200 chart with 49,000 equivalent album units, marking his sixth Top 10 album.

    Apr 26, 2021

    AceShowbiz –
    Young Thug’s star-studded project “Slime Language 2” has arrived at No. 1 on the Billboard 200 chart. Hailing from Young Stoner Life Records, the set earns 113,000 equivalent album units in the U.S. in the week ending April 22, according to MRC Data.

    Of the number, most of them are from streaming activity. SEA units comprise 106,000 which equals to 142.68 million on-demand streams of the album’s tracks. Meanwhile, 6000 of them are album sales with 1,000 being in the form of TEA units.

    Released on April 16, “Slime Languange 2” features Gunna, Yak Gotti, Lil Duke, T-Shyne and Lil Keed. Additionally, the 23-track project also sees Young Thug collaborating with big names from outside the Young Stoner Life camp, including Drake, Lil Uzi Vert, Big Sean, NAV and Future. The album marks Young Thug’s second No. 1 album after “So Much Fun”.

    At No. 2 is Taylor Swift’s former leader “Fearless (Taylor’s Version)”. The album dips one spot after earning 7,000 equivalent album units. Morgan Wallen’s “Dangerous: The Double Album”, meanwhile, ascends one rang to No. 3 with 56,000 equivalent album units earned this week. Trailing behind is Justin Bieber’s latest album “Justice” that falls from No. 3 to No. 4 in its fifth week with 54,000 units.

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    Eric Church’s new album “Heart”, meanwhile, arrives at No. 5 with 49,000 equivalent album units, marking his sixth Top 10 album. It is also the first time for three country albums being in the Top 5 together with “Heart”, “Fearless (Taylor’s Version)” and “Dangerous: The Double Album” nabbing No, 5, No. 2 and No. 3 respectively.

    Back to this week’s chart, Rod Wave’s “SoulFly” dips from No. 5 to No. 6 with 46,000 equivalent album units earned. As for rock band Greta Van Fleet, they score second Billboard 200 top 10, as “The Battle at Garden’s Gate” debuts at No. 7 with 44,000 equivalent album units. Descending from No. 7 to No. 8 is The Weeknd’s “The Highlights”, earning 40,000 equivalent album units.

    Rounding out the Top 10 are Dua Lipa’s “Future Nostalgia” and Pop Smoke’s “Shoot for the Stars Aim for the Moon”. While “Future Nostalgia” rises from No. 10 to No. 9 with 35,000 units, Pop’s posthumous album falls from No. 9 to No. 10 with 34,000 units.

    Top Ten of Billboard 200:

    “Slime Language 2” – Young Thug (113,000 units)
    “Fearless (Taylor’s Version)” – Taylor Swift (57,000 units)
    “Dangerous: The Double Album” – Morgan Wallen (56,000 units)
    “Justice” – Justin Bieber (54,000 units)
    “Heart” – Eric Church (49,000 units)
    “SoulFly” – Rod Wave (46,000 units)
    “The Battle at Garden’s Gate ” – Greta Van Fleet (44,000 units)
    “Highlights” – The Weeknd (43,000 units)
    “Future Nostalgia” – Dua Lipa (35,000 units)
    “Shoot for the Stars Aim for the Moon” – Pop Smoke (34,000 units)

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    Van Morrison Defends Anti-Lockdown Songs, Cites 'Freedom of Speech'

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    The ‘Brown Eyed Girl’ hitmaker comes to his own defense after he received ‘very negative reaction’ following the release of his anti-lockdown songs amid Covid-19 pandemic.

    Apr 26, 2021

    AceShowbiz –
    Veteran singer/songwriter Van Morrison is bemoaning the “very negative reaction” to his anti-lockdown protest songs last year (20), insisting he was simply exercising his “freedom of speech.”

    The “Brown Eyed Girl” hitmaker has been outspoken in his criticism of lockdown measures introduced to curb the spread of COVID-19, which halted almost all live music events in the U.K. from March, 2020.

    He dropped a series of tracks outlining his strong views, including one with rock legend Eric Clapton, called “Stand and Deliver”, which was released in support of Van’s Save Live Music campaign, raising funds for his Lockdown Financial Hardship Fund, helping struggling musicians who were unable to perform.

    However, Van is dismayed that only Eric paid attention to his plea for fellow famous artists to “fight the pseudoscience and speak up” and he is concerned people are being silenced for expressing alternative views.

    He told The Times newspaper’s Saturday Review, “The only other person who has any traction or motivation to speak out about what’s going on, to get out there and question things, is Eric.”

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    “A few people got a petition together to end the lockdown, but nobody pays attention to petitions, do they?”

    “If I can write about it, I do. Poetic licence, freedom of speech… these used to be OK. Why not now? I don’t understand it. Some people call it a cult. It is like a religion. Whether anyone agrees with me or not is irrelevant.”

    “Just as there should be freedom of the press, there should be freedom of speech, and at the minute it feels like that is not in the framework,” he grumbled. “If you do songs that are an expression of freedom of speech you get a very negative reaction.”

    And the crooner doesn’t think it’s “a given” that live music will return any time soon.

    “Your guess is as good as mine because freedom is not a given any more,” he said. “You have to fight for it. That’s where the blues come in.”

    Van’s views on the state of the world are explored on his new album, “Latest Record Project: Volume 1”, which hits retailers on 7 May (21).

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    Behind ‘Strange Fruit,’ Billie Holiday’s Anti-Lynching Anthem

    It helped make Holiday a star, but it was written by Abel Meeropol, a teacher in the Bronx. An Oscar nomination and a year of protests against racism have kept it in the conversation.When Billie Holiday first performed “Strange Fruit” in 1939, the song was so bold for the time that she could sing it only in certain places where it was safe to do so.The song likened the lynched bodies of Black people to “strange fruit hanging from the poplar trees.”Ahmet Ertegun, the legendary music executive, hailed it as “a declaration of war” and “the beginning of the civil rights movement.”The song has garnered renewed attention since Andra Day was nominated for an Oscar for best actress for playing Holiday in “The United States vs. Billie Holiday.” The film, which debuted on Hulu in February, chronicles Holiday’s defiance in the face of the government’s efforts to suppress “Strange Fruit.” The Oscars air on Sunday evening.Holiday popularized the song, causing many to believe she was responsible for its chilling lyrics. That notion was reinforced by the 1972 film “Lady Sings the Blues,” which suggests that Holiday, played by Diana Ross, wrote the song after witnessing a lynching.In fact, the song was written by Abel Meeropol, a white Jewish schoolteacher in the Bronx.Mr. Meeropol was moved to write it after seeing a photograph of the lynching of Thomas Shipp and Abram Smith in Marion, Ind., in 1930. The photograph, by Lawrence Beitler, shows two bodies hanging from a tree as a crowd of white people look on, some grinning. Thousands of copies of the photo were printed and sold, according to National Public Radio.Abel Meeropol wrote the music and lyrics to “Strange Fruit,” using the pseudonym Lewis Allen.Boston University LibraryMr. Meeropol, using the pseudonym Lewis Allen, did not write the song for Holiday. It was first published as a poem in the New York teachers’ union magazine in 1937.He was known for his communist views, and for adopting the two sons of Ethel and Julius Rosenberg, who were executed after being convicted on espionage charges. Mr. Meeropol’s wife, Anne, sang “Strange Fruit,” as did several others, before Holiday performed it at Café Society, an integrated nightclub in New York City, in 1939.At the time, the song’s message — conveyed with lines like, “Pastoral scene of the gallant South, the bulging eyes and the twisted mouth” — was immensely controversial.Yet in the 21st century, “Strange Fruit” has lived on, sampled in the 2000 song “What’s Really Going On,” in which the singer Dwayne Wiggins recounts an episode of racial profiling at the hands of the police in Oakland, Calif.And in 2021, as the nation continues to reckon with a series of killings of unarmed Black people by the police — often captured in gruesome footage of Black men being shot or, in the case of George Floyd, knelt on by white officers — “Strange Fruit” has maintained its place in the national conversation about racism.The song “is going to be relevant until cops start getting convicted for murdering Black people,” Michael Meeropol, one of Abel Meeropol’s sons, told “CBS This Morning” before Derek Chauvin, a former Minneapolis police officer, was convicted of murdering Mr. Floyd.“When that happens, maybe then ‘Strange Fruit’ will be a relic of a barbaric past,” he said. “But until then, it’s a mirror on a barbaric present.” More

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    Dave Keuning Confirms He's Back With The Killers After Four Years of Break

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    The lead guitarist of the Brandon Flowers-fronted band is reuniting with his bandmates, four years after he took a step back to spend time with his family.

    Apr 25, 2021

    AceShowbiz –
    The Killers co-founder Dave Keuning has confirmed reports he’s back with the band after stepping away from the spotlight in 2017 to focus on his family.

    The guitarist featured in a video the band posted from the studio earlier this year (21), leading fans to believe Dave was working with the group again after sitting out The Killers’ last album “Imploding the Mirage and opting not to tour, and now he reveals he’s back with his former bandmates while insisting life on the road is over for him.

    Keuning tells Rolling Stone magazine he quit the group because he was “sick of the touring, which is the other 22 hours of the day, when you aren’t onstage,” and wanted to be home with his young son.

    “I was done with that, just travelling and going back to the hotel or going back to the bus and going to the next town,” he explains. “I’ve done that a lot. Some people aren’t very sympathetic. But everyone’s situation is different at home, or how much they can take. Sometimes I felt like I was under a little, unnecessary microscope.”

    “It was like, ‘Why don’t you want to tour?’ I’d be like, ‘You mean why don’t I want to be gone 11 months out of the year? Do I need to come up with a detailed explanation? Are you gone 11 months out of the year?’ ”

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    “Everyone has a different threshold or motivation or personal situation… I really do miss the shows… and the fans and the crowds and all that stuff. But I did it a lot for 10 years. After a while, I just wanted to experience something else. I was fortunate to get a house, but I was never there. I wanted to actually live in it and have a normal life… I got tired of constantly feeling guilty because I was never home and I have a son.”

    Dave insists the break from the band has served him well, because he has been able to use a bunch of songs that never made it onto The Killers’ albums for his own solo project, adding, “At least it gives me a finished sense of satisfaction. And I’m happy that some of these songs are seeing the light of day instead of never being finished.”

    He admits the COVID pandemic brought the band back together again. “They were about to go on tour before the pandemic and that tour was cancelled,” he explains. “And then they reached out. They were working on a record because they had all this time on their hands, and they asked if I wanted to be a part of it… It hasn’t actually been super easy to get all four of us in a room because of the pandemic, but it got me talking to them again and recording with them again.”

    Keuning admits he’ll even consider touring with The Killers again – if he’s not away from home for 11 months of the year.

    “I’ll do 100 (shows),” he laughs. “What people don’t understand is that I’m only in their town one night of the year, but there were some years where (we did 200 shows) a year.”

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    Dave Grohl Releases Duet With Daughter to Pay Tribute to 'Family History'

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    The Foo Fighters ringleader has released a collaboration with his daughter Violet Grohl, a cover of X’s song ‘Nausea’ to pay tribute to family ties with X drummer.

    Apr 25, 2021

    AceShowbiz –
    Dave Grohl has paid tribute to his “family history” by releasing a duet with his daughter.

    The Foo Fighters frontman and his eldest child, 15-year-old Violet, have teamed up for a cover of X’s 1980 track “Nausea”, with the song recorded at the “All My Life” singer’s home studio and featuring in his upcoming documentary “What Drives Us”.

    Dave explained on Instagram how he is connected to X both through music and family ties and how those connections ultimately “serve as the foundation to the soundtrack to our lives.”

    The rocker explained how, following Nirvana’s 1992 world tour, his grandmother told him he could be related to X drummer DJ Bonebrake because his surname was her maiden name and, in 2007 after a Foo Fighters gig, he and other members of his family had a reunion with the musician.

    He recalled, “After the show, Pat (Smear) brought DJ to the dressing room backstage, where my mother, sister and I were having drinks. As he came through the door, we all stood up and warmly greeted him like a long lost relative, inspecting every feature, desperately trying to identify the trademark family brow or chin, passed down over centuries.”

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    “Long discussions of distant relatives and our historic family tree ensued, and by the end of the night we parted ways feeling a bit more connected to the lineage that brought us to this place, musical and otherwise.”

    After finishing work on “What Drives Us” and watching it back, he felt it was important to commemorate those connections in some way.

    Dave wrote in the third part of his lengthy post, “I wanted to record a song that would not only pay tribute to the people and music that influenced me to become a musician, but also to pay tribute to my long family history.”

    “So what better than an X song? And what better person to sing it than my daughter, Violet Grohl, another descendant of Johann Christian Beinbrech. I picked up one of my favorite X songs, ‘Nausea’, from their 1980 debut album ‘Los Angeles’ and forwarded it to Violet, hoping that she would agree to my most impulsive idea.”

    “Anyone who has ever heard Violet sing knows that she was certainly capable of doing it, but it was just a matter of getting her in front of the microphone to record, something that the two of us had never done together before. It felt so meaningful to have the first song Violet and I record together be a tribute to our Bonebrake heritage.”

    Violet agreed and Dave recorded the instrumental tracks before she added her vocals and he then put harmonies over the top, and the “Everlong” hitmaker couldn’t be prouder of the track.

    He gushed, “We smiled upon listening to playback at full volume. It was a moment that superseded anything musical. A life moment that I will cherish forever. A family moment.”

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    Tom Jones Credits Late Wife for Saving Him From Ridicule for Attempting to Embrace Hip-Hop

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    The ‘It’s Not Unusual’ hitmaker recalls being advised by his late wife Linda against releasing a rap-inspired album after she listened to his experimental material.

    Apr 25, 2021

    AceShowbiz –
    Welsh crooner Tom Jones credits his late wife Linda with saving him from public ridicule after once attempting to embrace hip-hop in his pop music.

    The “It’s Not Unusual” hitmaker, who lost his longtime partner to lung cancer in 2016, recalls Linda wisely advising him against releasing his rap-inspired tunes after giving her a preview of his experimental material.

    “Every time I would record an album, she would be the first one I ever played it to and she would tell me what she thought,” Tom told U.S. news show “Today”.

    “I got a little, sort of hip-hop at one stage in my career and she said, ‘Who are you aiming this at?’ and I said, ‘Whoever wants to listen to it!’ ”

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    “She said, ‘There are other people who do that stuff, you don’t need to do that, do you…?’ and she was right, it didn’t really work.”

    Tom released “Surrounded by Time”, his first album since Linda’s passing, on Friday (23Apr21), and without having her as his sounding board, he can only imagine what she may make of the songs.

    “I would hope she would like it…,” he smiled.

    During the interview, Tom, who moved back to London from the U.S. following Linda’s death, admitted he still talks to his wife on a daily basis because he keeps her ashes in his bedroom so she will always be close by.

    He shared, “She wanted to be cremated… and I have her ashes in a box and I’ve got them in my bedroom on top of a chest of drawers with her photograph over the top, so she’s the last person I speak to at night, and the first person I speak to in the morning.”

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    Paul Weller Thinks He Would Be in 'Padded Cell' If He Didn't Make Music During Lockdown

    WENN

    The ‘Changingman’ singer jokingly said he might be committed to a mental hospital if he didn’t record music after his tour was called off because of Covid-19 lockdown.

    Apr 25, 2021

    AceShowbiz –
    Paul Weller thinks he’d be in a “padded cell” if he hadn’t been recording music through the coronavirus lockdown.

    The “Changingman” rocker has spent the last year working on new LP “Fat Pop (Volume 1)”, and he was grateful to still have a creative outlet when the world shut down because of the COVID-19 pandemic.

    Asked what it would have been like without access to a studio over this time, he told Uncut magazine, “I’d probably be in a padded cell. I’ve no idea.”

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    “I mean, perhaps I make it sound easier than it is. The songwriting part of it still involves an awful lot of finessing and chipping away.”

    And the star joked he made the record so he could get a “break” from his young children.

    Paul – who has adult kids Leah and Natt from his first marriage to Dee C. Lee, Dylan from a relationship with a make-up artist named Lucy, Jesamine and Stevie Mac with former partner Samantha Stock, and twins Bowie and John Paul and daughter Nova with wife Hannah – laughed, “I did the record so I could get away and have a f**king break! But I think I used (the time) wisely as well, you know?”

    Last year, he also released a new album called “On Sunset”. He previously said of his 2020 release, “Music is my obsession, it’s my education, it’s my entertainment, it’s the way that I communicate, it’s everything to me. Every track here reflects that obsession.”

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