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    Mick Fleetwood Insists Fleetwood Mac Are Not Split Up Following Lindsey Buckingham Reconciliation

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    The co-founder of the ‘Dreams’ hitmakers claims the band haven’t broken up and, if they do, he hopes ‘to find a classy way to say goodbye’ with his bandmates.

    Apr 23, 2021

    AceShowbiz –
    Mick Fleetwood has insisted Fleetwood Mac has not “broken up.”

    The 78-year-old music icon co-founded the “Chain” hitmakers and he believes that they will figure out a “classy way” to bid farewell when the time is right as he insisted “we are still a band.”

    Reflecting on the unprecedented past year amid the coronavirus pandemic, he told The Times newspaper, “The last year has been so catastrophic for all of us.”

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    “We’ve all been shocked that life can change so very quickly, but you’re talking to the dude who never gives up. We are still a band. We have not broken up. And here we are. I hope we can do something with dignity, that will make sense for all of us, and the will to go forward is there. In the story of Fleetwood Mac, the last tour was not meant to be the last tour. If that became clear – and it could – I would hope to find a classy way to say goodbye. Because one thing we’ve all learnt with Fleetwood Mac is that there are no absolutes at all.”

    Mick’s comments come after he recently revealed he reconciled with former bandmate Lindsey Buckingham, who was fired by the band in 2018 when Mick insisted the guitarist would never be allowed to re-join the group.

    Meanwhile, bandmember Christine McVie has previously admitted she doesn’t think frontwoman Stevie Nicks will tour with Fleetwood Mac again.

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    Little Mix Enlist Saweetie for Their New Single Following Jesy Nelson Exit

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    Perrie Edwards, Leigh-Anne Pinnock, and Jade Thirlwall are teaming up with the ‘Tap In’ hitmaker for their next single called ‘Confetti’ after their fourth member left.

    Apr 23, 2021

    AceShowbiz –
    Little Mix will release “Confetti” featuring Saweetie as their first single without Jesy Nelson.

    The pop group now consists of singers Perrie Edwards, Leigh-Anne Pinnock, and Jade Thirlwall after Jesy announced her departure from Little Mix back in December (20) for mental health reasons.

    And in a social media post, the group announced their first single as a trio – the title track from their sixth studio album and final collection to feature Jesy – will be released at the end of April.

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    Little Mix captioned the post, “The news you’ve all been waiting for… our brand new single Confetti featuring @saweetie is out 30/04.”

    In a video shared on their accounts, the girls reunited, with Perrie stating, “Our brand new single Confetti featuring Saweetie is out on the 30th, Friday! Check it out… You are going to absolutely love it!”

    Meanwhile, Jesy is reportedly at the centre of a bidding war between rival record labels after she recently kickstarted a solo career with a handful of recording sessions.

    Jesy previously said when announcing her exit from the girl group, “The truth is recently being in the band has really taken a toll on my mental health. I find the constant pressure of being in a girl group and living up to expectations very hard. There comes a time in life when we need to reinvest in taking care of ourselves rather than focusing on making other people happy, and I feel like now is the time to begin that process… I need to spend some time with the people I love, doing things that make me happy.”

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    Cardi B Fires Back at Republican Politician for Blasting Her Racy Performance at Grammys

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    The ‘Bodak Yellow’ hitmaker is left fuming by Wisconsin politician Glenn Grothman after the latter criticized her ‘WAP’ performance with Megan Thee Stallion at the Grammys.

    Apr 23, 2021

    AceShowbiz –
    Cardi B has taken aim at Wisconsin politician Glenn Grothman for choosing to publicly criticise her raunchy Grammy Awards performance instead of address the more pressing issue of police brutality.

    The Republican congressman used his time on the floor of the U.S. House of Representatives on Thursday (22Apr21) to moan about Cardi B’s racy rendition of “WAP” with Megan Thee Stallion at the Grammys last month (Mar21), when their steamy primetime TV set sparked over 1,000 email complaints to officials at the Federal Communications Commission.

    “I’ve received complaints in my office – and rightfully so – about Cardi B and the Grammys,” Grothman said. “They wonder why we are paying the FCC (and) if they feel that this should be in living rooms across the nation.”

    He went on to namecheck Democratic Vice President Kamala Harris for her prior support of Cardi’s music, and added, “Wake up, FCC, and begin to do your job! The moral decline of America is partly due to your utter complacency.”

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    However, Cardi didn’t take kindly to her performance being the topic of discussion in Congress, two days after former Minnesota policeman Derek Chauvin was found guilty of the murder of George Floyd during an arrest in May 2020 and amid the fall out following the shooting death of black teen Ma’Khia Bryant at the hands of an Ohio police officer shortly before the Chauvin verdict was announced on Tuesday.

    Venting about Grothman’s complaints via Twitter, she fumed, “This gets me so mad ya don’t even know! I think we all been on the edge this week since we seen police brutality back to back including watching one of the biggest case in history go down DUE to police brutality but wait ! This is wat state representative decide to talk about (sic).”

    Cardi then called out Grothman for failing to help bring justice for Jacob Blake, who was left paralysed from the waist down during an attempted arrest last August (20), when he was shot seven times in the back at close range by an officer in Kenosha, Wisconsin – in front of his partner and their three children.

    “Mind you N**kas can’t give a word about Jacob Blake or give him proper Justice but this part of the reason why !!!!!” the rapper raged.

    “They giving seats to F**KIN IDIOTS!!This is why people gotta vote ,elect better people cause you got these dum a**es representing states (sic).”

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    $10,000 Flute Left in Cab Nine Years Ago Is Finally Returned

    Heidi Slyker, a Boston area musician, said the disappearance had consequences beyond the mere loss of property.When Heidi Bean got into the cab in Boston that fateful night in 2012, she had just finished an eight-hour gig rotating between piano, guitar, bass and drums at the music club Howl at the Moon. It was 3:30 in the morning and she was already thinking of the day ahead, when her musical skills would really be tested.Ms. Bean would attend her first rehearsal with the New England Philharmonic, playing flute, the instrument she performed with since she was a young girl and had clung to through college and graduate school. But now, finally, years after auditioning for the orchestra, a flutist position had opened up — and Ms. Bean was ready.At her feet inside the cab, in a hardshell case, was a Brannen Brothers Flutemakers silver Millennium, a $10,000 instrument that was modest by professional standards — similar instruments can cost more than $70,000. Ms. Bean had purchased the flute in high school, with her own money, which she earned working full-time for several years.When the taxi got to her apartment, she stepped out. The cab pulled away. The flute was still inside. “I immediately knew,” she recalled.“It was terrible,” Ms. Slyker said of having to perform without her prized flute. “I finally got into an orchestra and I just had to quit.” Courtesy of Heidi SlykerMs. Bean said she called the cab company, but employees there said they could not locate the driver and had not heard about any lost musical instruments. Eventually, Ms. Bean filed a police report. She even spoke to the news media. She told WBZ-TV at the time that if she didn’t get the flute back, she would have to quit the orchestra.In a telephone interview on Wednesday, Ms. Bean, 36, who has since married and now goes by Heidi Slyker, recalled trying to hold on to her orchestra position. A friend lent her a flute so she could perform, but it was, Ms. Slyker said, not as good as the one she had lost, and it showed.“They were like ‘Flute 2 sounds terrible.’ And I was like, I’m sorry,” she said. “I was able to finish the concert, but I never got asked back.”“It was terrible,” she said. “I finally got into an orchestra and I just had to quit.” She still had her job at the club, but with the weight of $75,000 in student loans, Ms. Slyker could not afford to replace her flute, which she had not insured. “It took me like five years before I got another flute,” she said.Then, last month, Ms. Slyker, who still works at Howl at the Moon as a musical director and performer, woke up to see a message on her phone from Brannen Brothers, the makers of her lost flute. “Why would they be calling me?” she thought. A company representative had been contacted by a music store in Boston, where a man had recently walked in and asked to have a silver flute appraised. The serial number on the flute matched the one Ms. Slyker had lost nine years earlier. “I almost passed out,” she said.The employee was Brett Walberg, sales manager and woodwind specialist at Virtuosity Musical Instruments. He said he does about a dozen appraisals a week at the store. When he walked into work on Feb. 12, a colleague asked him to look at a silver flute that a customer had just brought in.Something struck Mr. Walberg as odd. The customer did not appear to be a flutist. “It was kind of like watching someone who’s never picked up a football before, versus, like, Eli Manning picking up a football,” Mr. Walberg recalled Wednesday. The silver flute was rare, something a professional flutist was more likely to use than a casual hobbyist, according to Mr. Walberg, who also teaches music history at Lasell University.That combination was “kind of a yellow flag,” he said. Following store protocols in such situations, he took pictures of the instrument, noted the serial number, and wrote down the customer’s name and contact information. Since the flute was not immediately determined to have been stolen, the store could hold on to it for only a limited amount of time. The flute was there for less than two hours, Mr. Walberg said. Then, it left with the man who had brought it in.Mr. Walberg contacted the flutemaker and gave them the information he had. The flutemaker began tracking down the original bill of sale for the item. When they found it, it had Ms. Slyker’s name. After nine years, her flute had been found.“Imagine what you hold most dear in your day wasn’t there anymore,” said Mr. Walberg, who also plays the saxophone. Since the instrument is made of precious metals and appreciates in value over time, the $10,000 flute she lost in 2012 now cost $12,960 to replace, the flutemaker told Mr. Walberg.Mr. Walberg, who is friends with Ms. Slyker’s brother, was unable to get the man to return the flute. Eventually, the store contacted detectives with the Boston Police Department. “We tried our best to have it resolved without any involvement with the police,” Mr. Walberg said.The detectives visited the customer, who said he had purchased the flute from an unknown man, the police said. The man turned over the flute to the detectives. They returned it to Ms. Slyker on Monday.“It was then determined that the individual was a taxi cabdriver who was driving a cab the day that the flute was reported missing,” the department said in a news release. The man may face charges of receiving stolen goods, the department said.Ms. Slyker said she was unsure if she wanted to see the man prosecuted. “I’m not a vengeful person, but he really did mess with me,” she said. “It was just so personal, and it affected me in so many ways.”Ms. Slyker spent five years saving up to purchase a new flute: a $13,000 Aurumite 9K made by Powell Flutes, silver with rose gold over it. With her new flute, and now her lost flute found again, she said, “I can’t wait to play them back to back.”Sheelagh McNeill contributed research. More

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    ‘Sisters With Transistors’ Review: How Women Pioneered Electronic Music

    This far-reaching documentary from Lisa Rovner looks back at the female composers and artists who shaped modern music.This documentary from Lisa Rovner, about women and electronic music, is hardly as goofy as its title makes it sound. Many of the innovating individuals profiled here contend that women have an affinity for digital technology. And that technology had, and still has, the potential to “blow up the power structure.”Then again, discussing her theremin — an electronic instrument that creates sound via hand movements through what looks like empty space — the performer Clara Rockmore says: “You cannot play air with hammers. You have to play with butterfly wings.” By the same token, Daphne Oram and Delia Derbyshire, 1950s and ’60s pioneers of synthesizers and tape loops who both worked for the BBC, are conventionally proper and polite as they explain their innovations in archival interviews.Narrated by the avant-garde musician Laurie Anderson in a vocal timbre that blends her performance mode with a more conversational one, this film is informative and often fascinating. It is invigorating to hear the great performer-composer Pauline Oliveros ask, “How do you eliminate the misogyny of the classical canon?” — pointing to a tape recorder as a potential tool. (Oliveros, who died in 2016, also discusses her 1970 New York Times Op-Ed titled “And Don’t Call Them ‘Lady’ Composers.”The short shrift the movie gives to Wendy Carlos is puzzling. The very brief segment allotted to her begins with a French television clip about “Switched-On Bach” and its high sales. This segues into the composer-performer Suzanne Ciani’s dismissal of Carlos’s work: “The way it impacted the public’s consciousness of what a synthesizer was, was completely retroactive.” Rovner sees no irony in then chronicling Ciani’s work in television advertising.Sisters with TransistorsNot rated. Running time: 1 hour 26 minutes. Watch through Metrograph’s virtual cinema. More

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    Clive Davis Adds Elton John and Queen to Line-Up of Second Virtual Pre-Grammy Event

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    Feeling better after undergoing treatment for Bell’s Palsy, the legendary producer sets May 15 as the new date for the postponed leg of his pre-Grammys celebration.

    Apr 22, 2021

    AceShowbiz –
    Music mogul Clive Davis has added Elton John and Queen stars Brian May and Roger Taylor to the all-star line-up for his rescheduled virtual pre-Grammys celebration.

    The legendary producer was forced to postpone the second leg of his Grammys-eve event in March after undergoing treatment for Bell’s Palsy, which can cause temporary facial paralysis due to sudden muscle weakness.

    Now he’s feeling good and is ready to party again, setting May 15 as the new date for the online get-together, benefitting the Grammy Museum.

    And he’s invited more big names to join in the fun, with Elton, May and Taylor set to appear alongside the likes of Paul Simon, Joni Mitchell, Carlos Santana, John Mellencamp, Berry Gordy, Dionne Warwick, Barry Manilow, and Earth, Wind & Fire, as well as Slash, Dave Grohl, Rob Thomas, H.E.R., and DaBaby.

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    Previous reports also revealed Oprah Winfrey would be taking part in a special pre-recorded interview with Davis to pay tribute to Tina Turner.

    Sharing the new date with the New York Post’s Page Six, Davis said, “Part I was truly memorable – a special lifetime night. You just won’t believe what we have in store for Part II.”

    “I am deeply privileged to be joined by some of the greatest artists ever while paying tribute to several of the most electrifying live performances in music history.”

    Davis hosted his first pre-Grammys virtual event on January 30, the eve of the original ceremony date, before Recording Academy bosses decided to delay the prizegiving until March 14 as a result of rising coronavirus cases.

    That invitation-only gig boasted appearances from stars such as Bruce Springsteen, Barry Gibb, Alicia Keys, John Legend, and Rod Stewart.

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    Quando Rondo Insists 'End of Story' Isn't Meant as a Diss to King Von

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    When addressing controversy surrounding the song’s title which seems like a jab at the late rapper, the ‘Imperfect Flower’ rhymer says it’s a mere coincidence as he had no idea his rival had a song titled ‘Crazy Story’.

    Apr 22, 2021

    AceShowbiz –
    Quando Rondo has set things straight on fans’ speculation regarding his song “End of Story”, which is believed to be a jab at King Von. In the latest episode of his interview with Angela Yee which was uploaded on YouTube on Wednesday, April 21, the 22-year-old star denied that the 2020 track is a diss song aimed at his late rival.

    The controversy began as fans noted that Von had a song titled “Crazy Story”, prompting many to speculate that Rondo named his song “End of Story” to take a shot at the Chicago-born artist. The Savannah native debunked this theory though as he claimed that he wasn’t aware his nemesis had a song titled “Crazy Story”.

    “Me saying ‘End of Story’ is just me saying this is the end of the story,” Rondo said in the interview. “I had no intentions — To be honest with you, ma’am, I didn’t even know bruh has three or four songs called ‘Crazy Stories’.”

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    Rondo went on explaining that what he actually means with the title is that the song would be the only time he would rap about the shooting. He then called a friend, whom he described as his “big brother,” to back his claim.

    “I think you was saying you wasn’t going to talk about it no more. You was done with it,” Rondo’s friend said through the phone speakers. “At first, you said something like ‘End of Discussion’… Lowkey, I didn’t pay attention until it came out.”

    Though he didn’t mean to diss Von with the song’s title, Rondo did address the altercation that led to the shooting death of Von in the song’s lyrics. “Damn right, we scrеaming self-defense, he shouldn’t have never put his hands on me/ Look at the footage, that’s all the evidence, see them p***y n***as shouldn’t have ran up on me,” he spits his bars, defending his associate Lul Timm a.k.a. Timothy Leeks who has been accused of the murder.

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    Louis Tomlinson Left Outraged Over Leaked Song

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    After ‘Help’ made its way onto the world wide web, the One Direction member complains that he has ‘spent a lot of time crafting the right songs and the right sound.’

    Apr 22, 2021

    AceShowbiz –
    Louis Tomlinson has told his fans to stop listening to a leaked song of his that has surfaced online.

    The singer was left fuming after “Help” made its way onto the world wide web, as he has been working hard to nail “the right sound” for his upcoming record.

    He sings on the track, “Why am I awake in last night’s clothes? Why is there a street sign on the floor?”

    “I spent a lot of time crafting the right songs and the right sound,” he tweeted in response to the leak. “The fact this has been leaked is bulls**t. It’s a s**t song.”

    Louis’ reaction to the leak prompted many fans to back him up. “we’re sorry for this leak, but its not a s**t song pls don’t be unfair to yourself,” one pleaded with him, while another vowed, “Gonna not hear the leaked @Louis_Tomlinson song… wanna wait til Louis decides to officially release it.”

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    A third fan chimed in, “I saw an disrespectful person leak the full version of the song. It’s so wrong and disrespectful. Please don’t spread it, louis said he’s uncomfortable. respect him and his efforts because he’s working really hard.”

    Someone else sent message of positivity to Louis. “do you ever wonder how many lives you’ve help because it’s a lot,” the user wrote. “You said today in your tweet that the song that was leaked was s**t. And it wasn’t which means as a fandom we have failed to make you see the glory you bring to the world. Your amazing. Thank you.”

    Louis teased a ‘big’ surprise for his fans.

    The former One Direction star later teased that he has a “big” surprise on the way for his fans. He wrote, “Got something BIG planned later this year! It’s going to be special!!”

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