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    Sting Regrets The Police Reunion, Loves 'Total Freedom' as Solo Artist

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    The ‘Fields of Gold’ hitmaker admits he was not really impressed by his 2007 reunion with former bandmates and would rather continue to work as a solo artist.

    Mar 21, 2021

    AceShowbiz –
    Sting regrets The Police’s reunion.

    The 69-year-old singer reunited with bandmates Andy Summers and Stuart Copeland in 2007 – 19 years after they split – and then embarked on a global tour in 2008.

    But the “Every Breath You Take” hitmaker admitted the experience didn’t leave him feeling the way he’d hoped it would.

    In an interview with Reader’s Digest magazine, he said, “At the time I labelled the tour an exercise in nostalgia. That was simply how I felt and is still how I feel today.”

    “I think it’s OK to be honest about your feelings and that was the way it went for me.”

    “That’s not a slight on the people I was with or the way things panned out, it’s just how I saw it by the end, and let’s be honest, that’s not how I wanted to remember it.”

    “If I thought that would be the emotion I’d be leaving with, I wouldn’t have done it in the first place.”

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    Sting loves working as a solo artist because of the “total freedom” it offers.

    He said, “I think there is a freedom in being a solo artist.”

    “It’s not a power thing, at all, it’s just about producing exactly the brand and style of music that feels right for you.”

    “Music, in every form, is a collaborative process, but never more so than in a band, where you have to consider other people almost more than you do yourself.”

    “To have total career freedom is, for me, the ultimate thrill of being a solo artist.”

    Although the “Fields of Gold” singer thinks it’s “great fun” to have a hit record, he isn’t motivated by chart success.

    He added, “It’s great fun to have a hit record, it really is, but it’s not why I make records and it never has been, to be honest.”

    “It’s easy to get swept along in the excitement of the charts – a lot more so in the eighties than it is today – but the truth is I make records out of love and curiosity, even if it’s always nice to have something on the radio.”

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    Noah Cyrus Returns to Her Roots on New EP After Feeling ‘a Little Lost’

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    Noah Cyrus Returns to Her Roots on New EP After Feeling 'a Little Lost'

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    The ‘End of Everything’ singer teams up with PJ Harding on a collaborative mini album after they met at a songwriters’ retreat in Bali before Covid-19 pandemic.

    Mar 21, 2021

    AceShowbiz –
    Noah Cyrus and PJ Harding created a collaborative EP during lockdown from opposite ends of the earth after hooking up at a songwriters’ retreat in 2019.

    The pair actually met at the same Bali retreat in 2018, but didn’t get the chance to work together.

    Then, Australian Harding reached out and he and Noah, who is based in Tennessee, ended up writing her hit “I Got So High I Saw Jesus”, and now they’re actually a musical couple, dropping debut single, “Dear August”, last month (Feb21), and following it up with “You Belong to Somebody Else” on Friday (19Mar21).

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    Both tracks are featured on their debut EP “People Don’t Change”, which is slated for release on 23 April.

    “At heart, this is really a raw, homemade record,” PJ states. “There’s a strong folk tradition in Australia, which you can possibly feel. There’s certainly a lot of Nashville in there too. I feel like Noah is really the guiding force here. She’s the soul of this record.”

    “This wouldn’t have happened without PJ,” Noah shares. “He put the music together, so I could do this. He’s the most talented dude I’ve ever partnered with.”

    “I genuinely admire him as a writer, singer, musician, and artist. Writing songs before, I honestly felt a little lost. It felt special to go back to my roots and make something with guitar and piano like what my dad made me listen to as a kid. I felt like I was able to put my true self into this. I could be who I am at the core, which is just Noah from Nashville.”

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    Grammy Boss Defends Eddie Van Halen Tribute Following Backlash

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    The executive producer of the Grammy Awards has responded to the criticisms regarding the ‘In Memoriam’ segment that honored the late Van Halen rock star.

    Mar 21, 2021

    AceShowbiz –
    Grammy Awards executive producer Ben Winston has defended the show’s Eddie Van Halen In Memoriam tribute, revealing he wanted it to be bigger but the late guitar great’s family nixed the idea.

    Fans and Eddie’s son Wolfgang were upset by the Van Halen star’s 15-second slot at music’s big night on Sunday (14Mar21), and some devotees took to social media this week to hammer the Recording Academy bosses for failing to show due respect to a rock legend.

    Wolfgang Van Halen revealed in a social media post that he was approached by producers to perform his father’s signature guitar instrumental “Eruption” during the Grammys broadcast, but declined. He also took aim at the show’s power players, adding, “What hurt the most was that he wasn’t even mentioned when they talked about artists we lost in the beginning of the show.”

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    But Winston tells Variety he did what he could to facilitate a more comprehensive tribute.

    “We had a call with Wolfgang before the show, and I asked him if he’d be willing to come on and play,” Ben says. “He felt he didn’t really want to do that, and I offered up eight or nine guitarists who maybe could. But instead, he felt like we should play a video of Eddie himself, because nobody could play like him, so that’s what we did.”

    “I would have loved for it to be longer than it was, but Eddie was the only person in the whole In Memoriam (segment) to play their own music, with no other faces being seen. I felt that was an appropriate tribute to him, but if Wolfgang didn’t, I’m sorry about that… It’s such a horrific thing to lose a parent. We did the best that we felt we could.”

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    Stevie Nicks Turns Down Nathan Apodaca's Offer to Turn 'Dreams' Video Into NFT

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    The TikTok star, who became a viral sensation after filming himself skateboarding while miming along to the Fleetwood Mac song, is also said to feel slighted by the rocker’s lack of acknowledgment.

    Mar 20, 2021

    AceShowbiz –
    Stevie Nicks has reportedly blocked TikTok star Nathan Apodaca’s bid to turn his “Dreams” skateboarding video into a money-spinning investment.

    The Fleetwood Mac fan’s video of himself gliding down a street while miming along to Stevie’s hit and drinking cranberry juice became one of last year’s (2020) biggest viral hits, garnering 12 million views, while giving the band’s 1977 song a new lease of life, but Nicks wants nothing to do with plans to turn the concept into a digital asset.

    Apodaca is trying to sell the full video as a non-fungible token (NFT), with a starting bid of $500,000 (£360,400), but he can’t offer up the music without Stevie’s permission. Many artists, musicians and influencers have had their NFTs turned into collector’s items.

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    The rock veteran has reportedly shot down the idea of sharing a digital fortune with the property developer. Apodaca’s representative told TMZ on Friday, March 19 that their team had offered Nicks 50 percent of the sale, but she had turned it down.

    The rep also told the outlet that his client feels slighted as Nicks never even acknowledged him after he gave “Dreams” and Fleetwood Mac a big boost among younger music fans thanks to his skateboarding video.

    Apodaca is planning to move forward with the sale of his clip without the music, as the rights could not be secured.

    Nicks has yet to comment. She, however, revealed in mid-October 2020 that “Dreams” was recorded in just 20 minutes. She additionally shared that she wrote it in funk legend Sly Stone’s secret recording space in San Francisco, California.

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    Justin Bieber Announces 'Justice' Initiative Supporting Social Good to Mark New Album Release

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    The ‘Never Say Never’ hitmaker uses his platform for good cause as he announces his support for organizations fighting for justice to celebrate his new studio installment.

    Mar 20, 2021

    AceShowbiz –
    Justin Bieber has teamed up with bosses at digital marketing platform Propeller to raise awareness and generate support for organisations fighting for justice.

    The new initiative has been launched to coincide with the release of Bieber’s new album, “Justice”, on Friday (19Mar21).

    Announcing the partnership with Propeller on Twitter on Thursday, Justin wrote, “In honour of #Justice I’m supporting organisations that embody what justice looks like in action.”

    The charities who will directly benefit from the campaign include Alexandria House, Anti-Recidivism Coalition, Baby2Baby, Equal Justice Initiative, and the Poor People’s Campaign.

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    Fans donating money to the cause can win tickets to shows on Justin’s 2022 tour, an Epiphone Hummingbird Artist guitar signed by the pop star, and a shopping spree from Justin’s online store.

    Unfortunately for the singer, he’s currently embroiled in a legal dispute with dance duo Justice, who have accused Bieber of stealing their logo.

    The dance troupe fired a cease-and-desist letter. They told Justin in their letter, “Your use of the Mark is illegal. You have not received permission from Justice to utilize the Mark. Moreover, Bieber’s work is in no way affiliated with, supported by, or sponsored by Justice.”

    “Such use of the Mark is not only illegal, but likely to deceive and confuse consumers.”

    “Not only was Bieber’s team actually aware of Justice’s use of the Mark, they sought to use the same artist to essentially duplicate it for the Album. This is textbook bad faith and willful infringement. Through your illegal co-opting of the Mark, you are now subject to immediate legal action and damages including, but not limited to, punitive and injustice relief.”

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    Justin Bieber Defended by Martin Luther King's Daughter Over Use of MLK's Speeches on New Album

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    Bernice King is grateful to the ‘What Do You Mean?’ hitmaker for supporting global movement for justice by featuring the civil rights icon’s speeches on his new album.

    Mar 20, 2021

    AceShowbiz –
    Martin Luther King’s daughter has defended Justin Bieber for using snippets from her father’s speeches on his new album cover, revealing the pop star asked for permission to feature the civil rights icon.

    Bieber came under fire early on Thursday night (18Mar21) as his latest record, “Justice”, dropped, with critics calling the star “tone deaf” for mixing pop songs with King’s words.

    In fact, the very first voice listeners heard on the album was one of King’s speeches, “Injustice anywhere is a threat to justice everywhere,” at the beginning of the track “2 Much”.

    There’s also a nearly two-minute MLK Interlude track in the middle of the record, which leads into a song called “Die for You”.

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    Bernice King has offered no commentary on how Bieber used her dad’s speeches on the album, but she has confirmed he did ask the MLK Estate for clearance.

    She tweets, “Thank you, @justinbieber, for your support, in honor of #Justice, of @TheKingCenter’s work and of our #BeLove campaign, which is a part of our global movement for justice.”

    Bieber is currently embroiled in a legal dispute with dance duo Justice, who have accused Bieber of stealing their logo for the cover art of “Justice”.

    The dance troupe fired a cease-and-desist letter. They told Justin in their letter, “Your use of the Mark is illegal. You have not received permission from Justice to utilize the Mark. Moreover, Bieber’s work is in no way affiliated with, supported by, or sponsored by Justice.”

    “Such use of the Mark is not only illegal, but likely to deceive and confuse consumers.”

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    What Is March Madness Without the Bands?

    Neither the men’s nor women’s N.C.A.A. basketball tournaments will allow bands this year — and canned music just can’t compare.INDIANAPOLIS — In a normal year, when a player sinks a buzzer-beating shot in a N.C.A.A. tournament game, tens of thousands of fans erupt in celebration.This year will prove to be a bit quieter, even if the venue is larger.The men’s Final Four tournament will take place at Lucas Oil Stadium, a 70,000-seat arena home to the N.F.L.’s Indianapolis Colts. The crowd will be capped at 25 percent of capacity, with fans masked and seated in socially distanced pods of two, four or six. And the area reserved for each 29-member band will be empty.“I understand the N.C.A.A’s decision,” Jake Tedeschi, 22, a senior tenor saxophone player in the No. 1 seed University of Illinois’s basketball pep band, said in an interview on Thursday. “But man, I wish I could be there. I’m hoping they’ll reconsider for the Final Four.”But now, that dream is dashed, too.After previously excluding bands only through the Elite Eight, an N.C.A.A. associate director of communications, Christopher Radford, said in an email on Friday that no bands would be allowed at any of the games in either the men’s or women’s N.C.A.A. basketball tournaments this year.The decision, he said, was based on health and safety protocols developed with local health authorities, which “led to reductions in the size of official travel parties and limits on overall capacity in venues.”The six Indiana venues that will host this year’s games, he said, will still play school fight songs and anthems. They will screen cheer video performances, and other band music will be in rotation.But the honking tubas and energy-building improvisation of pep bands are what attracts many fans to the college game — they are the antithesis of the N.B.A.’s reliance on canned noise to punctuate big blocks and thunderous dunks. And bands have an even more crucial role in the N.C.A.A. tournament, Barry L. Houser, the director of the University of Illinois’s marching and athletic bands for the past 10 years, said.“There’s nothing like live music to bring a stadium or arena alive,” he said in an interview on Thursday. “The playing of a fight song after a great play or going into a hot timeout after an amazing play for the team can really get the crowd riled up.”Tedeschi, the University of Illinois band member, believes a band can “absolutely” change a game.“We scream a lot,” he said. “And, especially late in the game, we do our best to distract the other team’s players.”There will be no band for players to interact with at this year’s tournaments.Richard Shiro/Associated PressBut pep band players aren’t just passionate about school fight songs or “Sweet Caroline” — they’re some of the biggest basketball fans in the arena and the spark that ignites most student sections.“The chance to travel with the team and be their number-one supporter is a big reason I do athletic bands,” Tedeschi said. “It takes time away from my other coursework, especially when we’re traveling more, but it’s a sacrifice I’m willing to make. It’s near and dear to my heart.”But seniors like Tedeschi will never get the chance to play at an N.C.A.A. tournament game —- a big part of why he joined the pep band his freshman year, he said. (The Illini did not make the men’s or women’s N.C.A.A. tournament his first two years, and the pandemic derailed last year’s games.)He understands the N.C.A.A.’s decision to prohibit bands in the first two rounds, but thinks they could have been allowed for games later in the tournament. “The bracket is smaller, and fewer teams’ bands would show up,” he said. “It would mean less other fans, but for seniors, it’s the only chance we have. Mid-major teams don’t make it every year.”Michael Martin, a 21-year-old senior at Ohio State who plays snare and bass drum in the pep band, has never been to any of the N.C.A.A. tournaments. And he’s now missed his chance.“I prepared myself for it,” he said. “But I’m still really disappointed. I was looking forward to playing ‘Buckeye Swag’ for everyone.”Houser, the University of Illinois band director, feels terrible for his seniors — especially in a year that the men’s team is a No. 1 seed.“The teams went through a lot of challenges, and now they’re doing so well,” he said. “I just wish our students had the opportunity to cheer them on in this situation.”But having steeled themselves to the reality of a tournament without live music, band directors are looking forward to the coming year with optimism.Christopher Hoch, who is in his fourth year as director of the Ohio State University marching and athletic bands, has been persevering with his athletic bands class, even absent opportunities to play at games.“I felt it was important for students to continue to have the opportunity to play, even though they weren’t necessarily performing at events,” he said.Now, Hoch is preparing his students for the halftime show they typically do at the spring football game. “We love being there to support the team and university,” he said. “And I’m hopeful we’ll be able to get back to doing that soon.” More

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    Kenny Wayne Shepherd's Music Award Nomination Rescinded Over Confederate Flag Imagery

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    The Blues Foundation has decided to call off his Best Blues/Rock Artist nomination after he allegedly displayed Confederate flag imagery on his car and guitars.

    Mar 20, 2021

    AceShowbiz –
    Kenny Wayne Shepherd’s Blues Music Award nomination has been rescinded over the singer’s use of Confederate flag imagery.

    In a statement, The Blues Foundation revealed they’d decided to rescind his nomination for Best Blues/Rock Artist due to the images which appeared on Shepherd’s The Dukes of Hazzard ‘General Lee’ car replica and on “guitars and elsewhere.”

    Apologising in a statement to Rolling Stone, Shepherd said he had made the decision to cover the images on his car some time ago.

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    “We have been told this decision has been made because in recent days, concerns have been raised regarding one of the cars in my muscle car collection,” he said. “The car was built 17 years ago as a replica and homage to the iconic car in the television series, The Dukes of Hazzard. That CBS show was one of the highest-rated and most popular programs of its era and like millions of others, I watched it every week.”

    “In the show, one of the central ‘characters’ was a muscle car which displayed a confederate flag on its roof. Years ago I put that car in permanent storage and some time ago, I made the decision to permanently cover the flag on my car because it was completely against my values and offensive to the African American community which created the music I love so much and I apologise to anyone that I have unintentionally hurt because of it.”

    He concluded, “I want to make something very clear and unequivocal; I condemn and stand in complete opposition to all forms of racism and oppression and always have.”

    As well as Shepherd’s nomination being rescinded, the Blues Foundation has asked his father Ken Shepherd to step down as a member of their Board of Directors. Ken Shepherd has yet to comment on the controversy.

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